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3 octobre 2022 à 09:50 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Promptly. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
+
<br>At a yet more personal invariable it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded via the British Arts and Humanities Research Stay and inspired nigh the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic shoot fittingly began and a investigate trajectory was plotted that has led to the brochure, this year, of my own treatise, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Physique Lucid, it mattered in the 1980s enough against Waugh to provoke a the actuality destined for its dissection, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br><br>At the last moment, my own article is an undertake to tow together some of the themes that the contributors to this especial issue entertain identified, to look to the admissible days of gay porn as a variety and to indicate the direction of the next stage of my own ongoing examination in the field. In ‘Popperbate: Video Collage, Familiar Creativity and the Scripting of the Gay Indecent Carcass’ I look at some of the non-professional porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In definite, my target of cramming is a fixed type of user-generated content – popper training videos, amateur video that repurposes a pass over of build sources with the straightforward intention of turning masturbation fuelled past amyl nitrate use into an activity that might be regarded as ‘generative respite’. I talk that these videos might display, in these neoliberal times where leisure is positioned as a bounteous pursuit, a modish if unexpected directorate for porn production and consumption.<br>The year 2017 marks a woman that without hyperbole can be described as a guidepost in compensation gay men in the Amalgamated Kingdom. It is now 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an significant year as regards gay men too. In Canada, the Justice Minister Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the США, [http://www.hometophit.com/hometh/go_url.php?link_url=http://www.ra-reitmann.at/hallo-welt/ Gay0day] the now shaming tv documentary The Homosexuals (1967) was proclaim on CBS and Marlon Brando, sooner than this apex a major Hollywood name, was to depict a repressed invert in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Develop into Males: A Cross-Cultural and Cross-Species Examination was first published in 1967, a book that argued sooner than hint to historical and cultural precedent exchange for the acceptance of homosexuality. In September 1967, shortly in the presence of he was to appropriate for one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Separate Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>A consideration of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn have continually been objects of pernickety pull and press provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose unanimity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an singularly useful individual recompense the analysis of gender identities and is a figure who calls into a indubitably a routine of issues not far from the models of masculinities that gay porn deploys and exploits.<br>The starting go out of one's way to for this odyssey is necessarily a revisiting of the last, and I am delighted that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational try on scholars of gay porn and his own reflections on the conditions of the field. As continually, his common sense and acuity is first-class (his description of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me laugh every schedule I contain announce it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Unqualified: a Exclusive Revisit’ that his endeavour was by no means the opening on the subject. ‘Men’s Filth: Gay vs Unambiguous’ is nonetheless in my observation (and this is a picture shared past sundry others) an specially worthy intervention. In this new article, Waugh describes the introduce of communal and cultural circumstances that dispose to the pamphlet of his essay in Rise Clip in 1985. In particular this reappraisal usefully works to remind readers of the innovations contained therein. These include a systematized rubric for analysis and the uniquely apposite (and in uncountable regards fatidic) observation that gay porn does not be present in magnificent isolation and should be more meaningfully settled as say of what Tom describes as a ‘continuum’ here.<br>

Paramètres de l'action

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KeithHudd225
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups)
* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
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3291
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0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Promptly
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Introduction: Gay Porn Promptly
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edit
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wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
Nouveau texte de la page, après la modification (new_wikitext)
<br>At a yet more personal invariable it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded via the British Arts and Humanities Research Stay and inspired nigh the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic shoot fittingly began and a investigate trajectory was plotted that has led to the brochure, this year, of my own treatise, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Physique Lucid, it mattered in the 1980s enough against Waugh to provoke a the actuality destined for its dissection, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br><br>At the last moment, my own article is an undertake to tow together some of the themes that the contributors to this especial issue entertain identified, to look to the admissible days of gay porn as a variety and to indicate the direction of the next stage of my own ongoing examination in the field. In ‘Popperbate: Video Collage, Familiar Creativity and the Scripting of the Gay Indecent Carcass’ I look at some of the non-professional porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In definite, my target of cramming is a fixed type of user-generated content – popper training videos, amateur video that repurposes a pass over of build sources with the straightforward intention of turning masturbation fuelled past amyl nitrate use into an activity that might be regarded as ‘generative respite’. I talk that these videos might display, in these neoliberal times where leisure is positioned as a bounteous pursuit, a modish if unexpected directorate for porn production and consumption.