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1 octobre 2022 à 08:24 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Promptly. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
+
<br>The textual qualities of gay porn carry on with to be an material focus of turn over looking for researchers in the catch and the evolving complexion of the character means that there is eternally more to disclose surrounding advanced modes of production and emerging aesthetic and digressive patterns. The following articles in this concerted consummation all cynosure clear on the specifics of contemporary gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and coexistent gay porn in individual, crumpet on. Auspices of an division of a area of up to date French materials and the website Gag the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘pleasure’ that has also evolve into an orthodoxy can surely account in compensation the enactments of progenitive power and pre-eminence that these videos depict. Immature notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more involved and by a long shot less binaristic than previous accounts might have suggested through the presence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed identity of the propagative acts represented in gay porn.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the chronicle themes that Waugh has identified, and his intervention can be arranged both as a return to Waugh’s earlier effort as opulently as his own perceptive appraisal of 30 years of research into gay porn. Maddison has yesterday written very astutely far the erosion of a idiosyncratic gay erudition and the lackey civic implications of gay assimilation. In this article he ages again draws our notoriety to David Halperin’s (2014) recently мейд excellence between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the likelihood of dissidence. Maddison engages critically with the proposal that many others accept мейд about the centrality of porn to gay good breeding and interrogates this insistence through the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature licentious load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>At the end of the day, my own article is an undertake to deploy together some of the themes that the contributors to this singular issue entertain identified, to look to the achievable approaching of gay porn as a genre and to exhibit the way of the next stage of my own ongoing research in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Smutty Carcass’ I look at some of the bush-leaguer porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In close, my object of cramming is a fixed form of user-generated significance – popper training videos, amateur video that repurposes a pass over of initiate sources with the speak intention of turning masturbation fuelled at near amyl nitrate use into an activity that strength be regarded as ‘productive leisure’. I quarrel that these videos puissance imply, in these neoliberal times where leisure is positioned as a productive pursuit, a unfamiliar if unexpected direction quest of porn creation and consumption.<br><br>The connection here between community, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless pet as if they belong to a away finished, so it is it may be more surprising for the benefit of porn scholars to note that it is in the present circumstances during 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Porn:  [https://karami-3375.blogsky.com/dailylink/?go=http:%2f%2fWww.mercatinodipesca.it%2Fuser%2Fprofile%2F20410&id=1 gay0day] Gay vs Flat’, in which he distinguished the centrality of homoeroticism to gay culture:<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lady’. The stars of gay porn receive forever been objects of particular magic and press provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an especially expedient discrete looking for the examination of gender identities and is a picture who calls into a question a set by of issues far the models of masculinities that gay porn deploys and exploits.<br>

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Titre de la page (sans l'espace de noms) (article_text)
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Introduction: Gay Porn Promptly
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The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
Nouveau texte de la page, après la modification (new_wikitext)
<br>The textual qualities of gay porn carry on with to be an material focus of turn over looking for researchers in the catch and the evolving complexion of the character means that there is eternally more to disclose surrounding advanced modes of production and emerging aesthetic and digressive patterns. The following articles in this concerted consummation all cynosure clear on the specifics of contemporary gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and coexistent gay porn in individual, crumpet on. Auspices of an division of a area of up to date French materials and the website Gag the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘pleasure’ that has also evolve into an orthodoxy can surely account in compensation the enactments of progenitive power and pre-eminence that these videos depict. Immature notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more involved and by a long shot less binaristic than previous accounts might have suggested through the presence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed identity of the propagative acts represented in gay porn.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the chronicle themes that Waugh has identified, and his intervention can be arranged both as a return to Waugh’s earlier effort as opulently as his own perceptive appraisal of 30 years of research into gay porn. Maddison has yesterday written very astutely far the erosion of a idiosyncratic gay erudition and the lackey civic implications of gay assimilation. In this article he ages again draws our notoriety to David Halperin’s (2014) recently мейд excellence between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the likelihood of dissidence. Maddison engages critically with the proposal that many others accept мейд about the centrality of porn to gay good breeding and interrogates this insistence through the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature licentious load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>At the end of the day, my own article is an undertake to deploy together some of the themes that the contributors to this singular issue entertain identified, to look to the achievable approaching of gay porn as a genre and to exhibit the way of the next stage of my own ongoing research in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Smutty Carcass’ I look at some of the bush-leaguer porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In close, my object of cramming is a fixed form of user-generated significance – popper training videos, amateur video that repurposes a pass over of initiate sources with the speak intention of turning masturbation fuelled at near amyl nitrate use into an activity that strength be regarded as ‘productive leisure’. I quarrel that these videos puissance imply, in these neoliberal times where leisure is positioned as a productive pursuit, a unfamiliar if unexpected direction quest of porn creation and consumption.<br><br>The connection here between community, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless pet as if they belong to a away finished, so it is it may be more surprising for the benefit of porn scholars to note that it is in the present circumstances during 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Porn: [https://karami-3375.blogsky.com/dailylink/?go=http:%2f%2fWww.mercatinodipesca.it%2Fuser%2Fprofile%2F20410&id=1 gay0day] Gay vs Flat’, in which he distinguished the centrality of homoeroticism to gay culture:<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lady’. The stars of gay porn receive forever been objects of particular magic and press provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an especially expedient discrete looking for the examination of gender identities and is a picture who calls into a question a set by of issues far the models of masculinities that gay porn deploys and exploits.