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8 octobre 2022 à 12:00 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Any More. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.
+
<br>There are pacific lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ identify a longstanding area that is yet to be fully explored. Shape in porn films (similar to a lesser space to play) remains under-researched and Mowlabocus and Medhurst furnish some orientations to appropriate that avenue to be opened up, noting – with a commonplace wholesome humour that British readers resolution very respect – that gay porn ‘relies on the pants we pay attention to as much as the pants we see’.<br><br>At a still more particular level it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded by the British Arts and Humanities Explore Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my unpractical craft becomingly began and a research trajectory was plotted that has led to the issuance, this year, of my own monograph, [http://Millerstreeservice.Websmarts.com/__media__/js/netsoltrademark.php?d=0Xbt.net%2Fprofile%2FSylviaCorn Gay0Day] Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of On Pictorial, it mattered in the 1980s adequately for the benefit of Waugh to urge a the actuality for its interpretation, it mattered in the 1990s in the mid-point of the AIDS disaster and it matters now.<br><br>The intention of this noteworthy consequence of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over 30 years since Waugh provided a critical framework to discuss gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic crown of this special topic is deliberate. I wanted to taking the have a hunch of freneticness and vibrancy that there is in this unique to subfield of porn studies and have aimed to embellish the distinctiveness of approaches, methods, ticklish and conceptual frameworks and objects of scan that scholars engage with.<br><br>At the last moment, my own article is an crack to protract together some of the themes that the contributors to this especial discharge get identified, to look to the possible days of gay porn as a character and to exhibit the way of the next present of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Familiar Creativity and the Scripting of the Gay Smutty Body’ I look at some of the bush-leaguer porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In particular, my object of studio is a unequivocal form of user-generated significance – popper training videos, amateur video that repurposes a travel over of found sources with the straightforward consider of turning masturbation fuelled by amyl nitrate purchase into an vocation that strength be regarded as ‘generative leisure’. I argue that these videos puissance imply, in these neoliberal times where holiday is positioned as a generative operation, a new if unexpected operating quest of porn production and consumption.<br><br>A tip of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn receive always been objects of fine point charm and include provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose sameness has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an outstandingly salutary discrete recompense the breakdown of gender identities and is a picture who calls into a suspicions about a void of issues about the models of masculinities that gay porn deploys and exploits.<br><br>The starting unimportant looking for this wander is necessarily a revisiting of the past, and I am pleased that Thomas Waugh has been persuaded to provide his own reassessment of what has mature a foundational try respecting scholars of gay porn and his own reflections on the voice of the field. As many times, his humour and acuity is superior (his description of Gail Dines as this record book’s ‘demogogue nemesis’ has мейд me laugh every in good time I make read it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Decent: a Personal Revisit’ that his endeavour was by no means the pre-eminent on the subject. ‘Men’s Pornography: Gay vs Straightforward’ is nonetheless in my view (and this is a aspect shared past numberless others) an particularly important intervention. In this brand-new article, Waugh describes the lay down of group and cultural circumstances that lead to the putting out of his effort in Rise Settled in 1985. In particular this reappraisal usefully works to remind readers of the innovations contained therein. These classify a systematized rubric for interpretation and the especially apposite (and in many regards prophetic) opinion that gay porn does not be present in lavish isolation and should be more meaningfully settled as duty of what Tom describes as a ‘continuum’ here.<br>

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At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.
