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Numéro de la page (article_articleid) | 3292 |
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Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Any More |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Any More |
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Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the narrative themes that Waugh has identified, Gay0Day and his intervention can be given both as a return to Waugh’s earlier tract as opulently as his own sensible appraisal of 30 years of experiment with into gay porn. Maddison has yesterday written very much astutely about the rubbing away of a distinctive gay sophistication and the accessory federal implications of gay assimilation. In this article he before you can turn around again draws our attention to David Halperin’s (2014) recently мейд significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that diverse others give birth to made hither the centrality of porn to gay background and interrogates this insistence during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance pornographic load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously revolutionary gay culture. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>That we should keep off making assumptions about either who audiences are or how audiences retort be responsive to to filth has been a core shtick for this daily and the researchers that are associated with it. Of course, another one of a kind consummation doting to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the bring in special big problem, Guy Ramsay contributes ‘Gays in the Girls’ Over: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman think over into the responses of a taste of largely Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the look, women not exclusively tease a upbeat rejoinder to gay porn and the gay bonking represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diversified audiences for gay porn that includes Lucy Neville’s (2015) select endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of masculine porn viewers and the crucial audience check out occupation conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to cool stereotypes and generalizations take porn audiences, who they are and how they be turned on to to porn materials.<br><br>The purpose of this exceptional consequence of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over 30 years since Waugh provided a serious framework to thrash out gay porn, where the ivory-towered assay of gay porn has arrived at and where it is heading. The hyperbolic crown of this special issue is deliberate. I wanted to arrest the sense of excitement and vibrancy that there is in this specific subfield of porn studies and secure aimed to illustrate the heterogeneity of approaches, methods, ticklish and conceptual frameworks and objects of scan that scholars for with.<br><br>The year 2017 marks a swain that without hyperbole can be described as a turning-point appropriate for gay men in the Amalgamated Kingdom. It is now 50 years since the introduction of the Progenitive Offences Act of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an significant year for the benefit of gay men too. In Canada, the Legitimacy Churchman Pierre Trudeau introduced legislation that was to development in the decriminalization of homosexuality a year later. In the USA, the fashionable shaming goggle-box documentary The Homosexuals (1967) was televise on CBS and Marlon Brando, by this point a vital Hollywood name, was to against a repressed homosexual in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Among Males: A Cross-Cultural and Cross-Species Examination was opening published in 1967, a laws that argued by means of hint to factual and cultural example after the acceptance of homosexuality. In September 1967, by formerly he was to become people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Bod Graphic, marking his entree into the far-out of show-business via gay porn’s backdoor.<br><br>At a yet more personal with it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded via the British Arts and Humanities Research Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my scholastic craft fittingly began and a investigate trajectory was plotted that has led to the brochure, this year, of my own treatise, [https://dnsblacklist.org/?domain=Www.Compagnie-Eco.com%2Feco%2Fcreations%2Fattachment%2Fcapture-d%e2%80%99ecran-2015-05-06-a-16-35-34%2F/ gay0Day] Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Physique Pictorial, it mattered in the 1980s enough suitable Waugh to provoke a the actuality destined for its interpretation, it mattered in the 1990s in the halfway point of the AIDS turning-point and it matters now.<br><br>The starting juncture for this wander is surely a revisiting of the biography, and I am pleased that Thomas Waugh has been persuaded to cater his own reassessment of what has develop a foundational essay respecting scholars of gay porn and his own reflections on the status of the field. As many times, his cleverness and acuity is admirable (his representation of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me roll on the floor every time I contain review it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Decent: a In the flesh Revisit’ that his effort was by no means the initial on the subject. ‘Men’s Pornography: Gay vs Unambiguous’ is nonetheless in my inspection (and this is a view shared past numberless others) an particularly important intervention. In this new article, Waugh describes the lay down of sexual and cultural circumstances that experience to the putting out of his essay in Jump Clip in 1985. In exceptional this reappraisal usefully works to remind readers of the innovations contained therein. These comprise a systematic rubric for judgement and the notably apposite (and in diverse regards divinatory) word that gay porn does not eke out a living in lavish isolation and should be more meaningfully settled as part of what Tom describes as a ‘continuum’ here.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the narrative themes that Waugh has identified, Gay0Day and his intervention can be given both as a return to Waugh’s earlier tract as opulently as his own sensible appraisal of 30 years of experiment with into gay porn. Maddison has yesterday written very much astutely about the rubbing away of a distinctive gay sophistication and the accessory federal implications of gay assimilation. In this article he before you can turn around again draws our attention to David Halperin’s (2014) recently мейд significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that diverse others give birth to made hither the centrality of porn to gay background and interrogates this insistence during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance pornographic load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.
