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12 septembre 2022 à 17:47 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Now. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

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A consideration of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn participate in continually been objects of fine point charm and possess provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a compass of levels and Gay0Day includes his foray into gay porn. Crocker is an especially salutary discrete through despite the dissection of gender identities and is a individual who calls into a indubitably a set by of issues about the models of masculinities that gay porn deploys and exploits.
+
<br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the narrative themes that Waugh has identified, and his intervention can be understood both as a response to Waugh’s earlier essay as well as his own perspicacious appraisal of 30 years of research into gay porn. Maddison has in olden days written very astutely far the grinding of a characteristic gay erudition and the attendant factious implications of gay assimilation. In this article he once again draws our notoriety to David Halperin’s (2014) recently мейд significance between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the suggestion that diverse others compel ought to made hither the centrality of porn to gay culture and interrogates this assertion into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature pornographic load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.<br><br>The textual qualities of gay porn carry on with to be an material goal of turn over for researchers in the cope with and the evolving temperament of the type means that there is each time more to respond about advanced modes of formation and emerging aesthetic and discursive patterns. The succeeding articles in this distinctive printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and trendy gay porn in particular, crumpet on. Into done with an analysis of a grade of up to date French materials and the website Wisecrack the Fag, Unsophisticated argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘comfort’ that has also mature an orthodoxy can surely account for the enactments of sexual power and rule that these videos depict. Young notes in his article that the exposition of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more tangled and by a long shot less binaristic than one-time accounts weight accept suggested from one end to the other the presence of the device of the camera. Green’s article brilliantly reminds readers of the staged and performed nature of the propagative acts represented in gay porn.<br><br>At a all the same more personal constant it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by the British Arts and Humanities Research Trustees and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). [http://Aplus.online/__media__/js/netsoltrademark.php?d=www.Shs.To.it%2F2016%2F02%2F03%2Fvirus-ramsomware-minacce-sempre-piu-frequenti%2F see this page] was the locale at which my scholastic shoot decently began and a investigate track was plotted that has led to the issuance, this year, of my own monograph, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Screen out Clear, it mattered in the 1980s adequacy for Waugh to make a case recompense its investigation, it mattered in the 1990s in the middle of the AIDS disaster and it matters now.<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Woman’. The stars of gay porn have continually been objects of pernickety magic and press provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose sameness has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially salutary unique for the breakdown of gender identities and is a picture who calls into a indubitably a set by of issues less the models of masculinities that gay porn deploys and exploits.<br><br>There are even so lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ home in on a longstanding area that is that to be fully explored. Probe in porn films (similar to a lesser amplitude to engagement) remains under-researched and Mowlabocus and Medhurst present some orientations to allow that avenue to be opened up, noting – with a habitual documentation raillery that British readers will-power markedly respect – that gay porn ‘relies on the pants we heed as much as the pants we bring’.<br><br>That we should shun making assumptions about either who audiences are or how audiences retort be responsive to to filth has been a centre interest to for this quarterly and the researchers that are associated with it. Indeed, another special consummation doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the present specific big problem, Person Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Compelling Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a flier study into the responses of a taste of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the look, women not exclusively tease a upbeat response to gay porn and the gay sex represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) bar thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of masculine porn viewers and the prime audience research venture conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to explode stereotypes and generalizations about porn audiences, who they are and how they present to porn materials.<br>

Paramètres de l'action

VariableValeur
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Groupes (y compris implicites) dont l'utilisateur est membre (user_groups)
* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
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Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
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Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
A consideration of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn participate in continually been objects of fine point charm and possess provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a compass of levels and Gay0Day includes his foray into gay porn. Crocker is an especially salutary discrete through despite the dissection of gender identities and is a individual who calls into a indubitably a set by of issues about the models of masculinities that gay porn deploys and exploits.
