| Variable | Valeur |
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Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3290 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Now |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Now |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>A kindliness of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and [http://fishing.web-antena.com/blog/?wptouch_switch=desktop&redirect=https%3A%2F%2Fwww.zomi.net%2Fblog%2F733592%2Fintroduction-gay-porn-any-more%2F gay0day] the Tasteful of a Transindividual Porn Lead’. The stars of gay porn participate in continually been objects of particular charm and include provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose unanimity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an outstandingly salutary unique looking for the examination of gender identities and is a worthy who calls into a without question a void of issues far the models of masculinities that gay porn deploys and exploits.<br><br>That we should refrain from making assumptions up either who audiences are or how audiences retort be responsive to to smut has been a core shtick for this daily and the researchers that are associated with it. Indeed, another different issue devoted to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present specific big problem, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a airwoman think over into the responses of a representational of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not simply have a supportive answer to gay porn and the gay copulation represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) prime thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of male porn viewers and the crucial audience probing project conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to blast stereotypes and generalizations about porn audiences, who they are and how they relate to porn materials.<br><br>There are still lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ home in on a longstanding area that is moreover to be fully explored. Look in porn films (almost identical to a lesser space to bringing off) remains under-researched and Mowlabocus and Medhurst furnish some orientations to appropriate that avenue to be opened up, noting – with a customary wholesome raillery that British readers will very appreciate – that gay porn ‘relies on the pants we pay attention to as much as the pants we imagine’.<br><br>The textual qualities of gay porn pick up to be an conspicuous focus of observe for researchers in the field and the evolving temperament of the variety means that there is each time more to disclose about late-model modes of moulding and emerging aesthetic and windy patterns. The in the wake articles in this special consummation all focus on the specifics of modern gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and trendy gay porn in particular, crumpet on. Auspices of an division of a grade of up to date French materials and the website Jest the Fag, Immature argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘satisfaction’ that has also evolve into an orthodoxy can necessarily account for the enactments of genital power and rule that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more involved and a good less binaristic than antecedent accounts weight procure suggested through the presence of the implement of the camera. Girlish’s article brilliantly reminds readers of the staged and performed nature of the animal acts represented in gay porn.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Shagging Scenes’ discusses the sundry streaming platforms middle of which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted thesis are of circuit tenacious concerns after the porn labour; anyway, Tsika identifies a somewhat more specific object of studio in array to make observations to the ways in which ‘message’ is contingent on context. Tsika’s tonality bear on here is the mechanism throughout which variously lewd or in some cases sexually explicit materials can be extracted from their unprecedented context within underground and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to call to mind that the convert of appropriation and repackaging that takes niche here reduces the governmental and cultural power of the singular authority texts that are repurposed.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.
+<br>A kindliness of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and [http://fishing.web-antena.com/blog/?wptouch_switch=desktop&redirect=https%3A%2F%2Fwww.zomi.net%2Fblog%2F733592%2Fintroduction-gay-porn-any-more%2F gay0day] the Tasteful of a Transindividual Porn Lead’. The stars of gay porn participate in continually been objects of particular charm and include provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose unanimity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an outstandingly salutary unique looking for the examination of gender identities and is a worthy who calls into a without question a void of issues far the models of masculinities that gay porn deploys and exploits.<br><br>That we should refrain from making assumptions up either who audiences are or how audiences retort be responsive to to smut has been a core shtick for this daily and the researchers that are associated with it. Indeed, another different issue devoted to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present specific big problem, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a airwoman think over into the responses of a representational of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not simply have a supportive answer to gay porn and the gay copulation represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) prime thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of male porn viewers and the crucial audience probing project conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to blast stereotypes and generalizations about porn audiences, who they are and how they relate to porn materials.<br><br>There are still lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ home in on a longstanding area that is moreover to be fully explored. Look in porn films (almost identical to a lesser space to bringing off) remains under-researched and Mowlabocus and Medhurst furnish some orientations to appropriate that avenue to be opened up, noting – with a customary wholesome raillery that British readers will very appreciate – that gay porn ‘relies on the pants we pay attention to as much as the pants we imagine’.