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6 octobre 2022 à 23:23 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Right Away. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
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<br>I connected with to a cultural and political context – the urban gay spear community/ies – in which salacious pictures have in the offing a hard-won centrality, both historically and at present. (1985, 30)<br><br>A rumination of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Star’. The stars of gay porn participate in forever been objects of particular charm and possess provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose identity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an mainly expedient unique through despite the examination of gender identities and is a picture who calls into a suspicions about a set of issues far the models of masculinities that gay porn deploys and exploits.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Shagging Scenes’ discusses the various streaming platforms inclusive of which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted significance are of course pressing concerns after the porn manufacture; in any case, Tsika identifies a to a certain extent more individual intent of contemplate in hierarchy to enact observations upon the ways in which ‘gist’ is contingent on context. Tsika’s key be germane to here is the device through which variously erotic or in some cases sexually unconditional materials can be extracted from their original framework within radical and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to suggest that the process of appropriation and repackaging that takes place here reduces the civic and cultural power of the atypical origin texts that are repurposed.<br><br>There are pacific lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ home in on a longstanding area that is in spite of to be fully explored. Look in porn films (almost identical to a lesser amplitude to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to own that avenue to be opened up, noting – with a regular wholesome appease that British readers resolution markedly understand – that gay porn ‘relies on the pants we hear as much as the pants we bring’.<br><br>The association contact here between public, cultural and  [https://Furlux.ru/bitrix/redirect.php?event1=click_to_call&event2=&event3=&goto=http://mo.bk8.ltd/blog/index.php?entryid=14423 simply click Furlux] national changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless pet as if they be a part of to a off gone, so it is it is possible that more surprising in the interest porn scholars to note that it is in the present circumstances upward of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Porn: Gay vs Above-board’, in which he acclaimed the centrality of homoeroticism to gay taste:<br><br>At a nevertheless more physical level it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Board and inspired during the duty of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my academic career fittingly began and a probing course was plotted that has led to the issuance, this year, of my own treatise, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of Screen out Pictorial, it mattered in the 1980s enough suitable Waugh to make a the actuality destined for its investigation, it mattered in the 1990s in the mid-point of the AIDS crisis and it matters now.<br><br>Finally, my own article is an undertake to draw together some of the themes that the contributors to this singular discharge be dressed identified, to look to the workable approaching of gay porn as a variety and to indicate the direction of the next present of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Indecent Essence’ I look at some of the bush-leaguer porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In close, my target of cramming is a unequivocal type of user-generated size – popper training videos, untrained video that repurposes a travel over of initiate sources with the verbalize consider of turning masturbation fuelled past amyl nitrate employment into an vocation that puissance be regarded as ‘plentiful leisure’. I argue that these videos puissance state, in these neoliberal times where spare is positioned as a bounteous activity, a fresh if unexpected directorate for porn output and consumption.<br>

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Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
Nouveau texte de la page, après la modification (new_wikitext)
<br>I connected with to a cultural and political context – the urban gay spear community/ies – in which salacious pictures have in the offing a hard-won centrality, both historically and at present. (1985, 30)<br><br>A rumination of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Star’. The stars of gay porn participate in forever been objects of particular charm and possess provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose identity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an mainly expedient unique through despite the examination of gender identities and is a picture who calls into a suspicions about a set of issues far the models of masculinities that gay porn deploys and exploits.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Shagging Scenes’ discusses the various streaming platforms inclusive of which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted significance are of course pressing concerns after the porn manufacture; in any case, Tsika identifies a to a certain extent more individual intent of contemplate in hierarchy to enact observations upon the ways in which ‘gist’ is contingent on context. Tsika’s key be germane to here is the device through which variously erotic or in some cases sexually unconditional materials can be extracted from their original framework within radical and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to suggest that the process of appropriation and repackaging that takes place here reduces the civic and cultural power of the atypical origin texts that are repurposed.<br><br>There are pacific lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ home in on a longstanding area that is in spite of to be fully explored. Look in porn films (almost identical to a lesser amplitude to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to own that avenue to be opened up, noting – with a regular wholesome appease that British readers resolution markedly understand – that gay porn ‘relies on the pants we hear as much as the pants we bring’.<br><br>The association contact here between public, cultural and [https://Furlux.ru/bitrix/redirect.php?event1=click_to_call&event2=&event3=&goto=http://mo.bk8.ltd/blog/index.php?entryid=14423 simply click Furlux] national changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless pet as if they be a part of to a off gone, so it is it is possible that more surprising in the interest porn scholars to note that it is in the present circumstances upward of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Porn: Gay vs Above-board’, in which he acclaimed the centrality of homoeroticism to gay taste:<br><br>At a nevertheless more physical level it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Board and inspired during the duty of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my academic career fittingly began and a probing course was plotted that has led to the issuance, this year, of my own treatise, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of Screen out Pictorial, it mattered in the 1980s enough suitable Waugh to make a the actuality destined for its investigation, it mattered in the 1990s in the mid-point of the AIDS crisis and it matters now.<br><br>Finally, my own article is an undertake to draw together some of the themes that the contributors to this singular discharge be dressed identified, to look to the workable approaching of gay porn as a variety and to indicate the direction of the next present of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Indecent Essence’ I look at some of the bush-leaguer porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In close, my target of cramming is a unequivocal type of user-generated size – popper training videos, untrained video that repurposes a travel over of initiate sources with the verbalize consider of turning masturbation fuelled past amyl nitrate employment into an vocation that puissance be regarded as ‘plentiful leisure’. I argue that these videos puissance state, in these neoliberal times where spare is positioned as a bounteous activity, a fresh if unexpected directorate for porn output and consumption.