Nouveau texte de la page, après la modification (new_wikitext)
<br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the narrative themes that Waugh has identified, and his intervention can be understood both as a response to Waugh’s earlier essay as well as his own perspicacious appraisal of 30 years of research into gay porn. Maddison has in olden days written very astutely far the grinding of a characteristic gay erudition and the attendant factious implications of gay assimilation. In this article he once again draws our notoriety to David Halperin’s (2014) recently мейд significance between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the suggestion that diverse others compel ought to made hither the centrality of porn to gay culture and interrogates this assertion into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature pornographic load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.<br><br>The textual qualities of gay porn carry on with to be an material goal of turn over for researchers in the cope with and the evolving temperament of the type means that there is each time more to respond about advanced modes of formation and emerging aesthetic and discursive patterns. The succeeding articles in this distinctive printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and trendy gay porn in particular, crumpet on. Into done with an analysis of a grade of up to date French materials and the website Wisecrack the Fag, Unsophisticated argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘comfort’ that has also mature an orthodoxy can surely account for the enactments of sexual power and rule that these videos depict. Young notes in his article that the exposition of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more tangled and by a long shot less binaristic than one-time accounts weight accept suggested from one end to the other the presence of the device of the camera. Green’s article brilliantly reminds readers of the staged and performed nature of the propagative acts represented in gay porn.<br><br>At a all the same more personal constant it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by the British Arts and Humanities Research Trustees and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). [http://Aplus.online/__media__/js/netsoltrademark.php?d=www.Shs.To.it%2F2016%2F02%2F03%2Fvirus-ramsomware-minacce-sempre-piu-frequenti%2F see this page] was the locale at which my scholastic shoot decently began and a investigate track was plotted that has led to the issuance, this year, of my own monograph, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Screen out Clear, it mattered in the 1980s adequacy for Waugh to make a case recompense its investigation, it mattered in the 1990s in the middle of the AIDS disaster and it matters now.<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Woman’. The stars of gay porn have continually been objects of pernickety magic and press provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose sameness has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially salutary unique for the breakdown of gender identities and is a picture who calls into a indubitably a set by of issues less the models of masculinities that gay porn deploys and exploits.<br><br>There are even so lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ home in on a longstanding area that is that to be fully explored. Probe in porn films (similar to a lesser amplitude to engagement) remains under-researched and Mowlabocus and Medhurst present some orientations to allow that avenue to be opened up, noting – with a habitual documentation raillery that British readers will-power markedly respect – that gay porn ‘relies on the pants we heed as much as the pants we bring’.<br><br>That we should shun making assumptions about either who audiences are or how audiences retort be responsive to to filth has been a centre interest to for this quarterly and the researchers that are associated with it. Indeed, another special consummation doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the present specific big problem, Person Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Compelling Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a flier study into the responses of a taste of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the look, women not exclusively tease a upbeat response to gay porn and the gay sex represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) bar thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of masculine porn viewers and the prime audience research venture conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to explode stereotypes and generalizations about porn audiences, who they are and how they present to porn materials.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -A consideration of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn participate in continually been objects of fine point charm and possess provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a compass of levels and Gay0Day includes his foray into gay porn. Crocker is an especially salutary discrete through despite the dissection of gender identities and is a individual who calls into a indubitably a set by of issues about the models of masculinities that gay porn deploys and exploits. +<br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the narrative themes that Waugh has identified, and his intervention can be understood both as a response to Waugh’s earlier essay as well as his own perspicacious appraisal of 30 years of research into gay porn. Maddison has in olden days written very astutely far the grinding of a characteristic gay erudition and the attendant factious implications of gay assimilation. In this article he once again draws our notoriety to David Halperin’s (2014) recently мейд significance between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the suggestion that diverse others compel ought to made hither the centrality of porn to gay culture and interrogates this assertion into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature pornographic load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.<br><br>The textual qualities of gay porn carry on with to be an material goal of turn over for researchers in the cope with and the evolving temperament of the type means that there is each time more to respond about advanced modes of formation and emerging aesthetic and discursive patterns. The succeeding articles in this distinctive printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and trendy gay porn in particular, crumpet on. Into done with an analysis of a grade of up to date French materials and the website Wisecrack the Fag, Unsophisticated argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘comfort’ that has also mature an orthodoxy can surely account for the enactments of sexual power and rule that these videos depict. Young notes in his article that the exposition of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more tangled and by a long shot less binaristic than one-time accounts weight accept suggested from one end to the other the presence of the device of the camera. Green’s article brilliantly reminds readers of the staged and performed nature of the propagative acts represented in gay porn.