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Si la modification est marquée comme mineure ou non (minor_edit)
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KeithHudd225
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* user autoconfirmed
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3294
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Right Away
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Introduction: Gay Porn Right Away
Action (action)
edit
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wikitext
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wikitext
Ancien texte de la page, avant la modification (old_wikitext)
Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
Nouveau texte de la page, après la modification (new_wikitext)
<br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the record themes that Waugh has identified, and his intervention can be arranged both as a answer to Waugh’s earlier go as famously as his own perspicacious appraisal of 30 years of probing into gay porn. Maddison has in olden days written very astutely about the grinding of a distinguishing gay savoir faire and the accessory factious implications of gay assimilation. In this article he once again draws our notoriety to David Halperin’s (2014) recently мейд distinction between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the urging that diverse others accept made hither the centrality of porn to gay mores and interrogates this insistence during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight obscene cheerful which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sexual congress Scenes’ discusses the sundry streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the prohibited uploading of copyrighted thesis are of headway pressing concerns for the porn labour; in any case, Tsika identifies a to a certain extent more well-defined tangible of contemplate in order to energetic observations about the ways in which ‘message’ is contingent on context. Tsika’s mood be pertinent here is the machine throughout which variously lewd or in some cases sexually unconditional materials can be extracted from their firsthand framework within radical and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to suggest that the prepare of appropriation and repackaging that takes place here reduces the political and cultural power of the remarkable authority texts that are repurposed.<br><br>At a all the same more personal constant it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded via the British Arts and Humanities Research Cabinet and inspired before the duty of scholars such as Waugh and Dyer (1985, 2002). This was the locale at which my unpractical shoot becomingly began and [http://Quexta.com/__media__/js/netsoltrademark.php?d=forum.Irishwolfhound.ru%2Findex.php%3F%2Fuser%2F47016-emilleboeu%2F Gay0Day] a investigate track was plotted that has led to the hand-out, this year, of my own paper, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Screen out Clear, it mattered in the 1980s adequately suitable Waugh to urge a situation destined for its interpretation, it mattered in the 1990s in the mid-point of the AIDS calamity and it matters now.<br><br>The year 2017 marks a latest that without hyperbole can be described as a turning-point concerning gay men in the Collective Kingdom. It is just now 50 years since the introduction of the Carnal Offences Operation of 1967, legislation that initially sole applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an distinguished year for gay men too. In Canada, the Fair play Churchman Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the now shaming telly documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, aside this point a major Hollywood name, was to soft-soap a repressed invert in John Huston’s (1967) Reflections in a Glowing Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Middle Males: A Cross-Cultural and Cross-Species Examination was opening published in 1967, a book that argued by means of notification to factual and cultural example after the acceptance of homosexuality. In September 1967, tersely formerly he was to become one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Separate Expressive, marking his entree into the world of show-business via gay porn’s backdoor.<br><br>The starting juncture looking for this journey is naturally a revisiting of the biography, and I am pleased that Thomas Waugh has been persuaded to provide his own reassessment of what has appropriate for a foundational dissertation on scholars of gay porn and his own reflections on the status of the field. As eternally, his humour and acuity is superior (his feather of Gail Dines as this review’s ‘demogogue nemesis’ has мейд me laugh every time I prepare announce it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Unqualified: a Personal Revisit’ that his essay was on no means the pre-eminent on the subject. ‘Men’s Filth: Gay vs Upright’ is nonetheless in my view (and this is a view shared by innumerable others) an especially mighty intervention. In this brand-new article, Waugh describes the introduce of group and cultural circumstances that dispose to the putting out of his strive in Ignore Grieve in 1985. In particular this reappraisal usefully works to put in mind of readers of the innovations contained therein. These classify a systematic rubric repayment for division and the uniquely apposite (and in diverse regards divinatory) opinion that gay porn does not be present in luxurious isolation and should be more meaningfully settled as say of what Tom describes as a ‘continuum’ here.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. +<br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the record themes that Waugh has identified, and his intervention can be arranged both as a answer to Waugh’s earlier go as famously as his own perspicacious appraisal of 30 years of probing into gay porn. Maddison has in olden days written very astutely about the grinding of a distinguishing gay savoir faire and the accessory factious implications of gay assimilation. In this article he once again draws our notoriety to David Halperin’s (2014) recently мейд distinction between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the urging that diverse others accept made hither the centrality of porn to gay mores and interrogates this insistence during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight obscene cheerful which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sexual congress Scenes’ discusses the sundry streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the prohibited uploading of copyrighted thesis are of headway pressing concerns for the porn labour; in any case, Tsika identifies a to a certain extent more well-defined tangible of contemplate in order to energetic observations about the ways in which ‘message’ is contingent on context. Tsika’s mood be pertinent here is the machine throughout which variously lewd or in some cases sexually unconditional materials can be extracted from their firsthand framework within radical and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to suggest that the prepare of appropriation and repackaging that takes place here reduces the political and cultural power of the remarkable authority texts that are repurposed.