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Variables générées pour cette modification
| Variable | Valeur |
|---|---|
Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3294 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Right Away |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Right Away |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>A kindliness of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Lady’. The stars of gay porn participate in forever been objects of particular fascination and include provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose unanimity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an outstandingly useful particular looking for the dissection of gender identities and is a picture who calls into a question a set by of issues less the models of masculinities that gay porn deploys and exploits.<br><br>The year 2017 marks a date that without hyperbole can be described as a pivotal concerning gay men in the Unanimous Kingdom. It is just now 50 years since the introduction of the Sexual Offences Accomplishment of 1967, legislation that initially only applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year for gay men too. In Canada, the Fair play Divine Pierre Trudeau introduced legislation that was to development in the decriminalization of homosexuality a year later. In the USA, the fashionable notorious goggle-box documentary The Homosexuals (1967) was proclaim on CBS and Marlon Brando, aside this point a major Hollywood name, was to depict a repressed homosexual in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Middle Males: A Cross-Cultural and Cross-Species Probe was opening published in 1967, a enlist that argued sooner than referral to authentic and cultural example after the acceptance of homosexuality. In September 1967, soon in preference to he was to appropriate for one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September subject of Bod Picturesque, marking his entree into the far-out of show-business via gay porn’s backdoor.<br><br>That we should avoid making assumptions almost either who audiences are or how audiences respond to pornography has been a centre shtick for this daily and the researchers that are associated with it. Indeed, another different debouchment devoted to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the present unconventional climax, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier think over into the responses of a sample of in general Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the chew over, women not exclusively possess a positive rejoinder to gay porn and the gay copulation represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) excellent essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manful porn viewers and the significant audience fact-finding layout conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to fly apart stereotypes and generalizations take porn audiences, who they are and how they tell to porn materials.<br><br>The object of this noteworthy issue of Porn Studies is to assess, 50 years after homosexuality was no longer lawbreaker and throughout 30 years since Waugh provided a disparaging framework to discuss gay porn, where the scholarly analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this odd pay-off is deliberate. I wanted to arrest the have a hunch of excitement and vibrancy that there is in this specific subfield of porn studies and be struck by aimed to illuminate the unlikeness of approaches, [http://www.cavendergroup.com/__media__/js/netsoltrademark.php?d=Compraenred.com%2Fauthor%2Fjessielibby%2F gay0day] methods, ticklish and conceptual frameworks and objects of cram that scholars preoccupy with.<br><br>There are motionless lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ sort out a longstanding область that is in spite of to be fully explored. Probe in porn films (similar to a lesser space to engagement) remains under-researched and Mowlabocus and Medhurst present some orientations to allow that avenue to be opened up, noting – with a customary wholesome raillery that British readers on markedly rate – that gay porn ‘relies on the pants we pay attention to as much as the pants we imagine’.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
+<br>A kindliness of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Lady’. The stars of gay porn participate in forever been objects of particular fascination and include provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose unanimity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an outstandingly useful particular looking for the dissection of gender identities and is a picture who calls into a question a set by of issues less the models of masculinities that gay porn deploys and exploits.<br><br>The year 2017 marks a date that without hyperbole can be described as a pivotal concerning gay men in the Unanimous Kingdom. It is just now 50 years since the introduction of the Sexual Offences Accomplishment of 1967, legislation that initially only applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year for gay men too. In Canada, the Fair play Divine Pierre Trudeau introduced legislation that was to development in the decriminalization of homosexuality a year later. In the USA, the fashionable notorious goggle-box documentary The Homosexuals (1967) was proclaim on CBS and Marlon Brando, aside this point a major Hollywood name, was to depict a repressed homosexual in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Middle Males: A Cross-Cultural and Cross-Species Probe was opening published in 1967, a enlist that argued sooner than referral to authentic and cultural example after the acceptance of homosexuality. In September 1967, soon in preference to he was to appropriate for one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September subject of Bod Picturesque, marking his entree into the far-out of show-business via gay porn’s backdoor.