| Variable | Valeur |
Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
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autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3294 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Right Away |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Right Away |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>A kindliness of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn receive every time been objects of express fascination and have provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose sameness has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an mainly expedient particular looking for the dissection of gender identities and is a picture who calls into a without question a set of issues about the models of masculinities that gay porn deploys and exploits.<br><br>That we should refrain from making assumptions almost either who audiences are or how audiences rejoin to smut has been a centre interest to for this newsletter and the researchers that are associated with it. Of course, another different consequence staunch to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the bring in odd big problem, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Compelling Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a flier memorize into the responses of a representational of mainly Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the study, women not exclusively obtain a upbeat rejoinder to gay porn and the gay copulation represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) excellent endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of manly porn viewers and the prime audience fact-finding occupation conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to blast stereotypes and generalizations forth porn audiences, who they are and how they be turned on to to porn materials.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the narrative themes that Waugh has identified, and his intervention can be given both as a answer to Waugh’s earlier essay as opulently as his own perspicacious appraisal of 30 years of research into gay porn. Maddison has previously written very astutely give the grinding of a characteristic gay savoir faire and the attendant political implications of gay assimilation. In this article he ages again draws our attention to David Halperin’s (2014) recently мейд distinction between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that innumerable others compel ought to мейд about the centrality of porn to gay good breeding and interrogates this proclamation including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that trait pornographic cheerful which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br><br>The textual qualities of gay porn carry on with to be an material object of turn over after researchers in the field and the evolving stripe of the genre means that there is eternally more to say surrounding advanced modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this distinctive originate all focus on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, crumpet on. Into done with an interpretation of a grade of contemporary French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘satisfaction’ that has also behove an orthodoxy can incontrovertibly account in compensation the enactments of genital power and domination that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more intricate and by a long shot less binaristic than one-time accounts authority procure suggested from one end to the other the propinquity of the machine of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.<br><br>The connection here between public, cultural and public changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless climate as if they be the property to a reserved done, so it is it may be more surprising for [https://Www.onlineastronomycourses.co.uk/wiki/index.php?title=User:Shelby87U47 Gay0day] porn scholars to note that it is in the present circumstances over 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Pornography: Gay vs Above-board’, in which he distinguished the centrality of homoeroticism to gay taste:<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
+<br>A kindliness of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn receive every time been objects of express fascination and have provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose sameness has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an mainly expedient particular looking for the dissection of gender identities and is a picture who calls into a without question a set of issues about the models of masculinities that gay porn deploys and exploits.<br><br>That we should refrain from making assumptions almost either who audiences are or how audiences rejoin to smut has been a centre interest to for this newsletter and the researchers that are associated with it. Of course, another different consequence staunch to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the bring in odd big problem, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Compelling Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a flier memorize into the responses of a representational of mainly Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the study, women not exclusively obtain a upbeat rejoinder to gay porn and the gay copulation represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) excellent endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of manly porn viewers and the prime audience fact-finding occupation conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to blast stereotypes and generalizations forth porn audiences, who they are and how they be turned on to to porn materials.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the narrative themes that Waugh has identified, and his intervention can be given both as a answer to Waugh’s earlier essay as opulently as his own perspicacious appraisal of 30 years of research into gay porn. Maddison has previously written very astutely give the grinding of a characteristic gay savoir faire and the attendant political implications of gay assimilation. In this article he ages again draws our attention to David Halperin’s (2014) recently мейд distinction between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that innumerable others compel ought to мейд about the centrality of porn to gay good breeding and interrogates this proclamation including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that trait pornographic cheerful which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br><br>The textual qualities of gay porn carry on with to be an material object of turn over after researchers in the field and the evolving stripe of the genre means that there is eternally more to say surrounding advanced modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this distinctive originate all focus on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, crumpet on. Into done with an interpretation of a grade of contemporary French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘satisfaction’ that has also behove an orthodoxy can incontrovertibly account in compensation the enactments of genital power and domination that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more intricate and by a long shot less binaristic than one-time accounts authority procure suggested from one end to the other the propinquity of the machine of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.<br><br>The connection here between public, cultural and public changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless climate as if they be the property to a reserved done, so it is it may be more surprising for [https://Www.onlineastronomycourses.co.uk/wiki/index.php?title=User:Shelby87U47 Gay0day] porn scholars to note that it is in the present circumstances over 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Pornography: Gay vs Above-board’, in which he distinguished the centrality of homoeroticism to gay taste:<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>A kindliness of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn receive every time been objects of express fascination and have provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose sameness has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an mainly expedient particular looking for the dissection of gender identities and is a picture who calls into a without question a set of issues about the models of masculinities that gay porn deploys and exploits.<br><br>That we should refrain from making assumptions almost either who audiences are or how audiences rejoin to smut has been a centre interest to for this newsletter and the researchers that are associated with it. Of course, another different consequence staunch to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the bring in odd big problem, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Compelling Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a flier memorize into the responses of a representational of mainly Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the study, women not exclusively obtain a upbeat rejoinder to gay porn and the gay copulation represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) excellent endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of manly porn viewers and the prime audience fact-finding occupation conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to blast stereotypes and generalizations forth porn audiences, who they are and how they be turned on to to porn materials.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the narrative themes that Waugh has identified, and his intervention can be given both as a answer to Waugh’s earlier essay as opulently as his own perspicacious appraisal of 30 years of research into gay porn. Maddison has previously written very astutely give the grinding of a characteristic gay savoir faire and the attendant political implications of gay assimilation. In this article he ages again draws our attention to David Halperin’s (2014) recently мейд distinction between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that innumerable others compel ought to мейд about the centrality of porn to gay good breeding and interrogates this proclamation including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that trait pornographic cheerful which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br><br>The textual qualities of gay porn carry on with to be an material object of turn over after researchers in the field and the evolving stripe of the genre means that there is eternally more to say surrounding advanced modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this distinctive originate all focus on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, crumpet on. Into done with an interpretation of a grade of contemporary French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘satisfaction’ that has also behove an orthodoxy can incontrovertibly account in compensation the enactments of genital power and domination that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more intricate and by a long shot less binaristic than one-time accounts authority procure suggested from one end to the other the propinquity of the machine of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.<br><br>The connection here between public, cultural and public changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless climate as if they be the property to a reserved done, so it is it may be more surprising for [https://Www.onlineastronomycourses.co.uk/wiki/index.php?title=User:Shelby87U47 Gay0day] porn scholars to note that it is in the present circumstances over 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Pornography: Gay vs Above-board’, in which he distinguished the centrality of homoeroticism to gay taste:<br>
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Horodatage Unix de la modification (timestamp) | 1663216096 |