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Nom du compte d’utilisateur (user_name) | KeithHudd225 |
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Numéro de la page (article_articleid) | 3291 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Promptly |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Promptly |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>A tip of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn participate in forever been objects of express magic and press provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly expedient unique through despite the analysis of gender identities and is a individual who calls into a without question a void of issues about the models of masculinities that gay porn deploys and exploits.<br><br>The starting juncture in behalf of this odyssey is necessarily a revisiting of the days, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation on scholars of gay porn and his own reflections on the status of the field. As eternally, his humour and acuity is first-class (his history of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me roll on the floor every experience I make decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Decent: a In the flesh Revisit’ that his endeavour was past no means the pre-eminent on the subject. ‘Men’s Smut: Gay vs Straightforward’ is nonetheless in my view (and this is a aspect shared by sundry others) an specially worthy intervention. In this brand-new article, Waugh describes the introduce of social and cultural circumstances that dispose to the pamphlet of his essay in Pounce on attack Clip in 1985. In particular this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a systematized rubric instead of judgement and the uncommonly apposite (and in uncountable regards divinatory) word that gay porn does not be present in luxurious isolation and should be more meaningfully understood as say of what Tom describes as a ‘continuum’ here.<br><br>That we should shun making assumptions almost either who audiences are or how audiences rejoin to filth has been a gist apprehension for this journal and the researchers that are associated with it. Undoubtedly, another one of a kind debouchment enthusiastic to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the provide specific big problem, Person Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Good Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a airwoman think over into the responses of a representational of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not only tease a complete response to gay porn and the gay fucking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diversified audiences for gay porn that includes Lucy Neville’s (2015) prime essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of masculine porn viewers and the major audience fact-finding project conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br><br>The purpose of this special issuing of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and throughout 30 years since Waugh provided a critical framework to deliberate over gay porn, where the ivory-towered assay of gay porn has arrived at and where it is heading. The hyperbolic title of this unconventional pay-off is deliberate. I wanted to take hold of the sense of hurly-burly and vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the heterogeneity of approaches, methods, ticklish and conceptual frameworks and objects of weigh that scholars for with.<br>At a yet more individual invariable it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by way of the British Arts and Humanities Explore Trustees and inspired nigh the work of scholars such as Waugh and Dyer (1985, 2002). This was the locale at which my lettered career properly began and [https://wedlinyodzawsze.pl/golden-goose-superstar-saldi-online-come-quando-avete-bisogno-di-guadagnare-supplies-marketing-incontro-mondano/ Gay0Day] a research track was plotted that has led to the hand-out, this year, of my own paper, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of After Telling, it mattered in the 1980s adequately for Waugh to urge a situation for its analysis, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
+<br>A tip of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn participate in forever been objects of express magic and press provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly expedient unique through despite the analysis of gender identities and is a individual who calls into a without question a void of issues about the models of masculinities that gay porn deploys and exploits.<br><br>The starting juncture in behalf of this odyssey is necessarily a revisiting of the days, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation on scholars of gay porn and his own reflections on the status of the field. As eternally, his humour and acuity is first-class (his history of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me roll on the floor every experience I make decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Decent: a In the flesh Revisit’ that his endeavour was past no means the pre-eminent on the subject. ‘Men’s Smut: Gay vs Straightforward’ is nonetheless in my view (and this is a aspect shared by sundry others) an specially worthy intervention. In this brand-new article, Waugh describes the introduce of social and cultural circumstances that dispose to the pamphlet of his essay in Pounce on attack Clip in 1985. In particular this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a systematized rubric instead of judgement and the uncommonly apposite (and in uncountable regards divinatory) word that gay porn does not be present in luxurious isolation and should be more meaningfully understood as say of what Tom describes as a ‘continuum’ here.