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15 septembre 2022 à 18:08 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Now. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and  Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.
+
<br>The textual qualities of gay porn keep on to be an important object of turn over after researchers in the field and the evolving stripe of the character means that there is in any case more to noise abroad about late-model modes of moulding and emerging aesthetic and verbose patterns. The in the wake articles in this special originate all cynosure clear on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and novel gay porn in individual, crumpet on. Through an analysis of a grade of newfangled French materials and the website Wisecrack the Fag, Unsophisticated argues that neither the arguments proselytized by anti-porn feminism nor the rubric of ‘entertainment’ that has also become an orthodoxy can surely account benefit of the enactments of genital power and domination that these videos depict. Young notes in his article that the exposition of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and by a long shot less binaristic than previous accounts authority take suggested from one end to the other the presence of the apparatus of the camera. Unsophisticated’s article brilliantly reminds readers of the staged and performed quality of the sexual acts represented in gay porn.<br><br>A tip of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Woman’. The stars of gay porn have continually been objects of particular magic and include provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose unanimity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an singularly expedient discrete looking for the dissection of gender identities and is a worthy who calls into a question a set by of issues about the models of masculinities that gay porn deploys and exploits.<br><br>There are pacific lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ sort out a longstanding область that is in spite of to be fully explored. Probe in porn films (similar to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to own that avenue to be opened up, noting – with a habitual good appease that British readers on very appreciate – that gay porn ‘relies on the pants we find out as much as the pants we imagine’.<br><br>That we should shun making assumptions about either who audiences are or how audiences rejoin to smut has been a centre apprehension representing this newsletter and the researchers that are associated with it. Indeed, another extraordinary consummation doting to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present special uncertain, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman over into the responses of a sample of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not only possess a upbeat rejoinder to gay porn and  [https://proweb.blogsky.com/dailylink/?go=http:%2f%2f0xbt.net%2Fprofile%2FRodolfoNkt&id=1 Gay0day] the gay sex represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) excellent thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manful porn viewers and the crucial audience research layout conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to fly apart stereotypes and generalizations forth porn audiences, who they are and how they be turned on to to porn materials.<br><br>I belong to a cultural and political frame of reference – the urban gay virile community/ies – in which befouled pictures have in the offing a hard-won centrality, both historically and at present. (1985, 30)<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the narrative themes that Waugh has identified, and his intervention can be understood both as a return to Waugh’s earlier effort as proficiently as his own perspicacious appraisal of 30 years of inspect into gay porn. Maddison has in olden days written entirely astutely roughly the corroding of a distinctive gay savoir faire and the cohort factious implications of gay assimilation. In this article he positively again draws our prominence to David Halperin’s (2014) recently мейд significance between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the suggestion that diverse others accept мейд about the centrality of porn to gay background and interrogates this insistence into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight licentious satisfied which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br>

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The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.
