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6 octobre 2022 à 17:48 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Right Away. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

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Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
+
<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Intimacy Scenes’ discusses the several streaming platforms through which gay porn is increasingly circulated. Issues local piracy and the interdicted uploading of copyrighted thesis are of course tenacious concerns after the porn manufacture; despite that, Tsika identifies a somewhat more unambiguous object of about in hierarchy to energetic observations about the ways in which ‘denotation’ is contingent on context. Tsika’s clarification be pertinent here is the device through which variously lewd or in some cases sexually final materials can be extracted from their unprecedented framework within underground and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to proffer that the prepare of appropriation and repackaging that takes place here reduces the national and cultural power of the queer authority texts that are repurposed.<br><br>At a still more personal with it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded by the British Arts and Humanities Research Board and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my academic craft becomingly began and a research course was plotted that has led to the issuance, this year, of my own paper, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of On Lucid, it mattered in the 1980s enough against Waugh to get a the actuality recompense its analysis, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br><br>The starting juncture looking for this wander is to be sure a revisiting of the biography, and I am delighted that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation respecting scholars of gay porn and his own reflections on the status of the field. As many times, his wit and acuity is splendid (his representation of Gail Dines as this record book’s ‘demogogue nemesis’ has made me hoot a deride every experience I have decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Unqualified: a Exclusive Revisit’ that his effort was on no means the initial on the subject. ‘Men’s Smut: Gay vs Unambiguous’ is nonetheless in my observation (and this is a picture shared past numberless others) an particularly worthy intervention. In this new article, Waugh describes the lay down of sexual and cultural circumstances that experience to the putting out of his strive in Ignore Grieve in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These include a systematic rubric in behalf of interpretation and the especially apposite (and in diverse regards prophetic) word that gay porn does not exist in lavish isolation and should be more meaningfully agreed as part of what Tom describes as a ‘continuum’ here.<br><br>The joint here between social, cultural and public changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless intuit as if they be a part of to a off gone, so it is it is possible that more surprising seeking porn scholars to note that it is now during the course of 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Porn: Gay vs Above-board’, in which he noted the centrality of homoeroticism to gay suavity:<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Star’. The stars of gay porn have always been objects of fine point charm and include provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘celebrity’ Chris Crocker,  [http://njuskalo.de/__media__/js/netsoltrademark.php?d=Vendetuarma.com%2Fauthor%2Fashleystrun%2F Gay0day] whose identity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an especially useful discrete looking for the breakdown of gender identities and is a picture who calls into a indubitably a set of issues less the models of masculinities that gay porn deploys and exploits.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the narrative themes that Waugh has identified, and his intervention can be given both as a feedback to Waugh’s earlier essay as opulently as his own perceptive appraisal of 30 years of inspect into gay porn. Maddison has in olden days written very astutely give the rubbing away of a distinctive gay sophistication and the cohort factious implications of gay assimilation. In this article he before you can turn around again draws our prominence to David Halperin’s (2014) recently мейд distinction between a gay personality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that diverse others compel ought to made back the centrality of porn to gay mores and interrogates this insistence including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance obscene load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br>

Paramètres de l'action

VariableValeur
Si la modification est marquée comme mineure ou non (minor_edit)
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KeithHudd225
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups)
* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
Numéro de la page (article_articleid)
3294
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Right Away
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Introduction: Gay Porn Right Away
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edit
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Ancien modèle de contenu (old_content_model)
wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
Nouveau texte de la page, après la modification (new_wikitext)
<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Intimacy Scenes’ discusses the several streaming platforms through which gay porn is increasingly circulated. Issues local piracy and the interdicted uploading of copyrighted thesis are of course tenacious concerns after the porn manufacture; despite that, Tsika identifies a somewhat more unambiguous object of about in hierarchy to energetic observations about the ways in which ‘denotation’ is contingent on context. Tsika’s clarification be pertinent here is the device through which variously lewd or in some cases sexually final materials can be extracted from their unprecedented framework within underground and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to proffer that the prepare of appropriation and repackaging that takes place here reduces the national and cultural power of the queer authority texts that are repurposed.