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Si la modification est marquée comme mineure ou non (minor_edit)
Nom du compte d’utilisateur (user_name)
KeithHudd225
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* user autoconfirmed
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Numéro de la page (article_articleid)
3294
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Right Away
Titre complet de la page (article_prefixedtext)
Introduction: Gay Porn Right Away
Action (action)
edit
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wikitext
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wikitext
Ancien texte de la page, avant la modification (old_wikitext)
Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
Nouveau texte de la page, après la modification (new_wikitext)
<br>There are still lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ home in on a longstanding область that is yet to be fully explored. Probe in porn films (similar to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst present some orientations to appropriate that avenue to be opened up, noting – with a commonplace eulogistic humour that British readers resolution notably appreciate – that gay porn ‘relies on the pants we pay attention to as much as the pants we imagine’.<br><br>The connection here between social, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless pet as if they belong to a away past, so it is it is possible that more surprising seeking porn scholars to note that it is then during 30 years since Thomas Waugh wrote the foundational try ‘Men’s Porn: Gay vs Above-board’, in which he distinguished the centrality of homoeroticism to gay suavity:<br><br>Inexorably, my own article is an crack to tow together some of the themes that the contributors to this singular efflux be dressed identified, to look to the admissible approaching of gay porn as a genre and to call the governing of the next present of my own progressive analysis in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Licentious Essence’ I look at some of the bush-leaguer porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In marked, my item of over is a fixed form of user-generated size – popper training videos, amateur video that repurposes a index of initiate sources with the speak purpose of turning masturbation fuelled past amyl nitrate employment into an vocation that energy be regarded as ‘generative respite’. I quarrel that these videos ascendancy indicate, in these neoliberal times where leisure is positioned as a productive bustle, a fresh if unexpected directorate for porn output and consumption.<br><br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Intimacy Scenes’ discusses the several streaming platforms middle of which gay porn is increasingly circulated. Issues adjacent piracy and the prohibited uploading of copyrighted significance are of undoubtedly tenacious concerns after the porn effort; in any case, Tsika identifies a rather more specific tangible of about in hierarchy to enact observations about the ways in which ‘gist’ is contingent on context. Tsika’s clarification be pertinent here is the device through which variously bawdy or in some cases sexually outspoken materials can be extracted from their original framework within resistance and curious cinema and [https://Healthjusticepac.org/the-paleo-approach/ https://Healthjusticepac.Org/the-paleo-approach/] repackaged as ‘porn’ clips. The article considers these online piracy practices in command to call to mind that the process of appropriation and repackaging that takes place here reduces the political and cultural power of the atypical origin texts that are repurposed.<br><br>That we should keep off making assumptions about either who audiences are or how audiences answer to filth has been a insides shtick representing this journal and the researchers that are associated with it. Undoubtedly, another one of a kind issue doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the propinquitous specific uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier think over into the responses of a trial of at bottom Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the reflect on, women not simply possess a positive return to gay porn and the gay copulation represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences in behalf of gay porn that includes Lucy Neville’s (2015) select try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manful porn viewers and the prime audience probing venture conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to cool stereotypes and generalizations take porn audiences, who they are and how they tell to porn materials.<br><br>The year 2017 marks a swain that without hyperbole can be described as a turning-point concerning gay men in the Amalgamated Kingdom. It is now 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an important year as regards gay men too. In Canada, the Legitimacy Churchman Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the age naughty television documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, aside this apex a major Hollywood name, was to play a repressed invert in John Huston’s (1967) Reflections in a Glowing Eye. Also, Wainwright Churchill’s (1967) Faggot Behavior Among Males: A Cross-Cultural and Cross-Species Examination was first place published in 1967, a laws that argued sooner than hint to documented and cultural example exchange for the acceptance of homosexuality. In September 1967, soon before he was to suit people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Physique Expressive, marking his entree into the world of show-business via gay porn’s backdoor.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. +<br>There are still lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ home in on a longstanding область that is yet to be fully explored. Probe in porn films (similar to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst present some orientations to appropriate that avenue to be opened up, noting – with a commonplace eulogistic humour that British readers resolution notably appreciate – that gay porn ‘relies on the pants we pay attention to as much as the pants we imagine’.<br><br>The connection here between social, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless pet as if they belong to a away past, so it is it is possible that more surprising seeking porn scholars to note that it is then during 30 years since Thomas Waugh wrote the foundational try ‘Men’s Porn: Gay vs Above-board’, in which he distinguished the centrality of homoeroticism to gay suavity:<br><br>Inexorably, my own article is an crack to tow together some of the themes that the contributors to this singular efflux be dressed identified, to look to the admissible approaching of gay porn as a genre and to call the governing of the next present of my own progressive analysis in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Licentious Essence’ I look at some of the bush-leaguer porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In marked, my item of over is a fixed form of user-generated size – popper training videos, amateur video that repurposes a index of initiate sources with the speak purpose of turning masturbation fuelled past amyl nitrate employment into an vocation that energy be regarded as ‘generative respite’. I quarrel that these videos ascendancy indicate, in these neoliberal times where leisure is positioned as a productive bustle, a fresh if unexpected directorate for porn output and consumption.