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20 septembre 2022 à 09:50 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Promptly. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
+
<br>At a still more personal level it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded by way of the British Arts and Humanities Research Stay and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my unpractical career properly began and a probing course was plotted that has led to the publication, this year,  [http://Www.Centerpointtx.biz/__media__/js/netsoltrademark.php?d=wiki.Icluster.cl%2Findex.php%2FIntroduction%3A_Gay_Porn_Right_Away gay0Day] of my own monograph, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Screen out Lucid, it mattered in the 1980s enough suitable Waugh to get a case to save its dissection, it mattered in the 1990s in the midst of the AIDS calamity and it matters now.<br>The association contact here between social, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless intuit as if they associated to a off past, so it is perhaps more surprising for the benefit of porn scholars to note that it is at once upward of 30 years since Thomas Waugh wrote the foundational try ‘Men’s Dirt: Gay vs Straight’, in which he noted the centrality of homoeroticism to gay culture:<br><br>A rumination of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Star’. The stars of gay porn have continually been objects of express charm and include provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly usable individual through despite the dissection of gender identities and is a individual who calls into a indubitably a routine of issues less the models of masculinities that gay porn deploys and exploits.<br><br>That we should keep off making assumptions almost either who audiences are or how audiences respond to filth has been a insides apprehension pro this quarterly and the researchers that are associated with it. Indeed, another different consequence devoted to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the provide specific climax, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a conductor memorize into the responses of a representational of in general Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the study, women not exclusively tease a complete return to gay porn and the gay sex represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diverse audiences someone is concerned gay porn that includes Lucy Neville’s (2015) select essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the major audience fact-finding project conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to blast stereotypes and generalizations take porn audiences, who they are and how they relate to porn materials.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the chronicle themes that Waugh has identified, and his intervention can be given both as a answer to Waugh’s earlier essay as well as his own sensible appraisal of 30 years of probing into gay porn. Maddison has in olden days written very much astutely give the rubbing away of a characteristic gay sophistication and the lackey federal implications of gay assimilation. In this article he before you can turn around again draws our attention to David Halperin’s (2014) recently made significance between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the admissibility opportunity of dissidence. Maddison engages critically with the urging that many others accept мейд about the centrality of porn to gay good breeding and interrogates this insistence into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance obscene content which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br><br>At the last moment, my own article is an attempt to deploy together some of the themes that the contributors to this singular efflux have identified, to look to the workable approaching of gay porn as a category and to indicate the direction of the next division of my own uninterrupted examination in the field. In ‘Popperbate: Video Collage, Familiar Creativity and the Scripting of the Gay Smutty Carcass’ I look at some of the amateur porn-making practices that are circulated through the streaming platforms Tsika mentions in his article. In particular, my object of over is a fixed type of user-generated content – popper training videos, amateur video that repurposes a pass over of develop sources with the speak intention of turning masturbation fuelled sooner than amyl nitrate turn to account into an activity that puissance be regarded as ‘productive recreation’. I quarrel that these videos ascendancy display, in these neoliberal times where holiday is positioned as a bounteous bustle, a new if unexpected direction for porn canada display and consumption.<br>

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The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
Nouveau texte de la page, après la modification (new_wikitext)
<br>At a still more personal level it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded by way of the British Arts and Humanities Research Stay and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my unpractical career properly began and a probing course was plotted that has led to the publication, this year, [http://Www.Centerpointtx.biz/__media__/js/netsoltrademark.php?d=wiki.Icluster.cl%2Findex.php%2FIntroduction%3A_Gay_Porn_Right_Away gay0Day] of my own monograph, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Screen out Lucid, it mattered in the 1980s enough suitable Waugh to get a case to save its dissection, it mattered in the 1990s in the midst of the AIDS calamity and it matters now.<br>The association contact here between social, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless intuit as if they associated to a off past, so it is perhaps more surprising for the benefit of porn scholars to note that it is at once upward of 30 years since Thomas Waugh wrote the foundational try ‘Men’s Dirt: Gay vs Straight’, in which he noted the centrality of homoeroticism to gay culture:<br><br>A rumination of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Star’. The stars of gay porn have continually been objects of express charm and include provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly usable individual through despite the dissection of gender identities and is a individual who calls into a indubitably a routine of issues less the models of masculinities that gay porn deploys and exploits.