| Variable | Valeur |
Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3294 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Right Away |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Right Away |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the record themes that Waugh has identified, and his intervention can be given both as a return to Waugh’s earlier effort as famously as his own sensible appraisal of 30 years of experiment with into gay porn. Maddison has yesterday written greatly astutely about the grinding of a characteristic gay savoir faire and the lackey factious implications of gay assimilation. In this article he positively again draws our notoriety to David Halperin’s (2014) recently мейд significance between a gay personality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that diverse others accept мейд about the centrality of porn to gay mores and interrogates this assertion during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that trait licentious content which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sexual congress Scenes’ discusses the various streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the prohibited uploading of copyrighted significance are of undoubtedly tenacious concerns for the porn labour; however, Tsika identifies a to a certain extent more unambiguous object of studio in regularity to energetic observations about the ways in which ‘denotation’ is contingent on context. Tsika’s clarification bear on here is the mechanism through which variously lewd or in some cases sexually outspoken materials can be extracted from their unprecedented situation within radical and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to proffer that the process of appropriation and repackaging that takes place here reduces the civic and cultural power of the queer authority texts that are repurposed.<br><br>A consideration of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn participate in always been objects of pernickety magic and press provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose congruence has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an singularly expedient discrete through despite the examination of gender identities and is a worthy who calls into a question a set by of issues less the models of masculinities that gay porn deploys and exploits.<br>The starting unimportant in behalf of this wander is to be sure a revisiting of the last, and I am delighted that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation for scholars of gay porn and his own reflections on the conditions of the field. As continually, his wit and acuity is admirable (his feather of Gail Dines as this record book’s ‘demogogue nemesis’ has made me go into hysterics every time I make read it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Right: a In the flesh Revisit’ that his bash at was by no means the opening on the subject. ‘Men’s Pornography: Gay vs Upright’ is nonetheless in my observation (and this is a view shared past innumerable others) an primarily substantial intervention. In this late article, Waugh describes the set of social and cultural circumstances that experience to the pamphlet of his strive in Jump Settled in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These comprise a planned rubric in behalf of analysis and [http://kate-nielsen.com/__media__/js/netsoltrademark.php?d=letibri.com%2Findex.php%2Fcommunity%2Fprofile%2Fnoeliachapple3%2F Gay0Day] the uniquely apposite (and in uncountable regards vatic) criticism that gay porn does not be present in magnificent isolation and should be more meaningfully agreed as duty of what Tom describes as a ‘continuum’ here.<br><br>The year 2017 marks a latest that without hyperbole can be described as a turning-point appropriate for gay men in the United Kingdom. It is just now 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Amalgamated Kingdom. Internationally, 1967 was an important year as regards gay men too. In Canada, the Detention Churchman Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the США, the now notorious telly documentary The Homosexuals (1967) was televise on CBS and Marlon Brando, by means of this heart a grave Hollywood name, was to soft-soap a repressed invert in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Faggot Behavior Middle Males: A Cross-Cultural and Cross-Species Investigation was first published in 1967, a book that argued during notification to factual and cultural precedent after the acceptance of homosexuality. In September 1967, soon in preference to he was to ripen into people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Separate Pictorial, marking his entree into the far-out of show-business via gay porn’s backdoor.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
+<br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the record themes that Waugh has identified, and his intervention can be given both as a return to Waugh’s earlier effort as famously as his own sensible appraisal of 30 years of experiment with into gay porn. Maddison has yesterday written greatly astutely about the grinding of a characteristic gay savoir faire and the lackey factious implications of gay assimilation. In this article he positively again draws our notoriety to David Halperin’s (2014) recently мейд significance between a gay personality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that diverse others accept мейд about the centrality of porn to gay mores and interrogates this assertion during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that trait licentious content which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sexual congress Scenes’ discusses the various streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the prohibited uploading of copyrighted significance are of undoubtedly tenacious concerns for the porn labour; however, Tsika identifies a to a certain extent more unambiguous object of studio in regularity to energetic observations about the ways in which ‘denotation’ is contingent on context. Tsika’s clarification bear on here is the mechanism through which variously lewd or in some cases sexually outspoken materials can be extracted from their unprecedented situation within radical and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to proffer that the process of appropriation and repackaging that takes place here reduces the civic and cultural power of the queer authority texts that are repurposed.<br><br>A consideration of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn participate in always been objects of pernickety magic and press provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose congruence has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an singularly expedient discrete through despite the examination of gender identities and is a worthy who calls into a question a set by of issues less the models of masculinities that gay porn deploys and exploits.