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16 septembre 2022 à 19:27 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Any More. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception,  gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.
+
<br>That we should shun making assumptions about either who audiences are or how audiences retort be responsive to to filth has been a gist concern pro this daily and the researchers that are associated with it. Indeed, another one of a kind debouchment devoted to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous unconventional issue, Guy Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman over into the responses of a trial of in general Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not only have a complete return to gay porn and the gay copulation represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diversified audiences someone is concerned gay porn that includes Lucy Neville’s (2015) bar essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manful porn viewers and the significant audience check out venture conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they present to porn materials.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the account themes that Waugh has identified,  [http://Johansson-langlois.info/__media__/js/netsoltrademark.php?d=rachel-betts.co.uk%2F2016%2F05%2Fmake-it-clean-and-simple%2F gay0day] and his intervention can be arranged both as a response to Waugh’s earlier tract as opulently as his own sensible appraisal of 30 years of research into gay porn. Maddison has yesterday written very much astutely about the corroding of a distinctive gay erudition and the accessory federal implications of gay assimilation. In this article he positively again draws our notoriety to David Halperin’s (2014) recently made prominence between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the likelihood of dissidence. Maddison engages critically with the earthy that innumerable others have мейд back the centrality of porn to gay mores and interrogates this insistence through the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight smutty satisfied which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn receive always been objects of express charm and possess provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose identity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an especially expedient particular recompense the analysis of gender identities and is a worthy who calls into a without question a set of issues far the models of masculinities that gay porn deploys and exploits.<br><br>The textual qualities of gay porn keep on to be an material focus of about for researchers in the field and the evolving temperament of the character means that there is each time more to disclose surrounding new modes of production and emerging aesthetic and verbose patterns. The following articles in this concerted printing all core on the specifics of fashionable gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and coexistent gay porn in particular, mr big on. Into done with an division of a range of newfangled French materials and the website Jest the Fag, Unsophisticated argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can incontrovertibly account for the enactments of sexual power and domination that these videos depict. Immature notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more involved and far less binaristic than one-time accounts dominion accept suggested with the aid the confidence of the machine of the camera. Young’s article brilliantly reminds readers of the staged and performed nature of the reproductive acts represented in gay porn.<br><br>There are still lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ home in on a longstanding area that is in spite of to be fully explored. Sound in porn films (alike resemble to a lesser extent to bringing off) remains under-researched and Mowlabocus and Medhurst advance some orientations to tolerate that avenue to be opened up, noting – with a commonplace good appease that British readers will-power very respect – that gay porn ‘relies on the pants we pay attention to as much as the pants we imagine’.<br>

Paramètres de l'action

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KeithHudd225
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups)
* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
Numéro de la page (article_articleid)
3292
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
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Introduction: Gay Porn Any More
Action (action)
edit
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wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now.
Nouveau texte de la page, après la modification (new_wikitext)
<br>That we should shun making assumptions about either who audiences are or how audiences retort be responsive to to filth has been a gist concern pro this daily and the researchers that are associated with it. Indeed, another one of a kind debouchment devoted to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous unconventional issue, Guy Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman over into the responses of a trial of in general Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not only have a complete return to gay porn and the gay copulation represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diversified audiences someone is concerned gay porn that includes Lucy Neville’s (2015) bar essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manful porn viewers and the significant audience check out venture conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they present to porn materials.