| Variable | Valeur |
Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3292 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Any More |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Any More |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>The year 2017 marks a woman that without hyperbole can be described as a pivotal concerning gay men in the Unanimous Kingdom. It is just now 50 years since the introduction of the Sex Offences Accomplishment of 1967, legislation that initially sole applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an important year for gay men too. In Canada, the Justice Churchman Pierre Trudeau introduced legislation that was to happen in the decriminalization of homosexuality a year later. In the USA, the now shameful telly documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, sooner than this station a primary Hollywood big shot, was to soft-soap a repressed faggot in John Huston’s (1967) Reflections in a Glowing Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Among Males: A Cross-Cultural and Cross-Species Quest was first published in 1967, a laws that argued by referral to documented and [http://gigipresley.com/__media__/js/netsoltrademark.php?d=Www.Shs.to.it%2F2016%2F02%2F03%2Fvirus-ramsomware-minacce-sempre-piu-frequenti%2F Gay0day] cultural precedent after the acceptance of homosexuality. In September 1967, shortly in preference to he was to appropriate for one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Separate Picturesque, marking his entree into the crowd of show-business via gay porn’s backdoor.<br><br>The starting point in behalf of this odyssey is naturally a revisiting of the days, and I am pleased that Thomas Waugh has been persuaded to cater his own reassessment of what has develop a foundational dissertation respecting scholars of gay porn and his own reflections on the conditions of the field. As continually, his wit and acuity is first-class (his history of Gail Dines as this record book’s ‘demogogue nemesis’ has мейд me hoot a deride every time I make read it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Right: a Familiar Revisit’ that his effort was past no means the first on the subject. ‘Men’s Erotica: Gay vs Upright’ is nonetheless in my spectacle (and this is a view shared past innumerable others) an specially substantial intervention. In this late article, Waugh describes the introduce of group and cultural circumstances that experience to the pamphlet of his effort in Pounce on attack Grieve in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These include a planned rubric instead of interpretation and the notably apposite (and in multifarious regards prophetic) observation that gay porn does not exist in lavish isolation and should be more meaningfully settled as duty of what Tom describes as a ‘continuum’ here.<br><br>The objective of this exceptional outcome of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and ended 30 years since Waugh provided a disparaging framework to discuss gay porn, where the scholarly analysis of gay porn has arrived at and where it is heading. The hyperbolic title of this special issue is deliberate. I wanted to arrest the judgement of freneticness and vibrancy that there is in this well-defined subfield of porn studies and sooner a be wearing aimed to embellish the diversity of approaches, methods, deprecating and conceptual frameworks and objects of weigh that scholars undertake with.<br><br>That we should refrain from making assumptions almost either who audiences are or how audiences retort be responsive to to filth has been a gist concern representing this quarterly and the researchers that are associated with it. Indeed, another different consequence staunch to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the bring in specific issue, Guy Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Compelling Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman study into the responses of a trial of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the study, women not exclusively tease a positive return to gay porn and the gay sex represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diversified audiences in behalf of gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manful porn viewers and the major audience probing project conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and generalizations about porn audiences, who they are and how they be turned on to to porn materials.<br><br>At a yet more particular with it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded by the British Arts and Humanities Explore Cabinet and inspired nigh the work of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my academic career fittingly began and a investigate trajectory was plotted that has led to the publication, this year, of my own paper, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of After Pictorial, it mattered in the 1980s adequately suitable Waugh to urge a the actuality destined for its interpretation, it mattered in the 1990s in the halfway point of the AIDS disaster and it matters now.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.
+<br>The year 2017 marks a woman that without hyperbole can be described as a pivotal concerning gay men in the Unanimous Kingdom. It is just now 50 years since the introduction of the Sex Offences Accomplishment of 1967, legislation that initially sole applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an important year for gay men too. In Canada, the Justice Churchman Pierre Trudeau introduced legislation that was to happen in the decriminalization of homosexuality a year later. In the USA, the now shameful telly documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, sooner than this station a primary Hollywood big shot, was to soft-soap a repressed faggot in John Huston’s (1967) Reflections in a Glowing Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Among Males: A Cross-Cultural and Cross-Species Quest was first published in 1967, a laws that argued by referral to documented and [http://gigipresley.com/__media__/js/netsoltrademark.php?d=Www.Shs.to.it%2F2016%2F02%2F03%2Fvirus-ramsomware-minacce-sempre-piu-frequenti%2F Gay0day] cultural precedent after the acceptance of homosexuality. In September 1967, shortly in preference to he was to appropriate for one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Separate Picturesque, marking his entree into the crowd of show-business via gay porn’s backdoor.<br><br>The starting point in behalf of this odyssey is naturally a revisiting of the days, and I am pleased that Thomas Waugh has been persuaded to cater his own reassessment of what has develop a foundational dissertation respecting scholars of gay porn and his own reflections on the conditions of the field. As continually, his wit and acuity is first-class (his history of Gail Dines as this record book’s ‘demogogue nemesis’ has мейд me hoot a deride every time I make read it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Right: a Familiar Revisit’ that his effort was past no means the first on the subject. ‘Men’s Erotica: Gay vs Upright’ is nonetheless in my spectacle (and this is a view shared past innumerable others) an specially substantial intervention. In this late article, Waugh describes the introduce of group and cultural circumstances that experience to the pamphlet of his effort in Pounce on attack Grieve in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These include a planned rubric instead of interpretation and the notably apposite (and in multifarious regards prophetic) observation that gay porn does not exist in lavish isolation and should be more meaningfully settled as duty of what Tom describes as a ‘continuum’ here.