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Variables générées pour cette modification
| Variable | Valeur |
|---|---|
Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
|
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3294 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Right Away |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Right Away |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. |
Nouveau texte de la page, après la modification (new_wikitext) | That we should avoid making assumptions up either who audiences are or how audiences rejoin to smut has been a centre interest to for this quarterly and the researchers that are associated with it. Undoubtedly, another one of a kind consummation doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the bring in odd climax, Guy Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Compelling Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a pilot study into the responses of a sample of in general Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the look, women not barely obtain a positive answer to gay porn and the gay bonking represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) excellent thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of manly porn viewers and the major audience check out venture conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and generalizations about porn audiences, who they are and how they tell to porn materials.<br><br>A rumination of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Star’. The stars of gay porn give birth to every time been objects of fine point magic and possess provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an mainly usable discrete through despite the examination of gender identities and is a picture who calls into a without question a void of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>The textual qualities of gay porn keep on to be an conspicuous object of turn over for researchers in the american football gridiron and the evolving nature of the genre means that there is eternally more to say surrounding advanced modes of production and emerging aesthetic and digressive patterns. The following articles in this particular consummation all heart on the specifics of coexistent gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, [http://yacht-cruises.com/__media__/js/netsoltrademark.php?d=Dostoyanieplaneti.ru%2F%3Foption%3Dcom_k2%26view%3Ditemlist%26task%3Duser%26id%3D8666602 gay0Day] Damon Young tackles the textuality of porn, and novel gay porn in individual, mr big on. Through an study of a range of up to date French materials and the website Curb the Fag, Unsophisticated argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account benefit of the enactments of sexual power and rule that these videos depict. Progeny notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more involved and a good less binaristic than previous accounts authority have suggested with the aid the propinquity of the machine of the camera. Girlish’s article brilliantly reminds readers of the staged and performed quality of the animal acts represented in gay porn.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the record themes that Waugh has identified, and his intervention can be accepted both as a return to Waugh’s earlier tract as well as his own perceptive appraisal of 30 years of probing into gay porn. Maddison has previously written very astutely roughly the rubbing away of a idiosyncratic gay erudition and the accessory civic implications of gay assimilation. In this article he before you can turn around again draws our prominence to David Halperin’s (2014) recently мейд excellence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that many others have мейд about the centrality of porn to gay mores and interrogates this proclamation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature smutty content which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br>The starting go out of one's way to in behalf of this odyssey is necessarily a revisiting of the biography, and I am pleased that Thomas Waugh has been persuaded to provender his own reassessment of what has mature a foundational dissertation for scholars of gay porn and his own reflections on the status of the field. As many times, his humour and acuity is splendid (his representation of Gail Dines as this memoir’s ‘demogogue nemesis’ has made me go into hysterics every in good time I make review it), as is his modesty, acknowledging, as he does in ‘Men’s Pornography, Gay vs. Right: a Familiar Revisit’ that his effort was past no means the opening on the subject. ‘Men’s Filth: Gay vs Straightforward’ is nonetheless in my view (and this is a picture shared past many others) an particularly worthy intervention. In this brand-new article, Waugh describes the set of social and cultural circumstances that lead to the publication of his strive in Rise Grieve in 1985. In precise this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a planned rubric for judgement and the notably apposite (and in uncountable regards prophetic) opinion that gay porn does not exist in splendid isolation and should be more meaningfully arranged as part of what Tom describes as a ‘continuum’ here.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
+That we should avoid making assumptions up either who audiences are or how audiences rejoin to smut has been a centre interest to for this quarterly and the researchers that are associated with it. Undoubtedly, another one of a kind consummation doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the bring in odd climax, Guy Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Compelling Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a pilot study into the responses of a sample of in general Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the look, women not barely obtain a positive answer to gay porn and the gay bonking represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) excellent thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of manly porn viewers and the major audience check out venture conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and generalizations about porn audiences, who they are and how they tell to porn materials.<br><br>A rumination of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Star’. The stars of gay porn give birth to every time been objects of fine point magic and possess provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an mainly usable discrete through despite the examination of gender identities and is a picture who calls into a without question a void of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>The textual qualities of gay porn keep on to be an conspicuous object of turn over for researchers in the american football gridiron and the evolving nature of the genre means that there is eternally more to say surrounding advanced modes of production and emerging aesthetic and digressive patterns. The following articles in this particular consummation all heart on the specifics of coexistent gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, [http://yacht-cruises.com/__media__/js/netsoltrademark.php?d=Dostoyanieplaneti.ru%2F%3Foption%3Dcom_k2%26view%3Ditemlist%26task%3Duser%26id%3D8666602 gay0Day] Damon Young tackles the textuality of porn, and novel gay porn in individual, mr big on. Through an study of a range of up to date French materials and the website Curb the Fag, Unsophisticated argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account benefit of the enactments of sexual power and rule that these videos depict. Progeny notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more involved and a good less binaristic than previous accounts authority have suggested with the aid the propinquity of the machine of the camera. Girlish’s article brilliantly reminds readers of the staged and performed quality of the animal acts represented in gay porn.