Nouveau texte de la page, après la modification (new_wikitext)
<br>The textual qualities of gay porn keep on to be an important object of turn over after researchers in the field and the evolving stripe of the character means that there is in any case more to noise abroad about late-model modes of moulding and emerging aesthetic and verbose patterns. The in the wake articles in this special originate all cynosure clear on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and novel gay porn in individual, crumpet on. Through an analysis of a grade of newfangled French materials and the website Wisecrack the Fag, Unsophisticated argues that neither the arguments proselytized by anti-porn feminism nor the rubric of ‘entertainment’ that has also become an orthodoxy can surely account benefit of the enactments of genital power and domination that these videos depict. Young notes in his article that the exposition of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and by a long shot less binaristic than previous accounts authority take suggested from one end to the other the presence of the apparatus of the camera. Unsophisticated’s article brilliantly reminds readers of the staged and performed quality of the sexual acts represented in gay porn.<br><br>A tip of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Woman’. The stars of gay porn have continually been objects of particular magic and include provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose unanimity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an singularly expedient discrete looking for the dissection of gender identities and is a worthy who calls into a question a set by of issues about the models of masculinities that gay porn deploys and exploits.<br><br>There are pacific lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ sort out a longstanding область that is in spite of to be fully explored. Probe in porn films (similar to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to own that avenue to be opened up, noting – with a habitual good appease that British readers on very appreciate – that gay porn ‘relies on the pants we find out as much as the pants we imagine’.<br><br>That we should shun making assumptions about either who audiences are or how audiences rejoin to smut has been a centre apprehension representing this newsletter and the researchers that are associated with it. Indeed, another extraordinary consummation doting to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present special uncertain, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman over into the responses of a sample of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not only possess a upbeat rejoinder to gay porn and [https://proweb.blogsky.com/dailylink/?go=http:%2f%2f0xbt.net%2Fprofile%2FRodolfoNkt&id=1 Gay0day] the gay sex represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) excellent thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manful porn viewers and the crucial audience research layout conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to fly apart stereotypes and generalizations forth porn audiences, who they are and how they be turned on to to porn materials.<br><br>I belong to a cultural and political frame of reference – the urban gay virile community/ies – in which befouled pictures have in the offing a hard-won centrality, both historically and at present. (1985, 30)<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the narrative themes that Waugh has identified, and his intervention can be understood both as a return to Waugh’s earlier effort as proficiently as his own perspicacious appraisal of 30 years of inspect into gay porn. Maddison has in olden days written entirely astutely roughly the corroding of a distinctive gay savoir faire and the cohort factious implications of gay assimilation. In this article he positively again draws our prominence to David Halperin’s (2014) recently мейд significance between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the suggestion that diverse others accept мейд about the centrality of porn to gay background and interrogates this insistence into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight licentious satisfied which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with. +<br>The textual qualities of gay porn keep on to be an important object of turn over after researchers in the field and the evolving stripe of the character means that there is in any case more to noise abroad about late-model modes of moulding and emerging aesthetic and verbose patterns. The in the wake articles in this special originate all cynosure clear on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and novel gay porn in individual, crumpet on. Through an analysis of a grade of newfangled French materials and the website Wisecrack the Fag, Unsophisticated argues that neither the arguments proselytized by anti-porn feminism nor the rubric of ‘entertainment’ that has also become an orthodoxy can surely account benefit of the enactments of genital power and domination that these videos depict. Young notes in his article that the exposition of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and by a long shot less binaristic than previous accounts authority take suggested from one end to the other the presence of the apparatus of the camera. Unsophisticated’s article brilliantly reminds readers of the staged and performed quality of the sexual acts represented in gay porn.<br><br>A tip of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Woman’. The stars of gay porn have continually been objects of particular magic and include provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose unanimity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an singularly expedient discrete looking for the dissection of gender identities and is a worthy who calls into a question a set by of issues about the models of masculinities that gay porn deploys and exploits.<br><br>There are pacific lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ sort out a longstanding область that is in spite of to be fully explored. Probe in porn films (similar to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to own that avenue to be opened up, noting – with a habitual good appease that British readers on very appreciate – that gay porn ‘relies on the pants we find out as much as the pants we imagine’.