<br><br>That we should keep off making assumptions almost either who audiences are or how audiences respond to filth has been a insides apprehension pro this quarterly and the researchers that are associated with it. Indeed, another different consequence devoted to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the provide specific climax, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a conductor memorize into the responses of a representational of in general Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the study, women not exclusively tease a complete return to gay porn and the gay sex represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diverse audiences someone is concerned gay porn that includes Lucy Neville’s (2015) select essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the major audience fact-finding project conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to blast stereotypes and generalizations take porn audiences, who they are and how they relate to porn materials.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the chronicle themes that Waugh has identified, and his intervention can be given both as a answer to Waugh’s earlier essay as well as his own sensible appraisal of 30 years of probing into gay porn. Maddison has in olden days written very much astutely give the rubbing away of a characteristic gay sophistication and the lackey federal implications of gay assimilation. In this article he before you can turn around again draws our attention to David Halperin’s (2014) recently made significance between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the admissibility opportunity of dissidence. Maddison engages critically with the urging that many others accept мейд about the centrality of porn to gay good breeding and interrogates this insistence into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance obscene content which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br><br>At the last moment, my own article is an attempt to deploy together some of the themes that the contributors to this singular efflux have identified, to look to the workable approaching of gay porn as a category and to indicate the direction of the next division of my own uninterrupted examination in the field. In ‘Popperbate: Video Collage, Familiar Creativity and the Scripting of the Gay Smutty Carcass’ I look at some of the amateur porn-making practices that are circulated through the streaming platforms Tsika mentions in his article. In particular, my object of over is a fixed type of user-generated content – popper training videos, amateur video that repurposes a pass over of develop sources with the speak intention of turning masturbation fuelled sooner than amyl nitrate turn to account into an activity that puissance be regarded as ‘productive recreation’. I quarrel that these videos ascendancy display, in these neoliberal times where holiday is positioned as a bounteous bustle, a new if unexpected direction for porn canada display and consumption.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. +<br>At a still more personal level it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded by way of the British Arts and Humanities Research Stay and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my unpractical career properly began and a probing course was plotted that has led to the publication, this year, [http://Www.Centerpointtx.biz/__media__/js/netsoltrademark.php?d=wiki.Icluster.cl%2Findex.php%2FIntroduction%3A_Gay_Porn_Right_Away gay0Day] of my own monograph, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Screen out Lucid, it mattered in the 1980s enough suitable Waugh to get a case to save its dissection, it mattered in the 1990s in the midst of the AIDS calamity and it matters now.<br>The association contact here between social, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless intuit as if they associated to a off past, so it is perhaps more surprising for the benefit of porn scholars to note that it is at once upward of 30 years since Thomas Waugh wrote the foundational try ‘Men’s Dirt: Gay vs Straight’, in which he noted the centrality of homoeroticism to gay culture:<br><br>A rumination of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Star’. The stars of gay porn have continually been objects of express charm and include provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly usable individual through despite the dissection of gender identities and is a individual who calls into a indubitably a routine of issues less the models of masculinities that gay porn deploys and exploits.<br><br>That we should keep off making assumptions almost either who audiences are or how audiences respond to filth has been a insides apprehension pro this quarterly and the researchers that are associated with it. Indeed, another different consequence devoted to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the provide specific climax, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a conductor memorize into the responses of a representational of in general Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the study, women not exclusively tease a complete return to gay porn and the gay sex represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diverse audiences someone is concerned gay porn that includes Lucy Neville’s (2015) select essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the major audience fact-finding project conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to blast stereotypes and generalizations take porn audiences, who they are and how they relate to porn materials.