| Variable | Valeur |
Si la modification est marquée comme mineure ou non (minor_edit) | |
Nom du compte d’utilisateur (user_name) | KeithHudd225 |
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups) | *
user
autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3292 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Any More |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Any More |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the narrative themes that Waugh has identified, Gay0Day and his intervention can be given both as a return to Waugh’s earlier tract as opulently as his own sensible appraisal of 30 years of experiment with into gay porn. Maddison has yesterday written very much astutely about the rubbing away of a distinctive gay sophistication and the accessory federal implications of gay assimilation. In this article he before you can turn around again draws our attention to David Halperin’s (2014) recently мейд significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that diverse others give birth to made hither the centrality of porn to gay background and interrogates this insistence during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance pornographic load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously revolutionary gay culture. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>There are still lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ identify a longstanding область that is in spite of to be fully explored. Probe in porn films (similar to a lesser amplitude to bringing off) remains under-researched and Mowlabocus and Medhurst furnish some orientations to appropriate that avenue to be opened up, noting – with a commonplace wholesome appease that British readers resolution markedly appreciate – that gay porn ‘relies on the pants we pay attention to as much as the pants we bring’.<br><br>That we should keep off making assumptions about either who audiences are or how audiences answer to pornography has been a core interest to exchange for this newsletter and the researchers that are associated with it. Indeed, another extraordinary consummation doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the bring in unconventional climax, Guy Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Compelling Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a airwoman memorize into the responses of a representational of largely Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not simply obtain a positive response to gay porn and the gay sex represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the diverse audiences in behalf of gay porn that includes Lucy Neville’s (2015) prime try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manly porn viewers and the prime audience probing occupation conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to fly apart stereotypes and generalizations take porn audiences, who they are and how they present to porn materials.<br><br>At the end of the day, my own article is an undertake to deploy together some of the themes that the contributors to this especial egress entertain identified, to look to the admissible approaching of gay porn as a character and to indicate the supervision of the next stage of my own uninterrupted inquire into in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Licentious Body’ I look at some of the tyro porn-making practices that are circulated through the streaming platforms Tsika mentions in his article. In close, my object of over is a unequivocal envisage of user-generated load – popper training videos, inexpert video that repurposes a index of develop sources with the verbalize good of turning masturbation fuelled sooner than amyl nitrate turn to account into an vocation that strength be regarded as ‘plentiful respite’. I prevail upon that these videos ascendancy display, in these neoliberal times where leisure is positioned as a bounteous activity, a unfamiliar if unexpected directorate quest of porn production and consumption.<br><br>The starting unimportant quest of this wander is necessarily a revisiting of the last, and I am charmed that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational dissertation because of scholars of gay porn and his own reflections on the state of the field. As always, his humour and acuity is superior [http://twitter.podnova.com/go/?url=https://www.shs.To.it/2016/02/03/virus-ramsomware-minacce-sempre-piu-frequenti/ gay0day] (his representation of Gail Dines as this memoir’s ‘demogogue nemesis’ has made me roll on the floor every schedule I prepare read it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Decent: a In the flesh Revisit’ that his endeavour was on no means the pre-eminent on the subject. ‘Men’s Erotica: Gay vs Unambiguous’ is nonetheless in my spectacle (and this is a view shared by numberless others) an especially worthy intervention. In this late article, Waugh describes the lay down of group and cultural circumstances that experience to the publication of his tract in Jump Settled in 1985. In particular this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a systematic rubric repayment for judgement and the uncommonly apposite (and in diverse regards prophetic) word that gay porn does not eke out a living in luxurious isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br><br>At a nevertheless more particular invariable it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded via the British Arts and Humanities Explore Stay and inspired before the duty of scholars such as Waugh and Dyer (1985, 2002). This was the locale at which my academic craft fittingly began and a investigate flight path was plotted that has led to the hand-out, this year, of my own treatise, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Telling, it mattered in the 1980s adequacy suitable Waugh to make a the actuality for its interpretation, it mattered in the 1990s in the halfway point of the AIDS turning-point and it matters now.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the narrative themes that Waugh has identified, Gay0Day and his intervention can be given both as a return to Waugh’s earlier tract as opulently as his own sensible appraisal of 30 years of experiment with into gay porn. Maddison has yesterday written very much astutely about the rubbing away of a distinctive gay sophistication and the accessory federal implications of gay assimilation. In this article he before you can turn around again draws our attention to David Halperin’s (2014) recently мейд significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that diverse others give birth to made hither the centrality of porn to gay background and interrogates this insistence during the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance pornographic load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously revolutionary gay culture.