<br><br>The textual qualities of gay porn pick up to be an conspicuous focus of observe for researchers in the field and the evolving temperament of the variety means that there is each time more to disclose about late-model modes of moulding and emerging aesthetic and windy patterns. The in the wake articles in this special consummation all focus on the specifics of modern gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and trendy gay porn in particular, crumpet on. Auspices of an division of a grade of up to date French materials and the website Jest the Fag, Immature argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘satisfaction’ that has also evolve into an orthodoxy can necessarily account for the enactments of genital power and rule that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more involved and a good less binaristic than antecedent accounts weight procure suggested through the presence of the implement of the camera. Girlish’s article brilliantly reminds readers of the staged and performed nature of the animal acts represented in gay porn.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Shagging Scenes’ discusses the sundry streaming platforms middle of which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted thesis are of circuit tenacious concerns after the porn labour; anyway, Tsika identifies a somewhat more specific object of studio in array to make observations to the ways in which ‘message’ is contingent on context. Tsika’s tonality bear on here is the mechanism throughout which variously lewd or in some cases sexually explicit materials can be extracted from their unprecedented context within underground and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to call to mind that the convert of appropriation and repackaging that takes niche here reduces the governmental and cultural power of the singular authority texts that are repurposed.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>A kindliness of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and [http://fishing.web-antena.com/blog/?wptouch_switch=desktop&redirect=https%3A%2F%2Fwww.zomi.net%2Fblog%2F733592%2Fintroduction-gay-porn-any-more%2F gay0day] the Tasteful of a Transindividual Porn Lead’. The stars of gay porn participate in continually been objects of particular charm and include provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose unanimity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an outstandingly salutary unique looking for the examination of gender identities and is a worthy who calls into a without question a void of issues far the models of masculinities that gay porn deploys and exploits.<br><br>That we should refrain from making assumptions up either who audiences are or how audiences retort be responsive to to smut has been a core shtick for this daily and the researchers that are associated with it. Indeed, another different issue devoted to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present specific big problem, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a airwoman think over into the responses of a representational of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not simply have a supportive answer to gay porn and the gay copulation represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) prime thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating analysis of male porn viewers and the crucial audience probing project conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to blast stereotypes and generalizations about porn audiences, who they are and how they relate to porn materials.<br><br>There are still lacunae in porn analyse, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ home in on a longstanding area that is moreover to be fully explored. Look in porn films (almost identical to a lesser space to bringing off) remains under-researched and Mowlabocus and Medhurst furnish some orientations to appropriate that avenue to be opened up, noting – with a customary wholesome raillery that British readers will very appreciate – that gay porn ‘relies on the pants we pay attention to as much as the pants we imagine’.<br><br>The textual qualities of gay porn pick up to be an conspicuous focus of observe for researchers in the field and the evolving temperament of the variety means that there is each time more to disclose about late-model modes of moulding and emerging aesthetic and windy patterns. The in the wake articles in this special consummation all focus on the specifics of modern gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and trendy gay porn in particular, crumpet on. Auspices of an division of a grade of up to date French materials and the website Jest the Fag, Immature argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘satisfaction’ that has also evolve into an orthodoxy can necessarily account for the enactments of genital power and rule that these videos depict. Young notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more involved and a good less binaristic than antecedent accounts weight procure suggested through the presence of the implement of the camera. Girlish’s article brilliantly reminds readers of the staged and performed nature of the animal acts represented in gay porn.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Shagging Scenes’ discusses the sundry streaming platforms middle of which gay porn is increasingly circulated. Issues adjacent piracy and the outlawed uploading of copyrighted thesis are of circuit tenacious concerns after the porn labour; anyway, Tsika identifies a somewhat more specific object of studio in array to make observations to the ways in which ‘message’ is contingent on context. Tsika’s tonality bear on here is the mechanism throughout which variously lewd or in some cases sexually explicit materials can be extracted from their unprecedented context within underground and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to call to mind that the convert of appropriation and repackaging that takes niche here reduces the governmental and cultural power of the singular authority texts that are repurposed.<br>
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Horodatage Unix de la modification (timestamp) | 1664630044 |
