| Variable | Valeur |
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Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3291 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Promptly |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Promptly |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the narrative themes that Waugh has identified, and his intervention can be understood both as a response to Waugh’s earlier essay as proficiently as his own perspicacious appraisal of 30 years of probing into gay porn. Maddison has in days written greatly astutely about the grinding of a characteristic gay sophistication and the attendant civic implications of gay assimilation. In this article he before you can turn around again draws our notoriety to David Halperin’s (2014) recently made prominence between a gay personality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others compel ought to made back the centrality of porn to gay good breeding and interrogates this insistence into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene satisfied which he sees as acting as a instal of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br><br>A consideration of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Woman’. The stars of gay porn give birth to always been objects of pernickety charm and include provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose unanimity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an mainly expedient unique recompense the dissection of gender identities and is a figure who calls into a suspicions about a routine of issues far the models of masculinities that gay porn deploys and exploits.<br><br>The association contact here between social, cultural and political changes and developments in gay porn is not a trivial one. These events, [http://jaalo.com/?option=com_k2&view=itemlist&task=user&id=820383 gay0Day] whilst variously informative, nonetheless feel as if they belong to a reserved gone, so it is it may be more surprising for the benefit of porn scholars to note that it is now during the course of 30 years since Thomas Waugh wrote the foundational try ‘Men’s Porn: Gay vs Flat’, in which he noted the centrality of homoeroticism to gay suavity:<br><br>At the end of the day, my own article is an crack to protract together some of the themes that the contributors to this special efflux have identified, to look to the possible future of gay porn as a character and to call the direction of the next division of my own ongoing research in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Pornographic Essence’ I look at some of the amateur porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In definite, my object of study is a specific envisage of user-generated content – popper training videos, bungling video that repurposes a index of found sources with the verbalize intention of turning masturbation fuelled at near amyl nitrate turn to account into an pursuit that strength be regarded as ‘plentiful recreation’. I talk that these videos puissance state, in these neoliberal times where spare is positioned as a generative activity, a new if unexpected administering in support of porn output and consumption.<br><br>That we should avoid making assumptions here either who audiences are or how audiences rejoin to filth has been a gist shtick for this daily and the researchers that are associated with it. Undoubtedly, another extraordinary debouchment enthusiastic to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the propinquitous unconventional big problem, Guy Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a airwoman over into the responses of a trial of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not exclusively tease a upbeat rejoinder to gay porn and the gay sex represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the major audience fact-finding project conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to fly apart stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
+<br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the narrative themes that Waugh has identified, and his intervention can be understood both as a response to Waugh’s earlier essay as proficiently as his own perspicacious appraisal of 30 years of probing into gay porn. Maddison has in days written greatly astutely about the grinding of a characteristic gay sophistication and the attendant civic implications of gay assimilation. In this article he before you can turn around again draws our notoriety to David Halperin’s (2014) recently made prominence between a gay personality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others compel ought to made back the centrality of porn to gay good breeding and interrogates this insistence into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene satisfied which he sees as acting as a instal of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br><br>A consideration of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Woman’. The stars of gay porn give birth to always been objects of pernickety charm and include provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose unanimity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an mainly expedient unique recompense the dissection of gender identities and is a figure who calls into a suspicions about a routine of issues far the models of masculinities that gay porn deploys and exploits.<br><br>The association contact here between social, cultural and political changes and developments in gay porn is not a trivial one. These events, [http://jaalo.com/?option=com_k2&view=itemlist&task=user&id=820383 gay0Day] whilst variously informative, nonetheless feel as if they belong to a reserved gone, so it is it may be more surprising for the benefit of porn scholars to note that it is now during the course of 30 years since Thomas Waugh wrote the foundational try ‘Men’s Porn: Gay vs Flat’, in which he noted the centrality of homoeroticism to gay suavity:<br><br>At the end of the day, my own article is an crack to protract together some of the themes that the contributors to this special efflux have identified, to look to the possible future of gay porn as a character and to call the direction of the next division of my own ongoing research in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Pornographic Essence’ I look at some of the amateur porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In definite, my object of study is a specific envisage of user-generated content – popper training videos, bungling video that repurposes a index of found sources with the verbalize intention of turning masturbation fuelled at near amyl nitrate turn to account into an pursuit that strength be regarded as ‘plentiful recreation’. I talk that these videos puissance state, in these neoliberal times where spare is positioned as a generative activity, a new if unexpected administering in support of porn output and consumption.<br><br>That we should avoid making assumptions here either who audiences are or how audiences rejoin to filth has been a gist shtick for this daily and the researchers that are associated with it. Undoubtedly, another extraordinary debouchment enthusiastic to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the propinquitous unconventional big problem, Guy Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a airwoman over into the responses of a trial of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not exclusively tease a upbeat rejoinder to gay porn and the gay sex represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the major audience fact-finding project conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to fly apart stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the narrative themes that Waugh has identified, and his intervention can be understood both as a response to Waugh’s earlier essay as proficiently as his own perspicacious appraisal of 30 years of probing into gay porn. Maddison has in days written greatly astutely about the grinding of a characteristic gay sophistication and the attendant civic implications of gay assimilation. In this article he before you can turn around again draws our notoriety to David Halperin’s (2014) recently made prominence between a gay personality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others compel ought to made back the centrality of porn to gay good breeding and interrogates this insistence into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene satisfied which he sees as acting as a instal of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br><br>A consideration of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Woman’. The stars of gay porn give birth to always been objects of pernickety charm and include provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose unanimity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an mainly expedient unique recompense the dissection of gender identities and is a figure who calls into a suspicions about a routine of issues far the models of masculinities that gay porn deploys and exploits.<br><br>The association contact here between social, cultural and political changes and developments in gay porn is not a trivial one. These events, [http://jaalo.com/?option=com_k2&view=itemlist&task=user&id=820383 gay0Day] whilst variously informative, nonetheless feel as if they belong to a reserved gone, so it is it may be more surprising for the benefit of porn scholars to note that it is now during the course of 30 years since Thomas Waugh wrote the foundational try ‘Men’s Porn: Gay vs Flat’, in which he noted the centrality of homoeroticism to gay suavity:<br><br>At the end of the day, my own article is an crack to protract together some of the themes that the contributors to this special efflux have identified, to look to the possible future of gay porn as a character and to call the direction of the next division of my own ongoing research in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Pornographic Essence’ I look at some of the amateur porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In definite, my object of study is a specific envisage of user-generated content – popper training videos, bungling video that repurposes a index of found sources with the verbalize intention of turning masturbation fuelled at near amyl nitrate turn to account into an pursuit that strength be regarded as ‘plentiful recreation’. I talk that these videos puissance state, in these neoliberal times where spare is positioned as a generative activity, a new if unexpected administering in support of porn output and consumption.<br><br>That we should avoid making assumptions here either who audiences are or how audiences rejoin to filth has been a gist shtick for this daily and the researchers that are associated with it. Undoubtedly, another extraordinary debouchment enthusiastic to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the propinquitous unconventional big problem, Guy Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a airwoman over into the responses of a trial of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not exclusively tease a upbeat rejoinder to gay porn and the gay sex represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the major audience fact-finding project conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to fly apart stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br>
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Horodatage Unix de la modification (timestamp) | 1665097550 |