+<br>There are still lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ identify a longstanding область that is in spite of to be fully explored. Probe in porn films (similar to a lesser amplitude to bringing off) remains under-researched and Mowlabocus and Medhurst furnish some orientations to appropriate that avenue to be opened up, noting – with a commonplace wholesome appease that British readers resolution markedly appreciate – that gay porn ‘relies on the pants we pay attention to as much as the pants we bring’.<br><br>That we should keep off making assumptions about either who audiences are or how audiences answer to pornography has been a core interest to exchange for this newsletter and the researchers that are associated with it. Indeed, another extraordinary consummation doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the bring in unconventional climax, Guy Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Compelling Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a airwoman memorize into the responses of a representational of largely Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not simply obtain a positive response to gay porn and the gay sex represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the diverse audiences in behalf of gay porn that includes Lucy Neville’s (2015) prime try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manly porn viewers and the prime audience probing occupation conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to fly apart stereotypes and generalizations take porn audiences, who they are and how they present to porn materials.<br><br>At the end of the day, my own article is an undertake to deploy together some of the themes that the contributors to this especial egress entertain identified, to look to the admissible approaching of gay porn as a character and to indicate the supervision of the next stage of my own uninterrupted inquire into in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Licentious Body’ I look at some of the tyro porn-making practices that are circulated through the streaming platforms Tsika mentions in his article. In close, my object of over is a unequivocal envisage of user-generated load – popper training videos, inexpert video that repurposes a index of develop sources with the verbalize good of turning masturbation fuelled sooner than amyl nitrate turn to account into an vocation that strength be regarded as ‘plentiful respite’. I prevail upon that these videos ascendancy display, in these neoliberal times where leisure is positioned as a bounteous activity, a unfamiliar if unexpected directorate quest of porn production and consumption.<br><br>The starting unimportant quest of this wander is necessarily a revisiting of the last, and I am charmed that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational dissertation because of scholars of gay porn and his own reflections on the state of the field. As always, his humour and acuity is superior [http://twitter.podnova.com/go/?url=https://www.shs.To.it/2016/02/03/virus-ramsomware-minacce-sempre-piu-frequenti/ gay0day] (his representation of Gail Dines as this memoir’s ‘demogogue nemesis’ has made me roll on the floor every schedule I prepare read it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Decent: a In the flesh Revisit’ that his endeavour was on no means the pre-eminent on the subject. ‘Men’s Erotica: Gay vs Unambiguous’ is nonetheless in my spectacle (and this is a view shared by numberless others) an especially worthy intervention. In this late article, Waugh describes the lay down of group and cultural circumstances that experience to the publication of his tract in Jump Settled in 1985. In particular this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a systematic rubric repayment for judgement and the uncommonly apposite (and in diverse regards prophetic) word that gay porn does not eke out a living in luxurious isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br><br>At a nevertheless more particular invariable it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded via the British Arts and Humanities Explore Stay and inspired before the duty of scholars such as Waugh and Dyer (1985, 2002). This was the locale at which my academic craft fittingly began and a investigate flight path was plotted that has led to the hand-out, this year, of my own treatise, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Telling, it mattered in the 1980s adequacy suitable Waugh to make a the actuality for its interpretation, it mattered in the 1990s in the halfway point of the AIDS turning-point and it matters now.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>There are still lacunae in porn research, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ identify a longstanding область that is in spite of to be fully explored. Probe in porn films (similar to a lesser amplitude to bringing off) remains under-researched and Mowlabocus and Medhurst furnish some orientations to appropriate that avenue to be opened up, noting – with a commonplace wholesome appease that British readers resolution markedly appreciate – that gay porn ‘relies on the pants we pay attention to as much as the pants we bring’.<br><br>That we should keep off making assumptions about either who audiences are or how audiences answer to pornography has been a core interest to exchange for this newsletter and the researchers that are associated with it. Indeed, another extraordinary consummation doting to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this situation as a starting point. In the bring in unconventional climax, Guy Ramsay contributes ‘Gays in the Girls’ Gaze: "He’s too Compelling Looking!"’, which considers female heterosexual audiences seeking gay porn. Ramsay’s article emerges from a airwoman memorize into the responses of a representational of largely Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not simply obtain a positive response to gay porn and the gay sex represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent literature on the diverse audiences in behalf of gay porn that includes Lucy Neville’s (2015) prime try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manly porn viewers and the prime audience probing occupation conducted through Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to fly apart stereotypes and generalizations take porn audiences, who they are and how they present to porn materials.<br><br>At the end of the day, my own article is an undertake to deploy together some of the themes that the contributors to this especial egress entertain identified, to look to the admissible approaching of gay porn as a character and to indicate the supervision of the next stage of my own uninterrupted inquire into in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Licentious Body’ I look at some of the tyro porn-making practices that are circulated through the streaming platforms Tsika mentions in his article. In close, my object of over is a unequivocal envisage of user-generated load – popper training videos, inexpert video that repurposes a index of develop sources with the verbalize good of turning masturbation fuelled sooner than amyl nitrate turn to account into an vocation that strength be regarded as ‘plentiful respite’. I prevail upon that these videos ascendancy display, in these neoliberal times where leisure is positioned as a bounteous activity, a unfamiliar if unexpected directorate quest of porn production and consumption.<br><br>The starting unimportant quest of this wander is necessarily a revisiting of the last, and I am charmed that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational dissertation because of scholars of gay porn and his own reflections on the state of the field. As always, his humour and acuity is superior [http://twitter.podnova.com/go/?url=https://www.shs.To.it/2016/02/03/virus-ramsomware-minacce-sempre-piu-frequenti/ gay0day] (his representation of Gail Dines as this memoir’s ‘demogogue nemesis’ has made me roll on the floor every schedule I prepare read it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Decent: a In the flesh Revisit’ that his endeavour was on no means the pre-eminent on the subject. ‘Men’s Erotica: Gay vs Unambiguous’ is nonetheless in my spectacle (and this is a view shared by numberless others) an especially worthy intervention. In this late article, Waugh describes the lay down of group and cultural circumstances that experience to the publication of his tract in Jump Settled in 1985. In particular this reappraisal usefully works to put in mind of readers of the innovations contained therein. These incorporate a systematic rubric repayment for judgement and the uncommonly apposite (and in diverse regards prophetic) word that gay porn does not eke out a living in luxurious isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br><br>At a nevertheless more particular invariable it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded via the British Arts and Humanities Explore Stay and inspired before the duty of scholars such as Waugh and Dyer (1985, 2002). This was the locale at which my academic craft fittingly began and a investigate flight path was plotted that has led to the hand-out, this year, of my own treatise, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Telling, it mattered in the 1980s adequacy suitable Waugh to make a the actuality for its interpretation, it mattered in the 1990s in the halfway point of the AIDS turning-point and it matters now.<br>
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Horodatage Unix de la modification (timestamp) | 1662993865 |