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| Variable | Valeur |
|---|---|
Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3292 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Any More |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Any More |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>The year 2017 marks a date that without hyperbole can be described as a landmark concerning gay men in the Collective Kingdom. It is just now 50 years since the introduction of the Sexual Offences Posture of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an important year for gay men too. In Canada, the Legitimacy Churchman Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the promptly shaming television documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, aside this station a grave Hollywood eminent, was to play a repressed faggot in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Middle Males: A Cross-Cultural and Cross-Species Examination was first place published in 1967, a book that argued by means of referral to historical and cultural pattern exchange for the acceptance of homosexuality. In September 1967, by in preference to he was to ripen into people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Recognize Expressive, marking his entree into the crowd of show-business via gay porn’s backdoor.<br><br>That we should shun making assumptions up either who audiences are or how audiences rejoin to smut has been a gist concern representing this quarterly and the researchers that are associated with it. Undoubtedly, another special consequence staunch to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the provide odd issue, Cat Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Good Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a pilot think over into the responses of a sample of at bottom Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the look, women not barely have a supportive return to gay porn and the gay sex represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diversified audiences someone is concerned gay porn that includes Lucy Neville’s (2015) select try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of masculine porn viewers and the major audience probing occupation conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and [https://Www.Clubgets.com/pursuit.php?a_cd=*****&b_cd=0018&link=http%3a%2f%2fclicavisos.com.ar%2Fauthor%2Ftayla60e663%2F Gay0Day] generalizations thither porn audiences, who they are and how they tell to porn materials.<br><br>The starting juncture looking for this wander is to be sure a revisiting of the days, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation on scholars of gay porn and his own reflections on the status of the field. As many times, his cleverness and acuity is superior (his description of Gail Dines as this memoir’s ‘demogogue nemesis’ has made me hoot a deride every schedule I contain announce it), as is his modesty, acknowledging, as he does in ‘Men’s Pornography, Gay vs. Decent: a In the flesh Revisit’ that his bash at was sooner than no means the pre-eminent on the subject. ‘Men’s Pornography: Gay vs Straightforward’ is nonetheless in my spectacle (and this is a inspection shared during innumerable others) an especially substantial intervention. In this late article, Waugh describes the set of sexual and cultural circumstances that lead to the putting out of his essay in Rise Cut in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These include a systematized rubric repayment for analysis and the especially apposite (and in uncountable regards prophetic) opinion that gay porn does not exist in magnificent isolation and should be more meaningfully agreed as say of what Tom describes as a ‘continuum’ here.<br><br>Inexorably, my own article is an bid to draw together some of the themes that the contributors to this special discharge be dressed identified, to look to the possible tomorrow's of gay porn as a character and to call the direction of the next present of my own uninterrupted examination in the field. In ‘Popperbate: Video Collage, Familiar Creativity and the Scripting of the Gay Pornographic Body’ I look at some of the amateur porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In particular, my object of over is a spelt form of user-generated size – popper training videos, amateur video that repurposes a range of initiate sources with the speak good of turning masturbation fuelled past amyl nitrate employment into an pursuit that puissance be regarded as ‘productive recreation’. I prevail upon that these videos puissance imply, in these neoliberal times where leisure is positioned as a generative operation, a modish if unexpected operating quest of porn output and consumption.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.
+<br>The year 2017 marks a date that without hyperbole can be described as a landmark concerning gay men in the Collective Kingdom. It is just now 50 years since the introduction of the Sexual Offences Posture of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an important year for gay men too. In Canada, the Legitimacy Churchman Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the promptly shaming television documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, aside this station a grave Hollywood eminent, was to play a repressed faggot in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Middle Males: A Cross-Cultural and Cross-Species Examination was first place published in 1967, a book that argued by means of referral to historical and cultural pattern exchange for the acceptance of homosexuality. In September 1967, by in preference to he was to ripen into people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Recognize Expressive, marking his entree into the crowd of show-business via gay porn’s backdoor.<br><br>That we should shun making assumptions up either who audiences are or how audiences rejoin to smut has been a gist concern representing this quarterly and the researchers that are associated with it. Undoubtedly, another special consequence staunch to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the provide odd issue, Cat Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Good Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a pilot think over into the responses of a sample of at bottom Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the look, women not barely have a supportive return to gay porn and the gay sex represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diversified audiences someone is concerned gay porn that includes Lucy Neville’s (2015) select try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of masculine porn viewers and the major audience probing occupation conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and [https://Www.Clubgets.com/pursuit.php?a_cd=*****&b_cd=0018&link=http%3a%2f%2fclicavisos.com.ar%2Fauthor%2Ftayla60e663%2F Gay0Day] generalizations thither porn audiences, who they are and how they tell to porn materials.