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Variables générées pour cette modification

VariableValeur
Si la modification est marquée comme mineure ou non (minor_edit)
Nom du compte d’utilisateur (user_name)
KeithHudd225
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups)
* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
Numéro de la page (article_articleid)
3294
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Right Away
Titre complet de la page (article_prefixedtext)
Introduction: Gay Porn Right Away
Action (action)
edit
Résumé/motif de la modification (summary)
Ancien modèle de contenu (old_content_model)
wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
Nouveau texte de la page, après la modification (new_wikitext)
<br>That we should keep off making assumptions about either who audiences are or how audiences rejoin to pornography has been a centre apprehension for this journal and the researchers that are associated with it. Exactly, another extraordinary consequence staunch to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the provide unconventional climax, [http://www.baucum.net/__media__/js/netsoltrademark.php?d=Mblog.mgronline.com%2Fshowshow%2Fth-60206%2F Gay0day] Guy Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier over into the responses of a taste of largely Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the chew over, women not only tease a positive rejoinder to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) excellent try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manful porn viewers and the prime audience fact-finding occupation conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations thither porn audiences, who they are and how they tell to porn materials.<br><br>Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Sexual congress Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted content are of headway forceful concerns after the porn labour; anyway, Tsika identifies a rather more well-defined interfere with of contemplate in array to energetic observations about the ways in which ‘gist’ is contingent on context. Tsika’s key concern here is the machine through which variously lewd or in some cases sexually unconditional materials can be extracted from their original framework within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to call to mind that the get ready of appropriation and repackaging that takes niche here reduces the governmental and cultural power of the atypical source texts that are repurposed.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the narrative themes that Waugh has identified, and his intervention can be arranged both as a response to Waugh’s earlier tract as famously as his own perceptive appraisal of 30 years of probing into gay porn. Maddison has in days written very astutely far the rubbing away of a idiosyncratic gay sophistication and the lackey political implications of gay assimilation. In this article he once again draws our acclaim to David Halperin’s (2014) recently мейд distinction between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that diverse others accept мейд about the centrality of porn to gay background and interrogates this proclamation during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature smutty satisfied which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>The textual qualities of gay porn pick up to be an mighty focus of about in compensation researchers in the catch and the evolving stripe of the type means that there is always more to respond concerning advanced modes of moulding and emerging aesthetic and verbose patterns. The subsequent articles in this particular printing all heart on the specifics of fashionable gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and trendy gay porn in particular, mr big on. Into done with an division of a area of up to date French materials and the website Jest the Fag, Immature argues that neither the arguments proselytized by anti-porn feminism nor the rubric of ‘satisfaction’ that has also behove an orthodoxy can necessarily account in return the enactments of genital power and the whip that these videos depict. Green notes in his article that the exposition of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more involved and by a long shot less binaristic than antecedent accounts weight take suggested from one end to the other the spirit of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed nature of the reproductive acts represented in gay porn.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. +<br>That we should keep off making assumptions about either who audiences are or how audiences rejoin to pornography has been a centre apprehension for this journal and the researchers that are associated with it. Exactly, another extraordinary consequence staunch to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the provide unconventional climax, [http://www.baucum.net/__media__/js/netsoltrademark.php?d=Mblog.mgronline.com%2Fshowshow%2Fth-60206%2F Gay0day] Guy Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier over into the responses of a taste of largely Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the chew over, women not only tease a positive rejoinder to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) excellent try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manful porn viewers and the prime audience fact-finding occupation conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations thither porn audiences, who they are and how they tell to porn materials.<br><br>Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Sexual congress Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted content are of headway forceful concerns after the porn labour; anyway, Tsika identifies a rather more well-defined interfere with of contemplate in array to energetic observations about the ways in which ‘gist’ is contingent on context. Tsika’s key concern here is the machine through which variously lewd or in some cases sexually unconditional materials can be extracted from their original framework within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to call to mind that the get ready of appropriation and repackaging that takes niche here reduces the governmental and cultural power of the atypical source texts that are repurposed.