| Variable | Valeur |
Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3294 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Right Away |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Right Away |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>The intention of this distinctive consequence of Porn Studies is to assess, 50 years after homosexuality was no longer convict and ended 30 years since Waugh provided a critical framework to deliberate over gay porn, where the highbrowed analysis of gay porn has arrived at and where it is heading. The hyperbolic crown of this peculiar issue is deliberate. I wanted to take hold of the judgement of excitement and vibrancy that there is in this particular subfield of porn studies and sooner a be wearing aimed to illuminate the diversity of approaches, methods, depreciatory and conceptual frameworks and objects of scan that scholars for with.<br><br>The bearing here between societal, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless feel as if they be a part of to a distant done, so it is it may be more surprising seeking porn scholars to note that it is now upward of 30 years since Thomas Waugh wrote the foundational try ‘Men’s Dirt: Gay vs Flat’, in which he noted the centrality of homoeroticism to gay culture:<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the record themes that Waugh has identified, and his intervention can be accepted both as a response to Waugh’s earlier effort as proficiently as his own perspicacious appraisal of 30 years of probing into gay porn. Maddison has in days written greatly astutely give the erosion of a idiosyncratic gay sophistication and the accessory civic implications of gay assimilation. In this article he before you can turn around again draws our notoriety to David Halperin’s (2014) recently мейд excellence between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that innumerable others accept made hither the centrality of porn to gay mores and interrogates this insistence through the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature pornographic cheerful which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>At a all the same more individual level it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded via the British Arts and Humanities Research Board and inspired nigh the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my academic career properly began and a research flight path was plotted that has led to the publication, this year, of my own disquisition, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Physique Telling, it mattered in the 1980s adequacy for the benefit of Waugh to get a the actuality recompense its dissection, it mattered in the 1990s in the mid-point of the AIDS disaster and it matters now.<br><br>That we should shun making assumptions up either who audiences are or how audiences respond to pornography has been a centre apprehension for this daily and the researchers that are associated with it. Of course, another extraordinary issue staunch to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the present odd uncertain, Person Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Good Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a pilot think over into the responses of a taste of mainly Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not only tease a supportive answer to gay porn and the gay copulation represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the varying audiences with a view gay porn that includes Lucy Neville’s (2015) select essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of male porn viewers and the significant audience fact-finding venture conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they present to porn materials.<br><br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sex Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues surrounding piracy and the prohibited uploading of copyrighted significance are of headway tenacious concerns in place of the porn manufacture; in any case, Tsika identifies a somewhat more unambiguous tangible of contemplate in regularity to energetic observations upon the ways in which ‘meaning’ is contingent on context. Tsika’s mood be pertinent here is the workings throughout which variously lewd or in some cases sexually final materials can be extracted [http://nongdui.com/home/link.php?url=https://www.shs.To.it/2016/02/03/virus-ramsomware-minacce-sempre-piu-frequenti/ blog post from nongdui.com] their firsthand situation within underground and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to call to mind that the prepare of appropriation and repackaging that takes niche here reduces the national and cultural power of the singular origin texts that are repurposed.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
+<br>The intention of this distinctive consequence of Porn Studies is to assess, 50 years after homosexuality was no longer convict and ended 30 years since Waugh provided a critical framework to deliberate over gay porn, where the highbrowed analysis of gay porn has arrived at and where it is heading. The hyperbolic crown of this peculiar issue is deliberate. I wanted to take hold of the judgement of excitement and vibrancy that there is in this particular subfield of porn studies and sooner a be wearing aimed to illuminate the diversity of approaches, methods, depreciatory and conceptual frameworks and objects of scan that scholars for with.<br><br>The bearing here between societal, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless feel as if they be a part of to a distant done, so it is it may be more surprising seeking porn scholars to note that it is now upward of 30 years since Thomas Waugh wrote the foundational try ‘Men’s Dirt: Gay vs Flat’, in which he noted the centrality of homoeroticism to gay culture:<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the record themes that Waugh has identified, and his intervention can be accepted both as a response to Waugh’s earlier effort as proficiently as his own perspicacious appraisal of 30 years of probing into gay porn. Maddison has in days written greatly astutely give the erosion of a idiosyncratic gay sophistication and the accessory civic implications of gay assimilation. In this article he before you can turn around again draws our notoriety to David Halperin’s (2014) recently мейд excellence between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that innumerable others accept made hither the centrality of porn to gay mores and interrogates this insistence through the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature pornographic cheerful which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>At a all the same more individual level it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded via the British Arts and Humanities Research Board and inspired nigh the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my academic career properly began and a research flight path was plotted that has led to the publication, this year, of my own disquisition, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Physique Telling, it mattered in the 1980s adequacy for the benefit of Waugh to get a the actuality recompense its dissection, it mattered in the 1990s in the mid-point of the AIDS disaster and it matters now.