| Variable | Valeur |
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3290 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Now |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Now |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>The intention of this noteworthy issuing of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over 30 years since Waugh provided a disparaging framework to chat about gay porn, where the intellectual analysis of gay porn has arrived at and where it is heading. The hyperbolic title of this odd pay-off is deliberate. I wanted to capture the have a hunch of tumult and vibrancy that there is in this specific subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, critical and conceptual frameworks and objects of cram that scholars undertake with.<br><br>The textual qualities of gay porn pick up to be an mighty destination of turn over after researchers in the field and the evolving temperament of the variety means that there is in any case more to respond about unfledged modes of formation and emerging aesthetic and verbose patterns. The in the wake articles in this concerted issue all focus on the specifics of modern gay porn as they are manifested in texts. In ‘Gag the Fag, [https://flowers.personalpages.us/viewtopic.php?id=294749 gay0day] or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and trendy gay porn in isolated, crumpet on. From head to foot an study of a series of up to date French materials and the website Wisecrack the Fag, Immature argues that neither the arguments proselytized by anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can necessarily account for the enactments of progenitive power and rule that these videos depict. Immature notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and far less binaristic than antecedent accounts authority have suggested from one end to the other the confidence of the apparatus of the camera. Green’s article brilliantly reminds readers of the staged and performed quality of the animal acts represented in gay porn.<br><br>There are motionless lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ home in on a longstanding область that is yet to be fully explored. Shape in porn films (similar to a lesser amplitude to bringing off) remains under-researched and Mowlabocus and Medhurst advance some orientations to appropriate that avenue to be opened up, noting – with a commonplace good appease that British readers on notably respect – that gay porn ‘relies on the pants we pay attention to as much as the pants we date’.<br><br>The year 2017 marks a swain that without hyperbole can be described as a guidepost appropriate for gay men in the Amalgamated Kingdom. It is just now 50 years since the introduction of the Progenitive Offences Operation of 1967, legislation that initially only applied in England and Wales, which led to the decriminalization of homosexuality in the Amalgamated Kingdom. Internationally, 1967 was an significant year for gay men too. In Canada, the Justice Envoy Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the promptly notorious telly documentary The Homosexuals (1967) was televise on CBS and Marlon Brando, by means of this station a major Hollywood name, was to play a repressed invert in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Among Males: A Cross-Cultural and Cross-Species Probe was first place published in 1967, a laws that argued sooner than notification to factual and cultural precedent after the acceptance of homosexuality. In September 1967, shortly formerly he was to ripen into one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Physique Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>A kindliness of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Woman’. The stars of gay porn have always been objects of fine point magic and have provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose sameness has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an especially salutary discrete for the analysis of gender identities and is a picture who calls into a suspicions about a set of issues about the models of masculinities that gay porn deploys and exploits.<br><br>The connection here between public, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless climate as if they belong to a reserved gone, so it is it may be more surprising for the benefit of porn scholars to note that it is in the present circumstances over 30 years since Thomas Waugh wrote the foundational essay ‘Men’s Porn: Gay vs Straight’, in which he acclaimed the centrality of homoeroticism to gay taste:<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.
+<br>The intention of this noteworthy issuing of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over 30 years since Waugh provided a disparaging framework to chat about gay porn, where the intellectual analysis of gay porn has arrived at and where it is heading. The hyperbolic title of this odd pay-off is deliberate. I wanted to capture the have a hunch of tumult and vibrancy that there is in this specific subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, critical and conceptual frameworks and objects of cram that scholars undertake with.<br><br>The textual qualities of gay porn pick up to be an mighty destination of turn over after researchers in the field and the evolving temperament of the variety means that there is in any case more to respond about unfledged modes of formation and emerging aesthetic and verbose patterns. The in the wake articles in this concerted issue all focus on the specifics of modern gay porn as they are manifested in texts. In ‘Gag the Fag, [https://flowers.personalpages.us/viewtopic.php?id=294749 gay0day] or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and trendy gay porn in isolated, crumpet on. From head to foot an study of a series of up to date French materials and the website Wisecrack the Fag, Immature argues that neither the arguments proselytized by anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can necessarily account for the enactments of progenitive power and rule that these videos depict. Immature notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and far less binaristic than antecedent accounts authority have suggested from one end to the other the confidence of the apparatus of the camera. Green’s article brilliantly reminds readers of the staged and performed quality of the animal acts represented in gay porn.<br><br>There are motionless lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ home in on a longstanding область that is yet to be fully explored. Shape in porn films (similar to a lesser amplitude to bringing off) remains under-researched and Mowlabocus and Medhurst advance some orientations to appropriate that avenue to be opened up, noting – with a commonplace good appease that British readers on notably respect – that gay porn ‘relies on the pants we pay attention to as much as the pants we date’.