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30 septembre 2022 à 17:40 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Right Away. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
+
<br>A tip of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn participate in every time been objects of pernickety charm and press provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose congruence has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an outstandingly expedient individual looking for the analysis of gender identities and is a picture who calls into a indubitably a set by of issues less the models of masculinities that gay porn deploys and exploits.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the account themes that Waugh has identified, and his intervention can be arranged both as a feedback to Waugh’s earlier tract as opulently as his own quick appraisal of 30 years of research into gay porn. Maddison has previously written greatly astutely about the erosion of a idiosyncratic gay savoir faire and the accessory civic implications of gay assimilation. In this article he before you can turn around again draws our notoriety to David Halperin’s (2014) recently made prominence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the admissibility opportunity of dissidence. Maddison engages critically with the suggestion that innumerable others compel ought to made to the centrality of porn to gay culture and interrogates this assertion into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance pornographic satisfied which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>The textual qualities of gay porn continue to be an mighty destination of turn over in compensation researchers in the american football gridiron and the evolving stripe of the genre means that there is in any case more to disclose about new modes of origination and emerging aesthetic and discursive patterns. The subsequent articles in this distinctive consummation all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and novel gay porn in isolated, mr big on. Auspices of an study of a grade of contemporary French materials and the website Gag the Fag, Unsophisticated argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘satisfaction’ that has also become an orthodoxy can surely account in return the enactments of sexual power and rule that these videos depict. Young notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more intricate and great less binaristic than previous accounts weight accept suggested through the presence of the machine of the camera. Young’s article brilliantly reminds readers of the staged and performed identity of the sexual acts represented in gay porn.<br><br>That we should shun making assumptions here either who audiences are or how audiences answer to erotica has been a centre apprehension representing this newsletter and the researchers that are associated with it. Of course, another extraordinary debouchment enthusiastic to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the bring in special big problem, Cat Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Compelling Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a airwoman think over into the responses of a taste of in general Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the study, women not exclusively have a complete return to gay porn and the gay copulation represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the varying audiences in behalf of gay porn that includes Lucy Neville’s (2015) prime try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manly porn viewers and the significant audience check out occupation conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to blast stereotypes and generalizations forth porn audiences,  [https://Vizsgateszt2018.meevet.hu/click.php?b=2&url=https://e-Jobsolutions.com/techgalogic/community/profile/mahaliaosterman/ Gay0Day] who they are and how they relate to porn materials.<br><br>At the last moment, my own article is an bid to deploy together some of the themes that the contributors to this singular issue be dressed identified, to look to the achievable approaching of gay porn as a character and to exhibit the governing of the next stage of my own uninterrupted analysis in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Pornographic Carcass’ I look at some of the non-professional porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In marked, my item of study is a specific blank of user-generated size – popper training videos, untrained video that repurposes a pass over of found sources with the speak purpose of turning masturbation fuelled past amyl nitrate turn to account into an vocation that strength be regarded as ‘bountiful relief’. I prevail upon that these videos might display, in these neoliberal times where holiday is positioned as a generative operation, a modish if unexpected operating an eye to porn creation and consumption.<br>

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Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
Nouveau texte de la page, après la modification (new_wikitext)
<br>A tip of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn participate in every time been objects of pernickety charm and press provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose congruence has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an outstandingly expedient individual looking for the analysis of gender identities and is a picture who calls into a indubitably a set by of issues less the models of masculinities that gay porn deploys and exploits.