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the account themes that Waugh has identified, [http://Johansson-langlois.info/__media__/js/netsoltrademark.php?d=rachel-betts.co.uk%2F2016%2F05%2Fmake-it-clean-and-simple%2F gay0day] and his intervention can be arranged both as a response to Waugh’s earlier tract as opulently as his own sensible appraisal of 30 years of research into gay porn. Maddison has yesterday written very much astutely about the corroding of a distinctive gay erudition and the accessory federal implications of gay assimilation. In this article he positively again draws our notoriety to David Halperin’s (2014) recently made prominence between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the likelihood of dissidence. Maddison engages critically with the earthy that innumerable others have мейд back the centrality of porn to gay mores and interrogates this insistence through the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight smutty satisfied which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn receive always been objects of express charm and possess provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose identity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an especially expedient particular recompense the analysis of gender identities and is a worthy who calls into a without question a set of issues far the models of masculinities that gay porn deploys and exploits.<br><br>The textual qualities of gay porn keep on to be an material focus of about for researchers in the field and the evolving temperament of the character means that there is each time more to disclose surrounding new modes of production and emerging aesthetic and verbose patterns. The following articles in this concerted printing all core on the specifics of fashionable gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and coexistent gay porn in particular, mr big on. Into done with an division of a range of newfangled French materials and the website Jest the Fag, Unsophisticated argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can incontrovertibly account for the enactments of sexual power and domination that these videos depict. Immature notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more involved and far less binaristic than one-time accounts dominion accept suggested with the aid the confidence of the machine of the camera. Young’s article brilliantly reminds readers of the staged and performed nature of the reproductive acts represented in gay porn.<br><br>There are still lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ home in on a longstanding area that is in spite of to be fully explored. Sound in porn films (alike resemble to a lesser extent to bringing off) remains under-researched and Mowlabocus and Medhurst advance some orientations to tolerate that avenue to be opened up, noting – with a commonplace good appease that British readers will-power very respect – that gay porn ‘relies on the pants we pay attention to as much as the pants we imagine’.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -At a yet more individual with it is also 20 years since I enrolled as a PhD evaluator, researching the iconography of gay porn, funded about the British Arts and Humanities Scrutinization Trustees and inspired before the earn a living of scholars such as Waugh and Dyer (1985, 2002). This was the crux at which my academic craft decently began and a scrutinize track was plotted that has led to the hand-out, this year, of my own monograph, Gay Filth: Representations of Sexuality and Masculinity (Mercer 2016). Porn matters as a cultural exception, gay0day.com and it first matters to gay men. It mattered in the 1960s when Joe Dallesandro appeared nude in the pages of Physique Lucid, it mattered in the 1980s adequately against Waugh to get a invalid recompense its dissection, it mattered in the 1990s in the halfway point of the AIDS calamity and it matters now. +<br>That we should shun making assumptions about either who audiences are or how audiences retort be responsive to to filth has been a gist concern pro this daily and the researchers that are associated with it. Indeed, another one of a kind debouchment devoted to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous unconventional issue, Guy Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman over into the responses of a trial of in general Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not only have a complete return to gay porn and the gay copulation represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diversified audiences someone is concerned gay porn that includes Lucy Neville’s (2015) bar essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manful porn viewers and the significant audience check out venture conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they present to porn materials.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the account themes that Waugh has identified, [http://Johansson-langlois.info/__media__/js/netsoltrademark.php?d=rachel-betts.co.uk%2F2016%2F05%2Fmake-it-clean-and-simple%2F gay0day] and his intervention can be arranged both as a response to Waugh’s earlier tract as opulently as his own sensible appraisal of 30 years of research into gay porn. Maddison has yesterday written very much astutely about the corroding of a distinctive gay erudition and the accessory federal implications of gay assimilation. In this article he positively again draws our notoriety to David Halperin’s (2014) recently made prominence between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the likelihood of dissidence. Maddison engages critically with the earthy that innumerable others have мейд back the centrality of porn to gay mores and interrogates this insistence through the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight smutty satisfied which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn receive always been objects of express charm and possess provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose identity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an especially expedient particular recompense the analysis of gender identities and is a worthy who calls into a without question a set of issues far the models of masculinities that gay porn deploys and exploits.<br><br>The textual qualities of gay porn keep on to be an material focus of about for researchers in the field and the evolving temperament of the character means that there is each time more to disclose surrounding new modes of production and emerging aesthetic and verbose patterns. The following articles in this concerted printing all core on the specifics of fashionable gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and coexistent gay porn in particular, mr big on. Into done with an division of a range of newfangled French materials and the website Jest the Fag, Unsophisticated argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can incontrovertibly account for the enactments of sexual power and domination that these videos depict. Immature notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more involved and far less binaristic than one-time accounts dominion accept suggested with the aid the confidence of the machine of the camera. Young’s article brilliantly reminds readers of the staged and performed nature of the reproductive acts represented in gay porn.