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Variables générées pour cette modification

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Si la modification est marquée comme mineure ou non (minor_edit)
Nom du compte d’utilisateur (user_name)
KeithHudd225
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* user autoconfirmed
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Numéro de la page (article_articleid)
3292
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Any More
Titre complet de la page (article_prefixedtext)
Introduction: Gay Porn Any More
Action (action)
edit
Résumé/motif de la modification (summary)
Ancien modèle de contenu (old_content_model)
wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.
Nouveau texte de la page, après la modification (new_wikitext)
<br>The year 2017 marks a woman that without hyperbole can be described as a pivotal appropriate for gay men in the Unanimous Kingdom. It is seldom 50 years since the introduction of the Carnal Offences Operation of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the Amalgamated Kingdom. Internationally, 1967 was an distinguished year for the sake gay men too. In Canada, the Fair play Envoy Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the fashionable shaming tv documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, by this point a primary Hollywood eminent, was to play a repressed invert in John Huston’s (1967) Reflections in a Golden Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Among Males: A Cross-Cultural and Cross-Species Quest was opening published in 1967, a book that argued by means of hint to authentic and cultural precedent for the acceptance of homosexuality. In September 1967, by in the presence of he was to ripen into people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Physique Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Shagging Scenes’ discusses the sundry streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the prohibited uploading of copyrighted content are of course urgent concerns for the porn labour; in any case, Tsika identifies a rather more well-defined object of contemplate in order to enact observations to the ways in which ‘gist’ is contingent on context. Tsika’s mood concern here is the workings throughout which variously titillating or in some cases sexually outspoken materials can be extracted from their unprecedented frame of reference within radical and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to proffer that the get ready of appropriation and repackaging that takes situate here reduces the political and cultural power of the atypical provenance texts that are repurposed.<br><br>A consideration of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lead’. The stars of gay porn have continually been objects of particular magic and have provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose identity has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly salutary discrete for the analysis of gender identities and is a figure who calls into a question a routine of issues less the models of masculinities that gay porn deploys and exploits.<br>The starting juncture in behalf of this odyssey is to be sure a revisiting of the past, and I am delighted that Thomas Waugh has been persuaded to specify his own reassessment of what has become a foundational dissertation for scholars of gay porn and his own reflections on the voice of the field. As eternally, his common sense and acuity is first-class (his feather of Gail Dines as this record book’s ‘demogogue nemesis’ has мейд me roll on the floor every in good time I make decipher it), as is his modesty, acknowledging, [https://Www.uecrus.com/bitrix/rk.php?goto=https://Minecraftathome.com/minecrafthome/view_profile.php?userid=16988272 https://www.uecrus.com/bitrix/rk.php?goto=https://minecraftathome.com/minecrafthome/view_profile.php?userid=16988272] as he does in ‘Men’s Pornography, Gay vs. Unqualified: a Familiar Revisit’ that his bash at was past no means the initial on the subject. ‘Men’s Erotica: Gay vs Upright’ is nonetheless in my view (and this is a inspection shared past sundry others) an primarily worthy intervention. In this late article, Waugh describes the set of group and cultural circumstances that lead to the putting out of his strive in Ignore Grieve in 1985. In exceptional this reappraisal usefully works to jog the memory readers of the innovations contained therein. These classify a methodical rubric for division and the uniquely apposite (and in diverse regards prophetic) observation that gay porn does not exist in magnificent isolation and should be more meaningfully settled as part of what Tom describes as a ‘continuum’ here.<br><br>The association contact here between social, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless feel as if they be a part of to a away gone, so it is perhaps more surprising for the benefit of porn scholars to note that it is now over 30 years since Thomas Waugh wrote the foundational essay ‘Men’s Porn: Gay vs Flat’, in which he famous the centrality of homoeroticism to gay way of life:<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now. +<br>The year 2017 marks a woman that without hyperbole can be described as a pivotal appropriate for gay men in the Unanimous Kingdom. It is seldom 50 years since the introduction of the Carnal Offences Operation of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the Amalgamated Kingdom. Internationally, 1967 was an distinguished year for the sake gay men too. In Canada, the Fair play Envoy Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the fashionable shaming tv documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, by this point a primary Hollywood eminent, was to play a repressed invert in John Huston’s (1967) Reflections in a Golden Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Among Males: A Cross-Cultural and Cross-Species Quest was opening published in 1967, a book that argued by means of hint to authentic and cultural precedent for the acceptance of homosexuality. In September 1967, by in the presence of he was to ripen into people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Physique Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Shagging Scenes’ discusses the sundry streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the prohibited uploading of copyrighted content are of course urgent concerns for the porn labour; in any case, Tsika identifies a rather more well-defined object of contemplate in order to enact observations to the ways in which ‘gist’ is contingent on context. Tsika’s mood concern here is the workings throughout which variously titillating or in some cases sexually outspoken materials can be extracted from their unprecedented frame of reference within radical and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to proffer that the get ready of appropriation and repackaging that takes situate here reduces the political and cultural power of the atypical provenance texts that are repurposed.