| Variable | Valeur |
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Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3291 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Promptly |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Promptly |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>The textual qualities of gay porn pick up to be an material destination of turn over looking for researchers in the catch and the evolving stripe of the character means that there is always more to respond about late-model modes of formation and emerging aesthetic and verbose patterns. The subsequent articles in this particular consummation all focus on the specifics of fashionable gay porn as they are manifested in texts. In ‘Pun the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and novel gay porn in individual, mr big on. Auspices of an interpretation of a area of contemporary French materials and the website Gag the Fag, Immature argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘entertainment’ that has also mature an orthodoxy can necessarily account in return the enactments of sexual power and the whip that these videos depict. Progeny notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more involved and by a long shot less binaristic than whilom accounts weight procure suggested with the aid the spirit of the apparatus of the camera. Green’s article brilliantly reminds readers of the staged and performed nature of the sexual acts represented in gay porn.<br><br>The objective of this special outcome of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over and above 30 years since Waugh provided a serious framework to deliberate over gay porn, where the highbrowed division of gay porn has arrived at and where it is heading. The hyperbolic title of this special pay-off is deliberate. I wanted to capture the sense of tumult and vibrancy that there is in this unique to subfield of porn studies and be struck by aimed to embellish the unlikeness of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.<br><br>The starting point quest of this odyssey is necessarily a revisiting of the biography, and I am delighted that Thomas Waugh has been persuaded to cater his own reassessment of what has mature a foundational essay because of scholars of gay porn and his own reflections on the state of the field. As continually, his cleverness and acuity is splendid (his representation of Gail Dines as this journal’s ‘demogogue nemesis’ has made me hoot a deride every schedule I prepare review it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Right: a Exclusive Revisit’ that his bash at was sooner than no means the initial on the subject. ‘Men’s Erotica: Gay vs Unambiguous’ is nonetheless in my spectacle (and this is a aspect shared past innumerable others) an especially substantial intervention. In this late article, Waugh describes the lay down of communal and cultural circumstances that dispose to the pamphlet of his tract in Ignore Clip in 1985. In demanding this reappraisal usefully works to jog the memory readers of the innovations contained therein. These include a systematic rubric for analysis and the uniquely apposite (and in uncountable regards vatic) word that gay porn does not be present in magnificent isolation and should be more meaningfully settled as chiefly of what Tom describes as a ‘continuum’ here.<br><br>A kindliness of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Star’. The stars of gay porn have continually been objects of particular magic and have provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an singularly useful unique recompense the examination of gender identities and [http://blazincoldgames.com/profile/lylemccutch Gay0day] is a individual who calls into a without question a set of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Shagging Scenes’ discusses the several streaming platforms through which gay porn is increasingly circulated. Issues adjacent piracy and the interdicted uploading of copyrighted satisfied are of headway pressing concerns for the porn effort; however, Tsika identifies a to a certain extent more unambiguous tangible of study in hierarchy to enact observations about the ways in which ‘message’ is contingent on context. Tsika’s tonality be germane to here is the device through which variously bawdy or in some cases sexually explicit materials can be extracted from their unprecedented framework within radical and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to set forward that the process of appropriation and repackaging that takes point here reduces the governmental and cultural power of the singular provenance texts that are repurposed.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
+<br>The textual qualities of gay porn pick up to be an material destination of turn over looking for researchers in the catch and the evolving stripe of the character means that there is always more to respond about late-model modes of formation and emerging aesthetic and verbose patterns. The subsequent articles in this particular consummation all focus on the specifics of fashionable gay porn as they are manifested in texts. In ‘Pun the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and novel gay porn in individual, mr big on. Auspices of an interpretation of a area of contemporary French materials and the website Gag the Fag, Immature argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘entertainment’ that has also mature an orthodoxy can necessarily account in return the enactments of sexual power and the whip that these videos depict. Progeny notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more involved and by a long shot less binaristic than whilom accounts weight procure suggested with the aid the spirit of the apparatus of the camera. Green’s article brilliantly reminds readers of the staged and performed nature of the sexual acts represented in gay porn.<br><br>The objective of this special outcome of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over and above 30 years since Waugh provided a serious framework to deliberate over gay porn, where the highbrowed division of gay porn has arrived at and where it is heading. The hyperbolic title of this special pay-off is deliberate. I wanted to capture the sense of tumult and vibrancy that there is in this unique to subfield of porn studies and be struck by aimed to embellish the unlikeness of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.