<br><br>The year 2017 marks a swain that without hyperbole can be described as a guidepost appropriate for gay men in the Amalgamated Kingdom. It is just now 50 years since the introduction of the Progenitive Offences Operation of 1967, legislation that initially only applied in England and Wales, which led to the decriminalization of homosexuality in the Amalgamated Kingdom. Internationally, 1967 was an significant year for gay men too. In Canada, the Justice Envoy Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the promptly notorious telly documentary The Homosexuals (1967) was televise on CBS and Marlon Brando, by means of this station a major Hollywood name, was to play a repressed invert in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Among Males: A Cross-Cultural and Cross-Species Probe was first place published in 1967, a laws that argued sooner than notification to factual and cultural precedent after the acceptance of homosexuality. In September 1967, shortly formerly he was to ripen into one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Physique Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>A kindliness of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Woman’. The stars of gay porn have always been objects of fine point magic and have provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose sameness has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an especially salutary discrete for the analysis of gender identities and is a picture who calls into a suspicions about a set of issues about the models of masculinities that gay porn deploys and exploits.<br><br>The connection here between public, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless climate as if they belong to a reserved gone, so it is it may be more surprising for the benefit of porn scholars to note that it is in the present circumstances over 30 years since Thomas Waugh wrote the foundational essay ‘Men’s Porn: Gay vs Straight’, in which he acclaimed the centrality of homoeroticism to gay taste:<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>The intention of this noteworthy issuing of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and over 30 years since Waugh provided a disparaging framework to chat about gay porn, where the intellectual analysis of gay porn has arrived at and where it is heading. The hyperbolic title of this odd pay-off is deliberate. I wanted to capture the have a hunch of tumult and vibrancy that there is in this specific subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, critical and conceptual frameworks and objects of cram that scholars undertake with.<br><br>The textual qualities of gay porn pick up to be an mighty destination of turn over after researchers in the field and the evolving temperament of the variety means that there is in any case more to respond about unfledged modes of formation and emerging aesthetic and verbose patterns. The in the wake articles in this concerted issue all focus on the specifics of modern gay porn as they are manifested in texts. In ‘Gag the Fag, [https://flowers.personalpages.us/viewtopic.php?id=294749 gay0day] or Tops and Bottoms, Persons and Things’, Damon Girlish tackles the textuality of porn, and trendy gay porn in isolated, crumpet on. From head to foot an study of a series of up to date French materials and the website Wisecrack the Fag, Immature argues that neither the arguments proselytized by anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can necessarily account for the enactments of progenitive power and rule that these videos depict. Immature notes in his article that the representation of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and far less binaristic than antecedent accounts authority have suggested from one end to the other the confidence of the apparatus of the camera. Green’s article brilliantly reminds readers of the staged and performed quality of the animal acts represented in gay porn.<br><br>There are motionless lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ home in on a longstanding область that is yet to be fully explored. Shape in porn films (similar to a lesser amplitude to bringing off) remains under-researched and Mowlabocus and Medhurst advance some orientations to appropriate that avenue to be opened up, noting – with a commonplace good appease that British readers on notably respect – that gay porn ‘relies on the pants we pay attention to as much as the pants we date’.<br><br>The year 2017 marks a swain that without hyperbole can be described as a guidepost appropriate for gay men in the Amalgamated Kingdom. It is just now 50 years since the introduction of the Progenitive Offences Operation of 1967, legislation that initially only applied in England and Wales, which led to the decriminalization of homosexuality in the Amalgamated Kingdom. Internationally, 1967 was an significant year for gay men too. In Canada, the Justice Envoy Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the promptly notorious telly documentary The Homosexuals (1967) was televise on CBS and Marlon Brando, by means of this station a major Hollywood name, was to play a repressed invert in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Butch Behavior Among Males: A Cross-Cultural and Cross-Species Probe was first place published in 1967, a laws that argued sooner than notification to factual and cultural precedent after the acceptance of homosexuality. In September 1967, shortly formerly he was to ripen into one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September scions of Physique Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>A kindliness of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Woman’. The stars of gay porn have always been objects of fine point magic and have provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose sameness has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an especially salutary discrete for the analysis of gender identities and is a picture who calls into a suspicions about a set of issues about the models of masculinities that gay porn deploys and exploits.<br><br>The connection here between public, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously historic, nonetheless climate as if they belong to a reserved gone, so it is it may be more surprising for the benefit of porn scholars to note that it is in the present circumstances over 30 years since Thomas Waugh wrote the foundational essay ‘Men’s Porn: Gay vs Straight’, in which he acclaimed the centrality of homoeroticism to gay taste:<br>
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Horodatage Unix de la modification (timestamp) | 1665173808 |