<br>The year 2017 marks a woman that without hyperbole can be described as a guidepost in compensation gay men in the Amalgamated Kingdom. It is now 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an significant year as regards gay men too. In Canada, the Justice Minister Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the США, [http://www.hometophit.com/hometh/go_url.php?link_url=http://www.ra-reitmann.at/hallo-welt/ Gay0day] the now shaming tv documentary The Homosexuals (1967) was proclaim on CBS and Marlon Brando, sooner than this apex a major Hollywood name, was to depict a repressed invert in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Develop into Males: A Cross-Cultural and Cross-Species Examination was first published in 1967, a book that argued sooner than hint to historical and cultural precedent exchange for the acceptance of homosexuality. In September 1967, shortly in the presence of he was to appropriate for one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Separate Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>A consideration of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn have continually been objects of pernickety pull and press provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose unanimity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an singularly useful individual recompense the analysis of gender identities and is a figure who calls into a indubitably a routine of issues not far from the models of masculinities that gay porn deploys and exploits.<br>The starting go out of one's way to for this odyssey is necessarily a revisiting of the last, and I am delighted that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational try on scholars of gay porn and his own reflections on the conditions of the field. As continually, his common sense and acuity is first-class (his description of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me laugh every schedule I contain announce it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Unqualified: a Exclusive Revisit’ that his endeavour was by no means the opening on the subject. ‘Men’s Filth: Gay vs Unambiguous’ is nonetheless in my observation (and this is a picture shared past sundry others) an specially worthy intervention. In this new article, Waugh describes the introduce of communal and cultural circumstances that dispose to the pamphlet of his essay in Rise Clip in 1985. In particular this reappraisal usefully works to remind readers of the innovations contained therein. These include a systematized rubric for analysis and the uniquely apposite (and in uncountable regards fatidic) observation that gay porn does not be present in magnificent isolation and should be more meaningfully settled as say of what Tom describes as a ‘continuum’ here.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. +<br>At a yet more personal invariable it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded via the British Arts and Humanities Research Stay and inspired nigh the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic shoot fittingly began and a investigate trajectory was plotted that has led to the brochure, this year, of my own treatise, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Physique Lucid, it mattered in the 1980s enough against Waugh to provoke a the actuality destined for its dissection, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br><br>At the last moment, my own article is an undertake to tow together some of the themes that the contributors to this especial issue entertain identified, to look to the admissible days of gay porn as a variety and to indicate the direction of the next stage of my own ongoing examination in the field. In ‘Popperbate: Video Collage, Familiar Creativity and the Scripting of the Gay Indecent Carcass’ I look at some of the non-professional porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In definite, my target of cramming is a fixed type of user-generated content – popper training videos, amateur video that repurposes a pass over of build sources with the straightforward intention of turning masturbation fuelled past amyl nitrate use into an activity that might be regarded as ‘generative respite’. I talk that these videos might display, in these neoliberal times where leisure is positioned as a bounteous pursuit, a modish if unexpected directorate for porn production and consumption.<br>The year 2017 marks a woman that without hyperbole can be described as a guidepost in compensation gay men in the Amalgamated Kingdom. It is now 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an significant year as regards gay men too. In Canada, the Justice Minister Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the США, [http://www.hometophit.com/hometh/go_url.php?link_url=http://www.ra-reitmann.at/hallo-welt/ Gay0day] the now shaming tv documentary The Homosexuals (1967) was proclaim on CBS and Marlon Brando, sooner than this apex a major Hollywood name, was to depict a repressed invert in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Develop into Males: A Cross-Cultural and Cross-Species Examination was first published in 1967, a book that argued sooner than hint to historical and cultural precedent exchange for the acceptance of homosexuality. In September 1967, shortly in the presence of he was to appropriate for one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Separate Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>A consideration of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn have continually been objects of pernickety pull and press provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose unanimity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an singularly useful individual recompense the analysis of gender identities and is a figure who calls into a indubitably a routine of issues not far from the models of masculinities that gay porn deploys and exploits.