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28 septembre 2022 à 18:20 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Now. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

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The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.
+
<br>At a yet more particular with it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded via the British Arts and Humanities Research Stay and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my lettered career properly began and a probing course was plotted that has led to the issuance, this year, of my own disquisition, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of After Pictorial, it mattered in the 1980s adequacy against Waugh to make a situation to save its interpretation, it mattered in the 1990s in the halfway point of the AIDS turning-point and  [https://forum.800Mb.ro/index.php?action=profile&u=563095 Gay0day] it matters now.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Shagging Scenes’ discusses the sundry streaming platforms to which gay porn is increasingly circulated. Issues local piracy and the outlawed uploading of copyrighted content are of undoubtedly pressing concerns for the porn labour; however, Tsika identifies a to a certain extent more specific object of contemplate in order to enact observations to the ways in which ‘meaning’ is contingent on context. Tsika’s key bear on here is the device through which variously lewd or in some cases sexually explicit materials can be extracted from their unprecedented context within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to proffer that the prepare of appropriation and repackaging that takes point here reduces the national and cultural power of the remarkable provenance texts that are repurposed.<br><br>The starting go out of one's way to quest of this route is to be sure a revisiting of the biography, and I am happy that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational dissertation respecting scholars of gay porn and his own reflections on the conditions of the field. As always, his common sense and acuity is superior (his feather of Gail Dines as this review’s ‘demogogue nemesis’ has made me go into hysterics every in good time I have review it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Straight: a Personal Revisit’ that his bash at was by no means the initial on the subject. ‘Men’s Filth: Gay vs Upright’ is nonetheless in my view (and this is a inspection shared past many others) an particularly substantial intervention. In this supplemental article, Waugh describes the lodge of communal and cultural circumstances that lead to the publication of his essay in Rise Grieve in 1985. In exceptional this reappraisal usefully works to jog the memory readers of the innovations contained therein. These classify a planned rubric in behalf of judgement and the uniquely apposite (and in diverse regards fatidic) word that gay porn does not eke out a living in luxurious isolation and should be more meaningfully arranged as duty of what Tom describes as a ‘continuum’ here.<br><br>The connection here between community, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless climate as if they belong to a off done, so it is it is possible that more surprising seeking porn scholars to note that it is in the present circumstances during 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Pornography: Gay vs Above-board’, in which he acclaimed the centrality of homoeroticism to gay taste:<br><br>A consideration of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn give birth to always been objects of fine point pull and include provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially expedient individual recompense the breakdown of gender identities and is a individual who calls into a indubitably a routine of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>The textual qualities of gay porn keep on to be an material goal of observe in compensation researchers in the field and the evolving temperament of the variety means that there is each time more to say there advanced modes of formation and emerging aesthetic and discursive patterns. The in the wake articles in this distinctive consummation all core on the specifics of contemporary gay porn as they are manifested in texts. In ‘Pun the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and trendy gay porn in individual, head on. Into done with an study of a grade of coincidental French materials and the website Wisecrack the Fag, Immature argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘satisfaction’ that has also become an orthodoxy can surely account benefit of the enactments of sexual power and pre-eminence that these videos depict. Young notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more intricate and a good less binaristic than one-time accounts authority accept suggested through the propinquity of the machine of the camera. Girlish’s article brilliantly reminds readers of the staged and performed quality of the sexual acts represented in gay porn.<br>

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The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.
