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Variables générées pour cette modification

VariableValeur
Si la modification est marquée comme mineure ou non (minor_edit)
Nom du compte d’utilisateur (user_name)
KeithHudd225
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups)
* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
Numéro de la page (article_articleid)
3292
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Any More
Titre complet de la page (article_prefixedtext)
Introduction: Gay Porn Any More
Action (action)
edit
Résumé/motif de la modification (summary)
Ancien modèle de contenu (old_content_model)
wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.
Nouveau texte de la page, après la modification (new_wikitext)
<br>The bearing here between community, cultural and [http://triplewranchllc.com/__media__/js/netsoltrademark.php?d=Familyrvn.com%2Fprofile.php%3Fid%3D1106 Gay0Day] state changes and developments in gay porn is not a trivial one. These events, whilst variously significant, nonetheless feel as if they be the property to a away done, so it is perhaps more surprising for the benefit of porn scholars to note that it is at once during 30 years since Thomas Waugh wrote the foundational essay ‘Men’s Dirt: Gay vs Straight’, in which he distinguished the centrality of homoeroticism to gay taste:<br><br>Inexorably, my own article is an crack to deploy together some of the themes that the contributors to this determined issue be dressed identified, to look to the admissible tomorrow's of gay porn as a character and to call the governing of the next juncture of my own unbroken analysis in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Smutty Carcass’ I look at some of the tyro porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In particular, my target of over is a fixed type of user-generated size – popper training videos, inexpert video that repurposes a pass over of develop sources with the straightforward purpose of turning masturbation fuelled by amyl nitrate turn to account into an endeavour that puissance be regarded as ‘productive leisure’. I prevail upon that these videos power display, in these neoliberal times where holiday is positioned as a rewarding activity, a unfamiliar if unexpected administering an eye to porn output and consumption.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the narrative themes that Waugh has identified, and his intervention can be arranged both as a return to Waugh’s earlier essay as famously as his own perceptive appraisal of 30 years of research into gay porn. Maddison has in days written greatly astutely give the grinding of a distinctive gay savoir faire and the accessory factious implications of gay assimilation. In this article he before you can turn around again draws our prominence to David Halperin’s (2014) recently made significance between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the admissibility opportunity of dissidence. Maddison engages critically with the suggestion that many others accept made back the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that trait pornographic content which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br><br>There are still lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ identify a longstanding area that is that to be fully explored. Probe in porn films (almost identical to a lesser space to play) remains under-researched and Mowlabocus and Medhurst advance some orientations to appropriate that avenue to be opened up, noting – with a commonplace good appease that British readers resolution markedly understand – that gay porn ‘relies on the pants we pay attention to as much as the pants we see’.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Intimacy Scenes’ discusses the several streaming platforms to which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted significance are of headway pressing concerns in place of the porn manufacture; however, Tsika identifies a to a certain extent more specific intent of study in array to energetic observations about the ways in which ‘message’ is contingent on context. Tsika’s clarification bear on here is the machine throughout which variously titillating or in some cases sexually explicit materials can be extracted from their firsthand framework within underground and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to suggest that the convert of appropriation and repackaging that takes place here reduces the civic and cultural power of the singular provenance texts that are repurposed.<br><br>At a all the same more particular constant it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded about the British Arts and Humanities Research Cabinet and inspired nigh the work of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered rush properly began and a research flight path was plotted that has led to the publication, this year, of my own paper, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Screen out Telling, it mattered in the 1980s adequacy for Waugh to make a case destined for its investigation, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now. +<br>The bearing here between community, cultural and [http://triplewranchllc.com/__media__/js/netsoltrademark.php?d=Familyrvn.com%2Fprofile.php%3Fid%3D1106 Gay0Day] state changes and developments in gay porn is not a trivial one. These events, whilst variously significant, nonetheless feel as if they be the property to a away done, so it is perhaps more surprising for the benefit of porn scholars to note that it is at once during 30 years since Thomas Waugh wrote the foundational essay ‘Men’s Dirt: Gay vs Straight’, in which he distinguished the centrality of homoeroticism to gay taste:<br><br>Inexorably, my own article is an crack to deploy together some of the themes that the contributors to this determined issue be dressed identified, to look to the admissible tomorrow's of gay porn as a character and to call the governing of the next juncture of my own unbroken analysis in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Smutty Carcass’ I look at some of the tyro porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In particular, my target of over is a fixed type of user-generated size – popper training videos, inexpert video that repurposes a pass over of develop sources with the straightforward purpose of turning masturbation fuelled by amyl nitrate turn to account into an endeavour that puissance be regarded as ‘productive leisure’. I prevail upon that these videos power display, in these neoliberal times where holiday is positioned as a rewarding activity, a unfamiliar if unexpected administering an eye to porn output and consumption.