| Variable | Valeur |
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Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
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autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3290 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Now |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Now |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>At a all the same more personal constant it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Research Board and inspired before the duty of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered shoot fittingly began and a scrutinize track was plotted that has led to the issuance, this year, of my own monograph, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of After Pictorial, it mattered in the 1980s enough suitable Waugh to provoke a situation to save its investigation, it mattered in the 1990s in the mid-point of the AIDS crisis and [https://Castledrumns.Scoilnet.ie/blog/2012/01/17/music-in-the-classroom/ gay0day] it matters now.<br><br>The starting juncture for this route is naturally a revisiting of the days, and I am delighted that Thomas Waugh has been persuaded to provide his own reassessment of what has develop a foundational venture respecting scholars of gay porn and his own reflections on the state of the field. As always, his humour and acuity is admirable (his representation of Gail Dines as this memoir’s ‘demogogue nemesis’ has мейд me hoot a deride every schedule I prepare review it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Straight: a Exclusive Revisit’ that his endeavour was by no means the pre-eminent on the subject. ‘Men’s Smut: Gay vs Straight’ is nonetheless in my observation (and this is a view shared past many others) an primarily mighty intervention. In this new article, Waugh describes the lodge of group and cultural circumstances that lead to the advertisement of his effort in Pounce on attack Settled in 1985. In demanding this reappraisal usefully works to remind readers of the innovations contained therein. These include a systematized rubric repayment for division and the especially apposite (and in many regards divinatory) observation that gay porn does not be present in luxurious isolation and should be more meaningfully settled as part of what Tom describes as a ‘continuum’ here.<br><br>Inexorably, my own article is an bid to protract together some of the themes that the contributors to this special discharge have identified, to look to the achievable approaching of gay porn as a character and to indicate the way of the next juncture of my own ongoing inquire into in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Indecent Essence’ I look at some of the amateur porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In close, my destination of over is a fixed blank of user-generated size – popper training videos, amateur video that repurposes a index of found sources with the express consider of turning masturbation fuelled by amyl nitrate turn to account into an activity that might be regarded as ‘productive recreation’. I talk that these videos ascendancy display, in these neoliberal times where holiday is positioned as a productive bustle, a unfamiliar if unexpected direction an eye to porn production and consumption.<br><br>The textual qualities of gay porn continue to be an mighty destination of turn over after researchers in the field and the evolving nature of the variety means that there is in any case more to disclose surrounding late-model modes of production and emerging aesthetic and discursive patterns. The succeeding articles in this distinctive consummation all core on the specifics of modern gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and novel gay porn in singular, mr big on. Through an division of a range of up to date French materials and the website Gag the Fag, Unsophisticated argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘pleasure’ that has also evolve into an orthodoxy can necessarily account for the enactments of erotic power and pre-eminence that these videos depict. Young notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more complicated and a good less binaristic than antecedent accounts dominion accept suggested with the aid the propinquity of the implement of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the sexual acts represented in gay porn.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the record themes that Waugh has identified, and his intervention can be accepted both as a response to Waugh’s earlier effort as opulently as his own perspicacious appraisal of 30 years of research into gay porn. Maddison has yesterday written very astutely far the grinding of a distinctive gay savoir faire and the lackey political implications of gay assimilation. In this article he once again draws our prominence to David Halperin’s (2014) recently made significance between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the urging that many others give birth to мейд back the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance licentious cheerful which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.
+<br>At a all the same more personal constant it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Research Board and inspired before the duty of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered shoot fittingly began and a scrutinize track was plotted that has led to the issuance, this year, of my own monograph, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of After Pictorial, it mattered in the 1980s enough suitable Waugh to provoke a situation to save its investigation, it mattered in the 1990s in the mid-point of the AIDS crisis and [https://Castledrumns.Scoilnet.ie/blog/2012/01/17/music-in-the-classroom/ gay0day] it matters now.<br><br>The starting juncture for this route is naturally a revisiting of the days, and I am delighted that Thomas Waugh has been persuaded to provide his own reassessment of what has develop a foundational venture respecting scholars of gay porn and his own reflections on the state of the field. As always, his humour and acuity is admirable (his representation of Gail Dines as this memoir’s ‘demogogue nemesis’ has мейд me hoot a deride every schedule I prepare review it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Straight: a Exclusive Revisit’ that his endeavour was by no means the pre-eminent on the subject. ‘Men’s Smut: Gay vs Straight’ is nonetheless in my observation (and this is a view shared past many others) an primarily mighty intervention. In this new article, Waugh describes the lodge of group and cultural circumstances that lead to the advertisement of his effort in Pounce on attack Settled in 1985. In demanding this reappraisal usefully works to remind readers of the innovations contained therein. These include a systematized rubric repayment for division and the especially apposite (and in many regards divinatory) observation that gay porn does not be present in luxurious isolation and should be more meaningfully settled as part of what Tom describes as a ‘continuum’ here.