Nouveau texte de la page, après la modification (new_wikitext)
<br>There are pacific lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ identify a longstanding area that is yet to be fully explored. Shape in porn films (similar to a lesser space to play) remains under-researched and Mowlabocus and Medhurst furnish some orientations to appropriate that avenue to be opened up, noting – with a commonplace wholesome humour that British readers resolution very respect – that gay porn ‘relies on the pants we pay attention to as much as the pants we see’.<br><br>At a still more particular level it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded by the British Arts and Humanities Explore Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my unpractical craft becomingly began and a research trajectory was plotted that has led to the issuance, this year, of my own monograph, [http://Millerstreeservice.Websmarts.com/__media__/js/netsoltrademark.php?d=0Xbt.net%2Fprofile%2FSylviaCorn Gay0Day] Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of On Pictorial, it mattered in the 1980s adequately for the benefit of Waugh to urge a the actuality for its interpretation, it mattered in the 1990s in the mid-point of the AIDS disaster and it matters now.<br><br>The intention of this noteworthy consequence of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over 30 years since Waugh provided a critical framework to discuss gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic crown of this special topic is deliberate. I wanted to taking the have a hunch of freneticness and vibrancy that there is in this unique to subfield of porn studies and have aimed to embellish the distinctiveness of approaches, methods, ticklish and conceptual frameworks and objects of scan that scholars engage with.<br><br>At the last moment, my own article is an crack to protract together some of the themes that the contributors to this especial discharge get identified, to look to the possible days of gay porn as a character and to exhibit the way of the next present of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Familiar Creativity and the Scripting of the Gay Smutty Body’ I look at some of the bush-leaguer porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In particular, my object of studio is a unequivocal form of user-generated significance – popper training videos, amateur video that repurposes a travel over of found sources with the straightforward consider of turning masturbation fuelled by amyl nitrate purchase into an vocation that strength be regarded as ‘generative leisure’. I argue that these videos puissance imply, in these neoliberal times where holiday is positioned as a generative operation, a new if unexpected operating quest of porn production and consumption.<br><br>A tip of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn receive always been objects of fine point charm and include provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose sameness has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an outstandingly salutary discrete recompense the breakdown of gender identities and is a picture who calls into a suspicions about a void of issues about the models of masculinities that gay porn deploys and exploits.<br><br>The starting unimportant looking for this wander is necessarily a revisiting of the past, and I am pleased that Thomas Waugh has been persuaded to provide his own reassessment of what has mature a foundational try respecting scholars of gay porn and his own reflections on the voice of the field. As many times, his humour and acuity is superior (his description of Gail Dines as this record book’s ‘demogogue nemesis’ has мейд me laugh every in good time I make read it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Decent: a Personal Revisit’ that his endeavour was by no means the pre-eminent on the subject. ‘Men’s Pornography: Gay vs Straightforward’ is nonetheless in my view (and this is a aspect shared past numberless others) an particularly important intervention. In this brand-new article, Waugh describes the lay down of group and cultural circumstances that lead to the putting out of his effort in Rise Settled in 1985. In particular this reappraisal usefully works to remind readers of the innovations contained therein. These classify a systematized rubric for interpretation and the especially apposite (and in many regards prophetic) opinion that gay porn does not be present in lavish isolation and should be more meaningfully settled as duty of what Tom describes as a ‘continuum’ here.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now. +<br>There are pacific lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ identify a longstanding area that is yet to be fully explored. Shape in porn films (similar to a lesser space to play) remains under-researched and Mowlabocus and Medhurst furnish some orientations to appropriate that avenue to be opened up, noting – with a commonplace wholesome humour that British readers resolution very respect – that gay porn ‘relies on the pants we pay attention to as much as the pants we see’.<br><br>At a still more particular level it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded by the British Arts and Humanities Explore Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my unpractical craft becomingly began and a research trajectory was plotted that has led to the issuance, this year, of my own monograph, [http://Millerstreeservice.Websmarts.com/__media__/js/netsoltrademark.php?d=0Xbt.net%2Fprofile%2FSylviaCorn Gay0Day] Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of On Pictorial, it mattered in the 1980s adequately for the benefit of Waugh to urge a the actuality for its interpretation, it mattered in the 1990s in the mid-point of the AIDS disaster and it matters now.<br><br>The intention of this noteworthy consequence of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over 30 years since Waugh provided a critical framework to discuss gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic crown of this special topic is deliberate. I wanted to taking the have a hunch of freneticness and vibrancy that there is in this unique to subfield of porn studies and have aimed to embellish the distinctiveness of approaches, methods, ticklish and conceptual frameworks and objects of scan that scholars engage with.<br><br>At the last moment, my own article is an crack to protract together some of the themes that the contributors to this especial discharge get identified, to look to the possible days of gay porn as a character and to exhibit the way of the next present of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Familiar Creativity and the Scripting of the Gay Smutty Body’ I look at some of the bush-leaguer porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In particular, my object of studio is a unequivocal form of user-generated significance – popper training videos, amateur video that repurposes a travel over of found sources with the straightforward consider of turning masturbation fuelled by amyl nitrate purchase into an vocation that strength be regarded as ‘generative leisure’. I argue that these videos puissance imply, in these neoliberal times where holiday is positioned as a generative operation, a new if unexpected operating quest of porn production and consumption.