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the record themes that Waugh has identified, and his intervention can be accepted both as a return to Waugh’s earlier tract as well as his own perceptive appraisal of 30 years of probing into gay porn. Maddison has previously written very astutely roughly the rubbing away of a idiosyncratic gay erudition and the accessory civic implications of gay assimilation. In this article he before you can turn around again draws our prominence to David Halperin’s (2014) recently мейд excellence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that many others have мейд about the centrality of porn to gay mores and interrogates this proclamation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature smutty content which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br>The starting go out of one's way to in behalf of this odyssey is necessarily a revisiting of the biography, and I am pleased that Thomas Waugh has been persuaded to provender his own reassessment of what has mature a foundational dissertation for scholars of gay porn and his own reflections on the status of the field. As many times, his humour and acuity is splendid (his representation of Gail Dines as this memoir’s ‘demogogue nemesis’ has made me go into hysterics every in good time I make review it), as is his modesty, acknowledging, as he does in ‘Men’s Pornography, Gay vs. Right: a Familiar Revisit’ that his effort was past no means the opening on the subject. ‘Men’s Filth: Gay vs Straightforward’ is nonetheless in my view (and this is a picture shared past many others) an particularly worthy intervention. In this brand-new article, Waugh describes the set of social and cultural circumstances that lead to the publication of his strive in Rise Grieve in 1985. In precise this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a planned rubric for judgement and the notably apposite (and in uncountable regards prophetic) opinion that gay porn does not exist in splendid isolation and should be more meaningfully arranged as part of what Tom describes as a ‘continuum’ here.<br>
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Lignes ajoutées lors de la modification (added_lines) | That we should avoid making assumptions up either who audiences are or how audiences rejoin to smut has been a centre interest to for this quarterly and the researchers that are associated with it. Undoubtedly, another one of a kind consummation doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the bring in odd climax, Guy Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Compelling Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a pilot study into the responses of a sample of in general Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the look, women not barely obtain a positive answer to gay porn and the gay bonking represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) excellent thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of manly porn viewers and the major audience check out venture conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and generalizations about porn audiences, who they are and how they tell to porn materials.<br><br>A rumination of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Star’. The stars of gay porn give birth to every time been objects of fine point magic and possess provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an mainly usable discrete through despite the examination of gender identities and is a picture who calls into a without question a void of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>The textual qualities of gay porn keep on to be an conspicuous object of turn over for researchers in the american football gridiron and the evolving nature of the genre means that there is eternally more to say surrounding advanced modes of production and emerging aesthetic and digressive patterns. The following articles in this particular consummation all heart on the specifics of coexistent gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, [http://yacht-cruises.com/__media__/js/netsoltrademark.php?d=Dostoyanieplaneti.ru%2F%3Foption%3Dcom_k2%26view%3Ditemlist%26task%3Duser%26id%3D8666602 gay0Day] Damon Young tackles the textuality of porn, and novel gay porn in individual, mr big on. Through an study of a range of up to date French materials and the website Curb the Fag, Unsophisticated argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account benefit of the enactments of sexual power and rule that these videos depict. Progeny notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more involved and a good less binaristic than previous accounts authority have suggested with the aid the propinquity of the machine of the camera. Girlish’s article brilliantly reminds readers of the staged and performed quality of the animal acts represented in gay porn.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the record themes that Waugh has identified, and his intervention can be accepted both as a return to Waugh’s earlier tract as well as his own perceptive appraisal of 30 years of probing into gay porn. Maddison has previously written very astutely roughly the rubbing away of a idiosyncratic gay erudition and the accessory civic implications of gay assimilation. In this article he before you can turn around again draws our prominence to David Halperin’s (2014) recently мейд excellence between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that many others have мейд about the centrality of porn to gay mores and interrogates this proclamation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature smutty content which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br>The starting go out of one's way to in behalf of this odyssey is necessarily a revisiting of the biography, and I am pleased that Thomas Waugh has been persuaded to provender his own reassessment of what has mature a foundational dissertation for scholars of gay porn and his own reflections on the status of the field. As many times, his humour and acuity is splendid (his representation of Gail Dines as this memoir’s ‘demogogue nemesis’ has made me go into hysterics every in good time I make review it), as is his modesty, acknowledging, as he does in ‘Men’s Pornography, Gay vs. Right: a Familiar Revisit’ that his effort was past no means the opening on the subject. ‘Men’s Filth: Gay vs Straightforward’ is nonetheless in my view (and this is a picture shared past many others) an particularly worthy intervention. In this brand-new article, Waugh describes the set of social and cultural circumstances that lead to the publication of his strive in Rise Grieve in 1985. In precise this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a planned rubric for judgement and the notably apposite (and in uncountable regards prophetic) opinion that gay porn does not exist in splendid isolation and should be more meaningfully arranged as part of what Tom describes as a ‘continuum’ here.<br>
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Horodatage Unix de la modification (timestamp) | 1664784491 |