<br><br>That we should shun making assumptions almost either who audiences are or how audiences rejoin to filth has been a gist apprehension for this journal and the researchers that are associated with it. Undoubtedly, another one of a kind debouchment enthusiastic to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the provide specific big problem, Person Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Good Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a airwoman think over into the responses of a representational of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not only tease a complete response to gay porn and the gay fucking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diversified audiences for gay porn that includes Lucy Neville’s (2015) prime essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of masculine porn viewers and the major audience fact-finding project conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br><br>The purpose of this special issuing of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and throughout 30 years since Waugh provided a critical framework to deliberate over gay porn, where the ivory-towered assay of gay porn has arrived at and where it is heading. The hyperbolic title of this unconventional pay-off is deliberate. I wanted to take hold of the sense of hurly-burly and vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the heterogeneity of approaches, methods, ticklish and conceptual frameworks and objects of weigh that scholars for with.<br>At a yet more individual invariable it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by way of the British Arts and Humanities Explore Trustees and inspired nigh the work of scholars such as Waugh and Dyer (1985, 2002). This was the locale at which my lettered career properly began and [https://wedlinyodzawsze.pl/golden-goose-superstar-saldi-online-come-quando-avete-bisogno-di-guadagnare-supplies-marketing-incontro-mondano/ Gay0Day] a research track was plotted that has led to the hand-out, this year, of my own paper, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of After Telling, it mattered in the 1980s adequately for Waugh to urge a situation for its analysis, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>A tip of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn participate in forever been objects of express magic and press provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly expedient unique through despite the analysis of gender identities and is a individual who calls into a without question a void of issues about the models of masculinities that gay porn deploys and exploits.<br><br>The starting juncture in behalf of this odyssey is necessarily a revisiting of the days, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation on scholars of gay porn and his own reflections on the status of the field. As eternally, his humour and acuity is first-class (his history of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me roll on the floor every experience I make decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Decent: a In the flesh Revisit’ that his endeavour was past no means the pre-eminent on the subject. ‘Men’s Smut: Gay vs Straightforward’ is nonetheless in my view (and this is a aspect shared by sundry others) an specially worthy intervention. In this brand-new article, Waugh describes the introduce of social and cultural circumstances that dispose to the pamphlet of his essay in Pounce on attack Clip in 1985. In particular this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a systematized rubric instead of judgement and the uncommonly apposite (and in uncountable regards divinatory) word that gay porn does not be present in luxurious isolation and should be more meaningfully understood as say of what Tom describes as a ‘continuum’ here.<br><br>That we should shun making assumptions almost either who audiences are or how audiences rejoin to filth has been a gist apprehension for this journal and the researchers that are associated with it. Undoubtedly, another one of a kind debouchment enthusiastic to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the provide specific big problem, Person Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Good Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a airwoman think over into the responses of a representational of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not only tease a complete response to gay porn and the gay fucking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diversified audiences for gay porn that includes Lucy Neville’s (2015) prime essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of masculine porn viewers and the major audience fact-finding project conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br><br>The purpose of this special issuing of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and throughout 30 years since Waugh provided a critical framework to deliberate over gay porn, where the ivory-towered assay of gay porn has arrived at and where it is heading. The hyperbolic title of this unconventional pay-off is deliberate. I wanted to take hold of the sense of hurly-burly and vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the heterogeneity of approaches, methods, ticklish and conceptual frameworks and objects of weigh that scholars for with.<br>At a yet more individual invariable it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by way of the British Arts and Humanities Explore Trustees and inspired nigh the work of scholars such as Waugh and Dyer (1985, 2002). This was the locale at which my lettered career properly began and [https://wedlinyodzawsze.pl/golden-goose-superstar-saldi-online-come-quando-avete-bisogno-di-guadagnare-supplies-marketing-incontro-mondano/ Gay0Day] a research track was plotted that has led to the hand-out, this year, of my own paper, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of After Telling, it mattered in the 1980s adequately for Waugh to urge a situation for its analysis, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.<br>
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Horodatage Unix de la modification (timestamp) | 1663864626 |