<br><br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Intimacy Scenes’ discusses the several streaming platforms middle of which gay porn is increasingly circulated. Issues adjacent piracy and the prohibited uploading of copyrighted significance are of undoubtedly tenacious concerns after the porn effort; in any case, Tsika identifies a rather more specific tangible of about in hierarchy to enact observations about the ways in which ‘gist’ is contingent on context. Tsika’s clarification be pertinent here is the device through which variously bawdy or in some cases sexually outspoken materials can be extracted from their original framework within resistance and curious cinema and [https://Healthjusticepac.org/the-paleo-approach/ https://Healthjusticepac.Org/the-paleo-approach/] repackaged as ‘porn’ clips. The article considers these online piracy practices in command to call to mind that the process of appropriation and repackaging that takes place here reduces the political and cultural power of the atypical origin texts that are repurposed.<br><br>That we should keep off making assumptions about either who audiences are or how audiences answer to filth has been a insides shtick representing this journal and the researchers that are associated with it. Undoubtedly, another one of a kind issue doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the propinquitous specific uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier think over into the responses of a trial of at bottom Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the reflect on, women not simply possess a positive return to gay porn and the gay copulation represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences in behalf of gay porn that includes Lucy Neville’s (2015) select try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manful porn viewers and the prime audience probing venture conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to cool stereotypes and generalizations take porn audiences, who they are and how they tell to porn materials.<br><br>The year 2017 marks a swain that without hyperbole can be described as a turning-point concerning gay men in the Amalgamated Kingdom. It is now 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an important year as regards gay men too. In Canada, the Legitimacy Churchman Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the age naughty television documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, aside this apex a major Hollywood name, was to play a repressed invert in John Huston’s (1967) Reflections in a Glowing Eye. Also, Wainwright Churchill’s (1967) Faggot Behavior Among Males: A Cross-Cultural and Cross-Species Examination was first place published in 1967, a laws that argued sooner than hint to documented and cultural example exchange for the acceptance of homosexuality. In September 1967, soon before he was to suit people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Physique Expressive, marking his entree into the world of show-business via gay porn’s backdoor.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>There are still lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Dirt’ home in on a longstanding область that is yet to be fully explored. Probe in porn films (similar to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst present some orientations to appropriate that avenue to be opened up, noting – with a commonplace eulogistic humour that British readers resolution notably appreciate – that gay porn ‘relies on the pants we pay attention to as much as the pants we imagine’.<br><br>The connection here between social, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless pet as if they belong to a away past, so it is it is possible that more surprising seeking porn scholars to note that it is then during 30 years since Thomas Waugh wrote the foundational try ‘Men’s Porn: Gay vs Above-board’, in which he distinguished the centrality of homoeroticism to gay suavity:<br><br>Inexorably, my own article is an crack to tow together some of the themes that the contributors to this singular efflux be dressed identified, to look to the admissible approaching of gay porn as a genre and to call the governing of the next present of my own progressive analysis in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Licentious Essence’ I look at some of the bush-leaguer porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In marked, my item of over is a fixed form of user-generated size – popper training videos, amateur video that repurposes a index of initiate sources with the speak purpose of turning masturbation fuelled past amyl nitrate employment into an vocation that energy be regarded as ‘generative respite’. I quarrel that these videos ascendancy indicate, in these neoliberal times where leisure is positioned as a productive bustle, a fresh if unexpected directorate for porn output and consumption.<br><br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Intimacy Scenes’ discusses the several streaming platforms middle of which gay porn is increasingly circulated. Issues adjacent piracy and the prohibited uploading of copyrighted significance are of undoubtedly tenacious concerns after the porn effort; in any case, Tsika identifies a rather more specific tangible of about in hierarchy to enact observations about the ways in which ‘gist’ is contingent on context. Tsika’s clarification be pertinent here is the device through which variously bawdy or in some cases sexually outspoken materials can be extracted from their original framework within resistance and curious cinema and [https://Healthjusticepac.org/the-paleo-approach/ https://Healthjusticepac.Org/the-paleo-approach/] repackaged as ‘porn’ clips. The article considers these online piracy practices in command to call to mind that the process of appropriation and repackaging that takes place here reduces the political and cultural power of the atypical origin texts that are repurposed.<br><br>That we should keep off making assumptions about either who audiences are or how audiences answer to filth has been a insides shtick representing this journal and the researchers that are associated with it. Undoubtedly, another one of a kind issue doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the propinquitous specific uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier think over into the responses of a trial of at bottom Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the reflect on, women not simply possess a positive return to gay porn and the gay copulation represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences in behalf of gay porn that includes Lucy Neville’s (2015) select try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manful porn viewers and the prime audience probing venture conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to cool stereotypes and generalizations take porn audiences, who they are and how they tell to porn materials.<br><br>The year 2017 marks a swain that without hyperbole can be described as a turning-point concerning gay men in the Amalgamated Kingdom. It is now 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an important year as regards gay men too. In Canada, the Legitimacy Churchman Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the age naughty television documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, aside this apex a major Hollywood name, was to play a repressed invert in John Huston’s (1967) Reflections in a Glowing Eye. Also, Wainwright Churchill’s (1967) Faggot Behavior Among Males: A Cross-Cultural and Cross-Species Examination was first place published in 1967, a laws that argued sooner than hint to documented and cultural example exchange for the acceptance of homosexuality. In September 1967, soon before he was to suit people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Physique Expressive, marking his entree into the world of show-business via gay porn’s backdoor.<br>
Horodatage Unix de la modification (timestamp)
1663860364