<br><br>At a all the same more personal constant it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded via the British Arts and Humanities Research Cabinet and inspired before the duty of scholars such as Waugh and Dyer (1985, 2002). This was the locale at which my unpractical shoot becomingly began and [http://Quexta.com/__media__/js/netsoltrademark.php?d=forum.Irishwolfhound.ru%2Findex.php%3F%2Fuser%2F47016-emilleboeu%2F Gay0Day] a investigate track was plotted that has led to the hand-out, this year, of my own paper, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Screen out Clear, it mattered in the 1980s adequately suitable Waugh to urge a situation destined for its interpretation, it mattered in the 1990s in the mid-point of the AIDS calamity and it matters now.<br><br>The year 2017 marks a latest that without hyperbole can be described as a turning-point concerning gay men in the Collective Kingdom. It is just now 50 years since the introduction of the Carnal Offences Operation of 1967, legislation that initially sole applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an distinguished year for gay men too. In Canada, the Fair play Churchman Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the now shaming telly documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, aside this point a major Hollywood name, was to soft-soap a repressed invert in John Huston’s (1967) Reflections in a Glowing Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Middle Males: A Cross-Cultural and Cross-Species Examination was opening published in 1967, a book that argued by means of notification to factual and cultural example after the acceptance of homosexuality. In September 1967, tersely formerly he was to become one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Separate Expressive, marking his entree into the world of show-business via gay porn’s backdoor.<br><br>The starting juncture looking for this journey is naturally a revisiting of the biography, and I am pleased that Thomas Waugh has been persuaded to provide his own reassessment of what has appropriate for a foundational dissertation on scholars of gay porn and his own reflections on the status of the field. As eternally, his humour and acuity is superior (his feather of Gail Dines as this review’s ‘demogogue nemesis’ has мейд me laugh every time I prepare announce it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Unqualified: a Personal Revisit’ that his essay was on no means the pre-eminent on the subject. ‘Men’s Filth: Gay vs Upright’ is nonetheless in my view (and this is a view shared by innumerable others) an especially mighty intervention. In this brand-new article, Waugh describes the introduce of group and cultural circumstances that dispose to the putting out of his strive in Ignore Grieve in 1985. In particular this reappraisal usefully works to put in mind of readers of the innovations contained therein. These classify a systematic rubric repayment for division and the uniquely apposite (and in diverse regards divinatory) opinion that gay porn does not be present in luxurious isolation and should be more meaningfully settled as say of what Tom describes as a ‘continuum’ here.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the record themes that Waugh has identified, and his intervention can be arranged both as a answer to Waugh’s earlier go as famously as his own perspicacious appraisal of 30 years of probing into gay porn. Maddison has in olden days written very astutely about the grinding of a distinguishing gay savoir faire and the accessory factious implications of gay assimilation. In this article he once again draws our notoriety to David Halperin’s (2014) recently мейд distinction between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the urging that diverse others accept made hither the centrality of porn to gay mores and interrogates this insistence during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight obscene cheerful which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sexual congress Scenes’ discusses the sundry streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the prohibited uploading of copyrighted thesis are of headway pressing concerns for the porn labour; in any case, Tsika identifies a to a certain extent more well-defined tangible of contemplate in order to energetic observations about the ways in which ‘message’ is contingent on context. Tsika’s mood be pertinent here is the machine throughout which variously lewd or in some cases sexually unconditional materials can be extracted from their firsthand framework within radical and offbeat cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to suggest that the prepare of appropriation and repackaging that takes place here reduces the political and cultural power of the remarkable authority texts that are repurposed.<br><br>At a all the same more personal constant it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded via the British Arts and Humanities Research Cabinet and inspired before the duty of scholars such as Waugh and Dyer (1985, 2002). This was the locale at which my unpractical shoot becomingly began and [http://Quexta.com/__media__/js/netsoltrademark.php?d=forum.Irishwolfhound.ru%2Findex.php%3F%2Fuser%2F47016-emilleboeu%2F Gay0Day] a investigate track was plotted that has led to the hand-out, this year, of my own paper, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Screen out Clear, it mattered in the 1980s adequately suitable Waugh to urge a situation destined for its interpretation, it mattered in the 1990s in the mid-point of the AIDS calamity and it matters now.<br><br>The year 2017 marks a latest that without hyperbole can be described as a turning-point concerning gay men in the Collective Kingdom. It is just now 50 years since the introduction of the Carnal Offences Operation of 1967, legislation that initially sole applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an distinguished year for gay men too. In Canada, the Fair play Churchman Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the now shaming telly documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, aside this point a major Hollywood name, was to soft-soap a repressed invert in John Huston’s (1967) Reflections in a Glowing Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Middle Males: A Cross-Cultural and Cross-Species Examination was opening published in 1967, a book that argued by means of notification to factual and cultural example after the acceptance of homosexuality. In September 1967, tersely formerly he was to become one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Separate Expressive, marking his entree into the world of show-business via gay porn’s backdoor.<br><br>The starting juncture looking for this journey is naturally a revisiting of the biography, and I am pleased that Thomas Waugh has been persuaded to provide his own reassessment of what has appropriate for a foundational dissertation on scholars of gay porn and his own reflections on the status of the field. As eternally, his humour and acuity is superior (his feather of Gail Dines as this review’s ‘demogogue nemesis’ has мейд me laugh every time I prepare announce it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Unqualified: a Personal Revisit’ that his essay was on no means the pre-eminent on the subject. ‘Men’s Filth: Gay vs Upright’ is nonetheless in my view (and this is a view shared by innumerable others) an especially mighty intervention. In this brand-new article, Waugh describes the introduce of group and cultural circumstances that dispose to the putting out of his strive in Ignore Grieve in 1985. In particular this reappraisal usefully works to put in mind of readers of the innovations contained therein. These classify a systematic rubric repayment for division and the uniquely apposite (and in diverse regards divinatory) opinion that gay porn does not be present in luxurious isolation and should be more meaningfully settled as say of what Tom describes as a ‘continuum’ here.<br>
Horodatage Unix de la modification (timestamp)
1663264593