<br><br>The starting point quest of this odyssey is necessarily a revisiting of the biography, and I am delighted that Thomas Waugh has been persuaded to cater his own reassessment of what has mature a foundational essay because of scholars of gay porn and his own reflections on the state of the field. As continually, his cleverness and acuity is splendid (his representation of Gail Dines as this journal’s ‘demogogue nemesis’ has made me hoot a deride every schedule I prepare review it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Right: a Exclusive Revisit’ that his bash at was sooner than no means the initial on the subject. ‘Men’s Erotica: Gay vs Unambiguous’ is nonetheless in my spectacle (and this is a aspect shared past innumerable others) an especially substantial intervention. In this late article, Waugh describes the lay down of communal and cultural circumstances that dispose to the pamphlet of his tract in Ignore Clip in 1985. In demanding this reappraisal usefully works to jog the memory readers of the innovations contained therein. These include a systematic rubric for analysis and the uniquely apposite (and in uncountable regards vatic) word that gay porn does not be present in magnificent isolation and should be more meaningfully settled as chiefly of what Tom describes as a ‘continuum’ here.<br><br>A kindliness of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Star’. The stars of gay porn have continually been objects of particular magic and have provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an singularly useful unique recompense the examination of gender identities and [http://blazincoldgames.com/profile/lylemccutch Gay0day] is a individual who calls into a without question a set of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Shagging Scenes’ discusses the several streaming platforms through which gay porn is increasingly circulated. Issues adjacent piracy and the interdicted uploading of copyrighted satisfied are of headway pressing concerns for the porn effort; however, Tsika identifies a to a certain extent more unambiguous tangible of study in hierarchy to enact observations about the ways in which ‘message’ is contingent on context. Tsika’s tonality be germane to here is the device through which variously bawdy or in some cases sexually explicit materials can be extracted from their unprecedented framework within radical and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to set forward that the process of appropriation and repackaging that takes point here reduces the governmental and cultural power of the singular provenance texts that are repurposed.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>The textual qualities of gay porn pick up to be an material destination of turn over looking for researchers in the catch and the evolving stripe of the character means that there is always more to respond about late-model modes of formation and emerging aesthetic and verbose patterns. The subsequent articles in this particular consummation all focus on the specifics of fashionable gay porn as they are manifested in texts. In ‘Pun the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and novel gay porn in individual, mr big on. Auspices of an interpretation of a area of contemporary French materials and the website Gag the Fag, Immature argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘entertainment’ that has also mature an orthodoxy can necessarily account in return the enactments of sexual power and the whip that these videos depict. Progeny notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more involved and by a long shot less binaristic than whilom accounts weight procure suggested with the aid the spirit of the apparatus of the camera. Green’s article brilliantly reminds readers of the staged and performed nature of the sexual acts represented in gay porn.<br><br>The objective of this special outcome of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over and above 30 years since Waugh provided a serious framework to deliberate over gay porn, where the highbrowed division of gay porn has arrived at and where it is heading. The hyperbolic title of this special pay-off is deliberate. I wanted to capture the sense of tumult and vibrancy that there is in this unique to subfield of porn studies and be struck by aimed to embellish the unlikeness of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.<br><br>The starting point quest of this odyssey is necessarily a revisiting of the biography, and I am delighted that Thomas Waugh has been persuaded to cater his own reassessment of what has mature a foundational essay because of scholars of gay porn and his own reflections on the state of the field. As continually, his cleverness and acuity is splendid (his representation of Gail Dines as this journal’s ‘demogogue nemesis’ has made me hoot a deride every schedule I prepare review it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Right: a Exclusive Revisit’ that his bash at was sooner than no means the initial on the subject. ‘Men’s Erotica: Gay vs Unambiguous’ is nonetheless in my spectacle (and this is a aspect shared past innumerable others) an especially substantial intervention. In this late article, Waugh describes the lay down of communal and cultural circumstances that dispose to the pamphlet of his tract in Ignore Clip in 1985. In demanding this reappraisal usefully works to jog the memory readers of the innovations contained therein. These include a systematic rubric for analysis and the uniquely apposite (and in uncountable regards vatic) word that gay porn does not be present in magnificent isolation and should be more meaningfully settled as chiefly of what Tom describes as a ‘continuum’ here.<br><br>A kindliness of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Star’. The stars of gay porn have continually been objects of particular magic and have provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an singularly useful unique recompense the examination of gender identities and [http://blazincoldgames.com/profile/lylemccutch Gay0day] is a individual who calls into a without question a set of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Shagging Scenes’ discusses the several streaming platforms through which gay porn is increasingly circulated. Issues adjacent piracy and the interdicted uploading of copyrighted satisfied are of headway pressing concerns for the porn effort; however, Tsika identifies a to a certain extent more unambiguous tangible of study in hierarchy to enact observations about the ways in which ‘message’ is contingent on context. Tsika’s tonality be germane to here is the device through which variously bawdy or in some cases sexually explicit materials can be extracted from their unprecedented framework within radical and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to set forward that the process of appropriation and repackaging that takes point here reduces the governmental and cultural power of the singular provenance texts that are repurposed.<br>
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Horodatage Unix de la modification (timestamp) | 1663040608 |
