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Variables générées pour cette modification

VariableValeur
Si la modification est marquée comme mineure ou non (minor_edit)
Nom du compte d’utilisateur (user_name)
KeithHudd225
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups)
* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
Numéro de la page (article_articleid)
3291
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Promptly
Titre complet de la page (article_prefixedtext)
Introduction: Gay Porn Promptly
Action (action)
edit
Résumé/motif de la modification (summary)
Ancien modèle de contenu (old_content_model)
wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn.
Nouveau texte de la page, après la modification (new_wikitext)
<br>The year 2017 marks a date that without hyperbole can be described as a pivotal in compensation gay men in the United Kingdom. It is seldom 50 years since the introduction of the Progenitive Offences Accomplishment of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an significant year for the sake gay men too. In Canada, the Detention Churchman Pierre Trudeau introduced legislation that was to happen in the decriminalization of homosexuality a year later. In the США, the now notorious tv documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, by this station a primary Hollywood eminent, was to against a repressed faggot in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Centre of Males: A Cross-Cultural and Cross-Species Investigation was opening published in 1967, a enlist that argued by means of hint to historical and cultural paradigm exchange for the acceptance of homosexuality. In September 1967, by in the presence of he was to appropriate for one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Physique Pictorial, marking his entree into the far-out of show-business via gay porn’s backdoor.<br><br>At a all the same more physical level it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by the British Arts and Humanities Inquire into Stay and [http://paleba.org/__media__/js/netsoltrademark.php?d=icarly.su%2Fuser%2FSonTubbs364%2F Gay0Day] inspired during the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered craft fittingly began and a probing course was plotted that has led to the brochure, this year, of my own disquisition, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Physique Telling, it mattered in the 1980s enough suitable Waugh to make a the actuality to save its analysis, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sex Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues local piracy and the prohibited uploading of copyrighted significance are of undoubtedly forceful concerns in place of the porn manufacture; anyway, Tsika identifies a rather more well-defined object of study in hierarchy to pressure observations to the ways in which ‘message’ is contingent on context. Tsika’s clarification be pertinent here is the machine totally which variously bawdy or in some cases sexually unconditional materials can be extracted from their original framework within radical and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to set forward that the convert of appropriation and repackaging that takes niche here reduces the national and cultural power of the atypical source texts that are repurposed.<br><br>Inexorably, my own article is an undertake to draw together some of the themes that the contributors to this especial discharge entertain identified, to look to the possible tomorrow's of gay porn as a variety and to manifest the direction of the next present of my own unbroken analysis in the field. In ‘Popperbate: Video Collage, Jargon Creativity and the Scripting of the Gay Licentious Essence’ I look at some of the amateur porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In close, my target of studio is a spelt blank of user-generated content – popper training videos, amateur video that repurposes a travel over of develop sources with the verbalize consider of turning masturbation fuelled past amyl nitrate employment into an pursuit that energy be regarded as ‘bountiful relief’. I quarrel that these videos ascendancy state, in these neoliberal times where leisure is positioned as a generative activity, a modish if unexpected administering an eye to porn creation and consumption.<br><br>There are pacific lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ recognize empathize with a longstanding area that is in spite of to be fully explored. Probe in porn films (compare favourably with to a lesser extent to play) remains under-researched and Mowlabocus and Medhurst offer some orientations to own that avenue to be opened up, noting – with a habitual wholesome raillery that British readers on very rate – that gay porn ‘relies on the pants we find out as much as the pants we bring’.<br><br>That we should avoid making assumptions almost either who audiences are or how audiences rejoin to smut has been a core shtick representing this daily and the researchers that are associated with it. Indeed, another different consequence staunch to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the provide special uncertain, Guy Ramsay contributes ‘Gays in the Girls’ Over: "He’s too A-ok Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a pilot over into the responses of a taste of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the chew over, women not simply possess a positive answer to gay porn and the gay fucking represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) prime essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manly porn viewers and the prime audience probing layout conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to blast stereotypes and generalizations forth porn audiences, who they are and how they present to porn materials.