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16 septembre 2022 à 23:09 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Promptly. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

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The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
+
<br>The connection here between community, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless feel as if they belong to a off gone, so it is it is possible that more surprising for porn scholars to note that it is now upward of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Dirt: Gay vs Flat’, in which he famous the centrality of homoeroticism to gay culture:<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Sexual congress Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the illegal uploading of copyrighted satisfied are of undoubtedly pressing concerns in place of the porn industry; despite that, Tsika identifies a rather more well-defined object of contemplate in order to make observations about the ways in which ‘meaning’ is contingent on context. Tsika’s mood be germane to here is the workings throughout which variously bawdy or in some cases sexually unconditional materials can be extracted from their original frame of reference within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to set forward that the process of appropriation and repackaging that takes situate here reduces the civic and cultural power of the remarkable authority texts that are repurposed.<br>A rumination of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lady’. The stars of gay porn give birth to always been objects of pernickety pull and have provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose unanimity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly salutary individual for the dissection of gender identities and is a figure who calls into a suspicions about a routine of issues far the models of masculinities that gay porn deploys and exploits.<br><br>That we should avoid making assumptions up either who audiences are or how audiences answer to pornography has been a gist interest to representing this journal and the researchers that are associated with it. Exactly, another one of a kind issue enthusiastic to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the propinquitous specific big problem, Person Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Good Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a pilot memorize into the responses of a representational of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not barely obtain a supportive rejoinder to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the varying audiences in behalf of gay porn that includes Lucy Neville’s (2015) bar thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manful porn viewers and the major audience research project conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they tell to porn materials.<br><br>The intention of this special outcome of Porn Studies is to assess, 50 years after homosexuality was no longer convict and  [http://Gzypzn.com/__media__/js/netsoltrademark.php?d=wiki-hope-etudiant.grenoble-inp.fr%2Fwiki%2FIntroduction%3A_Gay_Porn_Promptly Gay0day] over 30 years since Waugh provided a crucial framework to chat about gay porn, where the highbrowed analysis of gay porn has arrived at and where it is heading. The hyperbolic title of this special pay-off is deliberate. I wanted to take hold of the have of tumult and vibrancy that there is in this particular subfield of porn studies and sooner a be wearing aimed to embellish the distinctiveness of approaches, methods, critical and conceptual frameworks and objects of study that scholars undertake with.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the chronicle themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier effort as well as his own quick appraisal of 30 years of probing into gay porn. Maddison has previously written very much astutely give the rubbing away of a distinguishing gay erudition and the attendant factious implications of gay assimilation. In this article he positively again draws our prominence to David Halperin’s (2014) recently made significance between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the proposal that scads others accept мейд about the centrality of porn to gay background and interrogates this proclamation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance smutty content which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.<br>

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The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
Nouveau texte de la page, après la modification (new_wikitext)
<br>The connection here between community, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless feel as if they belong to a off gone, so it is it is possible that more surprising for porn scholars to note that it is now upward of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Dirt: Gay vs Flat’, in which he famous the centrality of homoeroticism to gay culture:<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Sexual congress Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the illegal uploading of copyrighted satisfied are of undoubtedly pressing concerns in place of the porn industry; despite that, Tsika identifies a rather more well-defined object of contemplate in order to make observations about the ways in which ‘meaning’ is contingent on context. Tsika’s mood be germane to here is the workings throughout which variously bawdy or in some cases sexually unconditional materials can be extracted from their original frame of reference within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to set forward that the process of appropriation and repackaging that takes situate here reduces the civic and cultural power of the remarkable authority texts that are repurposed.<br>A rumination of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lady’. The stars of gay porn give birth to always been objects of pernickety pull and have provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose unanimity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly salutary individual for the dissection of gender identities and is a figure who calls into a suspicions about a routine of issues far the models of masculinities that gay porn deploys and exploits.<br><br>That we should avoid making assumptions up either who audiences are or how audiences answer to pornography has been a gist interest to representing this journal and the researchers that are associated with it. Exactly, another one of a kind issue enthusiastic to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the propinquitous specific big problem, Person Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Good Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a pilot memorize into the responses of a representational of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not barely obtain a supportive rejoinder to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the varying audiences in behalf of gay porn that includes Lucy Neville’s (2015) bar thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manful porn viewers and the major audience research project conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they tell to porn materials.<br><br>The intention of this special outcome of Porn Studies is to assess, 50 years after homosexuality was no longer convict and [http://Gzypzn.com/__media__/js/netsoltrademark.php?d=wiki-hope-etudiant.grenoble-inp.fr%2Fwiki%2FIntroduction%3A_Gay_Porn_Promptly Gay0day] over 30 years since Waugh provided a crucial framework to chat about gay porn, where the highbrowed analysis of gay porn has arrived at and where it is heading. The hyperbolic title of this special pay-off is deliberate. I wanted to take hold of the have of tumult and vibrancy that there is in this particular subfield of porn studies and sooner a be wearing aimed to embellish the distinctiveness of approaches, methods, critical and conceptual frameworks and objects of study that scholars undertake with.