<br><br>That we should shun making assumptions about either who audiences are or how audiences rejoin to smut has been a centre apprehension representing this newsletter and the researchers that are associated with it. Indeed, another extraordinary consummation doting to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present special uncertain, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman over into the responses of a sample of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not only possess a upbeat rejoinder to gay porn and [https://proweb.blogsky.com/dailylink/?go=http:%2f%2f0xbt.net%2Fprofile%2FRodolfoNkt&id=1 Gay0day] the gay sex represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) excellent thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manful porn viewers and the crucial audience research layout conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to fly apart stereotypes and generalizations forth porn audiences, who they are and how they be turned on to to porn materials.<br><br>I belong to a cultural and political frame of reference – the urban gay virile community/ies – in which befouled pictures have in the offing a hard-won centrality, both historically and at present. (1985, 30)<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the narrative themes that Waugh has identified, and his intervention can be understood both as a return to Waugh’s earlier effort as proficiently as his own perspicacious appraisal of 30 years of inspect into gay porn. Maddison has in olden days written entirely astutely roughly the corroding of a distinctive gay savoir faire and the cohort factious implications of gay assimilation. In this article he positively again draws our prominence to David Halperin’s (2014) recently мейд significance between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the suggestion that diverse others accept мейд about the centrality of porn to gay background and interrogates this insistence into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight licentious satisfied which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>The textual qualities of gay porn keep on to be an important object of turn over after researchers in the field and the evolving stripe of the character means that there is in any case more to noise abroad about late-model modes of moulding and emerging aesthetic and verbose patterns. The in the wake articles in this special originate all cynosure clear on the specifics of contemporary gay porn as they are manifested in texts. In ‘Restrain the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and novel gay porn in individual, crumpet on. Through an analysis of a grade of newfangled French materials and the website Wisecrack the Fag, Unsophisticated argues that neither the arguments proselytized by anti-porn feminism nor the rubric of ‘entertainment’ that has also become an orthodoxy can surely account benefit of the enactments of genital power and domination that these videos depict. Young notes in his article that the exposition of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and by a long shot less binaristic than previous accounts authority take suggested from one end to the other the presence of the apparatus of the camera. Unsophisticated’s article brilliantly reminds readers of the staged and performed quality of the sexual acts represented in gay porn.<br><br>A tip of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Woman’. The stars of gay porn have continually been objects of particular magic and include provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Matin‚e idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘star’ Chris Crocker, whose unanimity has transitioned at a run the gamut of levels and includes his foray into gay porn. Crocker is an singularly expedient discrete looking for the dissection of gender identities and is a worthy who calls into a question a set by of issues about the models of masculinities that gay porn deploys and exploits.<br><br>There are pacific lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ sort out a longstanding область that is in spite of to be fully explored. Probe in porn films (similar to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to own that avenue to be opened up, noting – with a habitual good appease that British readers on very appreciate – that gay porn ‘relies on the pants we find out as much as the pants we imagine’.<br><br>That we should shun making assumptions about either who audiences are or how audiences rejoin to smut has been a centre apprehension representing this newsletter and the researchers that are associated with it. Indeed, another extraordinary consummation doting to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this site as a starting point. In the present special uncertain, Customer Ramsay contributes ‘Gays in the Girls’ Fixed: "He’s too A-ok Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman over into the responses of a sample of at bottom Dutch participants to a selected sample of gay porn materials. The article argues that, based on the findings of the reflect on, women not only possess a upbeat rejoinder to gay porn and [https://proweb.blogsky.com/dailylink/?go=http:%2f%2f0xbt.net%2Fprofile%2FRodolfoNkt&id=1 Gay0day] the gay sex represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) excellent thesis also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating criticism of manful porn viewers and the crucial audience research layout conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to fly apart stereotypes and generalizations forth porn audiences, who they are and how they be turned on to to porn materials.<br><br>I belong to a cultural and political frame of reference – the urban gay virile community/ies – in which befouled pictures have in the offing a hard-won centrality, both historically and at present. (1985, 30)<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up many of the narrative themes that Waugh has identified, and his intervention can be understood both as a return to Waugh’s earlier effort as proficiently as his own perspicacious appraisal of 30 years of inspect into gay porn. Maddison has in olden days written entirely astutely roughly the corroding of a distinctive gay savoir faire and the cohort factious implications of gay assimilation. In this article he positively again draws our prominence to David Halperin’s (2014) recently мейд significance between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the suggestion that diverse others accept мейд about the centrality of porn to gay background and interrogates this insistence into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight licentious satisfied which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously subversive gay culture.<br>
Horodatage Unix de la modification (timestamp)
1663261698