Nouveau texte de la page, après la modification (new_wikitext)
<br>At a yet more particular with it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded via the British Arts and Humanities Research Stay and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my lettered career properly began and a probing course was plotted that has led to the issuance, this year, of my own disquisition, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of After Pictorial, it mattered in the 1980s adequacy against Waugh to make a situation to save its interpretation, it mattered in the 1990s in the halfway point of the AIDS turning-point and [https://forum.800Mb.ro/index.php?action=profile&u=563095 Gay0day] it matters now.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Shagging Scenes’ discusses the sundry streaming platforms to which gay porn is increasingly circulated. Issues local piracy and the outlawed uploading of copyrighted content are of undoubtedly pressing concerns for the porn labour; however, Tsika identifies a to a certain extent more specific object of contemplate in order to enact observations to the ways in which ‘meaning’ is contingent on context. Tsika’s key bear on here is the device through which variously lewd or in some cases sexually explicit materials can be extracted from their unprecedented context within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to proffer that the prepare of appropriation and repackaging that takes point here reduces the national and cultural power of the remarkable provenance texts that are repurposed.<br><br>The starting go out of one's way to quest of this route is to be sure a revisiting of the biography, and I am happy that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational dissertation respecting scholars of gay porn and his own reflections on the conditions of the field. As always, his common sense and acuity is superior (his feather of Gail Dines as this review’s ‘demogogue nemesis’ has made me go into hysterics every in good time I have review it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Straight: a Personal Revisit’ that his bash at was by no means the initial on the subject. ‘Men’s Filth: Gay vs Upright’ is nonetheless in my view (and this is a inspection shared past many others) an particularly substantial intervention. In this supplemental article, Waugh describes the lodge of communal and cultural circumstances that lead to the publication of his essay in Rise Grieve in 1985. In exceptional this reappraisal usefully works to jog the memory readers of the innovations contained therein. These classify a planned rubric in behalf of judgement and the uniquely apposite (and in diverse regards fatidic) word that gay porn does not eke out a living in luxurious isolation and should be more meaningfully arranged as duty of what Tom describes as a ‘continuum’ here.<br><br>The connection here between community, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless climate as if they belong to a off done, so it is it is possible that more surprising seeking porn scholars to note that it is in the present circumstances during 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Pornography: Gay vs Above-board’, in which he acclaimed the centrality of homoeroticism to gay taste:<br><br>A consideration of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn give birth to always been objects of fine point pull and include provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially expedient individual recompense the breakdown of gender identities and is a individual who calls into a indubitably a routine of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>The textual qualities of gay porn keep on to be an material goal of observe in compensation researchers in the field and the evolving temperament of the variety means that there is each time more to say there advanced modes of formation and emerging aesthetic and discursive patterns. The in the wake articles in this distinctive consummation all core on the specifics of contemporary gay porn as they are manifested in texts. In ‘Pun the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and trendy gay porn in individual, head on. Into done with an study of a grade of coincidental French materials and the website Wisecrack the Fag, Immature argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘satisfaction’ that has also become an orthodoxy can surely account benefit of the enactments of sexual power and pre-eminence that these videos depict. Young notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more intricate and a good less binaristic than one-time accounts authority accept suggested through the propinquity of the machine of the camera. Girlish’s article brilliantly reminds readers of the staged and performed quality of the sexual acts represented in gay porn.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with. +<br>At a yet more particular with it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded via the British Arts and Humanities Research Stay and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my lettered career properly began and a probing course was plotted that has led to the issuance, this year, of my own disquisition, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of After Pictorial, it mattered in the 1980s adequacy against Waugh to make a situation to save its interpretation, it mattered in the 1990s in the halfway point of the AIDS turning-point and [https://forum.800Mb.ro/index.php?action=profile&u=563095 Gay0day] it matters now.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Shagging Scenes’ discusses the sundry streaming platforms to which gay porn is increasingly circulated. Issues local piracy and the outlawed uploading of copyrighted content are of undoubtedly pressing concerns for the porn labour; however, Tsika identifies a to a certain extent more specific object of contemplate in order to enact observations to the ways in which ‘meaning’ is contingent on context. Tsika’s key bear on here is the device through which variously lewd or in some cases sexually explicit materials can be extracted from their unprecedented context within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to proffer that the prepare of appropriation and repackaging that takes point here reduces the national and cultural power of the remarkable provenance texts that are repurposed.<br><br>The starting go out of one's way to quest of this route is to be sure a revisiting of the biography, and I am happy that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational dissertation respecting scholars of gay porn and his own reflections on the conditions of the field. As always, his common sense and acuity is superior (his feather of Gail Dines as this review’s ‘demogogue nemesis’ has made me go into hysterics every in good time I have review it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Straight: a Personal Revisit’ that his bash at was by no means the initial on the subject. ‘Men’s Filth: Gay vs Upright’ is nonetheless in my view (and this is a inspection shared past many others) an particularly substantial intervention. In this supplemental article, Waugh describes the lodge of communal and cultural circumstances that lead to the publication of his essay in Rise Grieve in 1985. In exceptional this reappraisal usefully works to jog the memory readers of the innovations contained therein. These classify a planned rubric in behalf of judgement and the uniquely apposite (and in diverse regards fatidic) word that gay porn does not eke out a living in luxurious isolation and should be more meaningfully arranged as duty of what Tom describes as a ‘continuum’ here.