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7 octobre 2022 à 18:26 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Promptly. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

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The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
+
<br>At a still more physical level it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by way of the British Arts and Humanities Inquire into Cabinet and inspired during the duty of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic shoot properly began and a investigate trajectory was plotted that has led to the publication, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Physique Telling, it mattered in the 1980s adequacy for the benefit of Waugh to make a case to save its interpretation, it mattered in the 1990s in the middle of the AIDS disaster and it matters now.<br><br>A consideration of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn give birth to forever been objects of pernickety pull and possess provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an outstandingly useful individual for the breakdown of gender identities and is a worthy who calls into a indubitably a routine of issues far the models of masculinities that gay porn deploys and exploits.<br><br>The starting point quest of this wander is surely a revisiting of the biography, and I am delighted that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational try because of scholars of gay porn and his own reflections on the voice of the field. As many times, his wit and acuity is admirable (his history of Gail Dines as this memoir’s ‘demogogue nemesis’ has мейд me roll on the floor every time I prepare decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Straight:  [http://Fotoclubbahia.com.ar/community/profile/lashayatwell38/ Gay0day] a In the flesh Revisit’ that his effort was past no means the first on the subject. ‘Men’s Pornography: Gay vs Upright’ is nonetheless in my view (and this is a aspect shared by numberless others) an specially mighty intervention. In this new article, Waugh describes the lay down of social and cultural circumstances that lead to the publication of his essay in Ignore Clip in 1985. In exceptional this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a planned rubric for interpretation and the uniquely apposite (and in multifarious regards fatidic) opinion that gay porn does not eke out a living in lavish isolation and should be more meaningfully understood as chiefly of what Tom describes as a ‘continuum’ here.<br><br>That we should keep off making assumptions here either who audiences are or how audiences rejoin to filth has been a centre apprehension exchange for this newsletter and the researchers that are associated with it. Undoubtedly, another one of a kind issue staunch to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present specific climax, Guy Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier study into the responses of a trial of in general Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the reflect on, women not exclusively tease a positive return to gay porn and the gay sex represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the varying audiences in behalf of gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of male porn viewers and the crucial audience check out layout conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br><br>The textual qualities of gay porn continue to be an important focus of about after researchers in the american football gridiron and the evolving stripe of the character means that there is each time more to noise abroad concerning advanced modes of formation and emerging aesthetic and windy patterns. The in the wake articles in this special issue all cynosure clear on the specifics of fashionable gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and coexistent gay porn in isolated, crumpet on. Through an interpretation of a grade of up to date French materials and the website Wisecrack the Fag, Immature argues that neither the arguments proselytized by anti-porn feminism nor the rubric of ‘comfort’ that has also mature an orthodoxy can necessarily account in return the enactments of sexual power and the whip that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more involved and far less binaristic than antecedent accounts dominion accept suggested through the confidence of the apparatus of the camera. Young’s article brilliantly reminds readers of the staged and performed identity of the reproductive acts represented in gay porn.<br>

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The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
Nouveau texte de la page, après la modification (new_wikitext)
<br>At a still more physical level it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by way of the British Arts and Humanities Inquire into Cabinet and inspired during the duty of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic shoot properly began and a investigate trajectory was plotted that has led to the publication, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Physique Telling, it mattered in the 1980s adequacy for the benefit of Waugh to make a case to save its interpretation, it mattered in the 1990s in the middle of the AIDS disaster and it matters now.<br><br>A consideration of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn give birth to forever been objects of pernickety pull and possess provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an outstandingly useful individual for the breakdown of gender identities and is a worthy who calls into a indubitably a routine of issues far the models of masculinities that gay porn deploys and exploits.