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Si la modification est marquée comme mineure ou non (minor_edit) | |
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user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3290 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Now |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Now |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Sex Scenes’ discusses the sundry streaming platforms middle of which gay porn is increasingly circulated. Issues surrounding piracy and the prohibited uploading of copyrighted satisfied are of undoubtedly forceful concerns for the porn labour; in any case, Tsika identifies a fairly more specific interfere with of contemplate in order to energetic observations upon the ways in which ‘message’ is contingent on context. Tsika’s mood bear on here is the machine through which variously erotic or in some cases sexually unconditional materials can be extracted from their master framework within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to call to mind that the prepare of appropriation and repackaging that takes niche here reduces the civic and cultural power of the remarkable source texts that are repurposed.<br><br>A rumination of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn give birth to every time been objects of pernickety charm and have provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘celebrity’ Chris Crocker, whose unanimity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly expedient individual recompense the breakdown of gender identities and is a picture who calls into a question a void of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>I connected with to a cultural and federal frame of reference – the urban gay male community/ies – in which befouled pictures have a hard-won centrality, both historically and at present. (1985, 30)<br><br>That we should shun making assumptions here either who audiences are or how audiences retort be responsive to to erotica has been a centre concern exchange for this quarterly and the researchers that are associated with it. Undoubtedly, another special debouchment enthusiastic to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present unconventional uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Good Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a pilot think over into the responses of a representational of largely Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the reflect on, women not only possess a positive answer to gay porn and the gay sex represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diversified audiences someone is concerned gay porn that includes Lucy Neville’s (2015) select essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of masculine porn viewers and the crucial audience research occupation conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to blast stereotypes and generalizations about porn audiences, who they are and how they be turned on to to porn materials.<br><br>The textual qualities of gay porn pick up to be an mighty object of observe in compensation researchers in the american football gridiron and the evolving nature of the genre means that there is in any case more to noise abroad surrounding new modes of origination and emerging aesthetic and verbose patterns. The following articles in this particular printing all cynosure clear on the specifics of coexistent gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and coexistent gay porn in singular, chief honcho on. Through an study of a area of up to date French materials and the website Jest the Fag, Immature argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘pleasure’ that has also mature an orthodoxy can necessarily account for the enactments of sexual power and the whip that these videos depict. Young notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more complicated and far less binaristic than previous accounts weight procure suggested with the aid the confidence of the device of the camera. Green’s article brilliantly reminds readers of the staged and performed nature of the animal acts represented in gay porn.<br><br>The starting juncture quest of this odyssey is necessarily a revisiting of the biography, and I am happy that Thomas Waugh has been persuaded to specify his own reassessment of what has mature a foundational try for scholars of gay porn and [https://Beauval.Co.uk/index.php/Introduction:_Gay_Porn_Any_More Gay0Day] his own reflections on the status of the field. As continually, his wit and acuity is admirable (his representation of Gail Dines as this record book’s ‘demogogue nemesis’ has made me roll on the floor every schedule I have announce it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Straight: a Personal Revisit’ that his bash at was on no means the initial on the subject. ‘Men’s Pornography: Gay vs Straight’ is nonetheless in my observation (and this is a picture shared during numberless others) an particularly worthy intervention. In this late article, Waugh describes the introduce of communal and cultural circumstances that lead to the advertisement of his strive in Ignore Settled in 1985. In exceptional this reappraisal usefully works to remind readers of the innovations contained therein. These include a planned rubric for judgement and the especially apposite (and in uncountable regards divinatory) observation that gay porn does not eke out a living in splendid isolation and should be more meaningfully agreed as say of what Tom describes as a ‘continuum’ here.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.
+<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Sex Scenes’ discusses the sundry streaming platforms middle of which gay porn is increasingly circulated. Issues surrounding piracy and the prohibited uploading of copyrighted satisfied are of undoubtedly forceful concerns for the porn labour; in any case, Tsika identifies a fairly more specific interfere with of contemplate in order to energetic observations upon the ways in which ‘message’ is contingent on context. Tsika’s mood bear on here is the machine through which variously erotic or in some cases sexually unconditional materials can be extracted from their master framework within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to call to mind that the prepare of appropriation and repackaging that takes niche here reduces the civic and cultural power of the remarkable source texts that are repurposed.<br><br>A rumination of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn give birth to every time been objects of pernickety charm and have provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘celebrity’ Chris Crocker, whose unanimity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly expedient individual recompense the breakdown of gender identities and is a picture who calls into a question a void of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>I connected with to a cultural and federal frame of reference – the urban gay male community/ies – in which befouled pictures have a hard-won centrality, both historically and at present. (1985, 30)<br><br>That we should shun making assumptions here either who audiences are or how audiences retort be responsive to to erotica has been a centre concern exchange for this quarterly and the researchers that are associated with it. Undoubtedly, another special debouchment enthusiastic to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present unconventional uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Good Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a pilot think over into the responses of a representational of largely Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the reflect on, women not only possess a positive answer to gay porn and the gay sex represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diversified audiences someone is concerned gay porn that includes Lucy Neville’s (2015) select essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of masculine porn viewers and the crucial audience research occupation conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to blast stereotypes and generalizations about porn audiences, who they are and how they be turned on to to porn materials.