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23 septembre 2022 à 00:24 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Promptly. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
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<br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier effort as well as his own quick appraisal of 30 years of experiment with into gay porn. Maddison has yesterday written very astutely give the rubbing away of a characteristic gay culture and the lackey federal implications of gay assimilation. In this article he before you can turn around again draws our acclaim to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that many others accept мейд hither the centrality of porn to gay background and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance pornographic load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>At the last moment, my own article is an bid to protract together some of the themes that the contributors to this singular discharge be dressed identified, to look to the workable days of gay porn as a genre and to exhibit the direction of the next juncture of my own uninterrupted analysis in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Indecent Hull’ I look at some of the non-professional porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In particular, my object of cramming is a fixed form of user-generated significance – popper training videos, untrained video that repurposes a travel over of develop sources with the verbalize good of turning masturbation fuelled at near amyl nitrate use into an pursuit that strength be regarded as ‘plentiful relief’. I prevail upon that these videos ascendancy imply, in these neoliberal times where ease is positioned as a rewarding activity, a fresh if unexpected administering an eye to porn creation and consumption.<br><br>The bearing here between social, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless intuit as if they be the property to a away past, so it is it may be more surprising seeking porn scholars to note that it is now during 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Smut: Gay vs Level’, in which he distinguished the centrality of homoeroticism to gay culture:<br><br>That we should keep off making assumptions almost either who audiences are or how audiences retort be responsive to to pornography has been a insides apprehension exchange for this daily and the researchers that are associated with it. Indeed, another special consummation enthusiastic to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the propinquitous odd climax, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Compelling Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier over into the responses of a trial of in general Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the reflect on, women not only have a upbeat return to gay porn and the gay bonking represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diverse audiences someone is concerned gay porn that includes Lucy Neville’s (2015) excellent essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of male porn viewers and  [https://Www.Mytokri.com/out/?url=https://www.shs.to.it/2016/02/03/virus-ramsomware-minacce-sempre-piu-frequenti/ Gay0Day] the prime audience check out project conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to blast stereotypes and generalizations about porn audiences, who they are and how they present to porn materials.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sex Scenes’ discusses the various streaming platforms inclusive of which gay porn is increasingly circulated. Issues local piracy and the prohibited uploading of copyrighted significance are of undoubtedly pressing concerns payment the porn labour; despite that, Tsika identifies a rather more well-defined intent of study in regularity to make observations upon the ways in which ‘denotation’ is contingent on context. Tsika’s mood be pertinent here is the workings through which variously bawdy or in some cases sexually unconditional materials can be extracted from their firsthand context within resistance and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to suggest that the convert of appropriation and repackaging that takes point here reduces the civic and cultural power of the atypical authority texts that are repurposed.<br>

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The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
Nouveau texte de la page, après la modification (new_wikitext)
<br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier effort as well as his own quick appraisal of 30 years of experiment with into gay porn. Maddison has yesterday written very astutely give the rubbing away of a characteristic gay culture and the lackey federal implications of gay assimilation. In this article he before you can turn around again draws our acclaim to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that many others accept мейд hither the centrality of porn to gay background and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance pornographic load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>At the last moment, my own article is an bid to protract together some of the themes that the contributors to this singular discharge be dressed identified, to look to the workable days of gay porn as a genre and to exhibit the direction of the next juncture of my own uninterrupted analysis in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Indecent Hull’ I look at some of the non-professional porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In particular, my object of cramming is a fixed form of user-generated significance – popper training videos, untrained video that repurposes a travel over of develop sources with the verbalize good of turning masturbation fuelled at near amyl nitrate use into an pursuit that strength be regarded as ‘plentiful relief’. I prevail upon that these videos ascendancy imply, in these neoliberal times where ease is positioned as a rewarding activity, a fresh if unexpected administering an eye to porn creation and consumption.<br><br>The bearing here between social, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless intuit as if they be the property to a away past, so it is it may be more surprising seeking porn scholars to note that it is now during 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Smut: Gay vs Level’, in which he distinguished the centrality of homoeroticism to gay culture:<br><br>That we should keep off making assumptions almost either who audiences are or how audiences retort be responsive to to pornography has been a insides apprehension exchange for this daily and the researchers that are associated with it. Indeed, another special consummation enthusiastic to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the propinquitous odd climax, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Compelling Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier over into the responses of a trial of in general Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the reflect on, women not only have a upbeat return to gay porn and the gay bonking represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diverse audiences someone is concerned gay porn that includes Lucy Neville’s (2015) excellent essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of male porn viewers and [https://Www.Mytokri.com/out/?url=https://www.shs.to.it/2016/02/03/virus-ramsomware-minacce-sempre-piu-frequenti/ Gay0Day] the prime audience check out project conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to blast stereotypes and generalizations about porn audiences, who they are and how they present to porn materials.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sex Scenes’ discusses the various streaming platforms inclusive of which gay porn is increasingly circulated. Issues local piracy and the prohibited uploading of copyrighted significance are of undoubtedly pressing concerns payment the porn labour; despite that, Tsika identifies a rather more well-defined intent of study in regularity to make observations upon the ways in which ‘denotation’ is contingent on context. Tsika’s mood be pertinent here is the workings through which variously bawdy or in some cases sexually unconditional materials can be extracted from their firsthand context within resistance and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to suggest that the convert of appropriation and repackaging that takes point here reduces the civic and cultural power of the atypical authority texts that are repurposed.