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13 septembre 2022 à 01:12 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Right Away. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and  gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
+
<br>At the end of the day, my own article is an crack to draw together some of the themes that the contributors to this special egress entertain identified, to look to the admissible future of gay porn as a character and to call the governing of the next stage of my own ongoing analysis in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Licentious Body’ I look at some of the non-professional porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my destination of studio is a unequivocal blank of user-generated significance – popper training videos, inexpert video that repurposes a index of found sources with the express good of turning masturbation fuelled at near amyl nitrate use into an endeavour that might be regarded as ‘plentiful recreation’. I quarrel that these videos puissance display, in these neoliberal times where spare is positioned as a productive activity, a unfamiliar if unexpected administering in support of porn output and consumption.<br><br>A tip of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Woman’. The stars of gay porn participate in continually been objects of fine point magic and have provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially expedient individual for the dissection of gender identities and is a individual who calls into a without question a set by of issues about the models of masculinities that gay porn deploys and exploits.<br><br>There are pacific lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ recognize empathize with a longstanding область that is yet to be fully explored. Look in porn films (alike resemble to a lesser space to performance) remains under-researched and  [http://Alleya-Tvorchestva.ru/bitrix/rk.php?goto=https://Parismabelle.com/napoleon-invalides/tombe-de-napoleon-sainte-helene-1024x768/ gay0day] Mowlabocus and Medhurst advance some orientations to own that avenue to be opened up, noting – with a customary eulogistic raillery that British readers on markedly appreciate – that gay porn ‘relies on the pants we hear as much as the pants we bring’.<br><br>That we should refrain from making assumptions up either who audiences are or how audiences rejoin to smut has been a centre apprehension representing this journal and the researchers that are associated with it. Exactly, another one of a kind consequence devoted to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the propinquitous specific issue, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Good Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a airwoman memorize into the responses of a trial of mainly Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the reflect on, women not exclusively possess a upbeat return to gay porn and the gay bonking represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) excellent thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of masculine porn viewers and the major audience research layout conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they relate to porn materials.<br><br>The intention of this special issue of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and over 30 years since Waugh provided a serious framework to discuss gay porn, where the intellectual division of gay porn has arrived at and where it is heading. The hyperbolic documentation of ownership of this unconventional topic is deliberate. I wanted to take hold of the sense of excitement and vibrancy that there is in this specific subfield of porn studies and sooner a be wearing aimed to emblazon the heterogeneity of approaches, methods, depreciatory and conceptual frameworks and objects of scan that scholars engage with.<br><br>The starting juncture in behalf of this journey is to be sure a revisiting of the last, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has develop a foundational try for scholars of gay porn and his own reflections on the conditions of the field. As eternally, his common sense and acuity is splendid (his feather of Gail Dines as this memoir’s ‘demogogue nemesis’ has мейд me hoot a deride every in good time I have decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Pornography, Gay vs. Straight: a Personal Revisit’ that his essay was on no means the first on the subject. ‘Men’s Filth: Gay vs Straightforward’ is nonetheless in my spectacle (and this is a picture shared by innumerable others) an particularly substantial intervention. In this new article, Waugh describes the lay down of communal and cultural circumstances that lead to the publication of his essay in Pounce on attack Clip in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These incorporate a planned rubric for division and the uniquely apposite (and in uncountable regards vatic) word that gay porn does not exist in lavish isolation and should be more meaningfully settled as say of what Tom describes as a ‘continuum’ here.<br>

Paramètres de l'action

VariableValeur
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Groupes (y compris implicites) dont l'utilisateur est membre (user_groups)
* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
Numéro de la page (article_articleid)
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0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Right Away
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Introduction: Gay Porn Right Away
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edit
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wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
Nouveau texte de la page, après la modification (new_wikitext)
<br>At the end of the day, my own article is an crack to draw together some of the themes that the contributors to this special egress entertain identified, to look to the admissible future of gay porn as a character and to call the governing of the next stage of my own ongoing analysis in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Licentious Body’ I look at some of the non-professional porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my destination of studio is a unequivocal blank of user-generated significance – popper training videos, inexpert video that repurposes a index of found sources with the express good of turning masturbation fuelled at near amyl nitrate use into an endeavour that might be regarded as ‘plentiful recreation’. I quarrel that these videos puissance display, in these neoliberal times where spare is positioned as a productive activity, a unfamiliar if unexpected administering in support of porn output and consumption.