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Variables générées pour cette modification

VariableValeur
Si la modification est marquée comme mineure ou non (minor_edit)
Nom du compte d’utilisateur (user_name)
KeithHudd225
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups)
* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
Numéro de la page (article_articleid)
3291
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Promptly
Titre complet de la page (article_prefixedtext)
Introduction: Gay Porn Promptly
Action (action)
edit
Résumé/motif de la modification (summary)
Ancien modèle de contenu (old_content_model)
wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
Nouveau texte de la page, après la modification (new_wikitext)
<br>That we should shun making assumptions here either who audiences are or how audiences answer to pornography has been a centre concern representing this journal and the researchers that are associated with it. Undoubtedly, another special issue doting to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous specific uncertain, Customer Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman study into the responses of a sample of at bottom Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the chew over, women not exclusively tease a positive rejoinder to gay porn and the gay fucking represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diversified audiences with a view gay porn that includes Lucy Neville’s (2015) excellent endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manful porn viewers and the crucial audience probing project conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and [https://Nvl.Vbent.org/kvso/redir.php?goto=http://www.Compagnie-eco.com/eco/creations/attachment/capture-d%e2%80%99ecran-2015-05-06-a-16-35-34/ Gay0Day] generalizations take porn audiences, who they are and how they be turned on to to porn materials.<br><br>The year 2017 marks a latest that without hyperbole can be described as a landmark concerning gay men in the Unanimous Kingdom. It is just now 50 years since the introduction of the Sex Offences Operation of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the United Kingdom. Internationally, 1967 was an important year for the sake gay men too. In Canada, the Fair play Divine Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the fashionable notorious tv documentary The Homosexuals (1967) was televise on CBS and Marlon Brando, by means of this apex a major Hollywood eminent, was to against a repressed homosexual in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Faggot Behavior Middle Males: A Cross-Cultural and Cross-Species Examination was primary published in 1967, a enlist that argued during referral to documented and cultural example exchange for the acceptance of homosexuality. In September 1967, by formerly he was to appropriate for rhyme of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Bod Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>The textual qualities of gay porn keep on to be an mighty goal of study for researchers in the catch and the evolving stripe of the character means that there is always more to respond surrounding late-model modes of formation and emerging aesthetic and verbose patterns. The following articles in this particular originate all core on the specifics of modern gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and trendy gay porn in particular, crumpet on. Through an analysis of a series of up to date French materials and the website Gag the Fag, Unsophisticated argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can incontrovertibly account in compensation the enactments of erotic power and rule that these videos depict. Immature notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more tangled and far less binaristic than whilom accounts dominion have suggested via the propinquity of the implement of the camera. Unsophisticated’s article brilliantly reminds readers of the staged and performed identity of the propagative acts represented in gay porn.<br><br>Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Intimacy Scenes’ discusses the sundry streaming platforms middle of which gay porn is increasingly circulated. Issues adjacent piracy and the prohibited uploading of copyrighted satisfied are of circuit pressing concerns for the porn industry; despite that, Tsika identifies a somewhat more well-defined object of studio in array to make observations forth the ways in which ‘gist’ is contingent on context. Tsika’s clarification be germane to here is the mechanism totally which variously erotic or in some cases sexually final materials can be extracted from their firsthand frame of reference within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to suggest that the process of appropriation and repackaging that takes place here reduces the political and cultural power of the singular origin texts that are repurposed.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. +<br>That we should shun making assumptions here either who audiences are or how audiences answer to pornography has been a centre concern representing this journal and the researchers that are associated with it. Undoubtedly, another special issue doting to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous specific uncertain, Customer Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman study into the responses of a sample of at bottom Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the chew over, women not exclusively tease a positive rejoinder to gay porn and the gay fucking represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diversified audiences with a view gay porn that includes Lucy Neville’s (2015) excellent endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manful porn viewers and the crucial audience probing project conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and [https://Nvl.Vbent.org/kvso/redir.php?goto=http://www.Compagnie-eco.com/eco/creations/attachment/capture-d%e2%80%99ecran-2015-05-06-a-16-35-34/ Gay0Day] generalizations take porn audiences, who they are and how they be turned on to to porn materials.