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12 septembre 2022 à 15:09 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Now. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

At the last moment, my own article is an bid to deploy together some of the themes that the contributors to this singular efflux be dressed identified, to look to the possible approaching of gay porn as a category and to manifest the supervision of the next stage of my own uninterrupted research in the field. In ‘Popperbate: Video Collage, Jargon Creativity and gay0day the Scripting of the Gay Pornographic Carcass’ I look at some of the non-professional porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my destination of over is a fixed type of user-generated load – popper training videos, amateur video that repurposes a index of found sources with the straightforward good of turning masturbation fuelled by amyl nitrate turn to account into an pursuit that strength be regarded as ‘bountiful leisure’. I prevail upon that these videos might indicate, in these neoliberal times where holiday is positioned as a generative operation, a fresh if unexpected directorate quest of porn output and consumption.
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<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sexual congress Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues local piracy and the prohibited uploading of copyrighted satisfied are of undoubtedly urgent concerns in place of the porn labour; in any case, Tsika identifies a fairly more unambiguous tangible of about in array to make observations about the ways in which ‘message’ is contingent on context. Tsika’s tonality be germane to here is the device through which variously bawdy or in some cases sexually outspoken materials can be extracted from their firsthand frame of reference within radical and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to call to mind that the prepare of appropriation and repackaging that takes place here reduces the national and cultural power of the singular source texts that are repurposed.<br><br>The textual qualities of gay porn continue to be an material goal of about after researchers in the catch and the evolving complexion of the character means that there is each time more to disclose there advanced modes of moulding and emerging aesthetic and discursive patterns. The following articles in this distinctive printing all heart on the specifics of modern gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and trendy gay porn in isolated, crumpet on. From head to foot an analysis of a area of contemporary French materials and the website Gag the Fag, Immature argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can as a matter of course account benefit of the enactments of erotic power and pre-eminence that these videos depict. Green notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more tangled and far less binaristic than one-time accounts authority take suggested via the presence of the machine of the camera. Young’s article brilliantly reminds readers of the staged and performed nature of the reproductive acts represented in gay porn.<br><br>The joint here between community, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless climate as if they belong to a off past, so it is perchance more surprising for porn scholars to note that it is [http://Uhs-Pruitt.net/__media__/js/netsoltrademark.php?d=www.shs.To.it%2F2016%2F02%2F03%2Fvirus-ramsomware-minacce-sempre-piu-frequenti%2F Going at Uhs Pruitt] once over 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Porn: Gay vs Above-board’, in which he noted the centrality of homoeroticism to gay way of life:<br><br>At a yet more physical constant it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded via the British Arts and Humanities Scrutinization Stay and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered shoot becomingly began and a probing course was plotted that has led to the publication, this year, of my own paper, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of On Telling, it mattered in the 1980s enough for the benefit of Waugh to get a the actuality to save its dissection, it mattered in the 1990s in the mid-point of the AIDS disaster and it matters now.<br>A consideration of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Star’. The stars of gay porn give birth to every time been objects of pernickety fascination and include provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose sameness has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an singularly expedient individual through despite the examination of gender identities and is a figure who calls into a indubitably a set of issues less the models of masculinities that gay porn deploys and exploits.<br><br>The year 2017 marks a swain that without hyperbole can be described as a pivotal appropriate for gay men in the Unanimous Kingdom. It is seldom 50 years since the introduction of the Sexual Offences Act of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year as regards gay men too. In Canada, the Justice Divine Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the promptly notorious television documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, aside this apex a primary Hollywood star, was to soft-soap a repressed queen in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Centre of Males: A Cross-Cultural and Cross-Species Probe was opening published in 1967, a laws that argued by referral to historical and cultural paradigm exchange for the acceptance of homosexuality. In September 1967, tersely before he was to suit people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Recognize Expressive, marking his entree into the area of show-business via gay porn’s backdoor.<br>

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wikitext
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At the last moment, my own article is an bid to deploy together some of the themes that the contributors to this singular efflux be dressed identified, to look to the possible approaching of gay porn as a category and to manifest the supervision of the next stage of my own uninterrupted research in the field. In ‘Popperbate: Video Collage, Jargon Creativity and gay0day the Scripting of the Gay Pornographic Carcass’ I look at some of the non-professional porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my destination of over is a fixed type of user-generated load – popper training videos, amateur video that repurposes a index of found sources with the straightforward good of turning masturbation fuelled by amyl nitrate turn to account into an pursuit that strength be regarded as ‘bountiful leisure’. I prevail upon that these videos might indicate, in these neoliberal times where holiday is positioned as a generative operation, a fresh if unexpected directorate quest of porn output and consumption.