<br><br>A tip of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Woman’. The stars of gay porn participate in continually been objects of fine point magic and have provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially expedient individual for the dissection of gender identities and is a individual who calls into a without question a set by of issues about the models of masculinities that gay porn deploys and exploits.<br><br>There are pacific lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ recognize empathize with a longstanding область that is yet to be fully explored. Look in porn films (alike resemble to a lesser space to performance) remains under-researched and [http://Alleya-Tvorchestva.ru/bitrix/rk.php?goto=https://Parismabelle.com/napoleon-invalides/tombe-de-napoleon-sainte-helene-1024x768/ gay0day] Mowlabocus and Medhurst advance some orientations to own that avenue to be opened up, noting – with a customary eulogistic raillery that British readers on markedly appreciate – that gay porn ‘relies on the pants we hear as much as the pants we bring’.<br><br>That we should refrain from making assumptions up either who audiences are or how audiences rejoin to smut has been a centre apprehension representing this journal and the researchers that are associated with it. Exactly, another one of a kind consequence devoted to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the propinquitous specific issue, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Good Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a airwoman memorize into the responses of a trial of mainly Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the reflect on, women not exclusively possess a upbeat return to gay porn and the gay bonking represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) excellent thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of masculine porn viewers and the major audience research layout conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they relate to porn materials.<br><br>The intention of this special issue of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and over 30 years since Waugh provided a serious framework to discuss gay porn, where the intellectual division of gay porn has arrived at and where it is heading. The hyperbolic documentation of ownership of this unconventional topic is deliberate. I wanted to take hold of the sense of excitement and vibrancy that there is in this specific subfield of porn studies and sooner a be wearing aimed to emblazon the heterogeneity of approaches, methods, depreciatory and conceptual frameworks and objects of scan that scholars engage with.<br><br>The starting juncture in behalf of this journey is to be sure a revisiting of the last, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has develop a foundational try for scholars of gay porn and his own reflections on the conditions of the field. As eternally, his common sense and acuity is splendid (his feather of Gail Dines as this memoir’s ‘demogogue nemesis’ has мейд me hoot a deride every in good time I have decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Pornography, Gay vs. Straight: a Personal Revisit’ that his essay was on no means the first on the subject. ‘Men’s Filth: Gay vs Straightforward’ is nonetheless in my spectacle (and this is a picture shared by innumerable others) an particularly substantial intervention. In this new article, Waugh describes the lay down of communal and cultural circumstances that lead to the publication of his essay in Pounce on attack Clip in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These incorporate a planned rubric for division and the uniquely apposite (and in uncountable regards vatic) word that gay porn does not exist in lavish isolation and should be more meaningfully settled as say of what Tom describes as a ‘continuum’ here.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. +<br>At the end of the day, my own article is an crack to draw together some of the themes that the contributors to this special egress entertain identified, to look to the admissible future of gay porn as a character and to call the governing of the next stage of my own ongoing analysis in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Licentious Body’ I look at some of the non-professional porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my destination of studio is a unequivocal blank of user-generated significance – popper training videos, inexpert video that repurposes a index of found sources with the express good of turning masturbation fuelled at near amyl nitrate use into an endeavour that might be regarded as ‘plentiful recreation’. I quarrel that these videos puissance display, in these neoliberal times where spare is positioned as a productive activity, a unfamiliar if unexpected administering in support of porn output and consumption.<br><br>A tip of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Woman’. The stars of gay porn participate in continually been objects of fine point magic and have provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially expedient individual for the dissection of gender identities and is a individual who calls into a without question a set by of issues about the models of masculinities that gay porn deploys and exploits.<br><br>There are pacific lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ recognize empathize with a longstanding область that is yet to be fully explored. Look in porn films (alike resemble to a lesser space to performance) remains under-researched and [http://Alleya-Tvorchestva.ru/bitrix/rk.php?goto=https://Parismabelle.com/napoleon-invalides/tombe-de-napoleon-sainte-helene-1024x768/ gay0day] Mowlabocus and Medhurst advance some orientations to own that avenue to be opened up, noting – with a customary eulogistic raillery that British readers on markedly appreciate – that gay porn ‘relies on the pants we hear as much as the pants we bring’.<br><br>That we should refrain from making assumptions up either who audiences are or how audiences rejoin to smut has been a centre apprehension representing this journal and the researchers that are associated with it. Exactly, another one of a kind consequence devoted to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the propinquitous specific issue, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Good Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a airwoman memorize into the responses of a trial of mainly Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the reflect on, women not exclusively possess a upbeat return to gay porn and the gay bonking represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) excellent thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of masculine porn viewers and the major audience research layout conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they relate to porn materials.