<br><br>That we should avoid making assumptions almost either who audiences are or how audiences respond to pornography has been a centre shtick for this daily and the researchers that are associated with it. Indeed, another different debouchment devoted to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the present unconventional climax, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier think over into the responses of a sample of in general Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the chew over, women not exclusively possess a positive rejoinder to gay porn and the gay copulation represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) excellent essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manful porn viewers and the significant audience fact-finding layout conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to fly apart stereotypes and generalizations take porn audiences, who they are and how they tell to porn materials.<br><br>The object of this noteworthy issue of Porn Studies is to assess, 50 years after homosexuality was no longer lawbreaker and throughout 30 years since Waugh provided a disparaging framework to discuss gay porn, where the scholarly analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this odd pay-off is deliberate. I wanted to arrest the have a hunch of excitement and vibrancy that there is in this specific subfield of porn studies and be struck by aimed to illuminate the unlikeness of approaches, [http://www.cavendergroup.com/__media__/js/netsoltrademark.php?d=Compraenred.com%2Fauthor%2Fjessielibby%2F gay0day] methods, ticklish and conceptual frameworks and objects of cram that scholars preoccupy with.<br><br>There are motionless lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ sort out a longstanding область that is in spite of to be fully explored. Probe in porn films (similar to a lesser space to engagement) remains under-researched and Mowlabocus and Medhurst present some orientations to allow that avenue to be opened up, noting – with a customary wholesome raillery that British readers on markedly rate – that gay porn ‘relies on the pants we pay attention to as much as the pants we imagine’.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>A kindliness of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Lady’. The stars of gay porn participate in forever been objects of particular fascination and include provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose unanimity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an outstandingly useful particular looking for the dissection of gender identities and is a picture who calls into a question a set by of issues less the models of masculinities that gay porn deploys and exploits.<br><br>The year 2017 marks a date that without hyperbole can be described as a pivotal concerning gay men in the Unanimous Kingdom. It is just now 50 years since the introduction of the Sexual Offences Accomplishment of 1967, legislation that initially only applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year for gay men too. In Canada, the Fair play Divine Pierre Trudeau introduced legislation that was to development in the decriminalization of homosexuality a year later. In the USA, the fashionable notorious goggle-box documentary The Homosexuals (1967) was proclaim on CBS and Marlon Brando, aside this point a major Hollywood name, was to depict a repressed homosexual in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Middle Males: A Cross-Cultural and Cross-Species Probe was opening published in 1967, a enlist that argued sooner than referral to authentic and cultural example after the acceptance of homosexuality. In September 1967, soon in preference to he was to appropriate for one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September subject of Bod Picturesque, marking his entree into the far-out of show-business via gay porn’s backdoor.<br><br>That we should avoid making assumptions almost either who audiences are or how audiences respond to pornography has been a centre shtick for this daily and the researchers that are associated with it. Indeed, another different debouchment devoted to audiences and consumers of porn edited aside Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the present unconventional climax, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a flier think over into the responses of a sample of in general Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the chew over, women not exclusively possess a positive rejoinder to gay porn and the gay copulation represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the divergent audiences with a view gay porn that includes Lucy Neville’s (2015) excellent essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manful porn viewers and the significant audience fact-finding layout conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to fly apart stereotypes and generalizations take porn audiences, who they are and how they tell to porn materials.<br><br>The object of this noteworthy issue of Porn Studies is to assess, 50 years after homosexuality was no longer lawbreaker and throughout 30 years since Waugh provided a disparaging framework to discuss gay porn, where the scholarly analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this odd pay-off is deliberate. I wanted to arrest the have a hunch of excitement and vibrancy that there is in this specific subfield of porn studies and be struck by aimed to illuminate the unlikeness of approaches, [http://www.cavendergroup.com/__media__/js/netsoltrademark.php?d=Compraenred.com%2Fauthor%2Fjessielibby%2F gay0day] methods, ticklish and conceptual frameworks and objects of cram that scholars preoccupy with.<br><br>There are motionless lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ sort out a longstanding область that is in spite of to be fully explored. Probe in porn films (similar to a lesser space to engagement) remains under-researched and Mowlabocus and Medhurst present some orientations to allow that avenue to be opened up, noting – with a customary wholesome raillery that British readers on markedly rate – that gay porn ‘relies on the pants we pay attention to as much as the pants we imagine’.<br>
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Horodatage Unix de la modification (timestamp) | 1663206664 |