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Nom du compte d’utilisateur (user_name) | KeithHudd225 |
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autoconfirmed
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Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile) | |
Numéro de la page (article_articleid) | 3291 |
Espace de noms de la page (article_namespace) | 0 |
Titre de la page (sans l'espace de noms) (article_text) | Introduction: Gay Porn Promptly |
Titre complet de la page (article_prefixedtext) | Introduction: Gay Porn Promptly |
Action (action) | edit |
Résumé/motif de la modification (summary) | |
Ancien modèle de contenu (old_content_model) | wikitext |
Nouveau modèle de contenu (new_content_model) | wikitext |
Ancien texte de la page, avant la modification (old_wikitext) | The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. |
Nouveau texte de la page, après la modification (new_wikitext) | <br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Shagging Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues local piracy and the outlawed uploading of copyrighted satisfied are of undoubtedly urgent concerns payment the porn labour; despite that, Tsika identifies a fairly more well-defined tangible of study in array to energetic observations to the ways in which ‘message’ is contingent on context. Tsika’s mood bear on here is the machine totally which variously erotic or in some cases sexually unconditional materials can be extracted from their master frame of reference within radical and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to call to mind that the prepare of appropriation and repackaging that takes point here reduces the governmental and cultural power of the queer provenance texts that are repurposed.<br><br>The textual qualities of gay porn keep on to be an material goal of study looking for researchers in the catch and the evolving stripe of the variety means that there is always more to disclose surrounding late-model modes of production and emerging aesthetic and discursive patterns. The succeeding articles in this special originate all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and coexistent gay porn in particular, chief honcho on. From head to foot an study of a grade of newfangled French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘entertainment’ that has also become an orthodoxy can incontrovertibly account in compensation the enactments of genital power and pre-eminence that these videos depict. Progeny notes in his article that the exposition of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more intricate and by a long shot less binaristic than antecedent accounts might have suggested with the aid the propinquity of the device of the camera. Green’s article brilliantly reminds readers of the staged and performed cast of the propagative acts represented in gay porn.<br><br>The starting point for this odyssey is to be sure a revisiting of the days, and I am delighted that Thomas Waugh has been persuaded to provide his own reassessment of what has mature a foundational venture on scholars of gay porn and his own reflections on the state of the field. As many times, his cleverness and acuity is superior (his description of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me hoot a deride every schedule I make read it), as is his modesty, [http://www.nycedc.biz/__media__/js/netsoltrademark.php?d=www.compagnie-eco.com%2Feco%2Fcreations%2Fattachment%2Fcapture-d%25e2%2580%2599ecran-2015-05-06-a-16-35-34%2F Gay0Day] acknowledging, as he does in ‘Men’s Pornography, Gay vs. Unqualified: a In the flesh Revisit’ that his essay was on no means the first on the subject. ‘Men’s Pornography: Gay vs Upright’ is nonetheless in my view (and this is a picture shared past sundry others) an especially worthy intervention. In this supplemental article, Waugh describes the introduce of sexual and cultural circumstances that dispose to the pamphlet of his strive in Pounce on attack Settled in 1985. In precise this reappraisal usefully works to jog the memory readers of the innovations contained therein. These incorporate a systematic rubric repayment for judgement and the especially apposite (and in diverse regards vatic) observation that gay porn does not eke out a living in luxurious isolation and should be more meaningfully understood as chiefly of what Tom describes as a ‘continuum’ here.<br><br>There are still lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ sort out a longstanding область that is that to be fully explored. Sound in porn films (similar to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to own that avenue to be opened up, noting – with a commonplace eulogistic raillery that British readers on very appreciate – that gay porn ‘relies on the pants we find out as much as the pants we see’.<br><br>At a all the same more personal with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Research Board and inspired by the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my unpractical craft properly began and a research course was plotted that has led to the issuance, this year, of my own paper, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of After Pictorial, it mattered in the 1980s adequately for the benefit of Waugh to make a situation for its analysis, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.<br> |
Diff unifié des changements faits lors de la modification (edit_diff) | @@ -1,1 +1,1 @@
-The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
+<br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Shagging Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues local piracy and the outlawed uploading of copyrighted satisfied are of undoubtedly urgent concerns payment the porn labour; despite that, Tsika identifies a fairly more well-defined tangible of study in array to energetic observations to the ways in which ‘message’ is contingent on context. Tsika’s mood bear on here is the machine totally which variously erotic or in some cases sexually unconditional materials can be extracted from their master frame of reference within radical and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to call to mind that the prepare of appropriation and repackaging that takes point here reduces the governmental and cultural power of the queer provenance texts that are repurposed.<br><br>The textual qualities of gay porn keep on to be an material goal of study looking for researchers in the catch and the evolving stripe of the variety means that there is always more to disclose surrounding late-model modes of production and emerging aesthetic and discursive patterns. The succeeding articles in this special originate all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and coexistent gay porn in particular, chief honcho on. From head to foot an study of a grade of newfangled French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘entertainment’ that has also become an orthodoxy can incontrovertibly account in compensation the enactments of genital power and pre-eminence that these videos depict. Progeny notes in his article that the exposition of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more intricate and by a long shot less binaristic than antecedent accounts might have suggested with the aid the propinquity of the device of the camera. Green’s article brilliantly reminds readers of the staged and performed cast of the propagative acts represented in gay porn.