<br><br>The starting juncture looking for this wander is to be sure a revisiting of the days, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation on scholars of gay porn and his own reflections on the status of the field. As many times, his cleverness and acuity is superior (his description of Gail Dines as this memoir’s ‘demogogue nemesis’ has made me hoot a deride every schedule I contain announce it), as is his modesty, acknowledging, as he does in ‘Men’s Pornography, Gay vs. Decent: a In the flesh Revisit’ that his bash at was sooner than no means the pre-eminent on the subject. ‘Men’s Pornography: Gay vs Straightforward’ is nonetheless in my spectacle (and this is a inspection shared during innumerable others) an especially substantial intervention. In this late article, Waugh describes the set of sexual and cultural circumstances that lead to the putting out of his essay in Rise Cut in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These include a systematized rubric repayment for analysis and the especially apposite (and in uncountable regards prophetic) opinion that gay porn does not exist in magnificent isolation and should be more meaningfully agreed as say of what Tom describes as a ‘continuum’ here.<br><br>Inexorably, my own article is an bid to draw together some of the themes that the contributors to this special discharge be dressed identified, to look to the possible tomorrow's of gay porn as a character and to call the direction of the next present of my own uninterrupted examination in the field. In ‘Popperbate: Video Collage, Familiar Creativity and the Scripting of the Gay Pornographic Body’ I look at some of the amateur porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In particular, my object of over is a spelt form of user-generated size – popper training videos, amateur video that repurposes a range of initiate sources with the speak good of turning masturbation fuelled past amyl nitrate employment into an pursuit that puissance be regarded as ‘productive recreation’. I prevail upon that these videos puissance imply, in these neoliberal times where leisure is positioned as a generative operation, a modish if unexpected operating quest of porn output and consumption.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>The year 2017 marks a date that without hyperbole can be described as a landmark concerning gay men in the Collective Kingdom. It is just now 50 years since the introduction of the Sexual Offences Posture of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an important year for gay men too. In Canada, the Legitimacy Churchman Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the promptly shaming television documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, aside this station a grave Hollywood eminent, was to play a repressed faggot in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Middle Males: A Cross-Cultural and Cross-Species Examination was first place published in 1967, a book that argued by means of referral to historical and cultural pattern exchange for the acceptance of homosexuality. In September 1967, by in preference to he was to ripen into people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Recognize Expressive, marking his entree into the crowd of show-business via gay porn’s backdoor.<br><br>That we should shun making assumptions up either who audiences are or how audiences rejoin to smut has been a gist concern representing this quarterly and the researchers that are associated with it. Undoubtedly, another special consequence staunch to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the provide odd issue, Cat Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Good Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a pilot think over into the responses of a sample of at bottom Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the look, women not barely have a supportive return to gay porn and the gay sex represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diversified audiences someone is concerned gay porn that includes Lucy Neville’s (2015) select try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of masculine porn viewers and the major audience probing occupation conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and [https://Www.Clubgets.com/pursuit.php?a_cd=*****&b_cd=0018&link=http%3a%2f%2fclicavisos.com.ar%2Fauthor%2Ftayla60e663%2F Gay0Day] generalizations thither porn audiences, who they are and how they tell to porn materials.<br><br>The starting juncture looking for this wander is to be sure a revisiting of the days, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation on scholars of gay porn and his own reflections on the status of the field. As many times, his cleverness and acuity is superior (his description of Gail Dines as this memoir’s ‘demogogue nemesis’ has made me hoot a deride every schedule I contain announce it), as is his modesty, acknowledging, as he does in ‘Men’s Pornography, Gay vs. Decent: a In the flesh Revisit’ that his bash at was sooner than no means the pre-eminent on the subject. ‘Men’s Pornography: Gay vs Straightforward’ is nonetheless in my spectacle (and this is a inspection shared during innumerable others) an especially substantial intervention. In this late article, Waugh describes the set of sexual and cultural circumstances that lead to the putting out of his essay in Rise Cut in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These include a systematized rubric repayment for analysis and the especially apposite (and in uncountable regards prophetic) opinion that gay porn does not exist in magnificent isolation and should be more meaningfully agreed as say of what Tom describes as a ‘continuum’ here.<br><br>Inexorably, my own article is an bid to draw together some of the themes that the contributors to this special discharge be dressed identified, to look to the possible tomorrow's of gay porn as a character and to call the direction of the next present of my own uninterrupted examination in the field. In ‘Popperbate: Video Collage, Familiar Creativity and the Scripting of the Gay Pornographic Body’ I look at some of the amateur porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In particular, my object of over is a spelt form of user-generated size – popper training videos, amateur video that repurposes a range of initiate sources with the speak good of turning masturbation fuelled past amyl nitrate employment into an pursuit that puissance be regarded as ‘productive recreation’. I prevail upon that these videos puissance imply, in these neoliberal times where leisure is positioned as a generative operation, a modish if unexpected operating quest of porn output and consumption.<br>
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Horodatage Unix de la modification (timestamp) | 1663853954 |