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Variables générées pour cette modification

VariableValeur
Si la modification est marquée comme mineure ou non (minor_edit)
Nom du compte d’utilisateur (user_name)
KeithHudd225
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* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
Numéro de la page (article_articleid)
3292
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Any More
Titre complet de la page (article_prefixedtext)
Introduction: Gay Porn Any More
Action (action)
edit
Résumé/motif de la modification (summary)
Ancien modèle de contenu (old_content_model)
wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.
Nouveau texte de la page, après la modification (new_wikitext)
<br>At a still more physical invariable it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded about the British Arts and Humanities Explore Stay and inspired by the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my lettered craft becomingly began and a investigate flight path was plotted that has led to the hand-out, this year, of my own treatise, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of On Telling, it mattered in the 1980s enough suitable Waugh to make a the actuality to save its interpretation, it mattered in the 1990s in the halfway point of the AIDS turning-point and it matters now.<br><br>The year 2017 marks a latest that without hyperbole can be described as a pivotal for gay men in the Amalgamated Kingdom. It is seldom 50 years since the introduction of the Sex Offences Posture of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year for gay men too. In Canada, the Legitimacy Minister Pierre Trudeau introduced legislation that was to happen in the decriminalization of homosexuality a year later. In the USA, the now shameful television documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, sooner than this apex a vital Hollywood name, was to play a repressed queen in John Huston’s (1967) Reflections in a Golden Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Middle Males: A Cross-Cultural and Cross-Species Probe was first place published in 1967, a book that argued by notification to historical and cultural paradigm after the acceptance of homosexuality. In September 1967, soon in the presence of he was to become sole of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Recognize Graphic, marking his entree into the far-out of show-business via gay porn’s backdoor.<br><br>I have a proper place in to a cultural and political frame of reference – the urban gay man's community/ies – in which salacious pictures own a hard-won centrality, both historically and at present. (1985, 30)<br><br>The bearing here between community, cultural and public changes and developments in gay porn is not a trivial one. These events, [http://Casatile.de/__media__/js/netsoltrademark.php?d=tviv.org%2FIntroduction%3A_Gay_Porn_Any_More Gay0day] whilst variously meritorious, nonetheless feel as if they associated to a reserved finished, so it is perchance more surprising for porn scholars to note that it is at once during the course of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Porn: Gay vs Flat’, in which he distinguished the centrality of homoeroticism to gay taste:<br><br>A consideration of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Star’. The stars of gay porn have continually been objects of fine point pull and possess provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose unanimity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an outstandingly useful discrete recompense the breakdown of gender identities and is a worthy who calls into a indubitably a set of issues far the models of masculinities that gay porn deploys and exploits.<br><br>The starting unimportant quest of this odyssey is surely a revisiting of the biography, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation on scholars of gay porn and his own reflections on the state of the field. As always, his humour and acuity is admirable (his feather of Gail Dines as this memoir’s ‘demogogue nemesis’ has made me hoot a deride every in good time I make review it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Straight: a Personal Revisit’ that his bash at was on no means the opening on the subject. ‘Men’s Erotica: Gay vs Unambiguous’ is nonetheless in my view (and this is a aspect shared during numberless others) an primarily substantial intervention. In this supplemental article, Waugh describes the lodge of social and cultural circumstances that experience to the putting out of his essay in Pounce on attack Clip in 1985. In precise this reappraisal usefully works to prompt readers of the innovations contained therein. These include a systematized rubric repayment for interpretation and the uncommonly apposite (and in uncountable regards fatidic) opinion that gay porn does not exist in splendid isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now. +<br>At a still more physical invariable it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded about the British Arts and Humanities Explore Stay and inspired by the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my lettered craft becomingly began and a investigate flight path was plotted that has led to the hand-out, this year, of my own treatise, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of On Telling, it mattered in the 1980s enough suitable Waugh to make a the actuality to save its interpretation, it mattered in the 1990s in the halfway point of the AIDS turning-point and it matters now.<br><br>The year 2017 marks a latest that without hyperbole can be described as a pivotal for gay men in the Amalgamated Kingdom. It is seldom 50 years since the introduction of the Sex Offences Posture of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year for gay men too. In Canada, the Legitimacy Minister Pierre Trudeau introduced legislation that was to happen in the decriminalization of homosexuality a year later. In the USA, the now shameful television documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, sooner than this apex a vital Hollywood name, was to play a repressed queen in John Huston’s (1967) Reflections in a Golden Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Middle Males: A Cross-Cultural and Cross-Species Probe was first place published in 1967, a book that argued by notification to historical and cultural paradigm after the acceptance of homosexuality. In September 1967, soon in the presence of he was to become sole of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Recognize Graphic, marking his entree into the far-out of show-business via gay porn’s backdoor.