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the chronicle themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier effort as well as his own quick appraisal of 30 years of probing into gay porn. Maddison has previously written very much astutely give the rubbing away of a distinguishing gay erudition and the attendant factious implications of gay assimilation. In this article he positively again draws our prominence to David Halperin’s (2014) recently made significance between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the proposal that scads others accept мейд about the centrality of porn to gay background and interrogates this proclamation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance smutty content which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. +<br>The connection here between community, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless feel as if they belong to a off gone, so it is it is possible that more surprising for porn scholars to note that it is now upward of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Dirt: Gay vs Flat’, in which he famous the centrality of homoeroticism to gay culture:<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Sexual congress Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the illegal uploading of copyrighted satisfied are of undoubtedly pressing concerns in place of the porn industry; despite that, Tsika identifies a rather more well-defined object of contemplate in order to make observations about the ways in which ‘meaning’ is contingent on context. Tsika’s mood be germane to here is the workings throughout which variously bawdy or in some cases sexually unconditional materials can be extracted from their original frame of reference within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to set forward that the process of appropriation and repackaging that takes situate here reduces the civic and cultural power of the remarkable authority texts that are repurposed.<br>A rumination of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lady’. The stars of gay porn give birth to always been objects of pernickety pull and have provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose unanimity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly salutary individual for the dissection of gender identities and is a figure who calls into a suspicions about a routine of issues far the models of masculinities that gay porn deploys and exploits.<br><br>That we should avoid making assumptions up either who audiences are or how audiences answer to pornography has been a gist interest to representing this journal and the researchers that are associated with it. Exactly, another one of a kind issue enthusiastic to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the propinquitous specific big problem, Person Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Good Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a pilot memorize into the responses of a representational of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not barely obtain a supportive rejoinder to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the varying audiences in behalf of gay porn that includes Lucy Neville’s (2015) bar thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manful porn viewers and the major audience research project conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they tell to porn materials.<br><br>The intention of this special outcome of Porn Studies is to assess, 50 years after homosexuality was no longer convict and [http://Gzypzn.com/__media__/js/netsoltrademark.php?d=wiki-hope-etudiant.grenoble-inp.fr%2Fwiki%2FIntroduction%3A_Gay_Porn_Promptly Gay0day] over 30 years since Waugh provided a crucial framework to chat about gay porn, where the highbrowed analysis of gay porn has arrived at and where it is heading. The hyperbolic title of this special pay-off is deliberate. I wanted to take hold of the have of tumult and vibrancy that there is in this particular subfield of porn studies and sooner a be wearing aimed to embellish the distinctiveness of approaches, methods, critical and conceptual frameworks and objects of study that scholars undertake with.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the chronicle themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier effort as well as his own quick appraisal of 30 years of probing into gay porn. Maddison has previously written very much astutely give the rubbing away of a distinguishing gay erudition and the attendant factious implications of gay assimilation. In this article he positively again draws our prominence to David Halperin’s (2014) recently made significance between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the proposal that scads others accept мейд about the centrality of porn to gay background and interrogates this proclamation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance smutty content which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>The connection here between community, cultural and national changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless feel as if they belong to a off gone, so it is it is possible that more surprising for porn scholars to note that it is now upward of 30 years since Thomas Waugh wrote the foundational paper ‘Men’s Dirt: Gay vs Flat’, in which he famous the centrality of homoeroticism to gay culture:<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Sexual congress Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the illegal uploading of copyrighted satisfied are of undoubtedly pressing concerns in place of the porn industry; despite that, Tsika identifies a rather more well-defined object of contemplate in order to make observations about the ways in which ‘meaning’ is contingent on context. Tsika’s mood be germane to here is the workings throughout which variously bawdy or in some cases sexually unconditional materials can be extracted from their original frame of reference within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to set forward that the process of appropriation and repackaging that takes situate here reduces the civic and cultural power of the remarkable authority texts that are repurposed.<br>A rumination of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lady’. The stars of gay porn give birth to always been objects of pernickety pull and have provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose unanimity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an outstandingly salutary individual for the dissection of gender identities and is a figure who calls into a suspicions about a routine of issues far the models of masculinities that gay porn deploys and exploits.<br><br>That we should avoid making assumptions up either who audiences are or how audiences answer to pornography has been a gist interest to representing this journal and the researchers that are associated with it. Exactly, another one of a kind issue enthusiastic to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the propinquitous specific big problem, Person Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Good Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a pilot memorize into the responses of a representational of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not barely obtain a supportive rejoinder to gay porn and the gay bonking represented but also report feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the varying audiences in behalf of gay porn that includes Lucy Neville’s (2015) bar thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manful porn viewers and the major audience research project conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they tell to porn materials.<br><br>The intention of this special outcome of Porn Studies is to assess, 50 years after homosexuality was no longer convict and [http://Gzypzn.com/__media__/js/netsoltrademark.php?d=wiki-hope-etudiant.grenoble-inp.fr%2Fwiki%2FIntroduction%3A_Gay_Porn_Promptly Gay0day] over 30 years since Waugh provided a crucial framework to chat about gay porn, where the highbrowed analysis of gay porn has arrived at and where it is heading. The hyperbolic title of this special pay-off is deliberate. I wanted to take hold of the have of tumult and vibrancy that there is in this particular subfield of porn studies and sooner a be wearing aimed to embellish the distinctiveness of approaches, methods, critical and conceptual frameworks and objects of study that scholars undertake with.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the chronicle themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier effort as well as his own quick appraisal of 30 years of probing into gay porn. Maddison has previously written very much astutely give the rubbing away of a distinguishing gay erudition and the attendant factious implications of gay assimilation. In this article he positively again draws our prominence to David Halperin’s (2014) recently made significance between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the proposal that scads others accept мейд about the centrality of porn to gay background and interrogates this proclamation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance smutty content which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.<br>
Horodatage Unix de la modification (timestamp)
1663366185