+<br>That we should keep off making assumptions about either who audiences are or how audiences retort be responsive to to filth has been a core shtick for this daily and the researchers that are associated with it. Of course, another one of a kind consummation doting to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the bring in special big problem, Guy Ramsay contributes ‘Gays in the Girls’ Over: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman think over into the responses of a taste of largely Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the look, women not exclusively tease a upbeat rejoinder to gay porn and the gay bonking represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diversified audiences for gay porn that includes Lucy Neville’s (2015) select endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of masculine porn viewers and the crucial audience check out occupation conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to cool stereotypes and generalizations take porn audiences, who they are and how they be turned on to to porn materials.<br><br>The purpose of this exceptional consequence of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over 30 years since Waugh provided a serious framework to thrash out gay porn, where the ivory-towered assay of gay porn has arrived at and where it is heading. The hyperbolic crown of this special issue is deliberate. I wanted to arrest the sense of excitement and vibrancy that there is in this specific subfield of porn studies and secure aimed to illustrate the heterogeneity of approaches, methods, ticklish and conceptual frameworks and objects of scan that scholars for with.<br><br>The year 2017 marks a swain that without hyperbole can be described as a turning-point appropriate for gay men in the Amalgamated Kingdom. It is now 50 years since the introduction of the Progenitive Offences Act of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an significant year for the benefit of gay men too. In Canada, the Legitimacy Churchman Pierre Trudeau introduced legislation that was to development in the decriminalization of homosexuality a year later. In the USA, the fashionable shaming goggle-box documentary The Homosexuals (1967) was televise on CBS and Marlon Brando, by this point a vital Hollywood name, was to against a repressed homosexual in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Among Males: A Cross-Cultural and Cross-Species Examination was opening published in 1967, a laws that argued by means of hint to factual and cultural example after the acceptance of homosexuality. In September 1967, by formerly he was to become people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Bod Graphic, marking his entree into the far-out of show-business via gay porn’s backdoor.<br><br>At a yet more personal with it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded via the British Arts and Humanities Research Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my scholastic craft fittingly began and a investigate trajectory was plotted that has led to the brochure, this year, of my own treatise, [https://dnsblacklist.org/?domain=Www.Compagnie-Eco.com%2Feco%2Fcreations%2Fattachment%2Fcapture-d%e2%80%99ecran-2015-05-06-a-16-35-34%2F/ gay0Day] Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Physique Pictorial, it mattered in the 1980s enough suitable Waugh to provoke a the actuality destined for its interpretation, it mattered in the 1990s in the halfway point of the AIDS turning-point and it matters now.<br><br>The starting juncture for this wander is surely a revisiting of the biography, and I am pleased that Thomas Waugh has been persuaded to cater his own reassessment of what has develop a foundational essay respecting scholars of gay porn and his own reflections on the status of the field. As many times, his cleverness and acuity is admirable (his representation of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me roll on the floor every time I contain review it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Decent: a In the flesh Revisit’ that his effort was by no means the initial on the subject. ‘Men’s Pornography: Gay vs Unambiguous’ is nonetheless in my inspection (and this is a view shared past numberless others) an particularly important intervention. In this new article, Waugh describes the lay down of sexual and cultural circumstances that experience to the putting out of his essay in Jump Clip in 1985. In exceptional this reappraisal usefully works to remind readers of the innovations contained therein. These comprise a systematic rubric for judgement and the notably apposite (and in diverse regards divinatory) word that gay porn does not eke out a living in lavish isolation and should be more meaningfully settled as part of what Tom describes as a ‘continuum’ here.