Examiner des modifications individuelles
Cette page vous permet d'examiner les variables générées pour une modification individuelle par le filtre antiabus et de les tester avec les filtres.
Variables générées pour cette modification
| Variable | Valeur |
|---|---|
Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
|
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3292 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Any More |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Any More |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>The purpose of this noteworthy issue of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and throughout 30 years since Waugh provided a disparaging framework to chat about gay porn, where the intellectual division of gay porn has arrived at and where it is heading. The hyperbolic crown of this unconventional topic is deliberate. I wanted to capture the sense of hurly-burly and vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illustrate the diversity of approaches, methods, depreciatory and conceptual frameworks and objects of cram that scholars for with.<br><br>At a still more particular with it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded via the British Arts and Humanities Research Board and inspired during the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the locale at which my lettered craft fittingly began and a investigate course was plotted that has led to the hand-out, this year, of my own paper, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of After Telling, it mattered in the 1980s sufficiently against Waugh to make a situation to save its analysis, it mattered in the 1990s in the middle of the AIDS turning-point and it matters now.<br>There are motionless lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ home in on a longstanding area that is in spite of to be fully explored. Shape in porn films (alike resemble to a lesser limit to performance) remains under-researched and Mowlabocus and Medhurst furnish some orientations to allow that avenue to be opened up, noting – with a customary eulogistic appease that British readers on markedly understand [http://Crbchita.ru/user/RollandMcneil1/ gay0Day] – that gay porn ‘relies on the pants we hear as much as the pants we bring’.<br><br>The starting go out of one's way to looking for this wander is surely a revisiting of the last, and I am charmed that Thomas Waugh has been persuaded to cater his own reassessment of what has mature a foundational dissertation respecting scholars of gay porn and his own reflections on the status of the field. As always, his common sense and acuity is splendid (his history of Gail Dines as this memoir’s ‘demogogue nemesis’ has мейд me go into hysterics every time I prepare review it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Decent: a Exclusive Revisit’ that his essay was sooner than no means the first on the subject. ‘Men’s Smut: Gay vs Straight’ is nonetheless in my observation (and this is a aspect shared past many others) an specially substantial intervention. In this supplemental article, Waugh describes the lodge of social and cultural circumstances that lead to the pamphlet of his effort in Pounce on attack Cut in 1985. In particular this reappraisal usefully works to prompt readers of the innovations contained therein. These comprise a planned rubric instead of judgement and the uniquely apposite (and in multifarious regards prophetic) observation that gay porn does not be present in lavish isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br><br>The association contact here between societal, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously significant, nonetheless intuit as if they belong to a distant past, so it is perchance more surprising in the interest porn scholars to note that it is then over 30 years since Thomas Waugh wrote the foundational try ‘Men’s Pornography: Gay vs Flat’, in which he distinguished the centrality of homoeroticism to gay suavity:<br><br>I connected with to a cultural and national frame of reference – the urban gay virile community/ies – in which befouled pictures have a hard-won centrality, both historically and at present. (1985, 30)<br><br>The textual qualities of gay porn carry on with to be an mighty destination of study for researchers in the cope with and the evolving stripe of the variety means that there is always more to say surrounding new modes of moulding and emerging aesthetic and verbose patterns. The subsequent articles in this concerted originate all focus on the specifics of fashionable gay porn as they are manifested in texts. In ‘Pun the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in individual, head on. From head to foot an analysis of a area of up to date French materials and the website Gag the Fag, Teenaged argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘satisfaction’ that has also behove an orthodoxy can necessarily account in return the enactments of sexual power and pre-eminence that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more intricate and a good less binaristic than previous accounts dominion have suggested via the spirit of the apparatus of the camera. Girlish’s article brilliantly reminds readers of the staged and performed nature of the reproductive acts represented in gay porn.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.
+<br>The purpose of this noteworthy issue of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and throughout 30 years since Waugh provided a disparaging framework to chat about gay porn, where the intellectual division of gay porn has arrived at and where it is heading. The hyperbolic crown of this unconventional topic is deliberate. I wanted to capture the sense of hurly-burly and vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illustrate the diversity of approaches, methods, depreciatory and conceptual frameworks and objects of cram that scholars for with.<br><br>At a still more particular with it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded via the British Arts and Humanities Research Board and inspired during the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the locale at which my lettered craft fittingly began and a investigate course was plotted that has led to the hand-out, this year, of my own paper, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of After Telling, it mattered in the 1980s sufficiently against Waugh to make a situation to save its analysis, it mattered in the 1990s in the middle of the AIDS turning-point and it matters now.<br>There are motionless lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ home in on a longstanding area that is in spite of to be fully explored. Shape in porn films (alike resemble to a lesser limit to performance) remains under-researched and Mowlabocus and Medhurst furnish some orientations to allow that avenue to be opened up, noting – with a customary eulogistic appease that British readers on markedly understand [http://Crbchita.ru/user/RollandMcneil1/ gay0Day] – that gay porn ‘relies on the pants we hear as much as the pants we bring’.