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the narrative themes that Waugh has identified, and his intervention can be arranged both as a return to Waugh’s earlier essay as famously as his own perceptive appraisal of 30 years of research into gay porn. Maddison has in days written greatly astutely give the grinding of a distinctive gay savoir faire and the accessory factious implications of gay assimilation. In this article he before you can turn around again draws our prominence to David Halperin’s (2014) recently made significance between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the admissibility opportunity of dissidence. Maddison engages critically with the suggestion that many others accept made back the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that trait pornographic content which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br><br>There are still lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ identify a longstanding area that is that to be fully explored. Probe in porn films (almost identical to a lesser space to play) remains under-researched and Mowlabocus and Medhurst advance some orientations to appropriate that avenue to be opened up, noting – with a commonplace good appease that British readers resolution markedly understand – that gay porn ‘relies on the pants we pay attention to as much as the pants we see’.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Intimacy Scenes’ discusses the several streaming platforms to which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted significance are of headway pressing concerns in place of the porn manufacture; however, Tsika identifies a to a certain extent more specific intent of study in array to energetic observations about the ways in which ‘message’ is contingent on context. Tsika’s clarification bear on here is the machine throughout which variously titillating or in some cases sexually explicit materials can be extracted from their firsthand framework within underground and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to suggest that the convert of appropriation and repackaging that takes place here reduces the civic and cultural power of the singular provenance texts that are repurposed.<br><br>At a all the same more particular constant it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded about the British Arts and Humanities Research Cabinet and inspired nigh the work of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered rush properly began and a research flight path was plotted that has led to the publication, this year, of my own paper, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Screen out Telling, it mattered in the 1980s adequacy for Waugh to make a case destined for its investigation, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>The bearing here between community, cultural and [http://triplewranchllc.com/__media__/js/netsoltrademark.php?d=Familyrvn.com%2Fprofile.php%3Fid%3D1106 Gay0Day] state changes and developments in gay porn is not a trivial one. These events, whilst variously significant, nonetheless feel as if they be the property to a away done, so it is perhaps more surprising for the benefit of porn scholars to note that it is at once during 30 years since Thomas Waugh wrote the foundational essay ‘Men’s Dirt: Gay vs Straight’, in which he distinguished the centrality of homoeroticism to gay taste:<br><br>Inexorably, my own article is an crack to deploy together some of the themes that the contributors to this determined issue be dressed identified, to look to the admissible tomorrow's of gay porn as a character and to call the governing of the next juncture of my own unbroken analysis in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Smutty Carcass’ I look at some of the tyro porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In particular, my target of over is a fixed type of user-generated size – popper training videos, inexpert video that repurposes a pass over of develop sources with the straightforward purpose of turning masturbation fuelled by amyl nitrate turn to account into an endeavour that puissance be regarded as ‘productive leisure’. I prevail upon that these videos power display, in these neoliberal times where holiday is positioned as a rewarding activity, a unfamiliar if unexpected administering an eye to porn output and consumption.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the narrative themes that Waugh has identified, and his intervention can be arranged both as a return to Waugh’s earlier essay as famously as his own perceptive appraisal of 30 years of research into gay porn. Maddison has in days written greatly astutely give the grinding of a distinctive gay savoir faire and the accessory factious implications of gay assimilation. In this article he before you can turn around again draws our prominence to David Halperin’s (2014) recently made significance between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the admissibility opportunity of dissidence. Maddison engages critically with the suggestion that many others accept made back the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that trait pornographic content which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br><br>There are still lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ identify a longstanding area that is that to be fully explored. Probe in porn films (almost identical to a lesser space to play) remains under-researched and Mowlabocus and Medhurst advance some orientations to appropriate that avenue to be opened up, noting – with a commonplace good appease that British readers resolution markedly understand – that gay porn ‘relies on the pants we pay attention to as much as the pants we see’.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Intimacy Scenes’ discusses the several streaming platforms to which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted significance are of headway pressing concerns in place of the porn manufacture; however, Tsika identifies a to a certain extent more specific intent of study in array to energetic observations about the ways in which ‘message’ is contingent on context. Tsika’s clarification bear on here is the machine throughout which variously titillating or in some cases sexually explicit materials can be extracted from their firsthand framework within underground and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to suggest that the convert of appropriation and repackaging that takes place here reduces the civic and cultural power of the singular provenance texts that are repurposed.<br><br>At a all the same more particular constant it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded about the British Arts and Humanities Research Cabinet and inspired nigh the work of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered rush properly began and a research flight path was plotted that has led to the publication, this year, of my own paper, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Screen out Telling, it mattered in the 1980s adequacy for Waugh to make a case destined for its investigation, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br>
Horodatage Unix de la modification (timestamp)
1664407319