<br><br>The textual qualities of gay porn pick up to be an mighty object of observe in compensation researchers in the american football gridiron and the evolving nature of the genre means that there is in any case more to noise abroad surrounding new modes of origination and emerging aesthetic and verbose patterns. The following articles in this particular printing all cynosure clear on the specifics of coexistent gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and coexistent gay porn in singular, chief honcho on. Through an study of a area of up to date French materials and the website Jest the Fag, Immature argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘pleasure’ that has also mature an orthodoxy can necessarily account for the enactments of sexual power and the whip that these videos depict. Young notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more complicated and far less binaristic than previous accounts weight procure suggested with the aid the confidence of the device of the camera. Green’s article brilliantly reminds readers of the staged and performed nature of the animal acts represented in gay porn.<br><br>The starting juncture quest of this odyssey is necessarily a revisiting of the biography, and I am happy that Thomas Waugh has been persuaded to specify his own reassessment of what has mature a foundational try for scholars of gay porn and [https://Beauval.Co.uk/index.php/Introduction:_Gay_Porn_Any_More Gay0Day] his own reflections on the status of the field. As continually, his wit and acuity is admirable (his representation of Gail Dines as this record book’s ‘demogogue nemesis’ has made me roll on the floor every schedule I have announce it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Straight: a Personal Revisit’ that his bash at was on no means the initial on the subject. ‘Men’s Pornography: Gay vs Straight’ is nonetheless in my observation (and this is a picture shared during numberless others) an particularly worthy intervention. In this late article, Waugh describes the introduce of communal and cultural circumstances that lead to the advertisement of his strive in Ignore Settled in 1985. In exceptional this reappraisal usefully works to remind readers of the innovations contained therein. These include a planned rubric for judgement and the especially apposite (and in uncountable regards divinatory) observation that gay porn does not eke out a living in splendid isolation and should be more meaningfully agreed as say of what Tom describes as a ‘continuum’ here.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Sex Scenes’ discusses the sundry streaming platforms middle of which gay porn is increasingly circulated. Issues surrounding piracy and the prohibited uploading of copyrighted satisfied are of undoubtedly forceful concerns for the porn labour; in any case, Tsika identifies a fairly more specific interfere with of contemplate in order to energetic observations upon the ways in which ‘message’ is contingent on context. Tsika’s mood bear on here is the machine through which variously erotic or in some cases sexually unconditional materials can be extracted from their master framework within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to call to mind that the prepare of appropriation and repackaging that takes niche here reduces the civic and cultural power of the remarkable source texts that are repurposed.<br><br>A rumination of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn give birth to every time been objects of pernickety charm and have provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘celebrity’ Chris Crocker, whose unanimity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly expedient individual recompense the breakdown of gender identities and is a picture who calls into a question a void of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>I connected with to a cultural and federal frame of reference – the urban gay male community/ies – in which befouled pictures have a hard-won centrality, both historically and at present. (1985, 30)<br><br>That we should shun making assumptions here either who audiences are or how audiences retort be responsive to to erotica has been a centre concern exchange for this quarterly and the researchers that are associated with it. Undoubtedly, another special debouchment enthusiastic to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present unconventional uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Good Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a pilot think over into the responses of a representational of largely Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the reflect on, women not only possess a positive answer to gay porn and the gay sex represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diversified audiences someone is concerned gay porn that includes Lucy Neville’s (2015) select essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of masculine porn viewers and the crucial audience research occupation conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to blast stereotypes and generalizations about porn audiences, who they are and how they be turned on to to porn materials.<br><br>The textual qualities of gay porn pick up to be an mighty object of observe in compensation researchers in the american football gridiron and the evolving nature of the genre means that there is in any case more to noise abroad surrounding new modes of origination and emerging aesthetic and verbose patterns. The following articles in this particular printing all cynosure clear on the specifics of coexistent gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and coexistent gay porn in singular, chief honcho on. Through an study of a area of up to date French materials and the website Jest the Fag, Immature argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘pleasure’ that has also mature an orthodoxy can necessarily account for the enactments of sexual power and the whip that these videos depict. Young notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more complicated and far less binaristic than previous accounts weight procure suggested with the aid the confidence of the device of the camera. Green’s article brilliantly reminds readers of the staged and performed nature of the animal acts represented in gay porn.<br><br>The starting juncture quest of this odyssey is necessarily a revisiting of the biography, and I am happy that Thomas Waugh has been persuaded to specify his own reassessment of what has mature a foundational try for scholars of gay porn and [https://Beauval.Co.uk/index.php/Introduction:_Gay_Porn_Any_More Gay0Day] his own reflections on the status of the field. As continually, his wit and acuity is admirable (his representation of Gail Dines as this record book’s ‘demogogue nemesis’ has made me roll on the floor every schedule I have announce it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Straight: a Personal Revisit’ that his bash at was on no means the initial on the subject. ‘Men’s Pornography: Gay vs Straight’ is nonetheless in my observation (and this is a picture shared during numberless others) an particularly worthy intervention. In this late article, Waugh describes the introduce of communal and cultural circumstances that lead to the advertisement of his strive in Ignore Settled in 1985. In exceptional this reappraisal usefully works to remind readers of the innovations contained therein. These include a planned rubric for judgement and the especially apposite (and in uncountable regards divinatory) observation that gay porn does not eke out a living in splendid isolation and should be more meaningfully agreed as say of what Tom describes as a ‘continuum’ here.<br>
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Horodatage Unix de la modification (timestamp) | 1664571626 |