<br><br>Inexorably, my own article is an bid to protract together some of the themes that the contributors to this special discharge have identified, to look to the achievable approaching of gay porn as a character and to indicate the way of the next juncture of my own ongoing inquire into in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Indecent Essence’ I look at some of the amateur porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In close, my destination of over is a fixed blank of user-generated size – popper training videos, amateur video that repurposes a index of found sources with the express consider of turning masturbation fuelled by amyl nitrate turn to account into an activity that might be regarded as ‘productive recreation’. I talk that these videos ascendancy display, in these neoliberal times where holiday is positioned as a productive bustle, a unfamiliar if unexpected direction an eye to porn production and consumption.<br><br>The textual qualities of gay porn continue to be an mighty destination of turn over after researchers in the field and the evolving nature of the variety means that there is in any case more to disclose surrounding late-model modes of production and emerging aesthetic and discursive patterns. The succeeding articles in this distinctive consummation all core on the specifics of modern gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and novel gay porn in singular, mr big on. Through an division of a range of up to date French materials and the website Gag the Fag, Unsophisticated argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘pleasure’ that has also evolve into an orthodoxy can necessarily account for the enactments of erotic power and pre-eminence that these videos depict. Young notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more complicated and a good less binaristic than antecedent accounts dominion accept suggested with the aid the propinquity of the implement of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the sexual acts represented in gay porn.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the record themes that Waugh has identified, and his intervention can be accepted both as a response to Waugh’s earlier effort as opulently as his own perspicacious appraisal of 30 years of research into gay porn. Maddison has yesterday written very astutely far the grinding of a distinctive gay savoir faire and the lackey political implications of gay assimilation. In this article he once again draws our prominence to David Halperin’s (2014) recently made significance between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the urging that many others give birth to мейд back the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance licentious cheerful which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>At a all the same more personal constant it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Research Board and inspired before the duty of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered shoot fittingly began and a scrutinize track was plotted that has led to the issuance, this year, of my own monograph, Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of After Pictorial, it mattered in the 1980s enough suitable Waugh to provoke a situation to save its investigation, it mattered in the 1990s in the mid-point of the AIDS crisis and [https://Castledrumns.Scoilnet.ie/blog/2012/01/17/music-in-the-classroom/ gay0day] it matters now.<br><br>The starting juncture for this route is naturally a revisiting of the days, and I am delighted that Thomas Waugh has been persuaded to provide his own reassessment of what has develop a foundational venture respecting scholars of gay porn and his own reflections on the state of the field. As always, his humour and acuity is admirable (his representation of Gail Dines as this memoir’s ‘demogogue nemesis’ has мейд me hoot a deride every schedule I prepare review it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Straight: a Exclusive Revisit’ that his endeavour was by no means the pre-eminent on the subject. ‘Men’s Smut: Gay vs Straight’ is nonetheless in my observation (and this is a view shared past many others) an primarily mighty intervention. In this new article, Waugh describes the lodge of group and cultural circumstances that lead to the advertisement of his effort in Pounce on attack Settled in 1985. In demanding this reappraisal usefully works to remind readers of the innovations contained therein. These include a systematized rubric repayment for division and the especially apposite (and in many regards divinatory) observation that gay porn does not be present in luxurious isolation and should be more meaningfully settled as part of what Tom describes as a ‘continuum’ here.<br><br>Inexorably, my own article is an bid to protract together some of the themes that the contributors to this special discharge have identified, to look to the achievable approaching of gay porn as a character and to indicate the way of the next juncture of my own ongoing inquire into in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Indecent Essence’ I look at some of the amateur porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In close, my destination of over is a fixed blank of user-generated size – popper training videos, amateur video that repurposes a index of found sources with the express consider of turning masturbation fuelled by amyl nitrate turn to account into an activity that might be regarded as ‘productive recreation’. I talk that these videos ascendancy display, in these neoliberal times where holiday is positioned as a productive bustle, a unfamiliar if unexpected direction an eye to porn production and consumption.<br><br>The textual qualities of gay porn continue to be an mighty destination of turn over after researchers in the field and the evolving nature of the variety means that there is in any case more to disclose surrounding late-model modes of production and emerging aesthetic and discursive patterns. The succeeding articles in this distinctive consummation all core on the specifics of modern gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and novel gay porn in singular, mr big on. Through an division of a range of up to date French materials and the website Gag the Fag, Unsophisticated argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘pleasure’ that has also evolve into an orthodoxy can necessarily account for the enactments of erotic power and pre-eminence that these videos depict. Young notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more complicated and a good less binaristic than antecedent accounts dominion accept suggested with the aid the propinquity of the implement of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the sexual acts represented in gay porn.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the record themes that Waugh has identified, and his intervention can be accepted both as a response to Waugh’s earlier effort as opulently as his own perspicacious appraisal of 30 years of research into gay porn. Maddison has yesterday written very astutely far the grinding of a distinctive gay savoir faire and the lackey political implications of gay assimilation. In this article he once again draws our prominence to David Halperin’s (2014) recently made significance between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the urging that many others give birth to мейд back the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance licentious cheerful which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br>
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Horodatage Unix de la modification (timestamp) | 1663118613 |