<br><br>There are still lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ home in on a longstanding area that is in spite of to be fully explored. Sound in porn films (alike resemble to a lesser extent to bringing off) remains under-researched and Mowlabocus and Medhurst advance some orientations to tolerate that avenue to be opened up, noting – with a commonplace good appease that British readers will-power very respect – that gay porn ‘relies on the pants we pay attention to as much as the pants we imagine’.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>That we should shun making assumptions about either who audiences are or how audiences retort be responsive to to filth has been a gist concern pro this daily and the researchers that are associated with it. Indeed, another one of a kind debouchment devoted to audiences and consumers of porn edited by Sharif Mowlabocus and Rachel Wood in 2015 took this position as a starting point. In the propinquitous unconventional issue, Guy Ramsay contributes ‘Gays in the Girls’ Over: "He’s too Honourable Looking!"’, which considers female heterosexual audiences in compensation gay porn. Ramsay’s article emerges from a airwoman over into the responses of a trial of in general Dutch participants to a selected representation of gay porn materials. The article argues that, based on the findings of the study, women not only have a complete return to gay porn and the gay copulation represented but also narrate feelings of empathy. Ramsay’s article acts as a contribution to an emergent leaflets on the diversified audiences someone is concerned gay porn that includes Lucy Neville’s (2015) bar essay also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of manful porn viewers and the significant audience check out venture conducted by Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all on collectively to cool stereotypes and generalizations thither porn audiences, who they are and how they present to porn materials.<br><br>Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and the Entrepreneurial Voyeur’ takes up multitudinous of the account themes that Waugh has identified, [http://Johansson-langlois.info/__media__/js/netsoltrademark.php?d=rachel-betts.co.uk%2F2016%2F05%2Fmake-it-clean-and-simple%2F gay0day] and his intervention can be arranged both as a response to Waugh’s earlier tract as opulently as his own sensible appraisal of 30 years of research into gay porn. Maddison has yesterday written very much astutely about the corroding of a distinctive gay erudition and the accessory federal implications of gay assimilation. In this article he positively again draws our notoriety to David Halperin’s (2014) recently made prominence between a gay unanimity associated with capitalism, commodification and assimilation and a gay subjectivity that offers the likelihood of dissidence. Maddison engages critically with the earthy that innumerable others have мейд back the centrality of porn to gay mores and interrogates this insistence through the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that spotlight smutty satisfied which he sees as acting as a position of a distinctively ‘gay’ and thereby consciously traitorous gay culture.<br>A rumination of the performative is at the callousness of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Fetching of a Transindividual Porn Woman’. The stars of gay porn receive always been objects of express charm and possess provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Idol and my own intervention in these debates in Su Holmes and Sean Redmond’s edited gleaning, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose identity has transitioned at a range of levels and includes his foray into gay porn. Crocker is an especially expedient particular recompense the analysis of gender identities and is a worthy who calls into a without question a set of issues far the models of masculinities that gay porn deploys and exploits.<br><br>The textual qualities of gay porn keep on to be an material focus of about for researchers in the field and the evolving temperament of the character means that there is each time more to disclose surrounding new modes of production and emerging aesthetic and verbose patterns. The following articles in this concerted printing all core on the specifics of fashionable gay porn as they are manifested in texts. In ‘Quip the Fag, or Tops and Bottoms, Persons and Things’, Damon Young tackles the textuality of porn, and coexistent gay porn in particular, mr big on. Into done with an division of a range of newfangled French materials and the website Jest the Fag, Unsophisticated argues that neither the arguments proselytized by way of anti-porn feminism nor the rubric of ‘pleasure’ that has also become an orthodoxy can incontrovertibly account for the enactments of sexual power and domination that these videos depict. Immature notes in his article that the semblance of ‘tops’ and ‘bottoms’ which gay porn routinely deploys is far more involved and far less binaristic than one-time accounts dominion accept suggested with the aid the confidence of the machine of the camera. Young’s article brilliantly reminds readers of the staged and performed nature of the reproductive acts represented in gay porn.<br><br>There are still lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Pornography’ home in on a longstanding area that is in spite of to be fully explored. Sound in porn films (alike resemble to a lesser extent to bringing off) remains under-researched and Mowlabocus and Medhurst advance some orientations to tolerate that avenue to be opened up, noting – with a commonplace good appease that British readers will-power very respect – that gay porn ‘relies on the pants we pay attention to as much as the pants we imagine’.<br>
Horodatage Unix de la modification (timestamp)
1663352838