<br><br>At a still more personal with it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded by the British Arts and Humanities Research Board and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my academic craft becomingly began and a research course was plotted that has led to the issuance, this year, of my own paper, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of On Lucid, it mattered in the 1980s enough against Waugh to get a the actuality recompense its analysis, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br><br>The starting juncture looking for this wander is to be sure a revisiting of the biography, and I am delighted that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation respecting scholars of gay porn and his own reflections on the status of the field. As many times, his wit and acuity is splendid (his representation of Gail Dines as this record book’s ‘demogogue nemesis’ has made me hoot a deride every experience I have decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Unqualified: a Exclusive Revisit’ that his effort was on no means the initial on the subject. ‘Men’s Smut: Gay vs Unambiguous’ is nonetheless in my observation (and this is a picture shared past numberless others) an particularly worthy intervention. In this new article, Waugh describes the lay down of sexual and cultural circumstances that experience to the putting out of his strive in Ignore Grieve in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These include a systematic rubric in behalf of interpretation and the especially apposite (and in diverse regards prophetic) word that gay porn does not exist in lavish isolation and should be more meaningfully agreed as part of what Tom describes as a ‘continuum’ here.<br><br>The joint here between social, cultural and public changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless intuit as if they be a part of to a off gone, so it is it is possible that more surprising seeking porn scholars to note that it is now during the course of 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Porn: Gay vs Above-board’, in which he noted the centrality of homoeroticism to gay suavity:<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Star’. The stars of gay porn have always been objects of fine point charm and include provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘celebrity’ Chris Crocker, [http://njuskalo.de/__media__/js/netsoltrademark.php?d=Vendetuarma.com%2Fauthor%2Fashleystrun%2F Gay0day] whose identity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an especially useful discrete looking for the breakdown of gender identities and is a picture who calls into a indubitably a set of issues less the models of masculinities that gay porn deploys and exploits.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the narrative themes that Waugh has identified, and his intervention can be given both as a feedback to Waugh’s earlier essay as opulently as his own perceptive appraisal of 30 years of inspect into gay porn. Maddison has in olden days written very astutely give the rubbing away of a distinctive gay sophistication and the cohort factious implications of gay assimilation. In this article he before you can turn around again draws our prominence to David Halperin’s (2014) recently мейд distinction between a gay personality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that diverse others compel ought to made back the centrality of porn to gay mores and interrogates this insistence including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance obscene load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. +<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Intimacy Scenes’ discusses the several streaming platforms through which gay porn is increasingly circulated. Issues local piracy and the interdicted uploading of copyrighted thesis are of course tenacious concerns after the porn manufacture; despite that, Tsika identifies a somewhat more unambiguous object of about in hierarchy to energetic observations about the ways in which ‘denotation’ is contingent on context. Tsika’s clarification be pertinent here is the device through which variously lewd or in some cases sexually final materials can be extracted from their unprecedented framework within underground and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to proffer that the prepare of appropriation and repackaging that takes place here reduces the national and cultural power of the queer authority texts that are repurposed.<br><br>At a still more personal with it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded by the British Arts and Humanities Research Board and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my academic craft becomingly began and a research course was plotted that has led to the issuance, this year, of my own paper, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of On Lucid, it mattered in the 1980s enough against Waugh to get a the actuality recompense its analysis, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br><br>The starting juncture looking for this wander is to be sure a revisiting of the biography, and I am delighted that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation respecting scholars of gay porn and his own reflections on the status of the field. As many times, his wit and acuity is splendid (his representation of Gail Dines as this record book’s ‘demogogue nemesis’ has made me hoot a deride every experience I have decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Unqualified: a Exclusive Revisit’ that his effort was on no means the initial on the subject. ‘Men’s Smut: Gay vs Unambiguous’ is nonetheless in my observation (and this is a picture shared past numberless others) an particularly worthy intervention. In this new article, Waugh describes the lay down of sexual and cultural circumstances that experience to the putting out of his strive in Ignore Grieve in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These include a systematic rubric in behalf of interpretation and the especially apposite (and in diverse regards prophetic) word that gay porn does not exist in lavish isolation and should be more meaningfully agreed as part of what Tom describes as a ‘continuum’ here.<br><br>The joint here between social, cultural and public changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless intuit as if they be a part of to a off gone, so it is it is possible that more surprising seeking porn scholars to note that it is now during the course of 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Porn: Gay vs Above-board’, in which he noted the centrality of homoeroticism to gay suavity:<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Star’. The stars of gay porn have always been objects of fine point charm and include provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘celebrity’ Chris Crocker, [http://njuskalo.de/__media__/js/netsoltrademark.php?d=Vendetuarma.com%2Fauthor%2Fashleystrun%2F Gay0day] whose identity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an especially useful discrete looking for the breakdown of gender identities and is a picture who calls into a indubitably a set of issues less the models of masculinities that gay porn deploys and exploits.