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Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Any More |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Any More |
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Ancien texte de la page, avant la modification (old_wikitext) | At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lead’. The stars of gay porn receive forever been objects of pernickety fascination and include provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an especially expedient unique recompense the examination of gender identities and is a picture who calls into a question a set by of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>The year 2017 marks a latest that without hyperbole can be described as a landmark for gay men in the Unanimous Kingdom. It is just now 50 years since the introduction of the Progenitive Offences Accomplishment of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an important year for the sake gay men too. In Canada, the Justice Minister Pierre Trudeau introduced legislation that was to happen in the decriminalization of homosexuality a year later. In the USA, the now shaming television documentary The Homosexuals (1967) was televise on CBS and Marlon Brando, by this heart a vital Hollywood name, was to play a repressed homosexual in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Develop into Males: A Cross-Cultural and Cross-Species Investigation was first place published in 1967, a book that argued by means of referral to factual and cultural example after the acceptance of homosexuality. In September 1967, shortly before he was to ripen into one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Physique Graphic, marking his entree into the world of show-business via gay porn’s backdoor.<br><br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sex Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues neighbourhood piracy and the prohibited uploading of copyrighted satisfied are of course tenacious concerns after the porn labour; anyway, Tsika identifies a fairly more well-defined intent of studio in array to enact observations upon the ways in which ‘denotation’ is contingent on context. Tsika’s mood concern here is the mechanism through which variously erotic or in some cases sexually explicit materials can be extracted from their firsthand situation within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to suggest that the get ready of appropriation and repackaging that takes place here reduces the governmental and cultural power of the atypical origin texts that are repurposed.<br><br>The joint here between societal, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously informative, [http://Www.spielhallen.net/mr-green-casino/ Gay0Day] nonetheless pet as if they belong to a reserved gone, so it is it may be more surprising in the interest porn scholars to note that it is now upward of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Smut: Gay vs Flat’, in which he acclaimed the centrality of homoeroticism to gay suavity:<br><br>At a still more particular constant it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded via the British Arts and Humanities Inquire into Stay and inspired during the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my scholastic rush fittingly began and a probing course was plotted that has led to the issuance, this year, of my own treatise, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of After Clear, it mattered in the 1980s adequately against Waugh to get a the actuality recompense its interpretation, it mattered in the 1990s in the middle of the AIDS disaster and it matters now.<br><br>Inexorably, my own article is an bid to protract together some of the themes that the contributors to this determined efflux have identified, to look to the workable future of gay porn as a variety and to indicate the supervision of the next present of my own progressive inquire into in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Pornographic Carcass’ I look at some of the amateur porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In particular, my item of cramming is a unequivocal envisage of user-generated size – popper training videos, untrained video that repurposes a range of initiate sources with the straightforward good of turning masturbation fuelled sooner than amyl nitrate employment into an activity that might be regarded as ‘bountiful relief’. I quarrel that these videos power indicate, in these neoliberal times where spare is positioned as a bounteous pursuit, a fresh if unexpected direction for porn production and consumption.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.
+<br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lead’. The stars of gay porn receive forever been objects of pernickety fascination and include provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an especially expedient unique recompense the examination of gender identities and is a picture who calls into a question a set by of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>The year 2017 marks a latest that without hyperbole can be described as a landmark for gay men in the Unanimous Kingdom. It is just now 50 years since the introduction of the Progenitive Offences Accomplishment of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an important year for the sake gay men too. In Canada, the Justice Minister Pierre Trudeau introduced legislation that was to happen in the decriminalization of homosexuality a year later. In the USA, the now shaming television documentary The Homosexuals (1967) was televise on CBS and Marlon Brando, by this heart a vital Hollywood name, was to play a repressed homosexual in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Develop into Males: A Cross-Cultural and Cross-Species Investigation was first place published in 1967, a book that argued by means of referral to factual and cultural example after the acceptance of homosexuality. In September 1967, shortly before he was to ripen into one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Physique Graphic, marking his entree into the world of show-business via gay porn’s backdoor.<br><br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sex Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues neighbourhood piracy and the prohibited uploading of copyrighted satisfied are of course tenacious concerns after the porn labour; anyway, Tsika identifies a fairly more well-defined intent of studio in array to enact observations upon the ways in which ‘denotation’ is contingent on context. Tsika’s mood concern here is the mechanism through which variously erotic or in some cases sexually explicit materials can be extracted from their firsthand situation within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to suggest that the get ready of appropriation and repackaging that takes place here reduces the governmental and cultural power of the atypical origin texts that are repurposed.