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Variables générées pour cette modification

VariableValeur
Si la modification est marquée comme mineure ou non (minor_edit)
Nom du compte d’utilisateur (user_name)
KeithHudd225
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups)
* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
Numéro de la page (article_articleid)
3290
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Now
Titre complet de la page (article_prefixedtext)
Introduction: Gay Porn Now
Action (action)
edit
Résumé/motif de la modification (summary)
Ancien modèle de contenu (old_content_model)
wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with.
Nouveau texte de la page, après la modification (new_wikitext)
<br>At the end of the day, my own article is an attempt to draw together some of the themes that the contributors to this especial egress be dressed identified, to look to the admissible future of gay porn as a genre and to indicate the direction of the next present of my own progressive analysis in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Smutty Hull’ I look at some of the amateur porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my destination of over is a fixed form of user-generated content – popper training videos, inexpert video that repurposes a travel over of build sources with the straightforward good of turning masturbation fuelled past amyl nitrate turn to account into an vocation that energy be regarded as ‘generative relief’. I prevail upon that these videos puissance display, in these neoliberal times where leisure is positioned as a productive activity, a new if unexpected direction in support of porn production and consumption.<br><br>That we should avoid making assumptions up either who audiences are or how audiences answer to erotica has been a core concern exchange for this newsletter and the researchers that are associated with it. Indeed, [http://Uvj.destinydevelopment.com/__media__/js/netsoltrademark.php?d=Www.Sifuwallace.com%2Frare_authentic_traditional_high_level_skills%2Fslider_2_post%2F Gay0Day] another special issue enthusiastic to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the bring in specific uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a pilot study into the responses of a trial of largely Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the look, women not barely obtain a complete return to gay porn and the gay copulation represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences someone is concerned gay porn that includes Lucy Neville’s (2015) prime try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of male porn viewers and the crucial audience fact-finding layout conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br><br>At a nevertheless more physical level it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Cabinet and inspired nigh the work of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my unpractical craft becomingly began and a investigate course was plotted that has led to the publication, this year, of my own disquisition, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of On Lucid, it mattered in the 1980s adequately suitable Waugh to urge a the actuality to save its interpretation, it mattered in the 1990s in the mid-point of the AIDS crisis and it matters now.<br><br>The year 2017 marks a swain that without hyperbole can be described as a guidepost appropriate for gay men in the United Kingdom. It is seldom 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially only applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an influential year for the benefit of gay men too. In Canada, the Fair play Churchman Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the США, the promptly shameful television documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, aside this heart a grave Hollywood name, was to play a repressed invert in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Among Males: A Cross-Cultural and Cross-Species Examination was first place published in 1967, a enlist that argued by hint to documented and cultural example after the acceptance of homosexuality. In September 1967, by formerly he was to ripen into one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Physique Graphic, marking his entree into the world of show-business via gay porn’s backdoor.<br><br>The purpose of this distinctive outcome of Porn Studies is to assess, 50 years after homosexuality was no longer convict and ended 30 years since Waugh provided a disparaging framework to thrash out gay porn, where the intellectual dissection of gay porn has arrived at and where it is heading. The hyperbolic title of this special pay-off is deliberate. I wanted to arrest the sense of freneticness and vibrancy that there is in this particular subfield of porn studies and be struck by aimed to embellish the heterogeneity of approaches, methods, deprecating and conceptual frameworks and objects of weigh that scholars preoccupy with.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -The purpose of this exceptional issue of Porn Studies is to assess, 50 years after homosexuality was no longer convict and over 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the ivory-towered analysis of gay porn has arrived at and where it is heading. The hyperbolic subhead of this unconventional issue is deliberate. I wanted to taking the have a hunch of hurly-burly and Gay0Day vibrancy that there is in this well-defined subfield of porn studies and be struck by aimed to illuminate the diversity of approaches, methods, deprecating and conceptual frameworks and objects of cram that scholars for with. +<br>At the end of the day, my own article is an attempt to draw together some of the themes that the contributors to this especial egress be dressed identified, to look to the admissible future of gay porn as a genre and to indicate the direction of the next present of my own progressive analysis in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Smutty Hull’ I look at some of the amateur porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my destination of over is a fixed form of user-generated content – popper training videos, inexpert video that repurposes a travel over of build sources with the straightforward good of turning masturbation fuelled past amyl nitrate turn to account into an vocation that energy be regarded as ‘generative relief’. I prevail upon that these videos puissance display, in these neoliberal times where leisure is positioned as a productive activity, a new if unexpected direction in support of porn production and consumption.<br><br>That we should avoid making assumptions up either who audiences are or how audiences answer to erotica has been a core concern exchange for this newsletter and the researchers that are associated with it. Indeed, [http://Uvj.destinydevelopment.com/__media__/js/netsoltrademark.php?d=Www.Sifuwallace.com%2Frare_authentic_traditional_high_level_skills%2Fslider_2_post%2F Gay0Day] another special issue enthusiastic to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the bring in specific uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a pilot study into the responses of a trial of largely Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the look, women not barely obtain a complete return to gay porn and the gay copulation represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences someone is concerned gay porn that includes Lucy Neville’s (2015) prime try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of male porn viewers and the crucial audience fact-finding layout conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br><br>At a nevertheless more physical level it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Cabinet and inspired nigh the work of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my unpractical craft becomingly began and a investigate course was plotted that has led to the publication, this year, of my own disquisition, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of On Lucid, it mattered in the 1980s adequately suitable Waugh to urge a the actuality to save its interpretation, it mattered in the 1990s in the mid-point of the AIDS crisis and it matters now.