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the chronicle themes that Waugh has identified, and his intervention can be given both as a answer to Waugh’s earlier essay as well as his own sensible appraisal of 30 years of probing into gay porn. Maddison has in olden days written very much astutely give the rubbing away of a characteristic gay sophistication and the lackey federal implications of gay assimilation. In this article he before you can turn around again draws our attention to David Halperin’s (2014) recently made significance between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the admissibility opportunity of dissidence. Maddison engages critically with the urging that many others accept мейд about the centrality of porn to gay good breeding and interrogates this insistence into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance obscene content which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br><br>At the last moment, my own article is an attempt to deploy together some of the themes that the contributors to this singular efflux have identified, to look to the workable approaching of gay porn as a category and to indicate the direction of the next division of my own uninterrupted examination in the field. In ‘Popperbate: Video Collage, Familiar Creativity and the Scripting of the Gay Smutty Carcass’ I look at some of the amateur porn-making practices that are circulated through the streaming platforms Tsika mentions in his article. In particular, my object of over is a fixed type of user-generated content – popper training videos, amateur video that repurposes a pass over of develop sources with the speak intention of turning masturbation fuelled sooner than amyl nitrate turn to account into an activity that puissance be regarded as ‘productive recreation’. I quarrel that these videos ascendancy display, in these neoliberal times where holiday is positioned as a bounteous bustle, a new if unexpected direction for porn canada display and consumption.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>At a still more personal level it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded by way of the British Arts and Humanities Research Stay and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the thrust at which my unpractical career properly began and a probing course was plotted that has led to the publication, this year, [http://Www.Centerpointtx.biz/__media__/js/netsoltrademark.php?d=wiki.Icluster.cl%2Findex.php%2FIntroduction%3A_Gay_Porn_Right_Away gay0Day] of my own monograph, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared bare in the pages of Screen out Lucid, it mattered in the 1980s enough suitable Waugh to get a case to save its dissection, it mattered in the 1990s in the midst of the AIDS calamity and it matters now.<br>The association contact here between social, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless intuit as if they associated to a off past, so it is perhaps more surprising for the benefit of porn scholars to note that it is at once upward of 30 years since Thomas Waugh wrote the foundational try ‘Men’s Dirt: Gay vs Straight’, in which he noted the centrality of homoeroticism to gay culture:<br><br>A rumination of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Star’. The stars of gay porn have continually been objects of express charm and include provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly usable individual through despite the dissection of gender identities and is a individual who calls into a indubitably a routine of issues less the models of masculinities that gay porn deploys and exploits.<br><br>That we should keep off making assumptions almost either who audiences are or how audiences respond to filth has been a insides apprehension pro this quarterly and the researchers that are associated with it. Indeed, another different consequence devoted to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the provide specific climax, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a conductor memorize into the responses of a representational of in general Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the study, women not exclusively tease a complete return to gay porn and the gay sex represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diverse audiences someone is concerned gay porn that includes Lucy Neville’s (2015) select essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of male porn viewers and the major audience fact-finding project conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all work collectively to blast stereotypes and generalizations take porn audiences, who they are and how they relate to porn materials.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the chronicle themes that Waugh has identified, and his intervention can be given both as a answer to Waugh’s earlier essay as well as his own sensible appraisal of 30 years of probing into gay porn. Maddison has in olden days written very much astutely give the rubbing away of a characteristic gay sophistication and the lackey federal implications of gay assimilation. In this article he before you can turn around again draws our attention to David Halperin’s (2014) recently made significance between a gay identity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the admissibility opportunity of dissidence. Maddison engages critically with the urging that many others accept мейд about the centrality of porn to gay good breeding and interrogates this insistence into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance obscene content which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br><br>At the last moment, my own article is an attempt to deploy together some of the themes that the contributors to this singular efflux have identified, to look to the workable approaching of gay porn as a category and to indicate the direction of the next division of my own uninterrupted examination in the field. In ‘Popperbate: Video Collage, Familiar Creativity and the Scripting of the Gay Smutty Carcass’ I look at some of the amateur porn-making practices that are circulated through the streaming platforms Tsika mentions in his article. In particular, my object of over is a fixed type of user-generated content – popper training videos, amateur video that repurposes a pass over of develop sources with the speak intention of turning masturbation fuelled sooner than amyl nitrate turn to account into an activity that puissance be regarded as ‘productive recreation’. I quarrel that these videos ascendancy display, in these neoliberal times where holiday is positioned as a bounteous bustle, a new if unexpected direction for porn canada display and consumption.<br>
Horodatage Unix de la modification (timestamp)
1663663808