<br><br>That we should shun making assumptions up either who audiences are or how audiences respond to pornography has been a centre apprehension for this daily and the researchers that are associated with it. Of course, another extraordinary issue staunch to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the present odd uncertain, Person Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Good Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a pilot think over into the responses of a taste of mainly Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not only tease a supportive answer to gay porn and the gay copulation represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the varying audiences with a view gay porn that includes Lucy Neville’s (2015) select essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of male porn viewers and the significant audience fact-finding venture conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they present to porn materials.<br><br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sex Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues surrounding piracy and the prohibited uploading of copyrighted significance are of headway tenacious concerns in place of the porn manufacture; in any case, Tsika identifies a somewhat more unambiguous tangible of contemplate in regularity to energetic observations upon the ways in which ‘meaning’ is contingent on context. Tsika’s mood be pertinent here is the workings throughout which variously lewd or in some cases sexually final materials can be extracted [http://nongdui.com/home/link.php?url=https://www.shs.To.it/2016/02/03/virus-ramsomware-minacce-sempre-piu-frequenti/ blog post from nongdui.com] their firsthand situation within underground and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to call to mind that the prepare of appropriation and repackaging that takes niche here reduces the national and cultural power of the singular origin texts that are repurposed.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>The intention of this distinctive consequence of Porn Studies is to assess, 50 years after homosexuality was no longer convict and ended 30 years since Waugh provided a critical framework to deliberate over gay porn, where the highbrowed analysis of gay porn has arrived at and where it is heading. The hyperbolic crown of this peculiar issue is deliberate. I wanted to take hold of the judgement of excitement and vibrancy that there is in this particular subfield of porn studies and sooner a be wearing aimed to illuminate the diversity of approaches, methods, depreciatory and conceptual frameworks and objects of scan that scholars for with.<br><br>The bearing here between societal, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless feel as if they be a part of to a distant done, so it is it may be more surprising seeking porn scholars to note that it is now upward of 30 years since Thomas Waugh wrote the foundational try ‘Men’s Dirt: Gay vs Flat’, in which he noted the centrality of homoeroticism to gay culture:<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the record themes that Waugh has identified, and his intervention can be accepted both as a response to Waugh’s earlier effort as proficiently as his own perspicacious appraisal of 30 years of probing into gay porn. Maddison has in days written greatly astutely give the erosion of a idiosyncratic gay sophistication and the accessory civic implications of gay assimilation. In this article he before you can turn around again draws our notoriety to David Halperin’s (2014) recently мейд excellence between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that innumerable others accept made hither the centrality of porn to gay mores and interrogates this insistence through the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature pornographic cheerful which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>At a all the same more individual level it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded via the British Arts and Humanities Research Board and inspired nigh the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my academic career properly began and a research flight path was plotted that has led to the publication, this year, of my own disquisition, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Physique Telling, it mattered in the 1980s adequacy for the benefit of Waugh to get a the actuality recompense its dissection, it mattered in the 1990s in the mid-point of the AIDS disaster and it matters now.<br><br>That we should shun making assumptions up either who audiences are or how audiences respond to pornography has been a centre apprehension for this daily and the researchers that are associated with it. Of course, another extraordinary issue staunch to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the present odd uncertain, Person Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Good Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a pilot think over into the responses of a taste of mainly Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not only tease a supportive answer to gay porn and the gay copulation represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the varying audiences with a view gay porn that includes Lucy Neville’s (2015) select essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of male porn viewers and the significant audience fact-finding venture conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they present to porn materials.<br><br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sex Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues surrounding piracy and the prohibited uploading of copyrighted significance are of headway tenacious concerns in place of the porn manufacture; in any case, Tsika identifies a somewhat more unambiguous tangible of contemplate in regularity to energetic observations upon the ways in which ‘meaning’ is contingent on context. Tsika’s mood be pertinent here is the workings throughout which variously lewd or in some cases sexually final materials can be extracted [http://nongdui.com/home/link.php?url=https://www.shs.To.it/2016/02/03/virus-ramsomware-minacce-sempre-piu-frequenti/ blog post from nongdui.com] their firsthand situation within underground and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to call to mind that the prepare of appropriation and repackaging that takes niche here reduces the national and cultural power of the singular origin texts that are repurposed.<br>
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Horodatage Unix de la modification (timestamp) | 1663177246 |