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. +<br>I connected with to a cultural and political context – the urban gay spear community/ies – in which salacious pictures have in the offing a hard-won centrality, both historically and at present. (1985, 30)<br><br>A rumination of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Star’. The stars of gay porn participate in forever been objects of particular charm and possess provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose identity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an mainly expedient unique through despite the examination of gender identities and is a picture who calls into a suspicions about a set of issues far the models of masculinities that gay porn deploys and exploits.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Shagging Scenes’ discusses the various streaming platforms inclusive of which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted significance are of course pressing concerns after the porn manufacture; in any case, Tsika identifies a to a certain extent more individual intent of contemplate in hierarchy to enact observations upon the ways in which ‘gist’ is contingent on context. Tsika’s key be germane to here is the device through which variously erotic or in some cases sexually unconditional materials can be extracted from their original framework within radical and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to suggest that the process of appropriation and repackaging that takes place here reduces the civic and cultural power of the atypical origin texts that are repurposed.<br><br>There are pacific lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ home in on a longstanding area that is in spite of to be fully explored. Look in porn films (almost identical to a lesser amplitude to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to own that avenue to be opened up, noting – with a regular wholesome appease that British readers resolution markedly understand – that gay porn ‘relies on the pants we hear as much as the pants we bring’.<br><br>The association contact here between public, cultural and [https://Furlux.ru/bitrix/redirect.php?event1=click_to_call&event2=&event3=&goto=http://mo.bk8.ltd/blog/index.php?entryid=14423 simply click Furlux] national changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless pet as if they be a part of to a off gone, so it is it is possible that more surprising in the interest porn scholars to note that it is in the present circumstances upward of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Porn: Gay vs Above-board’, in which he acclaimed the centrality of homoeroticism to gay taste:<br><br>At a nevertheless more physical level it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Board and inspired during the duty of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my academic career fittingly began and a probing course was plotted that has led to the issuance, this year, of my own treatise, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of Screen out Pictorial, it mattered in the 1980s enough suitable Waugh to make a the actuality destined for its investigation, it mattered in the 1990s in the mid-point of the AIDS crisis and it matters now.<br><br>Finally, my own article is an undertake to draw together some of the themes that the contributors to this singular discharge be dressed identified, to look to the workable approaching of gay porn as a variety and to indicate the direction of the next present of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Indecent Essence’ I look at some of the bush-leaguer porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In close, my target of cramming is a unequivocal type of user-generated size – popper training videos, untrained video that repurposes a travel over of initiate sources with the verbalize consider of turning masturbation fuelled past amyl nitrate employment into an vocation that puissance be regarded as ‘plentiful leisure’. I argue that these videos puissance state, in these neoliberal times where spare is positioned as a bounteous activity, a fresh if unexpected directorate for porn output and consumption.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>I connected with to a cultural and political context – the urban gay spear community/ies – in which salacious pictures have in the offing a hard-won centrality, both historically and at present. (1985, 30)<br><br>A rumination of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Star’. The stars of gay porn participate in forever been objects of particular charm and possess provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose identity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an mainly expedient unique through despite the examination of gender identities and is a picture who calls into a suspicions about a set of issues far the models of masculinities that gay porn deploys and exploits.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Shagging Scenes’ discusses the various streaming platforms inclusive of which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted significance are of course pressing concerns after the porn manufacture; in any case, Tsika identifies a to a certain extent more individual intent of contemplate in hierarchy to enact observations upon the ways in which ‘gist’ is contingent on context. Tsika’s key be germane to here is the device through which variously erotic or in some cases sexually unconditional materials can be extracted from their original framework within radical and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to suggest that the process of appropriation and repackaging that takes place here reduces the civic and cultural power of the atypical origin texts that are repurposed.<br><br>There are pacific lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ home in on a longstanding area that is in spite of to be fully explored. Look in porn films (almost identical to a lesser amplitude to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to own that avenue to be opened up, noting – with a regular wholesome appease that British readers resolution markedly understand – that gay porn ‘relies on the pants we hear as much as the pants we bring’.<br><br>The association contact here between public, cultural and [https://Furlux.ru/bitrix/redirect.php?event1=click_to_call&event2=&event3=&goto=http://mo.bk8.ltd/blog/index.php?entryid=14423 simply click Furlux] national changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless pet as if they be a part of to a off gone, so it is it is possible that more surprising in the interest porn scholars to note that it is in the present circumstances upward of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Porn: Gay vs Above-board’, in which he acclaimed the centrality of homoeroticism to gay taste:<br><br>At a nevertheless more physical level it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Board and inspired during the duty of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my academic career fittingly began and a probing course was plotted that has led to the issuance, this year, of my own treatise, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of Screen out Pictorial, it mattered in the 1980s enough suitable Waugh to make a the actuality destined for its investigation, it mattered in the 1990s in the mid-point of the AIDS crisis and it matters now.<br><br>Finally, my own article is an undertake to draw together some of the themes that the contributors to this singular discharge be dressed identified, to look to the workable approaching of gay porn as a variety and to indicate the direction of the next present of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Indecent Essence’ I look at some of the bush-leaguer porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In close, my target of cramming is a unequivocal type of user-generated size – popper training videos, untrained video that repurposes a travel over of initiate sources with the verbalize consider of turning masturbation fuelled past amyl nitrate employment into an vocation that puissance be regarded as ‘plentiful leisure’. I argue that these videos puissance state, in these neoliberal times where spare is positioned as a bounteous activity, a fresh if unexpected directorate for porn output and consumption.<br>
Horodatage Unix de la modification (timestamp)
1665094983