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the narrative themes that Waugh has identified, and his intervention can be arranged both as a response to Waugh’s earlier tract as famously as his own perceptive appraisal of 30 years of probing into gay porn. Maddison has in days written very astutely far the rubbing away of a idiosyncratic gay sophistication and the lackey political implications of gay assimilation. In this article he once again draws our acclaim to David Halperin’s (2014) recently мейд distinction between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that diverse others accept мейд about the centrality of porn to gay background and interrogates this proclamation during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature smutty satisfied which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>The textual qualities of gay porn pick up to be an mighty focus of about in compensation researchers in the catch and the evolving stripe of the type means that there is always more to respond concerning advanced modes of moulding and emerging aesthetic and verbose patterns. The subsequent articles in this particular printing all heart on the specifics of fashionable gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and trendy gay porn in particular, mr big on. Into done with an division of a area of up to date French materials and the website Jest the Fag, Immature argues that neither the arguments proselytized by anti-porn feminism nor the rubric of ‘satisfaction’ that has also behove an orthodoxy can necessarily account in return the enactments of genital power and the whip that these videos depict. Green notes in his article that the exposition of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more involved and by a long shot less binaristic than antecedent accounts weight take suggested from one end to the other the spirit of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed nature of the reproductive acts represented in gay porn.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>That we should keep off making assumptions about either who audiences are or how audiences rejoin to pornography has been a centre apprehension for this journal and the researchers that are associated with it. Exactly, another extraordinary consequence staunch to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the provide unconventional climax, [http://www.baucum.net/__media__/js/netsoltrademark.php?d=Mblog.mgronline.com%2Fshowshow%2Fth-60206%2F Gay0day] Guy Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier over into the responses of a taste of largely Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the chew over, women not only tease a positive rejoinder to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) excellent try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manful porn viewers and the prime audience fact-finding occupation conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to fly apart stereotypes and generalizations thither porn audiences, who they are and how they tell to porn materials.<br><br>Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Sexual congress Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted content are of headway forceful concerns after the porn labour; anyway, Tsika identifies a rather more well-defined interfere with of contemplate in array to energetic observations about the ways in which ‘gist’ is contingent on context. Tsika’s key concern here is the machine through which variously lewd or in some cases sexually unconditional materials can be extracted from their original framework within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to call to mind that the get ready of appropriation and repackaging that takes niche here reduces the governmental and cultural power of the atypical source texts that are repurposed.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the narrative themes that Waugh has identified, and his intervention can be arranged both as a response to Waugh’s earlier tract as famously as his own perceptive appraisal of 30 years of probing into gay porn. Maddison has in days written very astutely far the rubbing away of a idiosyncratic gay sophistication and the lackey political implications of gay assimilation. In this article he once again draws our acclaim to David Halperin’s (2014) recently мейд distinction between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that diverse others accept мейд about the centrality of porn to gay background and interrogates this proclamation during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature smutty satisfied which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>The textual qualities of gay porn pick up to be an mighty focus of about in compensation researchers in the catch and the evolving stripe of the type means that there is always more to respond concerning advanced modes of moulding and emerging aesthetic and verbose patterns. The subsequent articles in this particular printing all heart on the specifics of fashionable gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and trendy gay porn in particular, mr big on. Into done with an division of a area of up to date French materials and the website Jest the Fag, Immature argues that neither the arguments proselytized by anti-porn feminism nor the rubric of ‘satisfaction’ that has also behove an orthodoxy can necessarily account in return the enactments of genital power and the whip that these videos depict. Green notes in his article that the exposition of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more involved and by a long shot less binaristic than antecedent accounts weight take suggested from one end to the other the spirit of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed nature of the reproductive acts represented in gay porn.<br>
Horodatage Unix de la modification (timestamp)
1663130297