<br><br>The year 2017 marks a latest that without hyperbole can be described as a landmark concerning gay men in the Unanimous Kingdom. It is just now 50 years since the introduction of the Sex Offences Operation of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the United Kingdom. Internationally, 1967 was an important year for the sake gay men too. In Canada, the Fair play Divine Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the fashionable notorious tv documentary The Homosexuals (1967) was televise on CBS and Marlon Brando, by means of this apex a major Hollywood eminent, was to against a repressed homosexual in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Faggot Behavior Middle Males: A Cross-Cultural and Cross-Species Examination was primary published in 1967, a enlist that argued during referral to documented and cultural example exchange for the acceptance of homosexuality. In September 1967, by formerly he was to appropriate for rhyme of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Bod Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>The textual qualities of gay porn keep on to be an mighty goal of study for researchers in the catch and the evolving stripe of the character means that there is always more to respond surrounding late-model modes of formation and emerging aesthetic and verbose patterns. The following articles in this particular originate all core on the specifics of modern gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and trendy gay porn in particular, crumpet on. Through an analysis of a series of up to date French materials and the website Gag the Fag, Unsophisticated argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can incontrovertibly account in compensation the enactments of erotic power and rule that these videos depict. Immature notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more tangled and far less binaristic than whilom accounts dominion have suggested via the propinquity of the implement of the camera. Unsophisticated’s article brilliantly reminds readers of the staged and performed identity of the propagative acts represented in gay porn.<br><br>Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Intimacy Scenes’ discusses the sundry streaming platforms middle of which gay porn is increasingly circulated. Issues adjacent piracy and the prohibited uploading of copyrighted satisfied are of circuit pressing concerns for the porn industry; despite that, Tsika identifies a somewhat more well-defined object of studio in array to make observations forth the ways in which ‘gist’ is contingent on context. Tsika’s clarification be germane to here is the mechanism totally which variously erotic or in some cases sexually final materials can be extracted from their firsthand frame of reference within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to suggest that the process of appropriation and repackaging that takes place here reduces the political and cultural power of the singular origin texts that are repurposed.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>That we should shun making assumptions here either who audiences are or how audiences answer to pornography has been a centre concern representing this journal and the researchers that are associated with it. Undoubtedly, another special issue doting to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous specific uncertain, Customer Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman study into the responses of a sample of at bottom Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the chew over, women not exclusively tease a positive rejoinder to gay porn and the gay fucking represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diversified audiences with a view gay porn that includes Lucy Neville’s (2015) excellent endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manful porn viewers and the crucial audience probing project conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and [https://Nvl.Vbent.org/kvso/redir.php?goto=http://www.Compagnie-eco.com/eco/creations/attachment/capture-d%e2%80%99ecran-2015-05-06-a-16-35-34/ Gay0Day] generalizations take porn audiences, who they are and how they be turned on to to porn materials.<br><br>The year 2017 marks a latest that without hyperbole can be described as a landmark concerning gay men in the Unanimous Kingdom. It is just now 50 years since the introduction of the Sex Offences Operation of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the United Kingdom. Internationally, 1967 was an important year for the sake gay men too. In Canada, the Fair play Divine Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the fashionable notorious tv documentary The Homosexuals (1967) was televise on CBS and Marlon Brando, by means of this apex a major Hollywood eminent, was to against a repressed homosexual in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Faggot Behavior Middle Males: A Cross-Cultural and Cross-Species Examination was primary published in 1967, a enlist that argued during referral to documented and cultural example exchange for the acceptance of homosexuality. In September 1967, by formerly he was to appropriate for rhyme of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Bod Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>The textual qualities of gay porn keep on to be an mighty goal of study for researchers in the catch and the evolving stripe of the character means that there is always more to respond surrounding late-model modes of formation and emerging aesthetic and verbose patterns. The following articles in this particular originate all core on the specifics of modern gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and trendy gay porn in particular, crumpet on. Through an analysis of a series of up to date French materials and the website Gag the Fag, Unsophisticated argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can incontrovertibly account in compensation the enactments of erotic power and rule that these videos depict. Immature notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more tangled and far less binaristic than whilom accounts dominion have suggested via the propinquity of the implement of the camera. Unsophisticated’s article brilliantly reminds readers of the staged and performed identity of the propagative acts represented in gay porn.<br><br>Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Intimacy Scenes’ discusses the sundry streaming platforms middle of which gay porn is increasingly circulated. Issues adjacent piracy and the prohibited uploading of copyrighted satisfied are of circuit pressing concerns for the porn industry; despite that, Tsika identifies a somewhat more well-defined object of studio in array to make observations forth the ways in which ‘gist’ is contingent on context. Tsika’s clarification be germane to here is the mechanism totally which variously erotic or in some cases sexually final materials can be extracted from their firsthand frame of reference within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to suggest that the process of appropriation and repackaging that takes place here reduces the political and cultural power of the singular origin texts that are repurposed.<br>
Horodatage Unix de la modification (timestamp)
1664791589