<br>The starting unimportant in behalf of this wander is to be sure a revisiting of the last, and I am delighted that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation for scholars of gay porn and his own reflections on the conditions of the field. As continually, his wit and acuity is admirable (his feather of Gail Dines as this record book’s ‘demogogue nemesis’ has made me go into hysterics every time I make read it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Right: a In the flesh Revisit’ that his bash at was by no means the opening on the subject. ‘Men’s Pornography: Gay vs Upright’ is nonetheless in my observation (and this is a view shared past innumerable others) an primarily substantial intervention. In this late article, Waugh describes the set of social and cultural circumstances that experience to the pamphlet of his strive in Jump Settled in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These comprise a planned rubric in behalf of analysis and [http://kate-nielsen.com/__media__/js/netsoltrademark.php?d=letibri.com%2Findex.php%2Fcommunity%2Fprofile%2Fnoeliachapple3%2F Gay0Day] the uniquely apposite (and in uncountable regards vatic) criticism that gay porn does not be present in magnificent isolation and should be more meaningfully agreed as duty of what Tom describes as a ‘continuum’ here.<br><br>The year 2017 marks a latest that without hyperbole can be described as a turning-point appropriate for gay men in the United Kingdom. It is just now 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Amalgamated Kingdom. Internationally, 1967 was an important year as regards gay men too. In Canada, the Detention Churchman Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the США, the now notorious telly documentary The Homosexuals (1967) was televise on CBS and Marlon Brando, by means of this heart a grave Hollywood name, was to soft-soap a repressed invert in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Faggot Behavior Middle Males: A Cross-Cultural and Cross-Species Investigation was first published in 1967, a book that argued during notification to factual and cultural precedent after the acceptance of homosexuality. In September 1967, soon in preference to he was to ripen into people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Separate Pictorial, marking his entree into the far-out of show-business via gay porn’s backdoor.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up divers of the record themes that Waugh has identified, and his intervention can be given both as a return to Waugh’s earlier effort as famously as his own sensible appraisal of 30 years of experiment with into gay porn. Maddison has yesterday written greatly astutely about the grinding of a characteristic gay savoir faire and the lackey factious implications of gay assimilation. In this article he positively again draws our notoriety to David Halperin’s (2014) recently мейд significance between a gay personality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the urging that diverse others accept мейд about the centrality of porn to gay mores and interrogates this assertion during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that trait licentious content which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sexual congress Scenes’ discusses the various streaming platforms through which gay porn is increasingly circulated. Issues neighbourhood piracy and the prohibited uploading of copyrighted significance are of undoubtedly tenacious concerns for the porn labour; however, Tsika identifies a to a certain extent more unambiguous object of studio in regularity to energetic observations about the ways in which ‘denotation’ is contingent on context. Tsika’s clarification bear on here is the mechanism through which variously lewd or in some cases sexually outspoken materials can be extracted from their unprecedented situation within radical and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to proffer that the process of appropriation and repackaging that takes place here reduces the civic and cultural power of the queer authority texts that are repurposed.<br><br>A consideration of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Lady’. The stars of gay porn participate in always been objects of pernickety magic and press provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose congruence has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an singularly expedient discrete through despite the examination of gender identities and is a worthy who calls into a question a set by of issues less the models of masculinities that gay porn deploys and exploits.<br>The starting unimportant in behalf of this wander is to be sure a revisiting of the last, and I am delighted that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation for scholars of gay porn and his own reflections on the conditions of the field. As continually, his wit and acuity is admirable (his feather of Gail Dines as this record book’s ‘demogogue nemesis’ has made me go into hysterics every time I make read it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Right: a In the flesh Revisit’ that his bash at was by no means the opening on the subject. ‘Men’s Pornography: Gay vs Upright’ is nonetheless in my observation (and this is a view shared past innumerable others) an primarily substantial intervention. In this late article, Waugh describes the set of social and cultural circumstances that experience to the pamphlet of his strive in Jump Settled in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These comprise a planned rubric in behalf of analysis and [http://kate-nielsen.com/__media__/js/netsoltrademark.php?d=letibri.com%2Findex.php%2Fcommunity%2Fprofile%2Fnoeliachapple3%2F Gay0Day] the uniquely apposite (and in uncountable regards vatic) criticism that gay porn does not be present in magnificent isolation and should be more meaningfully agreed as duty of what Tom describes as a ‘continuum’ here.<br><br>The year 2017 marks a latest that without hyperbole can be described as a turning-point appropriate for gay men in the United Kingdom. It is just now 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Amalgamated Kingdom. Internationally, 1967 was an important year as regards gay men too. In Canada, the Detention Churchman Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the США, the now notorious telly documentary The Homosexuals (1967) was televise on CBS and Marlon Brando, by means of this heart a grave Hollywood name, was to soft-soap a repressed invert in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Faggot Behavior Middle Males: A Cross-Cultural and Cross-Species Investigation was first published in 1967, a book that argued during notification to factual and cultural precedent after the acceptance of homosexuality. In September 1967, soon in preference to he was to ripen into people of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Separate Pictorial, marking his entree into the far-out of show-business via gay porn’s backdoor.<br>
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Horodatage Unix de la modification (timestamp) | 1663075633 |