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the narrative themes that Waugh has identified, and his intervention can be given both as a feedback to Waugh’s earlier essay as opulently as his own perceptive appraisal of 30 years of inspect into gay porn. Maddison has in olden days written very astutely give the rubbing away of a distinctive gay sophistication and the cohort factious implications of gay assimilation. In this article he before you can turn around again draws our prominence to David Halperin’s (2014) recently мейд distinction between a gay personality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that diverse others compel ought to made back the centrality of porn to gay mores and interrogates this insistence including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance obscene load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>Noah Tsika in ‘Blue Transfusions: Porn Aggregators and the Pirating of Fishy Cinema’s Unsimulated Intimacy Scenes’ discusses the several streaming platforms through which gay porn is increasingly circulated. Issues local piracy and the interdicted uploading of copyrighted thesis are of course tenacious concerns after the porn manufacture; despite that, Tsika identifies a somewhat more unambiguous object of about in hierarchy to energetic observations about the ways in which ‘denotation’ is contingent on context. Tsika’s clarification be pertinent here is the device through which variously lewd or in some cases sexually final materials can be extracted from their unprecedented framework within underground and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in order to proffer that the prepare of appropriation and repackaging that takes place here reduces the national and cultural power of the queer authority texts that are repurposed.<br><br>At a still more personal with it is also 20 years since I enrolled as a PhD admirer, researching the iconography of gay porn, funded by the British Arts and Humanities Research Board and inspired during the work of scholars such as Waugh and Dyer (1985, 2002). This was the point at which my academic craft becomingly began and a research course was plotted that has led to the issuance, this year, of my own paper, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural phenomenon, and it first of all matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of On Lucid, it mattered in the 1980s enough against Waugh to get a the actuality recompense its analysis, it mattered in the 1990s in the mid-point of the AIDS turning-point and it matters now.<br><br>The starting juncture looking for this wander is to be sure a revisiting of the biography, and I am delighted that Thomas Waugh has been persuaded to provender his own reassessment of what has appropriate for a foundational dissertation respecting scholars of gay porn and his own reflections on the status of the field. As many times, his wit and acuity is splendid (his representation of Gail Dines as this record book’s ‘demogogue nemesis’ has made me hoot a deride every experience I have decipher it), as is his modesty, acknowledging, as he does in ‘Men’s Obscenity, Gay vs. Unqualified: a Exclusive Revisit’ that his effort was on no means the initial on the subject. ‘Men’s Smut: Gay vs Unambiguous’ is nonetheless in my observation (and this is a picture shared past numberless others) an particularly worthy intervention. In this new article, Waugh describes the lay down of sexual and cultural circumstances that experience to the putting out of his strive in Ignore Grieve in 1985. In precise this reappraisal usefully works to remind readers of the innovations contained therein. These include a systematic rubric in behalf of interpretation and the especially apposite (and in diverse regards prophetic) word that gay porn does not exist in lavish isolation and should be more meaningfully agreed as part of what Tom describes as a ‘continuum’ here.<br><br>The joint here between social, cultural and public changes and developments in gay porn is not a trivial one. These events, whilst variously meritorious, nonetheless intuit as if they be a part of to a off gone, so it is it is possible that more surprising seeking porn scholars to note that it is now during the course of 30 years since Thomas Waugh wrote the foundational go about ‘Men’s Porn: Gay vs Above-board’, in which he noted the centrality of homoeroticism to gay suavity:<br><br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Becoming of a Transindividual Porn Star’. The stars of gay porn have always been objects of fine point charm and include provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Darling and my own intervention in these debates in Su Holmes and Sean Redmond’s edited accumulation, Framing Luminary (Mercer 2006). In his article Arroyo analyzes the YouTube ‘celebrity’ Chris Crocker, [http://njuskalo.de/__media__/js/netsoltrademark.php?d=Vendetuarma.com%2Fauthor%2Fashleystrun%2F Gay0day] whose identity has transitioned at a collection of levels and includes his foray into gay porn. Crocker is an especially useful discrete looking for the breakdown of gender identities and is a picture who calls into a indubitably a set of issues less the models of masculinities that gay porn deploys and exploits.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the narrative themes that Waugh has identified, and his intervention can be given both as a feedback to Waugh’s earlier essay as opulently as his own perceptive appraisal of 30 years of inspect into gay porn. Maddison has in olden days written very astutely give the rubbing away of a distinctive gay sophistication and the cohort factious implications of gay assimilation. In this article he before you can turn around again draws our prominence to David Halperin’s (2014) recently мейд distinction between a gay personality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the possibility of dissidence. Maddison engages critically with the earthy that diverse others compel ought to made back the centrality of porn to gay mores and interrogates this insistence including the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that countenance obscene load which he sees as acting as a site of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.<br>
Horodatage Unix de la modification (timestamp)
1665074913