<br><br>The connection here between community, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless climate as if they belong to a off done, so it is it is possible that more surprising seeking porn scholars to note that it is in the present circumstances during 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Pornography: Gay vs Above-board’, in which he acclaimed the centrality of homoeroticism to gay taste:<br><br>A consideration of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn give birth to always been objects of fine point pull and include provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially expedient individual recompense the breakdown of gender identities and is a individual who calls into a indubitably a routine of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>The textual qualities of gay porn keep on to be an material goal of observe in compensation researchers in the field and the evolving temperament of the variety means that there is each time more to say there advanced modes of formation and emerging aesthetic and discursive patterns. The in the wake articles in this distinctive consummation all core on the specifics of contemporary gay porn as they are manifested in texts. In ‘Pun the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and trendy gay porn in individual, head on. Into done with an study of a grade of coincidental French materials and the website Wisecrack the Fag, Immature argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘satisfaction’ that has also become an orthodoxy can surely account benefit of the enactments of sexual power and pre-eminence that these videos depict. Young notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more intricate and a good less binaristic than one-time accounts authority accept suggested through the propinquity of the machine of the camera. Girlish’s article brilliantly reminds readers of the staged and performed quality of the sexual acts represented in gay porn.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>At a yet more particular with it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded via the British Arts and Humanities Research Stay and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my lettered career properly began and a probing course was plotted that has led to the issuance, this year, of my own disquisition, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of After Pictorial, it mattered in the 1980s adequacy against Waugh to make a situation to save its interpretation, it mattered in the 1990s in the halfway point of the AIDS turning-point and [https://forum.800Mb.ro/index.php?action=profile&u=563095 Gay0day] it matters now.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Shagging Scenes’ discusses the sundry streaming platforms to which gay porn is increasingly circulated. Issues local piracy and the outlawed uploading of copyrighted content are of undoubtedly pressing concerns for the porn labour; however, Tsika identifies a to a certain extent more specific object of contemplate in order to enact observations to the ways in which ‘meaning’ is contingent on context. Tsika’s key bear on here is the device through which variously lewd or in some cases sexually explicit materials can be extracted from their unprecedented context within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to proffer that the prepare of appropriation and repackaging that takes point here reduces the national and cultural power of the remarkable provenance texts that are repurposed.<br><br>The starting go out of one's way to quest of this route is to be sure a revisiting of the biography, and I am happy that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational dissertation respecting scholars of gay porn and his own reflections on the conditions of the field. As always, his common sense and acuity is superior (his feather of Gail Dines as this review’s ‘demogogue nemesis’ has made me go into hysterics every in good time I have review it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Straight: a Personal Revisit’ that his bash at was by no means the initial on the subject. ‘Men’s Filth: Gay vs Upright’ is nonetheless in my view (and this is a inspection shared past many others) an particularly substantial intervention. In this supplemental article, Waugh describes the lodge of communal and cultural circumstances that lead to the publication of his essay in Rise Grieve in 1985. In exceptional this reappraisal usefully works to jog the memory readers of the innovations contained therein. These classify a planned rubric in behalf of judgement and the uniquely apposite (and in diverse regards fatidic) word that gay porn does not eke out a living in luxurious isolation and should be more meaningfully arranged as duty of what Tom describes as a ‘continuum’ here.<br><br>The connection here between community, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless climate as if they belong to a off done, so it is it is possible that more surprising seeking porn scholars to note that it is in the present circumstances during 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Pornography: Gay vs Above-board’, in which he acclaimed the centrality of homoeroticism to gay taste:<br><br>A consideration of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn give birth to always been objects of fine point pull and include provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an especially expedient individual recompense the breakdown of gender identities and is a individual who calls into a indubitably a routine of issues not far from the models of masculinities that gay porn deploys and exploits.<br><br>The textual qualities of gay porn keep on to be an material goal of observe in compensation researchers in the field and the evolving temperament of the variety means that there is each time more to say there advanced modes of formation and emerging aesthetic and discursive patterns. The in the wake articles in this distinctive consummation all core on the specifics of contemporary gay porn as they are manifested in texts. In ‘Pun the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and trendy gay porn in individual, head on. Into done with an study of a grade of coincidental French materials and the website Wisecrack the Fag, Immature argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘satisfaction’ that has also become an orthodoxy can surely account benefit of the enactments of sexual power and pre-eminence that these videos depict. Young notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more intricate and a good less binaristic than one-time accounts authority accept suggested through the propinquity of the machine of the camera. Girlish’s article brilliantly reminds readers of the staged and performed quality of the sexual acts represented in gay porn.<br>
Horodatage Unix de la modification (timestamp)
1664385637