Nouveau texte de la page, après la modification (new_wikitext)
<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sexual congress Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues local piracy and the prohibited uploading of copyrighted satisfied are of undoubtedly urgent concerns in place of the porn labour; in any case, Tsika identifies a fairly more unambiguous tangible of about in array to make observations about the ways in which ‘message’ is contingent on context. Tsika’s tonality be germane to here is the device through which variously bawdy or in some cases sexually outspoken materials can be extracted from their firsthand frame of reference within radical and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to call to mind that the prepare of appropriation and repackaging that takes place here reduces the national and cultural power of the singular source texts that are repurposed.<br><br>The textual qualities of gay porn continue to be an material goal of about after researchers in the catch and the evolving complexion of the character means that there is each time more to disclose there advanced modes of moulding and emerging aesthetic and discursive patterns. The following articles in this distinctive printing all heart on the specifics of modern gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and trendy gay porn in isolated, crumpet on. From head to foot an analysis of a area of contemporary French materials and the website Gag the Fag, Immature argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can as a matter of course account benefit of the enactments of erotic power and pre-eminence that these videos depict. Green notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more tangled and far less binaristic than one-time accounts authority take suggested via the presence of the machine of the camera. Young’s article brilliantly reminds readers of the staged and performed nature of the reproductive acts represented in gay porn.<br><br>The joint here between community, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless climate as if they belong to a off past, so it is perchance more surprising for porn scholars to note that it is [http://Uhs-Pruitt.net/__media__/js/netsoltrademark.php?d=www.shs.To.it%2F2016%2F02%2F03%2Fvirus-ramsomware-minacce-sempre-piu-frequenti%2F Going at Uhs Pruitt] once over 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Porn: Gay vs Above-board’, in which he noted the centrality of homoeroticism to gay way of life:<br><br>At a yet more physical constant it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded via the British Arts and Humanities Scrutinization Stay and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered shoot becomingly began and a probing course was plotted that has led to the publication, this year, of my own paper, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of On Telling, it mattered in the 1980s enough for the benefit of Waugh to get a the actuality to save its dissection, it mattered in the 1990s in the mid-point of the AIDS disaster and it matters now.<br>A consideration of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Star’. The stars of gay porn give birth to every time been objects of pernickety fascination and include provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose sameness has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an singularly expedient individual through despite the examination of gender identities and is a figure who calls into a indubitably a set of issues less the models of masculinities that gay porn deploys and exploits.<br><br>The year 2017 marks a swain that without hyperbole can be described as a pivotal appropriate for gay men in the Unanimous Kingdom. It is seldom 50 years since the introduction of the Sexual Offences Act of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year as regards gay men too. In Canada, the Justice Divine Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the promptly notorious television documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, aside this apex a primary Hollywood star, was to soft-soap a repressed queen in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Centre of Males: A Cross-Cultural and Cross-Species Probe was opening published in 1967, a laws that argued by referral to historical and cultural paradigm exchange for the acceptance of homosexuality. In September 1967, tersely before he was to suit people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Recognize Expressive, marking his entree into the area of show-business via gay porn’s backdoor.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -At the last moment, my own article is an bid to deploy together some of the themes that the contributors to this singular efflux be dressed identified, to look to the possible approaching of gay porn as a category and to manifest the supervision of the next stage of my own uninterrupted research in the field. In ‘Popperbate: Video Collage, Jargon Creativity and gay0day the Scripting of the Gay Pornographic Carcass’ I look at some of the non-professional porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my destination of over is a fixed type of user-generated load – popper training videos, amateur video that repurposes a index of found sources with the straightforward good of turning masturbation fuelled by amyl nitrate turn to account into an pursuit that strength be regarded as ‘bountiful leisure’. I prevail upon that these videos might indicate, in these neoliberal times where holiday is positioned as a generative operation, a fresh if unexpected directorate quest of porn output and consumption. +<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sexual congress Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues local piracy and the prohibited uploading of copyrighted satisfied are of undoubtedly urgent concerns in place of the porn labour; in any case, Tsika identifies a fairly more unambiguous tangible of about in array to make observations about the ways in which ‘message’ is contingent on context. Tsika’s tonality be germane to here is the device through which variously bawdy or in some cases sexually outspoken materials can be extracted from their firsthand frame of reference within radical and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to call to mind that the prepare of appropriation and repackaging that takes place here reduces the national and cultural power of the singular source texts that are repurposed.<br><br>The textual qualities of gay porn continue to be an material goal of about after researchers in the catch and the evolving complexion of the character means that there is each time more to disclose there advanced modes of moulding and emerging aesthetic and discursive patterns. The following articles in this distinctive printing all heart on the specifics of modern gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and trendy gay porn in isolated, crumpet on. From head to foot an analysis of a area of contemporary French materials and the website Gag the Fag, Immature argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can as a matter of course account benefit of the enactments of erotic power and pre-eminence that these videos depict. Green notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more tangled and far less binaristic than one-time accounts authority take suggested via the presence of the machine of the camera. Young’s article brilliantly reminds readers of the staged and performed nature of the reproductive acts represented in gay porn.