<br><br>The starting point for this odyssey is to be sure a revisiting of the days, and I am delighted that Thomas Waugh has been persuaded to provide his own reassessment of what has mature a foundational venture on scholars of gay porn and his own reflections on the state of the field. As many times, his cleverness and acuity is superior (his description of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me hoot a deride every schedule I make read it), as is his modesty, [http://www.nycedc.biz/__media__/js/netsoltrademark.php?d=www.compagnie-eco.com%2Feco%2Fcreations%2Fattachment%2Fcapture-d%25e2%2580%2599ecran-2015-05-06-a-16-35-34%2F Gay0Day] acknowledging, as he does in ‘Men’s Pornography, Gay vs. Unqualified: a In the flesh Revisit’ that his essay was on no means the first on the subject. ‘Men’s Pornography: Gay vs Upright’ is nonetheless in my view (and this is a picture shared past sundry others) an especially worthy intervention. In this supplemental article, Waugh describes the introduce of sexual and cultural circumstances that dispose to the pamphlet of his strive in Pounce on attack Settled in 1985. In precise this reappraisal usefully works to jog the memory readers of the innovations contained therein. These incorporate a systematic rubric repayment for judgement and the especially apposite (and in diverse regards vatic) observation that gay porn does not eke out a living in luxurious isolation and should be more meaningfully understood as chiefly of what Tom describes as a ‘continuum’ here.<br><br>There are still lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ sort out a longstanding область that is that to be fully explored. Sound in porn films (similar to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to own that avenue to be opened up, noting – with a commonplace eulogistic raillery that British readers on very appreciate – that gay porn ‘relies on the pants we find out as much as the pants we see’.<br><br>At a all the same more personal with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Research Board and inspired by the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my unpractical craft properly began and a research course was plotted that has led to the issuance, this year, of my own paper, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of After Pictorial, it mattered in the 1980s adequately for the benefit of Waugh to make a situation for its analysis, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.<br>
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Lignes ajoutées lors de la modification (added_lines) | <br>Noah Tsika in ‘Crestfallen Transfusions: Porn Aggregators and the Pirating of Dubious Cinema’s Unsimulated Shagging Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues local piracy and the outlawed uploading of copyrighted satisfied are of undoubtedly urgent concerns payment the porn labour; despite that, Tsika identifies a fairly more well-defined tangible of study in array to energetic observations to the ways in which ‘message’ is contingent on context. Tsika’s mood bear on here is the machine totally which variously erotic or in some cases sexually unconditional materials can be extracted from their master frame of reference within radical and queer cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to call to mind that the prepare of appropriation and repackaging that takes point here reduces the governmental and cultural power of the queer provenance texts that are repurposed.<br><br>The textual qualities of gay porn keep on to be an material goal of study looking for researchers in the catch and the evolving stripe of the variety means that there is always more to disclose surrounding late-model modes of production and emerging aesthetic and discursive patterns. The succeeding articles in this special originate all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Gag the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and coexistent gay porn in particular, chief honcho on. From head to foot an study of a grade of newfangled French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized away anti-porn feminism nor the rubric of ‘entertainment’ that has also become an orthodoxy can incontrovertibly account in compensation the enactments of genital power and pre-eminence that these videos depict. Progeny notes in his article that the exposition of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more intricate and by a long shot less binaristic than antecedent accounts might have suggested with the aid the propinquity of the device of the camera. Green’s article brilliantly reminds readers of the staged and performed cast of the propagative acts represented in gay porn.<br><br>The starting point for this odyssey is to be sure a revisiting of the days, and I am delighted that Thomas Waugh has been persuaded to provide his own reassessment of what has mature a foundational venture on scholars of gay porn and his own reflections on the state of the field. As many times, his cleverness and acuity is superior (his description of Gail Dines as this journal’s ‘demogogue nemesis’ has мейд me hoot a deride every schedule I make read it), as is his modesty, [http://www.nycedc.biz/__media__/js/netsoltrademark.php?d=www.compagnie-eco.com%2Feco%2Fcreations%2Fattachment%2Fcapture-d%25e2%2580%2599ecran-2015-05-06-a-16-35-34%2F Gay0Day] acknowledging, as he does in ‘Men’s Pornography, Gay vs. Unqualified: a In the flesh Revisit’ that his essay was on no means the first on the subject. ‘Men’s Pornography: Gay vs Upright’ is nonetheless in my view (and this is a picture shared past sundry others) an especially worthy intervention. In this supplemental article, Waugh describes the introduce of sexual and cultural circumstances that dispose to the pamphlet of his strive in Pounce on attack Settled in 1985. In precise this reappraisal usefully works to jog the memory readers of the innovations contained therein. These incorporate a systematic rubric repayment for judgement and the especially apposite (and in diverse regards vatic) observation that gay porn does not eke out a living in luxurious isolation and should be more meaningfully understood as chiefly of what Tom describes as a ‘continuum’ here.<br><br>There are still lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ sort out a longstanding область that is that to be fully explored. Sound in porn films (similar to a lesser limit to engagement) remains under-researched and Mowlabocus and Medhurst furnish some orientations to own that avenue to be opened up, noting – with a commonplace eulogistic raillery that British readers on very appreciate – that gay porn ‘relies on the pants we find out as much as the pants we see’.<br><br>At a all the same more personal with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Research Board and inspired by the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my unpractical craft properly began and a research course was plotted that has led to the issuance, this year, of my own paper, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of After Pictorial, it mattered in the 1980s adequately for the benefit of Waugh to make a situation for its analysis, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.<br>
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Horodatage Unix de la modification (timestamp) | 1663077608 |