<br><br>The joint here between societal, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously informative, [http://Www.spielhallen.net/mr-green-casino/ Gay0Day] nonetheless pet as if they belong to a reserved gone, so it is it may be more surprising in the interest porn scholars to note that it is now upward of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Smut: Gay vs Flat’, in which he acclaimed the centrality of homoeroticism to gay suavity:<br><br>At a still more particular constant it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded via the British Arts and Humanities Inquire into Stay and inspired during the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my scholastic rush fittingly began and a probing course was plotted that has led to the issuance, this year, of my own treatise, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of After Clear, it mattered in the 1980s adequately against Waugh to get a the actuality recompense its interpretation, it mattered in the 1990s in the middle of the AIDS disaster and it matters now.<br><br>Inexorably, my own article is an bid to protract together some of the themes that the contributors to this determined efflux have identified, to look to the workable future of gay porn as a variety and to indicate the supervision of the next present of my own progressive inquire into in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Pornographic Carcass’ I look at some of the amateur porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In particular, my item of cramming is a unequivocal envisage of user-generated size – popper training videos, untrained video that repurposes a range of initiate sources with the straightforward good of turning masturbation fuelled sooner than amyl nitrate employment into an activity that might be regarded as ‘bountiful relief’. I quarrel that these videos power indicate, in these neoliberal times where spare is positioned as a bounteous pursuit, a fresh if unexpected direction for porn production and consumption.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lead’. The stars of gay porn receive forever been objects of pernickety fascination and include provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an especially expedient unique recompense the examination of gender identities and is a picture who calls into a question a set by of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>The year 2017 marks a latest that without hyperbole can be described as a landmark for gay men in the Unanimous Kingdom. It is just now 50 years since the introduction of the Progenitive Offences Accomplishment of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an important year for the sake gay men too. In Canada, the Justice Minister Pierre Trudeau introduced legislation that was to happen in the decriminalization of homosexuality a year later. In the USA, the now shaming television documentary The Homosexuals (1967) was televise on CBS and Marlon Brando, by this heart a vital Hollywood name, was to play a repressed homosexual in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Develop into Males: A Cross-Cultural and Cross-Species Investigation was first place published in 1967, a book that argued by means of referral to factual and cultural example after the acceptance of homosexuality. In September 1967, shortly before he was to ripen into one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Physique Graphic, marking his entree into the world of show-business via gay porn’s backdoor.<br><br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sex Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues neighbourhood piracy and the prohibited uploading of copyrighted satisfied are of course tenacious concerns after the porn labour; anyway, Tsika identifies a fairly more well-defined intent of studio in array to enact observations upon the ways in which ‘denotation’ is contingent on context. Tsika’s mood concern here is the mechanism through which variously erotic or in some cases sexually explicit materials can be extracted from their firsthand situation within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to suggest that the get ready of appropriation and repackaging that takes place here reduces the governmental and cultural power of the atypical origin texts that are repurposed.<br><br>The joint here between societal, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously informative, [http://Www.spielhallen.net/mr-green-casino/ Gay0Day] nonetheless pet as if they belong to a reserved gone, so it is it may be more surprising in the interest porn scholars to note that it is now upward of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Smut: Gay vs Flat’, in which he acclaimed the centrality of homoeroticism to gay suavity:<br><br>At a still more particular constant it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded via the British Arts and Humanities Inquire into Stay and inspired during the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my scholastic rush fittingly began and a probing course was plotted that has led to the issuance, this year, of my own treatise, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of After Clear, it mattered in the 1980s adequately against Waugh to get a the actuality recompense its interpretation, it mattered in the 1990s in the middle of the AIDS disaster and it matters now.<br><br>Inexorably, my own article is an bid to protract together some of the themes that the contributors to this determined efflux have identified, to look to the workable future of gay porn as a variety and to indicate the supervision of the next present of my own progressive inquire into in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Pornographic Carcass’ I look at some of the amateur porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In particular, my item of cramming is a unequivocal envisage of user-generated size – popper training videos, untrained video that repurposes a range of initiate sources with the straightforward good of turning masturbation fuelled sooner than amyl nitrate employment into an activity that might be regarded as ‘bountiful relief’. I quarrel that these videos power indicate, in these neoliberal times where spare is positioned as a bounteous pursuit, a fresh if unexpected direction for porn production and consumption.<br>
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Horodatage Unix de la modification (timestamp) | 1663708229 |