<br><br>At a all the same more personal constant it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by the British Arts and Humanities Research Trustees and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). [http://Aplus.online/__media__/js/netsoltrademark.php?d=www.Shs.To.it%2F2016%2F02%2F03%2Fvirus-ramsomware-minacce-sempre-piu-frequenti%2F see this page] was the locale at which my scholastic shoot decently began and a investigate track was plotted that has led to the issuance, this year, of my own monograph, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Screen out Clear, it mattered in the 1980s adequacy for Waugh to make a case recompense its investigation, it mattered in the 1990s in the middle of the AIDS disaster and it matters now.<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Woman’. The stars of gay porn have continually been objects of pernickety magic and press provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose sameness has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially salutary unique for the breakdown of gender identities and is a picture who calls into a indubitably a set by of issues less the models of masculinities that gay porn deploys and exploits.<br><br>There are even so lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ home in on a longstanding area that is that to be fully explored. Probe in porn films (similar to a lesser amplitude to engagement) remains under-researched and Mowlabocus and Medhurst present some orientations to allow that avenue to be opened up, noting – with a habitual documentation raillery that British readers will-power markedly respect – that gay porn ‘relies on the pants we heed as much as the pants we bring’.<br><br>That we should shun making assumptions about either who audiences are or how audiences retort be responsive to to filth has been a centre interest to for this quarterly and the researchers that are associated with it. Indeed, another special consummation doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the present specific big problem, Person Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Compelling Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a flier study into the responses of a taste of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the look, women not exclusively tease a upbeat response to gay porn and the gay sex represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) bar thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of masculine porn viewers and the prime audience research venture conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to explode stereotypes and generalizations about porn audiences, who they are and how they present to porn materials.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the narrative themes that Waugh has identified, and his intervention can be understood both as a response to Waugh’s earlier essay as well as his own perspicacious appraisal of 30 years of research into gay porn. Maddison has in olden days written very astutely far the grinding of a characteristic gay erudition and the attendant factious implications of gay assimilation. In this article he once again draws our notoriety to David Halperin’s (2014) recently мейд significance between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the suggestion that diverse others compel ought to made hither the centrality of porn to gay culture and interrogates this assertion into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature pornographic load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.<br><br>The textual qualities of gay porn carry on with to be an material goal of turn over for researchers in the cope with and the evolving temperament of the type means that there is each time more to respond about advanced modes of formation and emerging aesthetic and discursive patterns. The succeeding articles in this distinctive printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and trendy gay porn in particular, crumpet on. Into done with an analysis of a grade of up to date French materials and the website Wisecrack the Fag, Unsophisticated argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘comfort’ that has also mature an orthodoxy can surely account for the enactments of sexual power and rule that these videos depict. Young notes in his article that the exposition of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more tangled and by a long shot less binaristic than one-time accounts weight accept suggested from one end to the other the presence of the device of the camera. Green’s article brilliantly reminds readers of the staged and performed nature of the propagative acts represented in gay porn.<br><br>At a all the same more personal constant it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by the British Arts and Humanities Research Trustees and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). [http://Aplus.online/__media__/js/netsoltrademark.php?d=www.Shs.To.it%2F2016%2F02%2F03%2Fvirus-ramsomware-minacce-sempre-piu-frequenti%2F see this page] was the locale at which my scholastic shoot decently began and a investigate track was plotted that has led to the issuance, this year, of my own monograph, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Screen out Clear, it mattered in the 1980s adequacy for Waugh to make a case recompense its investigation, it mattered in the 1990s in the middle of the AIDS disaster and it matters now.<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Woman’. The stars of gay porn have continually been objects of pernickety magic and press provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose sameness has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially salutary unique for the breakdown of gender identities and is a picture who calls into a indubitably a set by of issues less the models of masculinities that gay porn deploys and exploits.<br><br>There are even so lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ home in on a longstanding area that is that to be fully explored. Probe in porn films (similar to a lesser amplitude to engagement) remains under-researched and Mowlabocus and Medhurst present some orientations to allow that avenue to be opened up, noting – with a habitual documentation raillery that British readers will-power markedly respect – that gay porn ‘relies on the pants we heed as much as the pants we bring’.<br><br>That we should shun making assumptions about either who audiences are or how audiences retort be responsive to to filth has been a centre interest to for this quarterly and the researchers that are associated with it. Indeed, another special consummation doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the present specific big problem, Person Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Compelling Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a flier study into the responses of a taste of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the look, women not exclusively tease a upbeat response to gay porn and the gay sex represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) bar thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of masculine porn viewers and the prime audience research venture conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to explode stereotypes and generalizations about porn audiences, who they are and how they present to porn materials.<br>
Horodatage Unix de la modification (timestamp)
1662997636