<br><br>A tip of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn receive always been objects of fine point charm and include provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose sameness has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an outstandingly salutary discrete recompense the breakdown of gender identities and is a picture who calls into a suspicions about a void of issues about the models of masculinities that gay porn deploys and exploits.<br><br>The starting unimportant looking for this wander is necessarily a revisiting of the past, and I am pleased that Thomas Waugh has been persuaded to provide his own reassessment of what has mature a foundational try respecting scholars of gay porn and his own reflections on the voice of the field. As many times, his humour and acuity is superior (his description of Gail Dines as this record book’s ‘demogogue nemesis’ has мейд me laugh every in good time I make read it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Decent: a Personal Revisit’ that his endeavour was by no means the pre-eminent on the subject. ‘Men’s Pornography: Gay vs Straightforward’ is nonetheless in my view (and this is a aspect shared past numberless others) an particularly important intervention. In this brand-new article, Waugh describes the lay down of group and cultural circumstances that lead to the putting out of his effort in Rise Settled in 1985. In particular this reappraisal usefully works to remind readers of the innovations contained therein. These classify a systematized rubric for interpretation and the especially apposite (and in many regards prophetic) opinion that gay porn does not be present in lavish isolation and should be more meaningfully settled as duty of what Tom describes as a ‘continuum’ here.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>There are pacific lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ identify a longstanding area that is yet to be fully explored. Shape in porn films (similar to a lesser space to play) remains under-researched and Mowlabocus and Medhurst furnish some orientations to appropriate that avenue to be opened up, noting – with a commonplace wholesome humour that British readers resolution very respect – that gay porn ‘relies on the pants we pay attention to as much as the pants we see’.<br><br>At a still more particular level it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded by the British Arts and Humanities Explore Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my unpractical craft becomingly began and a research trajectory was plotted that has led to the issuance, this year, of my own monograph, [http://Millerstreeservice.Websmarts.com/__media__/js/netsoltrademark.php?d=0Xbt.net%2Fprofile%2FSylviaCorn Gay0Day] Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of On Pictorial, it mattered in the 1980s adequately for the benefit of Waugh to urge a the actuality for its interpretation, it mattered in the 1990s in the mid-point of the AIDS disaster and it matters now.<br><br>The intention of this noteworthy consequence of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over 30 years since Waugh provided a critical framework to discuss gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic crown of this special topic is deliberate. I wanted to taking the have a hunch of freneticness and vibrancy that there is in this unique to subfield of porn studies and have aimed to embellish the distinctiveness of approaches, methods, ticklish and conceptual frameworks and objects of scan that scholars engage with.<br><br>At the last moment, my own article is an crack to protract together some of the themes that the contributors to this especial discharge get identified, to look to the possible days of gay porn as a character and to exhibit the way of the next present of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Familiar Creativity and the Scripting of the Gay Smutty Body’ I look at some of the bush-leaguer porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In particular, my object of studio is a unequivocal form of user-generated significance – popper training videos, amateur video that repurposes a travel over of found sources with the straightforward consider of turning masturbation fuelled by amyl nitrate purchase into an vocation that strength be regarded as ‘generative leisure’. I argue that these videos puissance imply, in these neoliberal times where holiday is positioned as a generative operation, a new if unexpected operating quest of porn production and consumption.<br><br>A tip of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn receive always been objects of fine point charm and include provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose sameness has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an outstandingly salutary discrete recompense the breakdown of gender identities and is a picture who calls into a suspicions about a void of issues about the models of masculinities that gay porn deploys and exploits.<br><br>The starting unimportant looking for this wander is necessarily a revisiting of the past, and I am pleased that Thomas Waugh has been persuaded to provide his own reassessment of what has mature a foundational try respecting scholars of gay porn and his own reflections on the voice of the field. As many times, his humour and acuity is superior (his description of Gail Dines as this record book’s ‘demogogue nemesis’ has мейд me laugh every in good time I make read it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Decent: a Personal Revisit’ that his endeavour was by no means the pre-eminent on the subject. ‘Men’s Pornography: Gay vs Straightforward’ is nonetheless in my view (and this is a aspect shared past numberless others) an particularly important intervention. In this brand-new article, Waugh describes the lay down of group and cultural circumstances that lead to the putting out of his effort in Rise Settled in 1985. In particular this reappraisal usefully works to remind readers of the innovations contained therein. These classify a systematized rubric for interpretation and the especially apposite (and in many regards prophetic) opinion that gay porn does not be present in lavish isolation and should be more meaningfully settled as duty of what Tom describes as a ‘continuum’ here.<br>
Horodatage Unix de la modification (timestamp)
1665226838