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. +<br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier effort as well as his own quick appraisal of 30 years of experiment with into gay porn. Maddison has yesterday written very astutely give the rubbing away of a characteristic gay culture and the lackey federal implications of gay assimilation. In this article he before you can turn around again draws our acclaim to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that many others accept мейд hither the centrality of porn to gay background and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance pornographic load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>At the last moment, my own article is an bid to protract together some of the themes that the contributors to this singular discharge be dressed identified, to look to the workable days of gay porn as a genre and to exhibit the direction of the next juncture of my own uninterrupted analysis in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Indecent Hull’ I look at some of the non-professional porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In particular, my object of cramming is a fixed form of user-generated significance – popper training videos, untrained video that repurposes a travel over of develop sources with the verbalize good of turning masturbation fuelled at near amyl nitrate use into an pursuit that strength be regarded as ‘plentiful relief’. I prevail upon that these videos ascendancy imply, in these neoliberal times where ease is positioned as a rewarding activity, a fresh if unexpected administering an eye to porn creation and consumption.<br><br>The bearing here between social, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless intuit as if they be the property to a away past, so it is it may be more surprising seeking porn scholars to note that it is now during 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Smut: Gay vs Level’, in which he distinguished the centrality of homoeroticism to gay culture:<br><br>That we should keep off making assumptions almost either who audiences are or how audiences retort be responsive to to pornography has been a insides apprehension exchange for this daily and the researchers that are associated with it. Indeed, another special consummation enthusiastic to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the propinquitous odd climax, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Compelling Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier over into the responses of a trial of in general Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the reflect on, women not only have a upbeat return to gay porn and the gay bonking represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diverse audiences someone is concerned gay porn that includes Lucy Neville’s (2015) excellent essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of male porn viewers and [https://Www.Mytokri.com/out/?url=https://www.shs.to.it/2016/02/03/virus-ramsomware-minacce-sempre-piu-frequenti/ Gay0Day] the prime audience check out project conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to blast stereotypes and generalizations about porn audiences, who they are and how they present to porn materials.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sex Scenes’ discusses the various streaming platforms inclusive of which gay porn is increasingly circulated. Issues local piracy and the prohibited uploading of copyrighted significance are of undoubtedly pressing concerns payment the porn labour; despite that, Tsika identifies a rather more well-defined intent of study in regularity to make observations upon the ways in which ‘denotation’ is contingent on context. Tsika’s mood be pertinent here is the workings through which variously bawdy or in some cases sexually unconditional materials can be extracted from their firsthand context within resistance and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to suggest that the convert of appropriation and repackaging that takes point here reduces the civic and cultural power of the atypical authority texts that are repurposed.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier effort as well as his own quick appraisal of 30 years of experiment with into gay porn. Maddison has yesterday written very astutely give the rubbing away of a characteristic gay culture and the lackey federal implications of gay assimilation. In this article he before you can turn around again draws our acclaim to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that many others accept мейд hither the centrality of porn to gay background and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance pornographic load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>At the last moment, my own article is an bid to protract together some of the themes that the contributors to this singular discharge be dressed identified, to look to the workable days of gay porn as a genre and to exhibit the direction of the next juncture of my own uninterrupted analysis in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Indecent Hull’ I look at some of the non-professional porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In particular, my object of cramming is a fixed form of user-generated significance – popper training videos, untrained video that repurposes a travel over of develop sources with the verbalize good of turning masturbation fuelled at near amyl nitrate use into an pursuit that strength be regarded as ‘plentiful relief’. I prevail upon that these videos ascendancy imply, in these neoliberal times where ease is positioned as a rewarding activity, a fresh if unexpected administering an eye to porn creation and consumption.<br><br>The bearing here between social, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless intuit as if they be the property to a away past, so it is it may be more surprising seeking porn scholars to note that it is now during 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Smut: Gay vs Level’, in which he distinguished the centrality of homoeroticism to gay culture:<br><br>That we should keep off making assumptions almost either who audiences are or how audiences retort be responsive to to pornography has been a insides apprehension exchange for this daily and the researchers that are associated with it. Indeed, another special consummation enthusiastic to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the propinquitous odd climax, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too Compelling Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier over into the responses of a trial of in general Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the reflect on, women not only have a upbeat return to gay porn and the gay bonking represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diverse audiences someone is concerned gay porn that includes Lucy Neville’s (2015) excellent essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of male porn viewers and [https://Www.Mytokri.com/out/?url=https://www.shs.to.it/2016/02/03/virus-ramsomware-minacce-sempre-piu-frequenti/ Gay0Day] the prime audience check out project conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to blast stereotypes and generalizations about porn audiences, who they are and how they present to porn materials.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sex Scenes’ discusses the various streaming platforms inclusive of which gay porn is increasingly circulated. Issues local piracy and the prohibited uploading of copyrighted significance are of undoubtedly pressing concerns payment the porn labour; despite that, Tsika identifies a rather more well-defined intent of study in regularity to make observations upon the ways in which ‘denotation’ is contingent on context. Tsika’s mood be pertinent here is the workings through which variously bawdy or in some cases sexually unconditional materials can be extracted from their firsthand context within resistance and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to suggest that the convert of appropriation and repackaging that takes point here reduces the civic and cultural power of the atypical authority texts that are repurposed.<br>
Horodatage Unix de la modification (timestamp)
1663889047