<br><br>The starting go out of one's way to looking for this wander is surely a revisiting of the last, and I am charmed that Thomas Waugh has been persuaded to cater his own reassessment of what has mature a foundational dissertation respecting scholars of gay porn and his own reflections on the status of the field. As always, his common sense and acuity is splendid (his history of Gail Dines as this memoir’s ‘demogogue nemesis’ has мейд me go into hysterics every time I prepare review it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Decent: a Exclusive Revisit’ that his essay was sooner than no means the first on the subject. ‘Men’s Smut: Gay vs Straight’ is nonetheless in my observation (and this is a aspect shared past many others) an specially substantial intervention. In this supplemental article, Waugh describes the lodge of social and cultural circumstances that lead to the pamphlet of his effort in Pounce on attack Cut in 1985. In particular this reappraisal usefully works to prompt readers of the innovations contained therein. These comprise a planned rubric instead of judgement and the uniquely apposite (and in multifarious regards prophetic) observation that gay porn does not be present in lavish isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br><br>The association contact here between societal, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously significant, nonetheless intuit as if they belong to a distant past, so it is perchance more surprising in the interest porn scholars to note that it is then over 30 years since Thomas Waugh wrote the foundational try ‘Men’s Pornography: Gay vs Flat’, in which he distinguished the centrality of homoeroticism to gay suavity:<br><br>I connected with to a cultural and national frame of reference – the urban gay virile community/ies – in which befouled pictures have a hard-won centrality, both historically and at present. (1985, 30)<br><br>The textual qualities of gay porn carry on with to be an mighty destination of study for researchers in the cope with and the evolving stripe of the variety means that there is always more to say surrounding new modes of moulding and emerging aesthetic and verbose patterns. The subsequent articles in this concerted originate all focus on the specifics of fashionable gay porn as they are manifested in texts. In ‘Pun the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in individual, head on. From head to foot an analysis of a area of up to date French materials and the website Gag the Fag, Teenaged argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘satisfaction’ that has also behove an orthodoxy can necessarily account in return the enactments of sexual power and pre-eminence that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more intricate and a good less binaristic than previous accounts dominion have suggested via the spirit of the apparatus of the camera. Girlish’s article brilliantly reminds readers of the staged and performed nature of the reproductive acts represented in gay porn.<br>
|
Lignes ajoutées lors de la modification (added_lines) | <br>The purpose of this noteworthy issue of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and throughout 30 years since Waugh provided a disparaging framework to chat about gay porn, where the intellectual division of gay porn has arrived at and where it is heading. The hyperbolic crown of this unconventional topic is deliberate. I wanted to capture the sense of hurly-burly and vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illustrate the diversity of approaches, methods, depreciatory and conceptual frameworks and objects of cram that scholars for with.<br><br>At a still more particular with it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded via the British Arts and Humanities Research Board and inspired during the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the locale at which my lettered craft fittingly began and a investigate course was plotted that has led to the hand-out, this year, of my own paper, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of After Telling, it mattered in the 1980s sufficiently against Waugh to make a situation to save its analysis, it mattered in the 1990s in the middle of the AIDS turning-point and it matters now.<br>There are motionless lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ home in on a longstanding area that is in spite of to be fully explored. Shape in porn films (alike resemble to a lesser limit to performance) remains under-researched and Mowlabocus and Medhurst furnish some orientations to allow that avenue to be opened up, noting – with a customary eulogistic appease that British readers on markedly understand [http://Crbchita.ru/user/RollandMcneil1/ gay0Day] – that gay porn ‘relies on the pants we hear as much as the pants we bring’.<br><br>The starting go out of one's way to looking for this wander is surely a revisiting of the last, and I am charmed that Thomas Waugh has been persuaded to cater his own reassessment of what has mature a foundational dissertation respecting scholars of gay porn and his own reflections on the status of the field. As always, his common sense and acuity is splendid (his history of Gail Dines as this memoir’s ‘demogogue nemesis’ has мейд me go into hysterics every time I prepare review it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Decent: a Exclusive Revisit’ that his essay was sooner than no means the first on the subject. ‘Men’s Smut: Gay vs Straight’ is nonetheless in my observation (and this is a aspect shared past many others) an specially substantial intervention. In this supplemental article, Waugh describes the lodge of social and cultural circumstances that lead to the pamphlet of his effort in Pounce on attack Cut in 1985. In particular this reappraisal usefully works to prompt readers of the innovations contained therein. These comprise a planned rubric instead of judgement and the uniquely apposite (and in multifarious regards prophetic) observation that gay porn does not be present in lavish isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br><br>The association contact here between societal, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously significant, nonetheless intuit as if they belong to a distant past, so it is perchance more surprising in the interest porn scholars to note that it is then over 30 years since Thomas Waugh wrote the foundational try ‘Men’s Pornography: Gay vs Flat’, in which he distinguished the centrality of homoeroticism to gay suavity:<br><br>I connected with to a cultural and national frame of reference – the urban gay virile community/ies – in which befouled pictures have a hard-won centrality, both historically and at present. (1985, 30)<br><br>The textual qualities of gay porn carry on with to be an mighty destination of study for researchers in the cope with and the evolving stripe of the variety means that there is always more to say surrounding new modes of moulding and emerging aesthetic and verbose patterns. The subsequent articles in this concerted originate all focus on the specifics of fashionable gay porn as they are manifested in texts. In ‘Pun the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in individual, head on. From head to foot an analysis of a area of up to date French materials and the website Gag the Fag, Teenaged argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘satisfaction’ that has also behove an orthodoxy can necessarily account in return the enactments of sexual power and pre-eminence that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more intricate and a good less binaristic than previous accounts dominion have suggested via the spirit of the apparatus of the camera. Girlish’s article brilliantly reminds readers of the staged and performed nature of the reproductive acts represented in gay porn.<br>
|
Horodatage Unix de la modification (timestamp) | 1664805901 |