| Variable | Valeur |
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Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3290 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Now |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Now |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>A rumination of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn participate in every time been objects of fine point charm and possess provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an mainly usable unique recompense the breakdown of gender identities and is a figure who calls into a question a routine of issues far the models of masculinities that gay porn deploys and exploits.<br><br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sex Scenes’ discusses the distinct streaming platforms to which gay porn is increasingly circulated. Issues adjacent piracy and the interdicted uploading of copyrighted thesis are of undoubtedly urgent concerns after the porn manufacture; anyway, [http://Goodwilljobconnection.us/__media__/js/netsoltrademark.php?d=many.fan%2Fcharlie89c63 Gay0day] Tsika identifies a fairly more well-defined tangible of studio in regularity to pressure observations upon the ways in which ‘denotation’ is contingent on context. Tsika’s key bear on here is the device throughout which variously erotic or in some cases sexually unconditional materials can be extracted from their unprecedented frame of reference within underground and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to set forward that the get ready of appropriation and repackaging that takes niche here reduces the national and cultural power of the atypical source texts that are repurposed.<br><br>Finally, my own article is an undertake to deploy together some of the themes that the contributors to this special issue entertain identified, to look to the admissible tomorrow's of gay porn as a category and to exhibit the way of the next stage of my own ongoing analysis in the field. In ‘Popperbate: Video Collage, Jargon Creativity and the Scripting of the Gay Smutty Carcass’ I look at some of the tyro porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In definite, my object of studio is a spelt form of user-generated load – popper training videos, bungling video that repurposes a index of develop sources with the speak good of turning masturbation fuelled past amyl nitrate use into an activity that energy be regarded as ‘bountiful recreation’. I talk that these videos might display, in these neoliberal times where spare is positioned as a bounteous operation, a unfamiliar if unexpected operating an eye to porn output and consumption.<br><br>The year 2017 marks a woman that without hyperbole can be described as a landmark for gay men in the United Kingdom. It is just now 50 years since the introduction of the Progenitive Offences Accomplishment of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the United Kingdom. Internationally, 1967 was an important year for the sake gay men too. In Canada, the Justice Envoy Pierre Trudeau introduced legislation that was to happen in the decriminalization of homosexuality a year later. In the США, the age notorious tv documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, sooner than this station a primary Hollywood big shot, was to depict a repressed queen in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Among Males: A Cross-Cultural and Cross-Species Quest was opening published in 1967, a laws that argued by notification to factual and cultural pattern after the acceptance of homosexuality. In September 1967, tersely formerly he was to ripen into one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Recognize Graphic, marking his entree into the far-out of show-business via gay porn’s backdoor.<br><br>At a nevertheless more particular constant it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded about the British Arts and Humanities Explore Stay and inspired by the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my lettered career becomingly began and a research track was plotted that has led to the issuance, this year, of my own monograph, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Physique Pictorial, it mattered in the 1980s adequacy for Waugh to provoke a invalid destined for its investigation, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.
+<br>A rumination of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn participate in every time been objects of fine point charm and possess provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an mainly usable unique recompense the breakdown of gender identities and is a figure who calls into a question a routine of issues far the models of masculinities that gay porn deploys and exploits.<br><br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sex Scenes’ discusses the distinct streaming platforms to which gay porn is increasingly circulated. Issues adjacent piracy and the interdicted uploading of copyrighted thesis are of undoubtedly urgent concerns after the porn manufacture; anyway, [http://Goodwilljobconnection.us/__media__/js/netsoltrademark.php?d=many.fan%2Fcharlie89c63 Gay0day] Tsika identifies a fairly more well-defined tangible of studio in regularity to pressure observations upon the ways in which ‘denotation’ is contingent on context. Tsika’s key bear on here is the device throughout which variously erotic or in some cases sexually unconditional materials can be extracted from their unprecedented frame of reference within underground and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to set forward that the get ready of appropriation and repackaging that takes niche here reduces the national and cultural power of the atypical source texts that are repurposed.<br><br>Finally, my own article is an undertake to deploy together some of the themes that the contributors to this special issue entertain identified, to look to the admissible tomorrow's of gay porn as a category and to exhibit the way of the next stage of my own ongoing analysis in the field. In ‘Popperbate: Video Collage, Jargon Creativity and the Scripting of the Gay Smutty Carcass’ I look at some of the tyro porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In definite, my object of studio is a spelt form of user-generated load – popper training videos, bungling video that repurposes a index of develop sources with the speak good of turning masturbation fuelled past amyl nitrate use into an activity that energy be regarded as ‘bountiful recreation’. I talk that these videos might display, in these neoliberal times where spare is positioned as a bounteous operation, a unfamiliar if unexpected operating an eye to porn output and consumption.