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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3290 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Now |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Now |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>A kindliness of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lead’. The stars of gay porn participate in forever been objects of pernickety fascination and have provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose unanimity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an mainly expedient particular through despite the dissection of gender identities and is a picture who calls into a question a set of issues about the models of masculinities that gay porn deploys and exploits.<br><br>The bearing here between public, cultural and [http://Ourporteverglades.net/__media__/js/netsoltrademark.php?d=www.alttwitter.com%2Fprofile.php%3Fid%3D150433 Gay0Day] national changes and developments in gay porn is not a trivial one. These events, whilst variously significant, nonetheless feel as if they associated to a distant done, so it is it is possible that more surprising seeking porn scholars to note that it is then during 30 years since Thomas Waugh wrote the foundational essay ‘Men’s Pornography: Gay vs Level’, in which he noted the centrality of homoeroticism to gay taste:<br><br>The textual qualities of gay porn carry on with to be an important object of turn over in compensation researchers in the field and the evolving temperament of the variety means that there is in any case more to noise abroad concerning late-model modes of moulding and emerging aesthetic and discursive patterns. The in the wake articles in this special issue all heart on the specifics of coexistent gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and coexistent gay porn in isolated, chief honcho on. Through an interpretation of a range of newfangled French materials and the website Curb the Fag, Young argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘satisfaction’ that has also evolve into an orthodoxy can surely account in compensation the enactments of erotic power and pre-eminence that these videos depict. Progeny notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more complicated and far less binaristic than whilom accounts weight take suggested with the aid the spirit of the apparatus of the camera. Unsophisticated’s article brilliantly reminds readers of the staged and performed cast of the reproductive acts represented in gay porn.<br><br>The starting go out of one's way to in behalf of this odyssey is surely a revisiting of the past, and I am pleased that Thomas Waugh has been persuaded to cater his own reassessment of what has become a foundational dissertation for scholars of gay porn and his own reflections on the voice of the field. As eternally, his cleverness and acuity is first-class (his description of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me roll on the floor every experience I make announce it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Decent: a In the flesh Revisit’ that his effort was on no means the first on the subject. ‘Men’s Filth: Gay vs Straightforward’ is nonetheless in my spectacle (and this is a inspection shared by numberless others) an particularly substantial intervention. In this new article, Waugh describes the introduce of sexual and cultural circumstances that dispose to the publication of his effort in Pounce on attack Clip in 1985. In precise this reappraisal usefully works to jog the memory readers of the innovations contained therein. These comprise a systematic rubric repayment for division and the uncommonly apposite (and in uncountable regards prophetic) word that gay porn does not eke out a living in splendid isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sexual congress Scenes’ discusses the sundry streaming platforms inclusive of which gay porn is increasingly circulated. Issues adjacent piracy and the prohibited uploading of copyrighted thesis are of course pressing concerns after the porn manufacture; in any case, Tsika identifies a to a certain extent more well-defined object of study in array to make observations to the ways in which ‘denotation’ is contingent on context. Tsika’s tonality bear on here is the workings totally which variously titillating or in some cases sexually unconditional materials can be extracted from their original framework within radical and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to proffer that the get ready of appropriation and repackaging that takes point here reduces the national and cultural power of the atypical origin texts that are repurposed.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.
+<br>A kindliness of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lead’. The stars of gay porn participate in forever been objects of pernickety fascination and have provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose unanimity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an mainly expedient particular through despite the dissection of gender identities and is a picture who calls into a question a set of issues about the models of masculinities that gay porn deploys and exploits.<br><br>The bearing here between public, cultural and [http://Ourporteverglades.net/__media__/js/netsoltrademark.php?d=www.alttwitter.com%2Fprofile.php%3Fid%3D150433 Gay0Day] national changes and developments in gay porn is not a trivial one. These events, whilst variously significant, nonetheless feel as if they associated to a distant done, so it is it is possible that more surprising seeking porn scholars to note that it is then during 30 years since Thomas Waugh wrote the foundational essay ‘Men’s Pornography: Gay vs Level’, in which he noted the centrality of homoeroticism to gay taste:<br><br>The textual qualities of gay porn carry on with to be an important object of turn over in compensation researchers in the field and the evolving temperament of the variety means that there is in any case more to noise abroad concerning late-model modes of moulding and emerging aesthetic and discursive patterns. The in the wake articles in this special issue all heart on the specifics of coexistent gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and coexistent gay porn in isolated, chief honcho on. Through an interpretation of a range of newfangled French materials and the website Curb the Fag, Young argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘satisfaction’ that has also evolve into an orthodoxy can surely account in compensation the enactments of erotic power and pre-eminence that these videos depict. Progeny notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more complicated and far less binaristic than whilom accounts weight take suggested with the aid the spirit of the apparatus of the camera. Unsophisticated’s article brilliantly reminds readers of the staged and performed cast of the reproductive acts represented in gay porn.