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -The textual qualities of gay porn keep on to be an mighty destination of observe in compensation researchers in the american football gridiron and Gay0Day the evolving nature of the variety means that there is eternally more to noise abroad about new modes of moulding and emerging aesthetic and windy patterns. The subsequent articles in this particular printing all heart on the specifics of contemporary gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Boyish tackles the textuality of porn, and coexistent gay porn in isolated, head on. From head to foot an division of a grade of up to date French materials and the website Wisecrack the Fag, Teenaged argues that neither the arguments proselytized by means of anti-porn feminism nor the rubric of ‘entertainment’ that has also behove an orthodoxy can surely account in return the enactments of sexual power and domination that these videos depict. Young notes in his article that the bust of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is by a long chalk everywhere more complicated and great less binaristic than one-time accounts might procure suggested from one end to the other the confidence of the device of the camera. Young’s article brilliantly reminds readers of the staged and performed quality of the propagative acts represented in gay porn. +<br>The year 2017 marks a date that without hyperbole can be described as a pivotal in compensation gay men in the United Kingdom. It is seldom 50 years since the introduction of the Progenitive Offences Accomplishment of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an significant year for the sake gay men too. In Canada, the Detention Churchman Pierre Trudeau introduced legislation that was to happen in the decriminalization of homosexuality a year later. In the США, the now notorious tv documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, by this station a primary Hollywood eminent, was to against a repressed faggot in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Centre of Males: A Cross-Cultural and Cross-Species Investigation was opening published in 1967, a enlist that argued by means of hint to historical and cultural paradigm exchange for the acceptance of homosexuality. In September 1967, by in the presence of he was to appropriate for one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Physique Pictorial, marking his entree into the far-out of show-business via gay porn’s backdoor.<br><br>At a all the same more physical level it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by the British Arts and Humanities Inquire into Stay and [http://paleba.org/__media__/js/netsoltrademark.php?d=icarly.su%2Fuser%2FSonTubbs364%2F Gay0Day] inspired during the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered craft fittingly began and a probing course was plotted that has led to the brochure, this year, of my own disquisition, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Physique Telling, it mattered in the 1980s enough suitable Waugh to make a the actuality to save its analysis, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sex Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues local piracy and the prohibited uploading of copyrighted significance are of undoubtedly forceful concerns in place of the porn manufacture; anyway, Tsika identifies a rather more well-defined object of study in hierarchy to pressure observations to the ways in which ‘message’ is contingent on context. Tsika’s clarification be pertinent here is the machine totally which variously bawdy or in some cases sexually unconditional materials can be extracted from their original framework within radical and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to set forward that the convert of appropriation and repackaging that takes niche here reduces the national and cultural power of the atypical source texts that are repurposed.<br><br>Inexorably, my own article is an undertake to draw together some of the themes that the contributors to this especial discharge entertain identified, to look to the possible tomorrow's of gay porn as a variety and to manifest the direction of the next present of my own unbroken analysis in the field. In ‘Popperbate: Video Collage, Jargon Creativity and the Scripting of the Gay Licentious Essence’ I look at some of the amateur porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In close, my target of studio is a spelt blank of user-generated content – popper training videos, amateur video that repurposes a travel over of develop sources with the verbalize consider of turning masturbation fuelled past amyl nitrate employment into an pursuit that energy be regarded as ‘bountiful relief’. I quarrel that these videos ascendancy state, in these neoliberal times where leisure is positioned as a generative activity, a modish if unexpected administering an eye to porn creation and consumption.<br><br>There are pacific lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ recognize empathize with a longstanding area that is in spite of to be fully explored. Probe in porn films (compare favourably with to a lesser extent to play) remains under-researched and Mowlabocus and Medhurst offer some orientations to own that avenue to be opened up, noting – with a habitual wholesome raillery that British readers on very rate – that gay porn ‘relies on the pants we find out as much as the pants we bring’.<br><br>That we should avoid making assumptions almost either who audiences are or how audiences rejoin to smut has been a core shtick representing this daily and the researchers that are associated with it. Indeed, another different consequence staunch to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the provide special uncertain, Guy Ramsay contributes ‘Gays in the Girls’ Over: "He’s too A-ok Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a pilot over into the responses of a taste of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the chew over, women not simply possess a positive answer to gay porn and the gay fucking represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) prime essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manly porn viewers and the prime audience probing layout conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to blast stereotypes and generalizations forth porn audiences, who they are and how they present to porn materials.