<br><br>A consideration of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lead’. The stars of gay porn have continually been objects of particular magic and have provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose identity has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly salutary discrete for the analysis of gender identities and is a figure who calls into a question a routine of issues less the models of masculinities that gay porn deploys and exploits.<br>The starting juncture in behalf of this odyssey is to be sure a revisiting of the past, and I am delighted that Thomas Waugh has been persuaded to specify his own reassessment of what has become a foundational dissertation for scholars of gay porn and his own reflections on the voice of the field. As eternally, his common sense and acuity is first-class (his feather of Gail Dines as this record book’s ‘demogogue nemesis’ has мейд me roll on the floor every in good time I make decipher it), as is his modesty, acknowledging, [https://Www.uecrus.com/bitrix/rk.php?goto=https://Minecraftathome.com/minecrafthome/view_profile.php?userid=16988272 https://www.uecrus.com/bitrix/rk.php?goto=https://minecraftathome.com/minecrafthome/view_profile.php?userid=16988272] as he does in ‘Men’s Pornography, Gay vs. Unqualified: a Familiar Revisit’ that his bash at was past no means the initial on the subject. ‘Men’s Erotica: Gay vs Upright’ is nonetheless in my view (and this is a inspection shared past sundry others) an primarily worthy intervention. In this late article, Waugh describes the set of group and cultural circumstances that lead to the putting out of his strive in Ignore Grieve in 1985. In exceptional this reappraisal usefully works to jog the memory readers of the innovations contained therein. These classify a methodical rubric for division and the uniquely apposite (and in diverse regards prophetic) observation that gay porn does not exist in magnificent isolation and should be more meaningfully settled as part of what Tom describes as a ‘continuum’ here.<br><br>The association contact here between social, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless feel as if they be a part of to a away gone, so it is perhaps more surprising for the benefit of porn scholars to note that it is now over 30 years since Thomas Waugh wrote the foundational essay ‘Men’s Porn: Gay vs Flat’, in which he famous the centrality of homoeroticism to gay way of life:<br>
Lignes ajoutées lors de la modification (added_lines)
<br>The year 2017 marks a woman that without hyperbole can be described as a pivotal appropriate for gay men in the Unanimous Kingdom. It is seldom 50 years since the introduction of the Carnal Offences Operation of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the Amalgamated Kingdom. Internationally, 1967 was an distinguished year for the sake gay men too. In Canada, the Fair play Envoy Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the fashionable shaming tv documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, by this point a primary Hollywood eminent, was to play a repressed invert in John Huston’s (1967) Reflections in a Golden Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Among Males: A Cross-Cultural and Cross-Species Quest was opening published in 1967, a book that argued by means of hint to authentic and cultural precedent for the acceptance of homosexuality. In September 1967, by in the presence of he was to ripen into people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Physique Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Shagging Scenes’ discusses the sundry streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the prohibited uploading of copyrighted content are of course urgent concerns for the porn labour; in any case, Tsika identifies a rather more well-defined object of contemplate in order to enact observations to the ways in which ‘gist’ is contingent on context. Tsika’s mood concern here is the workings throughout which variously titillating or in some cases sexually outspoken materials can be extracted from their unprecedented frame of reference within radical and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to proffer that the get ready of appropriation and repackaging that takes situate here reduces the political and cultural power of the atypical provenance texts that are repurposed.<br><br>A consideration of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lead’. The stars of gay porn have continually been objects of particular magic and have provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose identity has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly salutary discrete for the analysis of gender identities and is a figure who calls into a question a routine of issues less the models of masculinities that gay porn deploys and exploits.<br>The starting juncture in behalf of this odyssey is to be sure a revisiting of the past, and I am delighted that Thomas Waugh has been persuaded to specify his own reassessment of what has become a foundational dissertation for scholars of gay porn and his own reflections on the voice of the field. As eternally, his common sense and acuity is first-class (his feather of Gail Dines as this record book’s ‘demogogue nemesis’ has мейд me roll on the floor every in good time I make decipher it), as is his modesty, acknowledging, [https://Www.uecrus.com/bitrix/rk.php?goto=https://Minecraftathome.com/minecrafthome/view_profile.php?userid=16988272 https://www.uecrus.com/bitrix/rk.php?goto=https://minecraftathome.com/minecrafthome/view_profile.php?userid=16988272] as he does in ‘Men’s Pornography, Gay vs. Unqualified: a Familiar Revisit’ that his bash at was past no means the initial on the subject. ‘Men’s Erotica: Gay vs Upright’ is nonetheless in my view (and this is a inspection shared past sundry others) an primarily worthy intervention. In this late article, Waugh describes the set of group and cultural circumstances that lead to the putting out of his strive in Ignore Grieve in 1985. In exceptional this reappraisal usefully works to jog the memory readers of the innovations contained therein. These classify a methodical rubric for division and the uniquely apposite (and in diverse regards prophetic) observation that gay porn does not exist in magnificent isolation and should be more meaningfully settled as part of what Tom describes as a ‘continuum’ here.<br><br>The association contact here between social, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless feel as if they be a part of to a away gone, so it is perhaps more surprising for the benefit of porn scholars to note that it is now over 30 years since Thomas Waugh wrote the foundational essay ‘Men’s Porn: Gay vs Flat’, in which he famous the centrality of homoeroticism to gay way of life:<br>
Horodatage Unix de la modification (timestamp)
1663783243