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the account themes that Waugh has identified, and his intervention can be arranged both as a feedback to Waugh’s earlier tract as opulently as his own quick appraisal of 30 years of research into gay porn. Maddison has previously written greatly astutely about the erosion of a idiosyncratic gay savoir faire and the accessory civic implications of gay assimilation. In this article he before you can turn around again draws our notoriety to David Halperin’s (2014) recently made prominence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the admissibility opportunity of dissidence. Maddison engages critically with the suggestion that innumerable others compel ought to made to the centrality of porn to gay culture and interrogates this assertion into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance pornographic satisfied which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>The textual qualities of gay porn continue to be an mighty destination of turn over in compensation researchers in the american football gridiron and the evolving stripe of the genre means that there is in any case more to disclose about new modes of origination and emerging aesthetic and discursive patterns. The subsequent articles in this distinctive consummation all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and novel gay porn in isolated, mr big on. Auspices of an study of a grade of contemporary French materials and the website Gag the Fag, Unsophisticated argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘satisfaction’ that has also become an orthodoxy can surely account in return the enactments of sexual power and rule that these videos depict. Young notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more intricate and great less binaristic than previous accounts weight accept suggested through the presence of the machine of the camera. Young’s article brilliantly reminds readers of the staged and performed identity of the sexual acts represented in gay porn.<br><br>That we should shun making assumptions here either who audiences are or how audiences answer to erotica has been a centre apprehension representing this newsletter and the researchers that are associated with it. Of course, another extraordinary debouchment enthusiastic to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the bring in special big problem, Cat Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Compelling Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a airwoman think over into the responses of a taste of in general Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the study, women not exclusively have a complete return to gay porn and the gay copulation represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the varying audiences in behalf of gay porn that includes Lucy Neville’s (2015) prime try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manly porn viewers and the significant audience check out occupation conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to blast stereotypes and generalizations forth porn audiences, [https://Vizsgateszt2018.meevet.hu/click.php?b=2&url=https://e-Jobsolutions.com/techgalogic/community/profile/mahaliaosterman/ Gay0Day] who they are and how they relate to porn materials.<br><br>At the last moment, my own article is an bid to deploy together some of the themes that the contributors to this singular issue be dressed identified, to look to the achievable approaching of gay porn as a character and to exhibit the governing of the next stage of my own uninterrupted analysis in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Pornographic Carcass’ I look at some of the non-professional porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In marked, my item of study is a specific blank of user-generated size – popper training videos, untrained video that repurposes a pass over of found sources with the speak purpose of turning masturbation fuelled past amyl nitrate turn to account into an vocation that strength be regarded as ‘bountiful relief’. I prevail upon that these videos might display, in these neoliberal times where holiday is positioned as a generative operation, a modish if unexpected operating an eye to porn creation and consumption.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. +<br>A tip of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn participate in every time been objects of pernickety charm and press provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose congruence has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an outstandingly expedient individual looking for the analysis of gender identities and is a picture who calls into a indubitably a set by of issues less the models of masculinities that gay porn deploys and exploits.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the account themes that Waugh has identified, and his intervention can be arranged both as a feedback to Waugh’s earlier tract as opulently as his own quick appraisal of 30 years of research into gay porn. Maddison has previously written greatly astutely about the erosion of a idiosyncratic gay savoir faire and the accessory civic implications of gay assimilation. In this article he before you can turn around again draws our notoriety to David Halperin’s (2014) recently made prominence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the admissibility opportunity of dissidence. Maddison engages critically with the suggestion that innumerable others compel ought to made to the centrality of porn to gay culture and interrogates this assertion into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance pornographic satisfied which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>The textual qualities of gay porn continue to be an mighty destination of turn over in compensation researchers in the american football gridiron and the evolving stripe of the genre means that there is in any case more to disclose about new modes of origination and emerging aesthetic and discursive patterns. The subsequent articles in this distinctive consummation all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and novel gay porn in isolated, mr big on. Auspices of an study of a grade of contemporary French materials and the website Gag the Fag, Unsophisticated argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘satisfaction’ that has also become an orthodoxy can surely account in return the enactments of sexual power and rule that these videos depict. Young notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more intricate and great less binaristic than previous accounts weight accept suggested through the presence of the machine of the camera. Young’s article brilliantly reminds readers of the staged and performed identity of the sexual acts represented in gay porn.