<br><br>I have a proper place in to a cultural and political frame of reference – the urban gay man's community/ies – in which salacious pictures own a hard-won centrality, both historically and at present. (1985, 30)<br><br>The bearing here between community, cultural and public changes and developments in gay porn is not a trivial one. These events, [http://Casatile.de/__media__/js/netsoltrademark.php?d=tviv.org%2FIntroduction%3A_Gay_Porn_Any_More Gay0day] whilst variously meritorious, nonetheless feel as if they associated to a reserved finished, so it is perchance more surprising for porn scholars to note that it is at once during the course of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Porn: Gay vs Flat’, in which he distinguished the centrality of homoeroticism to gay taste:<br><br>A consideration of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Star’. The stars of gay porn have continually been objects of fine point pull and possess provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose unanimity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an outstandingly useful discrete recompense the breakdown of gender identities and is a worthy who calls into a indubitably a set of issues far the models of masculinities that gay porn deploys and exploits.<br><br>The starting unimportant quest of this odyssey is surely a revisiting of the biography, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation on scholars of gay porn and his own reflections on the state of the field. As always, his humour and acuity is admirable (his feather of Gail Dines as this memoir’s ‘demogogue nemesis’ has made me hoot a deride every in good time I make review it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Straight: a Personal Revisit’ that his bash at was on no means the opening on the subject. ‘Men’s Erotica: Gay vs Unambiguous’ is nonetheless in my view (and this is a aspect shared during numberless others) an primarily substantial intervention. In this supplemental article, Waugh describes the lodge of social and cultural circumstances that experience to the putting out of his essay in Pounce on attack Clip in 1985. In precise this reappraisal usefully works to prompt readers of the innovations contained therein. These include a systematized rubric repayment for interpretation and the uncommonly apposite (and in uncountable regards fatidic) opinion that gay porn does not exist in splendid isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>At a still more physical invariable it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded about the British Arts and Humanities Explore Stay and inspired by the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my lettered craft becomingly began and a investigate flight path was plotted that has led to the hand-out, this year, of my own treatise, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of On Telling, it mattered in the 1980s enough suitable Waugh to make a the actuality to save its interpretation, it mattered in the 1990s in the halfway point of the AIDS turning-point and it matters now.<br><br>The year 2017 marks a latest that without hyperbole can be described as a pivotal for gay men in the Amalgamated Kingdom. It is seldom 50 years since the introduction of the Sex Offences Posture of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year for gay men too. In Canada, the Legitimacy Minister Pierre Trudeau introduced legislation that was to happen in the decriminalization of homosexuality a year later. In the USA, the now shameful television documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, sooner than this apex a vital Hollywood name, was to play a repressed queen in John Huston’s (1967) Reflections in a Golden Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Middle Males: A Cross-Cultural and Cross-Species Probe was first place published in 1967, a book that argued by notification to historical and cultural paradigm after the acceptance of homosexuality. In September 1967, soon in the presence of he was to become sole of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Recognize Graphic, marking his entree into the far-out of show-business via gay porn’s backdoor.<br><br>I have a proper place in to a cultural and political frame of reference – the urban gay man's community/ies – in which salacious pictures own a hard-won centrality, both historically and at present. (1985, 30)<br><br>The bearing here between community, cultural and public changes and developments in gay porn is not a trivial one. These events, [http://Casatile.de/__media__/js/netsoltrademark.php?d=tviv.org%2FIntroduction%3A_Gay_Porn_Any_More Gay0day] whilst variously meritorious, nonetheless feel as if they associated to a reserved finished, so it is perchance more surprising for porn scholars to note that it is at once during the course of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Porn: Gay vs Flat’, in which he distinguished the centrality of homoeroticism to gay taste:<br><br>A consideration of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Star’. The stars of gay porn have continually been objects of fine point pull and possess provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose unanimity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an outstandingly useful discrete recompense the breakdown of gender identities and is a worthy who calls into a indubitably a set of issues far the models of masculinities that gay porn deploys and exploits.<br><br>The starting unimportant quest of this odyssey is surely a revisiting of the biography, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation on scholars of gay porn and his own reflections on the state of the field. As always, his humour and acuity is admirable (his feather of Gail Dines as this memoir’s ‘demogogue nemesis’ has made me hoot a deride every in good time I make review it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Straight: a Personal Revisit’ that his bash at was on no means the opening on the subject. ‘Men’s Erotica: Gay vs Unambiguous’ is nonetheless in my view (and this is a aspect shared during numberless others) an primarily substantial intervention. In this supplemental article, Waugh describes the lodge of social and cultural circumstances that experience to the putting out of his essay in Pounce on attack Clip in 1985. In precise this reappraisal usefully works to prompt readers of the innovations contained therein. These include a systematized rubric repayment for interpretation and the uncommonly apposite (and in uncountable regards fatidic) opinion that gay porn does not exist in splendid isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br>
Horodatage Unix de la modification (timestamp)
1663220658