<br><br>The starting point quest of this wander is surely a revisiting of the biography, and I am delighted that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational try because of scholars of gay porn and his own reflections on the voice of the field. As many times, his wit and acuity is admirable (his history of Gail Dines as this memoir’s ‘demogogue nemesis’ has мейд me roll on the floor every time I prepare decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Straight: [http://Fotoclubbahia.com.ar/community/profile/lashayatwell38/ Gay0day] a In the flesh Revisit’ that his effort was past no means the first on the subject. ‘Men’s Pornography: Gay vs Upright’ is nonetheless in my view (and this is a aspect shared by numberless others) an specially mighty intervention. In this new article, Waugh describes the lay down of social and cultural circumstances that lead to the publication of his essay in Ignore Clip in 1985. In exceptional this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a planned rubric for interpretation and the uniquely apposite (and in multifarious regards fatidic) opinion that gay porn does not eke out a living in lavish isolation and should be more meaningfully understood as chiefly of what Tom describes as a ‘continuum’ here.<br><br>That we should keep off making assumptions here either who audiences are or how audiences rejoin to filth has been a centre apprehension exchange for this newsletter and the researchers that are associated with it. Undoubtedly, another one of a kind issue staunch to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present specific climax, Guy Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier study into the responses of a trial of in general Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the reflect on, women not exclusively tease a positive return to gay porn and the gay sex represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the varying audiences in behalf of gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of male porn viewers and the crucial audience check out layout conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br><br>The textual qualities of gay porn continue to be an important focus of about after researchers in the american football gridiron and the evolving stripe of the character means that there is each time more to noise abroad concerning advanced modes of formation and emerging aesthetic and windy patterns. The in the wake articles in this special issue all cynosure clear on the specifics of fashionable gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and coexistent gay porn in isolated, crumpet on. Through an interpretation of a grade of up to date French materials and the website Wisecrack the Fag, Immature argues that neither the arguments proselytized by anti-porn feminism nor the rubric of ‘comfort’ that has also mature an orthodoxy can necessarily account in return the enactments of sexual power and the whip that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more involved and far less binaristic than antecedent accounts dominion accept suggested through the confidence of the apparatus of the camera. Young’s article brilliantly reminds readers of the staged and performed identity of the reproductive acts represented in gay porn.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. +<br>At a still more physical level it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by way of the British Arts and Humanities Inquire into Cabinet and inspired during the duty of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic shoot properly began and a investigate trajectory was plotted that has led to the publication, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Physique Telling, it mattered in the 1980s adequacy for the benefit of Waugh to make a case to save its interpretation, it mattered in the 1990s in the middle of the AIDS disaster and it matters now.<br><br>A consideration of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn give birth to forever been objects of pernickety pull and possess provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an outstandingly useful individual for the breakdown of gender identities and is a worthy who calls into a indubitably a routine of issues far the models of masculinities that gay porn deploys and exploits.<br><br>The starting point quest of this wander is surely a revisiting of the biography, and I am delighted that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational try because of scholars of gay porn and his own reflections on the voice of the field. As many times, his wit and acuity is admirable (his history of Gail Dines as this memoir’s ‘demogogue nemesis’ has мейд me roll on the floor every time I prepare decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Straight: [http://Fotoclubbahia.com.ar/community/profile/lashayatwell38/ Gay0day] a In the flesh Revisit’ that his effort was past no means the first on the subject. ‘Men’s Pornography: Gay vs Upright’ is nonetheless in my view (and this is a aspect shared by numberless others) an specially mighty intervention. In this new article, Waugh describes the lay down of social and cultural circumstances that lead to the publication of his essay in Ignore Clip in 1985. In exceptional this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a planned rubric for interpretation and the uniquely apposite (and in multifarious regards fatidic) opinion that gay porn does not eke out a living in lavish isolation and should be more meaningfully understood as chiefly of what Tom describes as a ‘continuum’ here.