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>The year 2017 marks a date that without hyperbole can be described as a pivotal in compensation gay men in the United Kingdom. It is seldom 50 years since the introduction of the Progenitive Offences Accomplishment of 1967, legislation that initially single applied in England and Wales, which led to the decriminalization of homosexuality in the Concerted Kingdom. Internationally, 1967 was an significant year for the sake gay men too. In Canada, the Detention Churchman Pierre Trudeau introduced legislation that was to happen in the decriminalization of homosexuality a year later. In the США, the now notorious tv documentary The Homosexuals (1967) was broadcast on CBS and Marlon Brando, by this station a primary Hollywood eminent, was to against a repressed faggot in John Huston’s (1967) Reflections in a Excellent Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Centre of Males: A Cross-Cultural and Cross-Species Investigation was opening published in 1967, a enlist that argued by means of hint to historical and cultural paradigm exchange for the acceptance of homosexuality. In September 1967, by in the presence of he was to appropriate for one of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September set forth of Physique Pictorial, marking his entree into the far-out of show-business via gay porn’s backdoor.<br><br>At a all the same more physical level it is also 20 years since I enrolled as a PhD swotter, researching the iconography of gay porn, funded by the British Arts and Humanities Inquire into Stay and [http://paleba.org/__media__/js/netsoltrademark.php?d=icarly.su%2Fuser%2FSonTubbs364%2F Gay0Day] inspired during the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my lettered craft fittingly began and a probing course was plotted that has led to the brochure, this year, of my own disquisition, Gay Obscenity: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared undressed in the pages of Physique Telling, it mattered in the 1980s enough suitable Waugh to make a the actuality to save its analysis, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br><br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Sex Scenes’ discusses the several streaming platforms inclusive of which gay porn is increasingly circulated. Issues local piracy and the prohibited uploading of copyrighted significance are of undoubtedly forceful concerns in place of the porn manufacture; anyway, Tsika identifies a rather more well-defined object of study in hierarchy to pressure observations to the ways in which ‘message’ is contingent on context. Tsika’s clarification be pertinent here is the machine totally which variously bawdy or in some cases sexually unconditional materials can be extracted from their original framework within radical and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to set forward that the convert of appropriation and repackaging that takes niche here reduces the national and cultural power of the atypical source texts that are repurposed.<br><br>Inexorably, my own article is an undertake to draw together some of the themes that the contributors to this especial discharge entertain identified, to look to the possible tomorrow's of gay porn as a variety and to manifest the direction of the next present of my own unbroken analysis in the field. In ‘Popperbate: Video Collage, Jargon Creativity and the Scripting of the Gay Licentious Essence’ I look at some of the amateur porn-making practices that are circulated help of the streaming platforms Tsika mentions in his article. In close, my target of studio is a spelt blank of user-generated content – popper training videos, amateur video that repurposes a travel over of develop sources with the verbalize consider of turning masturbation fuelled past amyl nitrate employment into an pursuit that energy be regarded as ‘bountiful relief’. I quarrel that these videos ascendancy state, in these neoliberal times where leisure is positioned as a generative activity, a modish if unexpected administering an eye to porn creation and consumption.<br><br>There are pacific lacunae in porn experimentation, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Obscenity’ recognize empathize with a longstanding area that is in spite of to be fully explored. Probe in porn films (compare favourably with to a lesser extent to play) remains under-researched and Mowlabocus and Medhurst offer some orientations to own that avenue to be opened up, noting – with a habitual wholesome raillery that British readers on very rate – that gay porn ‘relies on the pants we find out as much as the pants we bring’.<br><br>That we should avoid making assumptions almost either who audiences are or how audiences rejoin to smut has been a core shtick representing this daily and the researchers that are associated with it. Indeed, another different consequence staunch to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the provide special uncertain, Guy Ramsay contributes ‘Gays in the Girls’ Over: "He’s too A-ok Looking!"’, which considers female heterosexual audiences for gay porn. Ramsay’s article emerges from a pilot over into the responses of a taste of at bottom Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the chew over, women not simply possess a positive answer to gay porn and the gay fucking represented but also relate feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the diverse audiences with a view gay porn that includes Lucy Neville’s (2015) prime essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manly porn viewers and the prime audience probing layout conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to blast stereotypes and generalizations forth porn audiences, who they are and how they present to porn materials.<br>
Horodatage Unix de la modification (timestamp)
1664730715