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2 octobre 2022 à 03:10 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Promptly. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and  Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
+
<br>At a still more individual level it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded about the British Arts and Humanities Explore Board and inspired by the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my academic career decently began and a investigate flight path was plotted that has led to the hand-out, this year, of my own paper, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of After Telling, it mattered in the 1980s sufficiently against Waugh to get a the actuality to save its analysis, it mattered in the 1990s in the middle of the AIDS calamity and it matters now.<br><br>The starting go out of one's way to for this route is surely a revisiting of the days, and I am happy that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational venture respecting scholars of gay porn and his own reflections on the state of the field. As eternally, his wit and acuity is first-class (his feather of Gail Dines as this review’s ‘demogogue nemesis’ has мейд me hoot a deride every in good time I have review it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Straight: a Familiar Revisit’ that his endeavour was on no means the opening on the subject. ‘Men’s Filth: Gay vs Straightforward’ is nonetheless in my inspection (and this is a picture shared past sundry others) an especially mighty intervention. In this late article, Waugh describes the lay down of communal and cultural circumstances that dispose to the putting out of his essay in Pounce on attack Clip in 1985. In exceptional this reappraisal usefully works to jog the memory readers of the innovations contained therein. These include a systematized rubric for judgement and the especially apposite (and in many regards vatic) observation that gay porn does not eke out a living in magnificent isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br><br>At the last moment, my own article is an crack to deploy together some of the themes that the contributors to this especial egress be dressed identified, to look to the admissible days of gay porn as a genre and to manifest the way of the next present of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Smutty Hull’ I look at some of the amateur porn-making practices that are circulated through the streaming platforms Tsika mentions in his article. In particular, my target of over is a unequivocal type of user-generated size – popper training videos, amateur video that repurposes a pass over of initiate sources with the speak good of turning masturbation fuelled past amyl nitrate purchase into an pursuit that might be regarded as ‘bountiful recreation’. I quarrel that these videos puissance display, in these neoliberal times where ease is positioned as a rewarding pursuit, a modish if unexpected administering an eye to porn production and consumption.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sexual congress Scenes’ discusses the various streaming platforms inclusive of which gay porn is increasingly circulated. Issues adjacent piracy and the prohibited uploading of copyrighted satisfied are of course urgent concerns payment the porn effort; however, Tsika identifies a to a certain extent more well-defined tangible of contemplate in array to energetic observations about the ways in which ‘denotation’ is contingent on context. Tsika’s tonality concern here is the machine totally which variously titillating or in some cases sexually outspoken materials can be extracted from their firsthand frame of reference within underground and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to call to mind that the prepare of appropriation and repackaging that takes situate here reduces the governmental and cultural power of the singular provenance texts that are repurposed.<br><br>The year 2017 marks a date that without hyperbole can be described as a guidepost in compensation gay men in the Collective Kingdom. It is just now 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Amalgamated Kingdom. Internationally, 1967 was an important year for the benefit of gay men too. In Canada, the Detention Churchman Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the now notorious television documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, by this apex a vital Hollywood star, was to play a repressed invert in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior  [http://www.Chelseaclub.com/__media__/js/netsoltrademark.php?d=Cabinet-Saint-hilaire.fr%2Fwhen-geriatricians-walk-from-medicare%2F gay0Day] Among Males: A Cross-Cultural and Cross-Species Probe was opening published in 1967, a enlist that argued during referral to documented and cultural precedent exchange for the acceptance of homosexuality. In September 1967, by formerly he was to become sole of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September subject of Recognize Pictorial, marking his entree into the area of show-business via gay porn’s backdoor.<br>

Paramètres de l'action

VariableValeur
Si la modification est marquée comme mineure ou non (minor_edit)
Nom du compte d’utilisateur (user_name)
KeithHudd225
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups)
* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
Numéro de la page (article_articleid)
3291
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Promptly
Titre complet de la page (article_prefixedtext)
Introduction: Gay Porn Promptly
Action (action)
edit
Résumé/motif de la modification (summary)
Ancien modèle de contenu (old_content_model)
wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
Nouveau texte de la page, après la modification (new_wikitext)
<br>At a still more individual level it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded about the British Arts and Humanities Explore Board and inspired by the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my academic career decently began and a investigate flight path was plotted that has led to the hand-out, this year, of my own paper, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of After Telling, it mattered in the 1980s sufficiently against Waugh to get a the actuality to save its analysis, it mattered in the 1990s in the middle of the AIDS calamity and it matters now.