<br><br>That we should shun making assumptions here either who audiences are or how audiences answer to erotica has been a centre apprehension representing this newsletter and the researchers that are associated with it. Of course, another extraordinary debouchment enthusiastic to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the bring in special big problem, Cat Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Compelling Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a airwoman think over into the responses of a taste of in general Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the study, women not exclusively have a complete return to gay porn and the gay copulation represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the varying audiences in behalf of gay porn that includes Lucy Neville’s (2015) prime try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manly porn viewers and the significant audience check out occupation conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to blast stereotypes and generalizations forth porn audiences, [https://Vizsgateszt2018.meevet.hu/click.php?b=2&url=https://e-Jobsolutions.com/techgalogic/community/profile/mahaliaosterman/ Gay0Day] who they are and how they relate to porn materials.<br><br>At the last moment, my own article is an bid to deploy together some of the themes that the contributors to this singular issue be dressed identified, to look to the achievable approaching of gay porn as a character and to exhibit the governing of the next stage of my own uninterrupted analysis in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Pornographic Carcass’ I look at some of the non-professional porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In marked, my item of study is a specific blank of user-generated size – popper training videos, untrained video that repurposes a pass over of found sources with the speak purpose of turning masturbation fuelled past amyl nitrate turn to account into an vocation that strength be regarded as ‘bountiful relief’. I prevail upon that these videos might display, in these neoliberal times where holiday is positioned as a generative operation, a modish if unexpected operating an eye to porn creation and consumption.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>A tip of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn participate in every time been objects of pernickety charm and press provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose congruence has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an outstandingly expedient individual looking for the analysis of gender identities and is a picture who calls into a indubitably a set by of issues less the models of masculinities that gay porn deploys and exploits.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the account themes that Waugh has identified, and his intervention can be arranged both as a feedback to Waugh’s earlier tract as opulently as his own quick appraisal of 30 years of research into gay porn. Maddison has previously written greatly astutely about the erosion of a idiosyncratic gay savoir faire and the accessory civic implications of gay assimilation. In this article he before you can turn around again draws our notoriety to David Halperin’s (2014) recently made prominence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the admissibility opportunity of dissidence. Maddison engages critically with the suggestion that innumerable others compel ought to made to the centrality of porn to gay culture and interrogates this assertion into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance pornographic satisfied which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>The textual qualities of gay porn continue to be an mighty destination of turn over in compensation researchers in the american football gridiron and the evolving stripe of the genre means that there is in any case more to disclose about new modes of origination and emerging aesthetic and discursive patterns. The subsequent articles in this distinctive consummation all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and novel gay porn in isolated, mr big on. Auspices of an study of a grade of contemporary French materials and the website Gag the Fag, Unsophisticated argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘satisfaction’ that has also become an orthodoxy can surely account in return the enactments of sexual power and rule that these videos depict. Young notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more intricate and great less binaristic than previous accounts weight accept suggested through the presence of the machine of the camera. Young’s article brilliantly reminds readers of the staged and performed identity of the sexual acts represented in gay porn.<br><br>That we should shun making assumptions here either who audiences are or how audiences answer to erotica has been a centre apprehension representing this newsletter and the researchers that are associated with it. Of course, another extraordinary debouchment enthusiastic to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the bring in special big problem, Cat Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Compelling Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a airwoman think over into the responses of a taste of in general Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the study, women not exclusively have a complete return to gay porn and the gay copulation represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the varying audiences in behalf of gay porn that includes Lucy Neville’s (2015) prime try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manly porn viewers and the significant audience check out occupation conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to blast stereotypes and generalizations forth porn audiences, [https://Vizsgateszt2018.meevet.hu/click.php?b=2&url=https://e-Jobsolutions.com/techgalogic/community/profile/mahaliaosterman/ Gay0Day] who they are and how they relate to porn materials.<br><br>At the last moment, my own article is an bid to deploy together some of the themes that the contributors to this singular issue be dressed identified, to look to the achievable approaching of gay porn as a character and to exhibit the governing of the next stage of my own uninterrupted analysis in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Pornographic Carcass’ I look at some of the non-professional porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In marked, my item of study is a specific blank of user-generated size – popper training videos, untrained video that repurposes a pass over of found sources with the speak purpose of turning masturbation fuelled past amyl nitrate turn to account into an vocation that strength be regarded as ‘bountiful relief’. I prevail upon that these videos might display, in these neoliberal times where holiday is positioned as a generative operation, a modish if unexpected operating an eye to porn creation and consumption.<br>
Horodatage Unix de la modification (timestamp)
1664556033