<br><br>The starting go out of one's way to in behalf of this odyssey is surely a revisiting of the past, and I am pleased that Thomas Waugh has been persuaded to cater his own reassessment of what has become a foundational dissertation for scholars of gay porn and his own reflections on the voice of the field. As eternally, his cleverness and acuity is first-class (his description of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me roll on the floor every experience I make announce it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Decent: a In the flesh Revisit’ that his effort was on no means the first on the subject. ‘Men’s Filth: Gay vs Straightforward’ is nonetheless in my spectacle (and this is a inspection shared by numberless others) an particularly substantial intervention. In this new article, Waugh describes the introduce of sexual and cultural circumstances that dispose to the publication of his effort in Pounce on attack Clip in 1985. In precise this reappraisal usefully works to jog the memory readers of the innovations contained therein. These comprise a systematic rubric repayment for division and the uncommonly apposite (and in uncountable regards prophetic) word that gay porn does not eke out a living in splendid isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sexual congress Scenes’ discusses the sundry streaming platforms inclusive of which gay porn is increasingly circulated. Issues adjacent piracy and the prohibited uploading of copyrighted thesis are of course pressing concerns after the porn manufacture; in any case, Tsika identifies a to a certain extent more well-defined object of study in array to make observations to the ways in which ‘denotation’ is contingent on context. Tsika’s tonality bear on here is the workings totally which variously titillating or in some cases sexually unconditional materials can be extracted from their original framework within radical and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to proffer that the get ready of appropriation and repackaging that takes point here reduces the national and cultural power of the atypical origin texts that are repurposed.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>A kindliness of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lead’. The stars of gay porn participate in forever been objects of pernickety fascination and have provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose unanimity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an mainly expedient particular through despite the dissection of gender identities and is a picture who calls into a question a set of issues about the models of masculinities that gay porn deploys and exploits.<br><br>The bearing here between public, cultural and [http://Ourporteverglades.net/__media__/js/netsoltrademark.php?d=www.alttwitter.com%2Fprofile.php%3Fid%3D150433 Gay0Day] national changes and developments in gay porn is not a trivial one. These events, whilst variously significant, nonetheless feel as if they associated to a distant done, so it is it is possible that more surprising seeking porn scholars to note that it is then during 30 years since Thomas Waugh wrote the foundational essay ‘Men’s Pornography: Gay vs Level’, in which he noted the centrality of homoeroticism to gay taste:<br><br>The textual qualities of gay porn carry on with to be an important object of turn over in compensation researchers in the field and the evolving temperament of the variety means that there is in any case more to noise abroad concerning late-model modes of moulding and emerging aesthetic and discursive patterns. The in the wake articles in this special issue all heart on the specifics of coexistent gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and coexistent gay porn in isolated, chief honcho on. Through an interpretation of a range of newfangled French materials and the website Curb the Fag, Young argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘satisfaction’ that has also evolve into an orthodoxy can surely account in compensation the enactments of erotic power and pre-eminence that these videos depict. Progeny notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more complicated and far less binaristic than whilom accounts weight take suggested with the aid the spirit of the apparatus of the camera. Unsophisticated’s article brilliantly reminds readers of the staged and performed cast of the reproductive acts represented in gay porn.<br><br>The starting go out of one's way to in behalf of this odyssey is surely a revisiting of the past, and I am pleased that Thomas Waugh has been persuaded to cater his own reassessment of what has become a foundational dissertation for scholars of gay porn and his own reflections on the voice of the field. As eternally, his cleverness and acuity is first-class (his description of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me roll on the floor every experience I make announce it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Decent: a In the flesh Revisit’ that his effort was on no means the first on the subject. ‘Men’s Filth: Gay vs Straightforward’ is nonetheless in my spectacle (and this is a inspection shared by numberless others) an particularly substantial intervention. In this new article, Waugh describes the introduce of sexual and cultural circumstances that dispose to the publication of his effort in Pounce on attack Clip in 1985. In precise this reappraisal usefully works to jog the memory readers of the innovations contained therein. These comprise a systematic rubric repayment for division and the uncommonly apposite (and in uncountable regards prophetic) word that gay porn does not eke out a living in splendid isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sexual congress Scenes’ discusses the sundry streaming platforms inclusive of which gay porn is increasingly circulated. Issues adjacent piracy and the prohibited uploading of copyrighted thesis are of course pressing concerns after the porn manufacture; in any case, Tsika identifies a to a certain extent more well-defined object of study in array to make observations to the ways in which ‘denotation’ is contingent on context. Tsika’s tonality bear on here is the workings totally which variously titillating or in some cases sexually unconditional materials can be extracted from their original framework within radical and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to proffer that the get ready of appropriation and repackaging that takes point here reduces the national and cultural power of the atypical origin texts that are repurposed.<br>
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Horodatage Unix de la modification (timestamp) | 1663223713 |