<br><br>The joint here between community, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless climate as if they belong to a off past, so it is perchance more surprising for porn scholars to note that it is [http://Uhs-Pruitt.net/__media__/js/netsoltrademark.php?d=www.shs.To.it%2F2016%2F02%2F03%2Fvirus-ramsomware-minacce-sempre-piu-frequenti%2F Going at Uhs Pruitt] once over 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Porn: Gay vs Above-board’, in which he noted the centrality of homoeroticism to gay way of life:<br><br>At a yet more physical constant it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded via the British Arts and Humanities Scrutinization Stay and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered shoot becomingly began and a probing course was plotted that has led to the publication, this year, of my own paper, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of On Telling, it mattered in the 1980s enough for the benefit of Waugh to get a the actuality to save its dissection, it mattered in the 1990s in the mid-point of the AIDS disaster and it matters now.<br>A consideration of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Star’. The stars of gay porn give birth to every time been objects of pernickety fascination and include provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose sameness has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an singularly expedient individual through despite the examination of gender identities and is a figure who calls into a indubitably a set of issues less the models of masculinities that gay porn deploys and exploits.<br><br>The year 2017 marks a swain that without hyperbole can be described as a pivotal appropriate for gay men in the Unanimous Kingdom. It is seldom 50 years since the introduction of the Sexual Offences Act of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year as regards gay men too. In Canada, the Justice Divine Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the promptly notorious television documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, aside this apex a primary Hollywood star, was to soft-soap a repressed queen in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Centre of Males: A Cross-Cultural and Cross-Species Probe was opening published in 1967, a laws that argued by referral to historical and cultural paradigm exchange for the acceptance of homosexuality. In September 1967, tersely before he was to suit people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Recognize Expressive, marking his entree into the area of show-business via gay porn’s backdoor.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sexual congress Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues local piracy and the prohibited uploading of copyrighted satisfied are of undoubtedly urgent concerns in place of the porn labour; in any case, Tsika identifies a fairly more unambiguous tangible of about in array to make observations about the ways in which ‘message’ is contingent on context. Tsika’s tonality be germane to here is the device through which variously bawdy or in some cases sexually outspoken materials can be extracted from their firsthand frame of reference within radical and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to call to mind that the prepare of appropriation and repackaging that takes place here reduces the national and cultural power of the singular source texts that are repurposed.<br><br>The textual qualities of gay porn continue to be an material goal of about after researchers in the catch and the evolving complexion of the character means that there is each time more to disclose there advanced modes of moulding and emerging aesthetic and discursive patterns. The following articles in this distinctive printing all heart on the specifics of modern gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and trendy gay porn in isolated, crumpet on. From head to foot an analysis of a area of contemporary French materials and the website Gag the Fag, Immature argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can as a matter of course account benefit of the enactments of erotic power and pre-eminence that these videos depict. Green notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more tangled and far less binaristic than one-time accounts authority take suggested via the presence of the machine of the camera. Young’s article brilliantly reminds readers of the staged and performed nature of the reproductive acts represented in gay porn.<br><br>The joint here between community, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless climate as if they belong to a off past, so it is perchance more surprising for porn scholars to note that it is [http://Uhs-Pruitt.net/__media__/js/netsoltrademark.php?d=www.shs.To.it%2F2016%2F02%2F03%2Fvirus-ramsomware-minacce-sempre-piu-frequenti%2F Going at Uhs Pruitt] once over 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Porn: Gay vs Above-board’, in which he noted the centrality of homoeroticism to gay way of life:<br><br>At a yet more physical constant it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded via the British Arts and Humanities Scrutinization Stay and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered shoot becomingly began and a probing course was plotted that has led to the publication, this year, of my own paper, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural happening, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of On Telling, it mattered in the 1980s enough for the benefit of Waugh to get a the actuality to save its dissection, it mattered in the 1990s in the mid-point of the AIDS disaster and it matters now.<br>A consideration of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Star’. The stars of gay porn give birth to every time been objects of pernickety fascination and include provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited anthology, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose sameness has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an singularly expedient individual through despite the examination of gender identities and is a figure who calls into a indubitably a set of issues less the models of masculinities that gay porn deploys and exploits.<br><br>The year 2017 marks a swain that without hyperbole can be described as a pivotal appropriate for gay men in the Unanimous Kingdom. It is seldom 50 years since the introduction of the Sexual Offences Act of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year as regards gay men too. In Canada, the Justice Divine Pierre Trudeau introduced legislation that was to upshot in the decriminalization of homosexuality a year later. In the USA, the promptly notorious television documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, aside this apex a primary Hollywood star, was to soft-soap a repressed queen in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Centre of Males: A Cross-Cultural and Cross-Species Probe was opening published in 1967, a laws that argued by referral to historical and cultural paradigm exchange for the acceptance of homosexuality. In September 1967, tersely before he was to suit people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Recognize Expressive, marking his entree into the area of show-business via gay porn’s backdoor.<br>
Horodatage Unix de la modification (timestamp)
1662991757