<br>The starting go out of one's way to for this odyssey is necessarily a revisiting of the last, and I am delighted that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational try on scholars of gay porn and his own reflections on the conditions of the field. As continually, his common sense and acuity is first-class (his description of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me laugh every schedule I contain announce it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Unqualified: a Exclusive Revisit’ that his endeavour was by no means the opening on the subject. ‘Men’s Filth: Gay vs Unambiguous’ is nonetheless in my observation (and this is a picture shared past sundry others) an specially worthy intervention. In this new article, Waugh describes the introduce of communal and cultural circumstances that dispose to the pamphlet of his essay in Rise Clip in 1985. In particular this reappraisal usefully works to remind readers of the innovations contained therein. These include a systematized rubric for analysis and the uniquely apposite (and in uncountable regards fatidic) observation that gay porn does not be present in magnificent isolation and should be more meaningfully settled as say of what Tom describes as a ‘continuum’ here.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>At a yet more personal invariable it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded via the British Arts and Humanities Research Stay and inspired nigh the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic shoot fittingly began and a investigate trajectory was plotted that has led to the brochure, this year, of my own treatise, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it especially matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Physique Lucid, it mattered in the 1980s enough against Waugh to provoke a the actuality destined for its dissection, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br><br>At the last moment, my own article is an undertake to tow together some of the themes that the contributors to this especial issue entertain identified, to look to the admissible days of gay porn as a variety and to indicate the direction of the next stage of my own ongoing examination in the field. In ‘Popperbate: Video Collage, Familiar Creativity and the Scripting of the Gay Indecent Carcass’ I look at some of the non-professional porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In definite, my target of cramming is a fixed type of user-generated content – popper training videos, amateur video that repurposes a pass over of build sources with the straightforward intention of turning masturbation fuelled past amyl nitrate use into an activity that might be regarded as ‘generative respite’. I talk that these videos might display, in these neoliberal times where leisure is positioned as a bounteous pursuit, a modish if unexpected directorate for porn production and consumption.<br>The year 2017 marks a woman that without hyperbole can be described as a guidepost in compensation gay men in the Amalgamated Kingdom. It is now 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an significant year as regards gay men too. In Canada, the Justice Minister Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the США, [http://www.hometophit.com/hometh/go_url.php?link_url=http://www.ra-reitmann.at/hallo-welt/ Gay0day] the now shaming tv documentary The Homosexuals (1967) was proclaim on CBS and Marlon Brando, sooner than this apex a major Hollywood name, was to depict a repressed invert in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Develop into Males: A Cross-Cultural and Cross-Species Examination was first published in 1967, a book that argued sooner than hint to historical and cultural precedent exchange for the acceptance of homosexuality. In September 1967, shortly in the presence of he was to appropriate for one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Separate Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>A consideration of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn have continually been objects of pernickety pull and press provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose unanimity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an singularly useful individual recompense the analysis of gender identities and is a figure who calls into a indubitably a routine of issues not far from the models of masculinities that gay porn deploys and exploits.<br>The starting go out of one's way to for this odyssey is necessarily a revisiting of the last, and I am delighted that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational try on scholars of gay porn and his own reflections on the conditions of the field. As continually, his common sense and acuity is first-class (his description of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me laugh every schedule I contain announce it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Unqualified: a Exclusive Revisit’ that his endeavour was by no means the opening on the subject. ‘Men’s Filth: Gay vs Unambiguous’ is nonetheless in my observation (and this is a picture shared past sundry others) an specially worthy intervention. In this new article, Waugh describes the introduce of communal and cultural circumstances that dispose to the pamphlet of his essay in Rise Clip in 1985. In particular this reappraisal usefully works to remind readers of the innovations contained therein. These include a systematized rubric for analysis and the uniquely apposite (and in uncountable regards fatidic) observation that gay porn does not be present in magnificent isolation and should be more meaningfully settled as say of what Tom describes as a ‘continuum’ here.<br>
Horodatage Unix de la modification (timestamp)
1664787021