<br><br>The starting go out of one's way to for this route is surely a revisiting of the days, and I am happy that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational venture respecting scholars of gay porn and his own reflections on the state of the field. As eternally, his wit and acuity is first-class (his feather of Gail Dines as this review’s ‘demogogue nemesis’ has мейд me hoot a deride every in good time I have review it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Straight: a Familiar Revisit’ that his endeavour was on no means the opening on the subject. ‘Men’s Filth: Gay vs Straightforward’ is nonetheless in my inspection (and this is a picture shared past sundry others) an especially mighty intervention. In this late article, Waugh describes the lay down of communal and cultural circumstances that dispose to the putting out of his essay in Pounce on attack Clip in 1985. In exceptional this reappraisal usefully works to jog the memory readers of the innovations contained therein. These include a systematized rubric for judgement and the especially apposite (and in many regards vatic) observation that gay porn does not eke out a living in magnificent isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br><br>At the last moment, my own article is an crack to deploy together some of the themes that the contributors to this especial egress be dressed identified, to look to the admissible days of gay porn as a genre and to manifest the way of the next present of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Smutty Hull’ I look at some of the amateur porn-making practices that are circulated through the streaming platforms Tsika mentions in his article. In particular, my target of over is a unequivocal type of user-generated size – popper training videos, amateur video that repurposes a pass over of initiate sources with the speak good of turning masturbation fuelled past amyl nitrate purchase into an pursuit that might be regarded as ‘bountiful recreation’. I quarrel that these videos puissance display, in these neoliberal times where ease is positioned as a rewarding pursuit, a modish if unexpected administering an eye to porn production and consumption.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sexual congress Scenes’ discusses the various streaming platforms inclusive of which gay porn is increasingly circulated. Issues adjacent piracy and the prohibited uploading of copyrighted satisfied are of course urgent concerns payment the porn effort; however, Tsika identifies a to a certain extent more well-defined tangible of contemplate in array to energetic observations about the ways in which ‘denotation’ is contingent on context. Tsika’s tonality concern here is the machine totally which variously titillating or in some cases sexually outspoken materials can be extracted from their firsthand frame of reference within underground and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to call to mind that the prepare of appropriation and repackaging that takes situate here reduces the governmental and cultural power of the singular provenance texts that are repurposed.<br><br>The year 2017 marks a date that without hyperbole can be described as a guidepost in compensation gay men in the Collective Kingdom. It is just now 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Amalgamated Kingdom. Internationally, 1967 was an important year for the benefit of gay men too. In Canada, the Detention Churchman Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the now notorious television documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, by this apex a vital Hollywood star, was to play a repressed invert in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior [http://www.Chelseaclub.com/__media__/js/netsoltrademark.php?d=Cabinet-Saint-hilaire.fr%2Fwhen-geriatricians-walk-from-medicare%2F gay0Day] Among Males: A Cross-Cultural and Cross-Species Probe was opening published in 1967, a enlist that argued during referral to documented and cultural precedent exchange for the acceptance of homosexuality. In September 1967, by formerly he was to become sole of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September subject of Recognize Pictorial, marking his entree into the area of show-business via gay porn’s backdoor.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. +<br>At a still more individual level it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded about the British Arts and Humanities Explore Board and inspired by the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my academic career decently began and a investigate flight path was plotted that has led to the hand-out, this year, of my own paper, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of After Telling, it mattered in the 1980s sufficiently against Waugh to get a the actuality to save its analysis, it mattered in the 1990s in the middle of the AIDS calamity and it matters now.<br><br>The starting go out of one's way to for this route is surely a revisiting of the days, and I am happy that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational venture respecting scholars of gay porn and his own reflections on the state of the field. As eternally, his wit and acuity is first-class (his feather of Gail Dines as this review’s ‘demogogue nemesis’ has мейд me hoot a deride every in good time I have review it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Straight: a Familiar Revisit’ that his endeavour was on no means the opening on the subject. ‘Men’s Filth: Gay vs Straightforward’ is nonetheless in my inspection (and this is a picture shared past sundry others) an especially mighty intervention. In this late article, Waugh describes the lay down of communal and cultural circumstances that dispose to the putting out of his essay in Pounce on attack Clip in 1985. In exceptional this reappraisal usefully works to jog the memory readers of the innovations contained therein. These include a systematized rubric for judgement and the especially apposite (and in many regards vatic) observation that gay porn does not eke out a living in magnificent isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br><br>At the last moment, my own article is an crack to deploy together some of the themes that the contributors to this especial egress be dressed identified, to look to the admissible days of gay porn as a genre and to manifest the way of the next present of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Smutty Hull’ I look at some of the amateur porn-making practices that are circulated through the streaming platforms Tsika mentions in his article. In particular, my target of over is a unequivocal type of user-generated size – popper training videos, amateur video that repurposes a pass over of initiate sources with the speak good of turning masturbation fuelled past amyl nitrate purchase into an pursuit that might be regarded as ‘bountiful recreation’. I quarrel that these videos puissance display, in these neoliberal times where ease is positioned as a rewarding pursuit, a modish if unexpected administering an eye to porn production and consumption.