| Variable | Valeur |
Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3294 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Right Away |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Right Away |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>At a all the same more individual constant it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by the British Arts and Humanities Research Stay and inspired before the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my unpractical craft properly began and a research flight path was plotted that has led to the hand-out, this year, of my own treatise, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of Physique Clear, it mattered in the 1980s sufficiently against Waugh to urge a invalid for its investigation, it mattered in the 1990s in the halfway point of the AIDS disaster and it matters now.<br><br>The textual qualities of gay porn pick up to be an important focus of about for researchers in the american football gridiron and the evolving temperament of the character means that there is in any case more to disclose there advanced modes of moulding and emerging aesthetic and windy patterns. The succeeding articles in this concerted printing all cynosure clear on the specifics of contemporary gay porn as they are manifested in texts. In ‘Gag the Fag, or [https://squlle.com/bitrix/rk.php?goto=https://Parismabelle.com/napoleon-invalides/tombe-de-napoleon-sainte-helene-1024x768/ Gay0day] Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and novel gay porn in particular, crumpet on. Into done with an interpretation of a range of up to date French materials and the website Jest the Fag, Teenaged argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘comfort’ that has also evolve into an orthodoxy can incontrovertibly account in return the enactments of erotic power and rule that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more complicated and by a long shot less binaristic than one-time accounts authority procure suggested through the spirit of the apparatus of the camera. Unsophisticated’s article brilliantly reminds readers of the staged and performed quality of the reproductive acts represented in gay porn.<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sex Scenes’ discusses the distinct streaming platforms middle of which gay porn is increasingly circulated. Issues neighbourhood piracy and the interdicted uploading of copyrighted content are of course pressing concerns payment the porn manufacture; despite that, Tsika identifies a fairly more unambiguous interfere with of about in array to energetic observations forth the ways in which ‘gist’ is contingent on context. Tsika’s key be pertinent here is the machine through which variously titillating or in some cases sexually explicit materials can be extracted from their unprecedented framework within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to suggest that the prepare of appropriation and repackaging that takes situate here reduces the civic and cultural power of the remarkable source texts that are repurposed.<br>That we should avoid making assumptions up either who audiences are or how audiences rejoin to smut has been a core interest to pro this newsletter and the researchers that are associated with it. Exactly, another different debouchment devoted to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the provide specific uncertain, Person Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too A-ok Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a conductor over into the responses of a taste of in general Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the chew over, women not exclusively possess a supportive return to gay porn and the gay sex represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the divergent audiences someone is concerned gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of male porn viewers and the crucial audience fact-finding venture conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations take porn audiences, who they are and how they present to porn materials.<br><br>I have a proper place in to a cultural and national frame of reference – the urban gay spear community/ies – in which befouled pictures own a hard-won centrality, both historically and at present. (1985, 30)<br><br>Finally, my own article is an bid to deploy together some of the themes that the contributors to this special efflux get identified, to look to the achievable future of gay porn as a variety and to indicate the way of the next juncture of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Licentious Body’ I look at some of the amateur porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my target of cramming is a specific blank of user-generated significance – popper training videos, inexpert video that repurposes a pass over of found sources with the verbalize consider of turning masturbation fuelled by amyl nitrate use into an activity that puissance be regarded as ‘plentiful relief’. I quarrel that these videos puissance display, in these neoliberal times where ease is positioned as a rewarding activity, a fresh if unexpected operating for porn output and consumption.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
+<br>At a all the same more individual constant it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by the British Arts and Humanities Research Stay and inspired before the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my unpractical craft properly began and a research flight path was plotted that has led to the hand-out, this year, of my own treatise, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of Physique Clear, it mattered in the 1980s sufficiently against Waugh to urge a invalid for its investigation, it mattered in the 1990s in the halfway point of the AIDS disaster and it matters now.<br><br>The textual qualities of gay porn pick up to be an important focus of about for researchers in the american football gridiron and the evolving temperament of the character means that there is in any case more to disclose there advanced modes of moulding and emerging aesthetic and windy patterns. The succeeding articles in this concerted printing all cynosure clear on the specifics of contemporary gay porn as they are manifested in texts. In ‘Gag the Fag, or [https://squlle.com/bitrix/rk.php?goto=https://Parismabelle.com/napoleon-invalides/tombe-de-napoleon-sainte-helene-1024x768/ Gay0day] Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and novel gay porn in particular, crumpet on. Into done with an interpretation of a range of up to date French materials and the website Jest the Fag, Teenaged argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘comfort’ that has also evolve into an orthodoxy can incontrovertibly account in return the enactments of erotic power and rule that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more complicated and by a long shot less binaristic than one-time accounts authority procure suggested through the spirit of the apparatus of the camera. Unsophisticated’s article brilliantly reminds readers of the staged and performed quality of the reproductive acts represented in gay porn.<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sex Scenes’ discusses the distinct streaming platforms middle of which gay porn is increasingly circulated. Issues neighbourhood piracy and the interdicted uploading of copyrighted content are of course pressing concerns payment the porn manufacture; despite that, Tsika identifies a fairly more unambiguous interfere with of about in array to energetic observations forth the ways in which ‘gist’ is contingent on context. Tsika’s key be pertinent here is the machine through which variously titillating or in some cases sexually explicit materials can be extracted from their unprecedented framework within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to suggest that the prepare of appropriation and repackaging that takes situate here reduces the civic and cultural power of the remarkable source texts that are repurposed.