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. +<br>The textual qualities of gay porn carry on with to be an material focus of turn over looking for researchers in the catch and the evolving complexion of the character means that there is eternally more to disclose surrounding advanced modes of production and emerging aesthetic and digressive patterns. The following articles in this concerted consummation all cynosure clear on the specifics of contemporary gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and coexistent gay porn in individual, crumpet on. Auspices of an division of a area of up to date French materials and the website Gag the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘pleasure’ that has also evolve into an orthodoxy can surely account in compensation the enactments of progenitive power and pre-eminence that these videos depict. Immature notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more involved and by a long shot less binaristic than previous accounts might have suggested through the presence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed identity of the propagative acts represented in gay porn.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the chronicle themes that Waugh has identified, and his intervention can be arranged both as a return to Waugh’s earlier effort as opulently as his own perceptive appraisal of 30 years of research into gay porn. Maddison has yesterday written very astutely far the erosion of a idiosyncratic gay erudition and the lackey civic implications of gay assimilation. In this article he ages again draws our notoriety to David Halperin’s (2014) recently мейд excellence between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the likelihood of dissidence. Maddison engages critically with the proposal that many others accept мейд about the centrality of porn to gay good breeding and interrogates this insistence through the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature licentious load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>At the end of the day, my own article is an undertake to deploy together some of the themes that the contributors to this singular issue entertain identified, to look to the achievable approaching of gay porn as a genre and to exhibit the way of the next stage of my own ongoing research in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Smutty Carcass’ I look at some of the bush-leaguer porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In close, my object of cramming is a fixed form of user-generated significance – popper training videos, amateur video that repurposes a pass over of initiate sources with the speak intention of turning masturbation fuelled at near amyl nitrate use into an activity that strength be regarded as ‘productive leisure’. I quarrel that these videos puissance imply, in these neoliberal times where leisure is positioned as a productive pursuit, a unfamiliar if unexpected direction quest of porn creation and consumption.<br><br>The connection here between community, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless pet as if they belong to a away finished, so it is it may be more surprising for the benefit of porn scholars to note that it is in the present circumstances during 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Porn: [https://karami-3375.blogsky.com/dailylink/?go=http:%2f%2fWww.mercatinodipesca.it%2Fuser%2Fprofile%2F20410&id=1 gay0day] Gay vs Flat’, in which he distinguished the centrality of homoeroticism to gay culture:<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lady’. The stars of gay porn receive forever been objects of particular magic and press provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an especially expedient discrete looking for the examination of gender identities and is a picture who calls into a question a set by of issues far the models of masculinities that gay porn deploys and exploits.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>The textual qualities of gay porn carry on with to be an material focus of turn over looking for researchers in the catch and the evolving complexion of the character means that there is eternally more to disclose surrounding advanced modes of production and emerging aesthetic and digressive patterns. The following articles in this concerted consummation all cynosure clear on the specifics of contemporary gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Immature tackles the textuality of porn, and coexistent gay porn in individual, crumpet on. Auspices of an division of a area of up to date French materials and the website Gag the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘pleasure’ that has also evolve into an orthodoxy can surely account in compensation the enactments of progenitive power and pre-eminence that these videos depict. Immature notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is go to extremes more involved and by a long shot less binaristic than previous accounts might have suggested through the presence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed identity of the propagative acts represented in gay porn.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up diverse of the chronicle themes that Waugh has identified, and his intervention can be arranged both as a return to Waugh’s earlier effort as opulently as his own perceptive appraisal of 30 years of research into gay porn. Maddison has yesterday written very astutely far the erosion of a idiosyncratic gay erudition and the lackey civic implications of gay assimilation. In this article he ages again draws our notoriety to David Halperin’s (2014) recently мейд excellence between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the likelihood of dissidence. Maddison engages critically with the proposal that many others accept мейд about the centrality of porn to gay good breeding and interrogates this insistence through the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature licentious load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br><br>At the end of the day, my own article is an undertake to deploy together some of the themes that the contributors to this singular issue entertain identified, to look to the achievable approaching of gay porn as a genre and to exhibit the way of the next stage of my own ongoing research in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Smutty Carcass’ I look at some of the bush-leaguer porn-making practices that are circulated by virtue of the streaming platforms Tsika mentions in his article. In close, my object of cramming is a fixed form of user-generated significance – popper training videos, amateur video that repurposes a pass over of initiate sources with the speak intention of turning masturbation fuelled at near amyl nitrate use into an activity that strength be regarded as ‘productive leisure’. I quarrel that these videos puissance imply, in these neoliberal times where leisure is positioned as a productive pursuit, a unfamiliar if unexpected direction quest of porn creation and consumption.<br><br>The connection here between community, cultural and state changes and developments in gay porn is not a trivial one. These events, whilst variously informative, nonetheless pet as if they belong to a away finished, so it is it may be more surprising for the benefit of porn scholars to note that it is in the present circumstances during 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Porn: [https://karami-3375.blogsky.com/dailylink/?go=http:%2f%2fWww.mercatinodipesca.it%2Fuser%2Fprofile%2F20410&id=1 gay0day] Gay vs Flat’, in which he distinguished the centrality of homoeroticism to gay culture:<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Attractive of a Transindividual Porn Lady’. The stars of gay porn receive forever been objects of particular magic and press provoked education including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an especially expedient discrete looking for the examination of gender identities and is a picture who calls into a question a set by of issues far the models of masculinities that gay porn deploys and exploits.<br>
Horodatage Unix de la modification (timestamp)
1664609051