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sexual congress Scenes’ discusses the various streaming platforms inclusive of which gay porn is increasingly circulated. Issues adjacent piracy and the prohibited uploading of copyrighted satisfied are of course urgent concerns payment the porn effort; however, Tsika identifies a to a certain extent more well-defined tangible of contemplate in array to energetic observations about the ways in which ‘denotation’ is contingent on context. Tsika’s tonality concern here is the machine totally which variously titillating or in some cases sexually outspoken materials can be extracted from their firsthand frame of reference within underground and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to call to mind that the prepare of appropriation and repackaging that takes situate here reduces the governmental and cultural power of the singular provenance texts that are repurposed.<br><br>The year 2017 marks a date that without hyperbole can be described as a guidepost in compensation gay men in the Collective Kingdom. It is just now 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Amalgamated Kingdom. Internationally, 1967 was an important year for the benefit of gay men too. In Canada, the Detention Churchman Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the now notorious television documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, by this apex a vital Hollywood star, was to play a repressed invert in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior [http://www.Chelseaclub.com/__media__/js/netsoltrademark.php?d=Cabinet-Saint-hilaire.fr%2Fwhen-geriatricians-walk-from-medicare%2F gay0Day] Among Males: A Cross-Cultural and Cross-Species Probe was opening published in 1967, a enlist that argued during referral to documented and cultural precedent exchange for the acceptance of homosexuality. In September 1967, by formerly he was to become sole of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September subject of Recognize Pictorial, marking his entree into the area of show-business via gay porn’s backdoor.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>At a still more individual level it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded about the British Arts and Humanities Explore Board and inspired by the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my academic career decently began and a investigate flight path was plotted that has led to the hand-out, this year, of my own paper, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it uniquely matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of After Telling, it mattered in the 1980s sufficiently against Waugh to get a the actuality to save its analysis, it mattered in the 1990s in the middle of the AIDS calamity and it matters now.<br><br>The starting go out of one's way to for this route is surely a revisiting of the days, and I am happy that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational venture respecting scholars of gay porn and his own reflections on the state of the field. As eternally, his wit and acuity is first-class (his feather of Gail Dines as this review’s ‘demogogue nemesis’ has мейд me hoot a deride every in good time I have review it), as is his modesty, acknowledging, as he does in ‘Men’s Porn, Gay vs. Straight: a Familiar Revisit’ that his endeavour was on no means the opening on the subject. ‘Men’s Filth: Gay vs Straightforward’ is nonetheless in my inspection (and this is a picture shared past sundry others) an especially mighty intervention. In this late article, Waugh describes the lay down of communal and cultural circumstances that dispose to the putting out of his essay in Pounce on attack Clip in 1985. In exceptional this reappraisal usefully works to jog the memory readers of the innovations contained therein. These include a systematized rubric for judgement and the especially apposite (and in many regards vatic) observation that gay porn does not eke out a living in magnificent isolation and should be more meaningfully understood as part of what Tom describes as a ‘continuum’ here.<br><br>At the last moment, my own article is an crack to deploy together some of the themes that the contributors to this especial egress be dressed identified, to look to the admissible days of gay porn as a genre and to manifest the way of the next present of my own unbroken inquire into in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Smutty Hull’ I look at some of the amateur porn-making practices that are circulated through the streaming platforms Tsika mentions in his article. In particular, my target of over is a unequivocal type of user-generated size – popper training videos, amateur video that repurposes a pass over of initiate sources with the speak good of turning masturbation fuelled past amyl nitrate purchase into an pursuit that might be regarded as ‘bountiful recreation’. I quarrel that these videos puissance display, in these neoliberal times where ease is positioned as a rewarding pursuit, a modish if unexpected administering an eye to porn production and consumption.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Sexual congress Scenes’ discusses the various streaming platforms inclusive of which gay porn is increasingly circulated. Issues adjacent piracy and the prohibited uploading of copyrighted satisfied are of course urgent concerns payment the porn effort; however, Tsika identifies a to a certain extent more well-defined tangible of contemplate in array to energetic observations about the ways in which ‘denotation’ is contingent on context. Tsika’s tonality concern here is the machine totally which variously titillating or in some cases sexually outspoken materials can be extracted from their firsthand frame of reference within underground and curious cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in command to call to mind that the prepare of appropriation and repackaging that takes situate here reduces the governmental and cultural power of the singular provenance texts that are repurposed.<br><br>The year 2017 marks a date that without hyperbole can be described as a guidepost in compensation gay men in the Collective Kingdom. It is just now 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Amalgamated Kingdom. Internationally, 1967 was an important year for the benefit of gay men too. In Canada, the Detention Churchman Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the USA, the now notorious television documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, by this apex a vital Hollywood star, was to play a repressed invert in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior [http://www.Chelseaclub.com/__media__/js/netsoltrademark.php?d=Cabinet-Saint-hilaire.fr%2Fwhen-geriatricians-walk-from-medicare%2F gay0Day] Among Males: A Cross-Cultural and Cross-Species Probe was opening published in 1967, a enlist that argued during referral to documented and cultural precedent exchange for the acceptance of homosexuality. In September 1967, by formerly he was to become sole of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September subject of Recognize Pictorial, marking his entree into the area of show-business via gay porn’s backdoor.<br>
Horodatage Unix de la modification (timestamp)
1664676605