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Journal des déclenchements du filtre antiabus

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Ce journal affiche une liste des actions détectées par les filtres.

Détails pour l'entrée 712 492 du journal

12 septembre 2022 à 16:41 : GwendolynB20 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Now. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

A consideration of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn participate in continually been objects of fine point charm and possess provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a compass of levels and Gay0Day includes his foray into gay porn. Crocker is an especially salutary discrete through despite the dissection of gender identities and is a individual who calls into a indubitably a set by of issues about the models of masculinities that gay porn deploys and exploits.
+
Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Sex Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues adjacent piracy and  https://gay0day.com/ the outlawed uploading of copyrighted satisfied are of undoubtedly pressing concerns for the porn effort; anyway, Tsika identifies a somewhat more well-defined intent of studio in hierarchy to enact observations about the ways in which ‘meaning’ is contingent on context. Tsika’s clarification be pertinent here is the machine totally which variously lewd or in some cases sexually outspoken materials can be extracted from their master framework within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to set forward that the convert of appropriation and repackaging that takes place here reduces the civic and cultural power of the remarkable origin texts that are repurposed.

Paramètres de l'action

VariableValeur
Si la modification est marquée comme mineure ou non (minor_edit)
Nom du compte d’utilisateur (user_name)
GwendolynB20
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups)
* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
Numéro de la page (article_articleid)
3290
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Now
Titre complet de la page (article_prefixedtext)
Introduction: Gay Porn Now
Action (action)
edit
Résumé/motif de la modification (summary)
Ancien modèle de contenu (old_content_model)
wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
A consideration of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn participate in continually been objects of fine point charm and possess provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a compass of levels and Gay0Day includes his foray into gay porn. Crocker is an especially salutary discrete through despite the dissection of gender identities and is a individual who calls into a indubitably a set by of issues about the models of masculinities that gay porn deploys and exploits.
Nouveau texte de la page, après la modification (new_wikitext)
Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Sex Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues adjacent piracy and https://gay0day.com/ the outlawed uploading of copyrighted satisfied are of undoubtedly pressing concerns for the porn effort; anyway, Tsika identifies a somewhat more well-defined intent of studio in hierarchy to enact observations about the ways in which ‘meaning’ is contingent on context. Tsika’s clarification be pertinent here is the machine totally which variously lewd or in some cases sexually outspoken materials can be extracted from their master framework within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to set forward that the convert of appropriation and repackaging that takes place here reduces the civic and cultural power of the remarkable origin texts that are repurposed.
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -A consideration of the performative is at the essence of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn participate in continually been objects of fine point charm and possess provoked scholarship including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Prestige (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose identity has transitioned at a compass of levels and Gay0Day includes his foray into gay porn. Crocker is an especially salutary discrete through despite the dissection of gender identities and is a individual who calls into a indubitably a set by of issues about the models of masculinities that gay porn deploys and exploits. +Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Sex Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues adjacent piracy and https://gay0day.com/ the outlawed uploading of copyrighted satisfied are of undoubtedly pressing concerns for the porn effort; anyway, Tsika identifies a somewhat more well-defined intent of studio in hierarchy to enact observations about the ways in which ‘meaning’ is contingent on context. Tsika’s clarification be pertinent here is the machine totally which variously lewd or in some cases sexually outspoken materials can be extracted from their master framework within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to set forward that the convert of appropriation and repackaging that takes place here reduces the civic and cultural power of the remarkable origin texts that are repurposed.
Lignes ajoutées lors de la modification (added_lines)
Noah Tsika in ‘Depressed Transfusions: Porn Aggregators and the Pirating of Freakish Cinema’s Unsimulated Sex Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues adjacent piracy and https://gay0day.com/ the outlawed uploading of copyrighted satisfied are of undoubtedly pressing concerns for the porn effort; anyway, Tsika identifies a somewhat more well-defined intent of studio in hierarchy to enact observations about the ways in which ‘meaning’ is contingent on context. Tsika’s clarification be pertinent here is the machine totally which variously lewd or in some cases sexually outspoken materials can be extracted from their master framework within resistance and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in status to set forward that the convert of appropriation and repackaging that takes place here reduces the civic and cultural power of the remarkable origin texts that are repurposed.
Horodatage Unix de la modification (timestamp)
1662997264