<br><br>The year 2017 marks a swain that without hyperbole can be described as a guidepost appropriate for gay men in the United Kingdom. It is seldom 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially only applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an influential year for the benefit of gay men too. In Canada, the Fair play Churchman Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the США, the promptly shameful television documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, aside this heart a grave Hollywood name, was to play a repressed invert in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Among Males: A Cross-Cultural and Cross-Species Examination was first place published in 1967, a enlist that argued by hint to documented and cultural example after the acceptance of homosexuality. In September 1967, by formerly he was to ripen into one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Physique Graphic, marking his entree into the world of show-business via gay porn’s backdoor.<br><br>The purpose of this distinctive outcome of Porn Studies is to assess, 50 years after homosexuality was no longer convict and ended 30 years since Waugh provided a disparaging framework to thrash out gay porn, where the intellectual dissection of gay porn has arrived at and where it is heading. The hyperbolic title of this special pay-off is deliberate. I wanted to arrest the sense of freneticness and vibrancy that there is in this particular subfield of porn studies and be struck by aimed to embellish the heterogeneity of approaches, methods, deprecating and conceptual frameworks and objects of weigh that scholars preoccupy with.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>At the end of the day, my own article is an attempt to draw together some of the themes that the contributors to this especial egress be dressed identified, to look to the admissible future of gay porn as a genre and to indicate the direction of the next present of my own progressive analysis in the field. In ‘Popperbate: Video Collage, Vernacular Creativity and the Scripting of the Gay Smutty Hull’ I look at some of the amateur porn-making practices that are circulated with the aid the streaming platforms Tsika mentions in his article. In close, my destination of over is a fixed form of user-generated content – popper training videos, inexpert video that repurposes a travel over of build sources with the straightforward good of turning masturbation fuelled past amyl nitrate turn to account into an vocation that energy be regarded as ‘generative relief’. I prevail upon that these videos puissance display, in these neoliberal times where leisure is positioned as a productive activity, a new if unexpected direction in support of porn production and consumption.<br><br>That we should avoid making assumptions up either who audiences are or how audiences answer to erotica has been a core concern exchange for this newsletter and the researchers that are associated with it. Indeed, [http://Uvj.destinydevelopment.com/__media__/js/netsoltrademark.php?d=Www.Sifuwallace.com%2Frare_authentic_traditional_high_level_skills%2Fslider_2_post%2F Gay0Day] another special issue enthusiastic to audiences and consumers of porn edited close to Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the bring in specific uncertain, Cat Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too Honourable Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a pilot study into the responses of a trial of largely Dutch participants to a selected try of gay porn materials. The article argues that, based on the findings of the look, women not barely obtain a complete return to gay porn and the gay copulation represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the divergent audiences someone is concerned gay porn that includes Lucy Neville’s (2015) prime try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating inquiry of male porn viewers and the crucial audience fact-finding layout conducted nearby Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all control collectively to cool stereotypes and generalizations forth porn audiences, who they are and how they tell to porn materials.<br><br>At a nevertheless more physical level it is also 20 years since I enrolled as a PhD student, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Cabinet and inspired nigh the work of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my unpractical craft becomingly began and a investigate course was plotted that has led to the publication, this year, of my own disquisition, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undraped in the pages of On Lucid, it mattered in the 1980s adequately suitable Waugh to urge a the actuality to save its interpretation, it mattered in the 1990s in the mid-point of the AIDS crisis and it matters now.<br><br>The year 2017 marks a swain that without hyperbole can be described as a guidepost appropriate for gay men in the United Kingdom. It is seldom 50 years since the introduction of the Sex Offences Act of 1967, legislation that initially only applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an influential year for the benefit of gay men too. In Canada, the Fair play Churchman Pierre Trudeau introduced legislation that was to result in the decriminalization of homosexuality a year later. In the США, the promptly shameful television documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, aside this heart a grave Hollywood name, was to play a repressed invert in John Huston’s (1967) Reflections in a Yellowish Eye. Also, Wainwright Churchill’s (1967) Lesbian Behavior Among Males: A Cross-Cultural and Cross-Species Examination was first place published in 1967, a enlist that argued by hint to documented and cultural example after the acceptance of homosexuality. In September 1967, by formerly he was to ripen into one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Physique Graphic, marking his entree into the world of show-business via gay porn’s backdoor.<br><br>The purpose of this distinctive outcome of Porn Studies is to assess, 50 years after homosexuality was no longer convict and ended 30 years since Waugh provided a disparaging framework to thrash out gay porn, where the intellectual dissection of gay porn has arrived at and where it is heading. The hyperbolic title of this special pay-off is deliberate. I wanted to arrest the sense of freneticness and vibrancy that there is in this particular subfield of porn studies and be struck by aimed to embellish the heterogeneity of approaches, methods, deprecating and conceptual frameworks and objects of weigh that scholars preoccupy with.<br>
Horodatage Unix de la modification (timestamp)
1665177852