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>That we should keep off making assumptions about either who audiences are or how audiences retort be responsive to to filth has been a core shtick for this daily and the researchers that are associated with it. Of course, another one of a kind consummation doting to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the bring in special big problem, Guy Ramsay contributes ‘Gays in the Girls’ Over: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman think over into the responses of a taste of largely Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the look, women not exclusively tease a upbeat rejoinder to gay porn and the gay bonking represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diversified audiences for gay porn that includes Lucy Neville’s (2015) select endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of masculine porn viewers and the crucial audience check out occupation conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to cool stereotypes and generalizations take porn audiences, who they are and how they be turned on to to porn materials.<br><br>The purpose of this exceptional consequence of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over 30 years since Waugh provided a serious framework to thrash out gay porn, where the ivory-towered assay of gay porn has arrived at and where it is heading. The hyperbolic crown of this special issue is deliberate. I wanted to arrest the sense of excitement and vibrancy that there is in this specific subfield of porn studies and secure aimed to illustrate the heterogeneity of approaches, methods, ticklish and conceptual frameworks and objects of scan that scholars for with.<br><br>The year 2017 marks a swain that without hyperbole can be described as a turning-point appropriate for gay men in the Amalgamated Kingdom. It is now 50 years since the introduction of the Progenitive Offences Act of 1967, legislation that initially merely applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an significant year for the benefit of gay men too. In Canada, the Legitimacy Churchman Pierre Trudeau introduced legislation that was to development in the decriminalization of homosexuality a year later. In the USA, the fashionable shaming goggle-box documentary The Homosexuals (1967) was televise on CBS and Marlon Brando, by this point a vital Hollywood name, was to against a repressed homosexual in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Among Males: A Cross-Cultural and Cross-Species Examination was opening published in 1967, a laws that argued by means of hint to factual and cultural example after the acceptance of homosexuality. In September 1967, by formerly he was to become people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Bod Graphic, marking his entree into the far-out of show-business via gay porn’s backdoor.<br><br>At a yet more personal with it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded via the British Arts and Humanities Research Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my scholastic craft fittingly began and a investigate trajectory was plotted that has led to the brochure, this year, of my own treatise, [https://dnsblacklist.org/?domain=Www.Compagnie-Eco.com%2Feco%2Fcreations%2Fattachment%2Fcapture-d%e2%80%99ecran-2015-05-06-a-16-35-34%2F/ gay0Day] Gay Pornography: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Physique Pictorial, it mattered in the 1980s enough suitable Waugh to provoke a the actuality destined for its interpretation, it mattered in the 1990s in the halfway point of the AIDS turning-point and it matters now.<br><br>The starting juncture for this wander is surely a revisiting of the biography, and I am pleased that Thomas Waugh has been persuaded to cater his own reassessment of what has develop a foundational essay respecting scholars of gay porn and his own reflections on the status of the field. As many times, his cleverness and acuity is admirable (his representation of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me roll on the floor every time I contain review it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Decent: a In the flesh Revisit’ that his effort was by no means the initial on the subject. ‘Men’s Pornography: Gay vs Unambiguous’ is nonetheless in my inspection (and this is a view shared past numberless others) an particularly important intervention. In this new article, Waugh describes the lay down of sexual and cultural circumstances that experience to the putting out of his essay in Jump Clip in 1985. In exceptional this reappraisal usefully works to remind readers of the innovations contained therein. These comprise a systematic rubric for judgement and the notably apposite (and in diverse regards divinatory) word that gay porn does not eke out a living in lavish isolation and should be more meaningfully settled as part of what Tom describes as a ‘continuum’ here.<br>
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Horodatage Unix de la modification (timestamp) | 1662993587 |