<br><br>The year 2017 marks a woman that without hyperbole can be described as a landmark for gay men in the United Kingdom. It is just now 50 years since the introduction of the Progenitive Offences Accomplishment of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the United Kingdom. Internationally, 1967 was an important year for the sake gay men too. In Canada, the Justice Envoy Pierre Trudeau introduced legislation that was to happen in the decriminalization of homosexuality a year later. In the США, the age notorious tv documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, sooner than this station a primary Hollywood big shot, was to depict a repressed queen in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Among Males: A Cross-Cultural and Cross-Species Quest was opening published in 1967, a laws that argued by notification to factual and cultural pattern after the acceptance of homosexuality. In September 1967, tersely formerly he was to ripen into one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Recognize Graphic, marking his entree into the far-out of show-business via gay porn’s backdoor.<br><br>At a nevertheless more particular constant it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded about the British Arts and Humanities Explore Stay and inspired by the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my lettered career becomingly began and a research track was plotted that has led to the issuance, this year, of my own monograph, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Physique Pictorial, it mattered in the 1980s adequacy for Waugh to provoke a invalid destined for its investigation, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>A rumination of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn participate in every time been objects of fine point charm and possess provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an mainly usable unique recompense the breakdown of gender identities and is a figure who calls into a question a routine of issues far the models of masculinities that gay porn deploys and exploits.<br><br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sex Scenes’ discusses the distinct streaming platforms to which gay porn is increasingly circulated. Issues adjacent piracy and the interdicted uploading of copyrighted thesis are of undoubtedly urgent concerns after the porn manufacture; anyway, [http://Goodwilljobconnection.us/__media__/js/netsoltrademark.php?d=many.fan%2Fcharlie89c63 Gay0day] Tsika identifies a fairly more well-defined tangible of studio in regularity to pressure observations upon the ways in which ‘denotation’ is contingent on context. Tsika’s key bear on here is the device throughout which variously erotic or in some cases sexually unconditional materials can be extracted from their unprecedented frame of reference within underground and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to set forward that the get ready of appropriation and repackaging that takes niche here reduces the national and cultural power of the atypical source texts that are repurposed.<br><br>Finally, my own article is an undertake to deploy together some of the themes that the contributors to this special issue entertain identified, to look to the admissible tomorrow's of gay porn as a category and to exhibit the way of the next stage of my own ongoing analysis in the field. In ‘Popperbate: Video Collage, Jargon Creativity and the Scripting of the Gay Smutty Carcass’ I look at some of the tyro porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In definite, my object of studio is a spelt form of user-generated load – popper training videos, bungling video that repurposes a index of develop sources with the speak good of turning masturbation fuelled past amyl nitrate use into an activity that energy be regarded as ‘bountiful recreation’. I talk that these videos might display, in these neoliberal times where spare is positioned as a bounteous operation, a unfamiliar if unexpected operating an eye to porn output and consumption.<br><br>The year 2017 marks a woman that without hyperbole can be described as a landmark for gay men in the United Kingdom. It is just now 50 years since the introduction of the Progenitive Offences Accomplishment of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the United Kingdom. Internationally, 1967 was an important year for the sake gay men too. In Canada, the Justice Envoy Pierre Trudeau introduced legislation that was to happen in the decriminalization of homosexuality a year later. In the США, the age notorious tv documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, sooner than this station a primary Hollywood big shot, was to depict a repressed queen in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Among Males: A Cross-Cultural and Cross-Species Quest was opening published in 1967, a laws that argued by notification to factual and cultural pattern after the acceptance of homosexuality. In September 1967, tersely formerly he was to ripen into one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Recognize Graphic, marking his entree into the far-out of show-business via gay porn’s backdoor.<br><br>At a nevertheless more particular constant it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded about the British Arts and Humanities Explore Stay and inspired by the put to good of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my lettered career becomingly began and a research track was plotted that has led to the issuance, this year, of my own monograph, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Physique Pictorial, it mattered in the 1980s adequacy for Waugh to provoke a invalid destined for its investigation, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br>
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Horodatage Unix de la modification (timestamp) | 1663215802 |