<br><br>The objective of this exceptional outcome of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and ended 30 years since Waugh provided a disparaging framework to discuss gay porn, where the scholarly analysis of gay porn has arrived at and where it is heading. The hyperbolic title of this special issue is deliberate. I wanted to arrest the judgement of freneticness and vibrancy that there is in this well-defined subfield of porn studies and sooner a be wearing aimed to embellish the diversity of approaches, methods, deprecating and conceptual frameworks and objects of weigh that scholars undertake with.<br><br>That we should refrain from making assumptions almost either who audiences are or how audiences retort be responsive to to filth has been a gist concern representing this quarterly and the researchers that are associated with it. Indeed, another different consequence staunch to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the bring in specific issue, Guy Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Compelling Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman study into the responses of a trial of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the study, women not exclusively tease a positive return to gay porn and the gay sex represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diversified audiences in behalf of gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manful porn viewers and the major audience probing project conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and generalizations about porn audiences, who they are and how they be turned on to to porn materials.<br><br>At a yet more particular with it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded by the British Arts and Humanities Explore Cabinet and inspired nigh the work of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my academic career fittingly began and a investigate trajectory was plotted that has led to the publication, this year, of my own paper, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of After Pictorial, it mattered in the 1980s adequately suitable Waugh to urge a the actuality destined for its interpretation, it mattered in the 1990s in the halfway point of the AIDS disaster and it matters now.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>The year 2017 marks a woman that without hyperbole can be described as a pivotal concerning gay men in the Unanimous Kingdom. It is just now 50 years since the introduction of the Sex Offences Accomplishment of 1967, legislation that initially sole applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an important year for gay men too. In Canada, the Justice Churchman Pierre Trudeau introduced legislation that was to happen in the decriminalization of homosexuality a year later. In the USA, the now shameful telly documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, sooner than this station a primary Hollywood big shot, was to soft-soap a repressed faggot in John Huston’s (1967) Reflections in a Glowing Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Among Males: A Cross-Cultural and Cross-Species Quest was first published in 1967, a laws that argued by referral to documented and [http://gigipresley.com/__media__/js/netsoltrademark.php?d=Www.Shs.to.it%2F2016%2F02%2F03%2Fvirus-ramsomware-minacce-sempre-piu-frequenti%2F Gay0day] cultural precedent after the acceptance of homosexuality. In September 1967, shortly in preference to he was to appropriate for one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Separate Picturesque, marking his entree into the crowd of show-business via gay porn’s backdoor.<br><br>The starting point in behalf of this odyssey is naturally a revisiting of the days, and I am pleased that Thomas Waugh has been persuaded to cater his own reassessment of what has develop a foundational dissertation respecting scholars of gay porn and his own reflections on the conditions of the field. As continually, his wit and acuity is first-class (his history of Gail Dines as this record book’s ‘demogogue nemesis’ has мейд me hoot a deride every time I make read it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Right: a Familiar Revisit’ that his effort was past no means the first on the subject. ‘Men’s Erotica: Gay vs Upright’ is nonetheless in my spectacle (and this is a view shared past innumerable others) an specially substantial intervention. In this late article, Waugh describes the introduce of group and cultural circumstances that experience to the pamphlet of his effort in Pounce on attack Grieve in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These include a planned rubric instead of interpretation and the notably apposite (and in multifarious regards prophetic) observation that gay porn does not exist in lavish isolation and should be more meaningfully settled as duty of what Tom describes as a ‘continuum’ here.<br><br>The objective of this exceptional outcome of Porn Studies is to assess, 50 years after homosexuality was no longer illicit and ended 30 years since Waugh provided a disparaging framework to discuss gay porn, where the scholarly analysis of gay porn has arrived at and where it is heading. The hyperbolic title of this special issue is deliberate. I wanted to arrest the judgement of freneticness and vibrancy that there is in this well-defined subfield of porn studies and sooner a be wearing aimed to embellish the diversity of approaches, methods, deprecating and conceptual frameworks and objects of weigh that scholars undertake with.<br><br>That we should refrain from making assumptions almost either who audiences are or how audiences retort be responsive to to filth has been a gist concern representing this quarterly and the researchers that are associated with it. Indeed, another different consequence staunch to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the bring in specific issue, Guy Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Compelling Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman study into the responses of a trial of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the study, women not exclusively tease a positive return to gay porn and the gay sex represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent belles-lettres on the diversified audiences in behalf of gay porn that includes Lucy Neville’s (2015) bar endeavour also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of manful porn viewers and the major audience probing project conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and generalizations about porn audiences, who they are and how they be turned on to to porn materials.<br><br>At a yet more particular with it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded by the British Arts and Humanities Explore Cabinet and inspired nigh the work of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my academic career fittingly began and a investigate trajectory was plotted that has led to the publication, this year, of my own paper, Gay Dirt: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural spectacle, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of After Pictorial, it mattered in the 1980s adequately suitable Waugh to urge a the actuality destined for its interpretation, it mattered in the 1990s in the halfway point of the AIDS disaster and it matters now.<br>
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Horodatage Unix de la modification (timestamp) | 1663071597 |