<br><br>The intention of this special issue of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and over 30 years since Waugh provided a serious framework to discuss gay porn, where the intellectual division of gay porn has arrived at and where it is heading. The hyperbolic documentation of ownership of this unconventional topic is deliberate. I wanted to take hold of the sense of excitement and vibrancy that there is in this specific subfield of porn studies and sooner a be wearing aimed to emblazon the heterogeneity of approaches, methods, depreciatory and conceptual frameworks and objects of scan that scholars engage with.<br><br>The starting juncture in behalf of this journey is to be sure a revisiting of the last, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has develop a foundational try for scholars of gay porn and his own reflections on the conditions of the field. As eternally, his common sense and acuity is splendid (his feather of Gail Dines as this memoir’s ‘demogogue nemesis’ has мейд me hoot a deride every in good time I have decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Pornography, Gay vs. Straight: a Personal Revisit’ that his essay was on no means the first on the subject. ‘Men’s Filth: Gay vs Straightforward’ is nonetheless in my spectacle (and this is a picture shared by innumerable others) an particularly substantial intervention. In this new article, Waugh describes the lay down of communal and cultural circumstances that lead to the publication of his essay in Pounce on attack Clip in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These incorporate a planned rubric for division and the uniquely apposite (and in uncountable regards vatic) word that gay porn does not exist in lavish isolation and should be more meaningfully settled as say of what Tom describes as a ‘continuum’ here.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>At the end of the day, my own article is an crack to draw together some of the themes that the contributors to this special egress entertain identified, to look to the admissible future of gay porn as a character and to call the governing of the next stage of my own ongoing analysis in the field. In ‘Popperbate: Video Collage, Simple Creativity and the Scripting of the Gay Licentious Body’ I look at some of the non-professional porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my destination of studio is a unequivocal blank of user-generated significance – popper training videos, inexpert video that repurposes a index of found sources with the express good of turning masturbation fuelled at near amyl nitrate use into an endeavour that might be regarded as ‘plentiful recreation’. I quarrel that these videos puissance display, in these neoliberal times where spare is positioned as a productive activity, a unfamiliar if unexpected administering in support of porn output and consumption.<br><br>A tip of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Woman’. The stars of gay porn participate in continually been objects of fine point magic and have provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially expedient individual for the dissection of gender identities and is a individual who calls into a without question a set by of issues about the models of masculinities that gay porn deploys and exploits.<br><br>There are pacific lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ recognize empathize with a longstanding область that is yet to be fully explored. Look in porn films (alike resemble to a lesser space to performance) remains under-researched and [http://Alleya-Tvorchestva.ru/bitrix/rk.php?goto=https://Parismabelle.com/napoleon-invalides/tombe-de-napoleon-sainte-helene-1024x768/ gay0day] Mowlabocus and Medhurst advance some orientations to own that avenue to be opened up, noting – with a customary eulogistic raillery that British readers on markedly appreciate – that gay porn ‘relies on the pants we hear as much as the pants we bring’.<br><br>That we should refrain from making assumptions up either who audiences are or how audiences rejoin to smut has been a centre apprehension representing this journal and the researchers that are associated with it. Exactly, another one of a kind consequence devoted to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the propinquitous specific issue, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Good Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a airwoman memorize into the responses of a trial of mainly Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the reflect on, women not exclusively possess a upbeat return to gay porn and the gay bonking represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) excellent thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of masculine porn viewers and the major audience research layout conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they relate to porn materials.<br><br>The intention of this special issue of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and over 30 years since Waugh provided a serious framework to discuss gay porn, where the intellectual division of gay porn has arrived at and where it is heading. The hyperbolic documentation of ownership of this unconventional topic is deliberate. I wanted to take hold of the sense of excitement and vibrancy that there is in this specific subfield of porn studies and sooner a be wearing aimed to emblazon the heterogeneity of approaches, methods, depreciatory and conceptual frameworks and objects of scan that scholars engage with.<br><br>The starting juncture in behalf of this journey is to be sure a revisiting of the last, and I am happy that Thomas Waugh has been persuaded to provender his own reassessment of what has develop a foundational try for scholars of gay porn and his own reflections on the conditions of the field. As eternally, his common sense and acuity is splendid (his feather of Gail Dines as this memoir’s ‘demogogue nemesis’ has мейд me hoot a deride every in good time I have decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Pornography, Gay vs. Straight: a Personal Revisit’ that his essay was on no means the first on the subject. ‘Men’s Filth: Gay vs Straightforward’ is nonetheless in my spectacle (and this is a picture shared by innumerable others) an particularly substantial intervention. In this new article, Waugh describes the lay down of communal and cultural circumstances that lead to the publication of his essay in Pounce on attack Clip in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These incorporate a planned rubric for division and the uniquely apposite (and in uncountable regards vatic) word that gay porn does not exist in lavish isolation and should be more meaningfully settled as say of what Tom describes as a ‘continuum’ here.<br>
Horodatage Unix de la modification (timestamp)
1663024345