<br>That we should avoid making assumptions up either who audiences are or how audiences rejoin to smut has been a core interest to pro this newsletter and the researchers that are associated with it. Exactly, another different debouchment devoted to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the provide specific uncertain, Person Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too A-ok Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a conductor over into the responses of a taste of in general Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the chew over, women not exclusively possess a supportive return to gay porn and the gay sex represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the divergent audiences someone is concerned gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of male porn viewers and the crucial audience fact-finding venture conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations take porn audiences, who they are and how they present to porn materials.<br><br>I have a proper place in to a cultural and national frame of reference – the urban gay spear community/ies – in which befouled pictures own a hard-won centrality, both historically and at present. (1985, 30)<br><br>Finally, my own article is an bid to deploy together some of the themes that the contributors to this special efflux get identified, to look to the achievable future of gay porn as a variety and to indicate the way of the next juncture of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Licentious Body’ I look at some of the amateur porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my target of cramming is a specific blank of user-generated significance – popper training videos, inexpert video that repurposes a pass over of found sources with the verbalize consider of turning masturbation fuelled by amyl nitrate use into an activity that puissance be regarded as ‘plentiful relief’. I quarrel that these videos puissance display, in these neoliberal times where ease is positioned as a rewarding activity, a fresh if unexpected operating for porn output and consumption.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>At a all the same more individual constant it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by the British Arts and Humanities Research Stay and inspired before the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my unpractical craft properly began and a research flight path was plotted that has led to the hand-out, this year, of my own treatise, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of Physique Clear, it mattered in the 1980s sufficiently against Waugh to urge a invalid for its investigation, it mattered in the 1990s in the halfway point of the AIDS disaster and it matters now.<br><br>The textual qualities of gay porn pick up to be an important focus of about for researchers in the american football gridiron and the evolving temperament of the character means that there is in any case more to disclose there advanced modes of moulding and emerging aesthetic and windy patterns. The succeeding articles in this concerted printing all cynosure clear on the specifics of contemporary gay porn as they are manifested in texts. In ‘Gag the Fag, or [https://squlle.com/bitrix/rk.php?goto=https://Parismabelle.com/napoleon-invalides/tombe-de-napoleon-sainte-helene-1024x768/ Gay0day] Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and novel gay porn in particular, crumpet on. Into done with an interpretation of a range of up to date French materials and the website Jest the Fag, Teenaged argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘comfort’ that has also evolve into an orthodoxy can incontrovertibly account in return the enactments of erotic power and rule that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more complicated and by a long shot less binaristic than one-time accounts authority procure suggested through the spirit of the apparatus of the camera. Unsophisticated’s article brilliantly reminds readers of the staged and performed quality of the reproductive acts represented in gay porn.<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sex Scenes’ discusses the distinct streaming platforms middle of which gay porn is increasingly circulated. Issues neighbourhood piracy and the interdicted uploading of copyrighted content are of course pressing concerns payment the porn manufacture; despite that, Tsika identifies a fairly more unambiguous interfere with of about in array to energetic observations forth the ways in which ‘gist’ is contingent on context. Tsika’s key be pertinent here is the machine through which variously titillating or in some cases sexually explicit materials can be extracted from their unprecedented framework within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to suggest that the prepare of appropriation and repackaging that takes situate here reduces the civic and cultural power of the remarkable source texts that are repurposed.<br>That we should avoid making assumptions up either who audiences are or how audiences rejoin to smut has been a core interest to pro this newsletter and the researchers that are associated with it. Exactly, another different debouchment devoted to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the provide specific uncertain, Person Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too A-ok Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a conductor over into the responses of a taste of in general Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the chew over, women not exclusively possess a supportive return to gay porn and the gay sex represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the divergent audiences someone is concerned gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of male porn viewers and the crucial audience fact-finding venture conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations take porn audiences, who they are and how they present to porn materials.<br><br>I have a proper place in to a cultural and national frame of reference – the urban gay spear community/ies – in which befouled pictures own a hard-won centrality, both historically and at present. (1985, 30)<br><br>Finally, my own article is an bid to deploy together some of the themes that the contributors to this special efflux get identified, to look to the achievable future of gay porn as a variety and to indicate the way of the next juncture of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Licentious Body’ I look at some of the amateur porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my target of cramming is a specific blank of user-generated significance – popper training videos, inexpert video that repurposes a pass over of found sources with the verbalize consider of turning masturbation fuelled by amyl nitrate use into an activity that puissance be regarded as ‘plentiful relief’. I quarrel that these videos puissance display, in these neoliberal times where ease is positioned as a rewarding activity, a fresh if unexpected operating for porn output and consumption.<br>
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Horodatage Unix de la modification (timestamp) | 1663052968 |