<br><br>That we should keep off making assumptions here either who audiences are or how audiences rejoin to filth has been a centre apprehension exchange for this newsletter and the researchers that are associated with it. Undoubtedly, another one of a kind issue staunch to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present specific climax, Guy Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier study into the responses of a trial of in general Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the reflect on, women not exclusively tease a positive return to gay porn and the gay sex represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the varying audiences in behalf of gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of male porn viewers and the crucial audience check out layout conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br><br>The textual qualities of gay porn continue to be an important focus of about after researchers in the american football gridiron and the evolving stripe of the character means that there is each time more to noise abroad concerning advanced modes of formation and emerging aesthetic and windy patterns. The in the wake articles in this special issue all cynosure clear on the specifics of fashionable gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and coexistent gay porn in isolated, crumpet on. Through an interpretation of a grade of up to date French materials and the website Wisecrack the Fag, Immature argues that neither the arguments proselytized by anti-porn feminism nor the rubric of ‘comfort’ that has also mature an orthodoxy can necessarily account in return the enactments of sexual power and the whip that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more involved and far less binaristic than antecedent accounts dominion accept suggested through the confidence of the apparatus of the camera. Young’s article brilliantly reminds readers of the staged and performed identity of the reproductive acts represented in gay porn.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>At a still more physical level it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by way of the British Arts and Humanities Inquire into Cabinet and inspired during the duty of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic shoot properly began and a investigate trajectory was plotted that has led to the publication, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Physique Telling, it mattered in the 1980s adequacy for the benefit of Waugh to make a case to save its interpretation, it mattered in the 1990s in the middle of the AIDS disaster and it matters now.<br><br>A consideration of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn give birth to forever been objects of pernickety pull and possess provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an outstandingly useful individual for the breakdown of gender identities and is a worthy who calls into a indubitably a routine of issues far the models of masculinities that gay porn deploys and exploits.<br><br>The starting point quest of this wander is surely a revisiting of the biography, and I am delighted that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational try because of scholars of gay porn and his own reflections on the voice of the field. As many times, his wit and acuity is admirable (his history of Gail Dines as this memoir’s ‘demogogue nemesis’ has мейд me roll on the floor every time I prepare decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Straight: [http://Fotoclubbahia.com.ar/community/profile/lashayatwell38/ Gay0day] a In the flesh Revisit’ that his effort was past no means the first on the subject. ‘Men’s Pornography: Gay vs Upright’ is nonetheless in my view (and this is a aspect shared by numberless others) an specially mighty intervention. In this new article, Waugh describes the lay down of social and cultural circumstances that lead to the publication of his essay in Ignore Clip in 1985. In exceptional this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a planned rubric for interpretation and the uniquely apposite (and in multifarious regards fatidic) opinion that gay porn does not eke out a living in lavish isolation and should be more meaningfully understood as chiefly of what Tom describes as a ‘continuum’ here.<br><br>That we should keep off making assumptions here either who audiences are or how audiences rejoin to filth has been a centre apprehension exchange for this newsletter and the researchers that are associated with it. Undoubtedly, another one of a kind issue staunch to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present specific climax, Guy Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier study into the responses of a trial of in general Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the reflect on, women not exclusively tease a positive return to gay porn and the gay sex represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the varying audiences in behalf of gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of male porn viewers and the crucial audience check out layout conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br><br>The textual qualities of gay porn continue to be an important focus of about after researchers in the american football gridiron and the evolving stripe of the character means that there is each time more to noise abroad concerning advanced modes of formation and emerging aesthetic and windy patterns. The in the wake articles in this special issue all cynosure clear on the specifics of fashionable gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and coexistent gay porn in isolated, crumpet on. Through an interpretation of a grade of up to date French materials and the website Wisecrack the Fag, Immature argues that neither the arguments proselytized by anti-porn feminism nor the rubric of ‘comfort’ that has also mature an orthodoxy can necessarily account in return the enactments of sexual power and the whip that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more involved and far less binaristic than antecedent accounts dominion accept suggested through the confidence of the apparatus of the camera. Young’s article brilliantly reminds readers of the staged and performed identity of the reproductive acts represented in gay porn.<br>
Horodatage Unix de la modification (timestamp)
1665163599