Journal des déclenchements du filtre antiabus

Navigation du filtre antiabus (Accueil | Modifications récentes des filtres | Examiner les modifications précédentes | Journal antiabus)
Aller à : navigation, rechercher

Ce journal affiche une liste des actions détectées par les filtres.

Détails pour l'entrée 727 652 du journal

16 septembre 2022 à 01:13 : KeithHudd225 (discussion | contributions) a déclenché le filtre antiabus 4, en effectuant l’action « edit » sur Introduction: Gay Porn Right Away. Actions entreprises : Interdire la modification ; Description du filtre : Empêcher la création de pages de pub utilisateur (examiner)

Changements faits lors de la modification

Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and  gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
+
<br>A rumination of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn have continually been objects of pernickety fascination and possess provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or [http://Thecampersdesk.com/__media__/js/netsoltrademark.php?d=rachel-Betts.co.uk%2F2016%2F05%2Fmake-it-clean-and-simple%2F Gay0Day] Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly expedient individual through despite the examination of gender identities and is a figure who calls into a suspicions about a set of issues less the models of masculinities that gay porn deploys and exploits.<br><br>The object of this noteworthy issuing of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and ended 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the scholarly assay of gay porn has arrived at and where it is heading. The hyperbolic title of this special pay-off is deliberate. I wanted to arrest the have of freneticness and vibrancy that there is in this specific subfield of porn studies and sooner a be wearing aimed to illustrate the distinctiveness of approaches, methods, ticklish and conceptual frameworks and objects of cram that scholars preoccupy with.<br><br>There are still lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ identify a longstanding area that is that to be fully explored. Probe in porn films (similar to a lesser extent to engagement) remains under-researched and Mowlabocus and Medhurst offer some orientations to tolerate that avenue to be opened up, noting – with a regular good raillery that British readers will-power notably rate – that gay porn ‘relies on the pants we heed as much as the pants we bring’.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Shagging Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues adjacent piracy and the illegal uploading of copyrighted satisfied are of headway forceful concerns after the porn labour; in any case, Tsika identifies a rather more well-defined object of study in regularity to pressure observations to the ways in which ‘message’ is contingent on context. Tsika’s clarification be pertinent here is the device through which variously erotic or in some cases sexually outspoken materials can be extracted from their master framework within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to suggest that the prepare of appropriation and repackaging that takes place here reduces the political and cultural power of the queer origin texts that are repurposed.<br><br>The year 2017 marks a date that without hyperbole can be described as a pivotal appropriate for gay men in the Amalgamated Kingdom. It is now 50 years since the introduction of the Progenitive Offences Operation of 1967, legislation that initially only applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year for the benefit of gay men too. In Canada, the Legitimacy Envoy Pierre Trudeau introduced legislation that was to development in the decriminalization of homosexuality a year later. In the USA, the now naughty tv documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, sooner than this apex a vital Hollywood big shot, was to against a repressed faggot in John Huston’s (1967) Reflections in a Glowing Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Among Males: A Cross-Cultural and Cross-Species Quest was first published in 1967, a engage that argued sooner than hint to authentic and cultural paradigm after the acceptance of homosexuality. In September 1967, tersely formerly he was to suit sole of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Physique Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>The starting unimportant looking for this route is necessarily a revisiting of the days, and I am happy that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational try because of scholars of gay porn and his own reflections on the status of the field. As eternally, his humour and acuity is superior (his feather of Gail Dines as this review’s ‘demogogue nemesis’ has made me hoot a deride every schedule I have announce it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Right: a Familiar Revisit’ that his bash at was past no means the initial on the subject. ‘Men’s Smut: Gay vs Straightforward’ is nonetheless in my view (and this is a aspect shared during innumerable others) an specially substantial intervention. In this brand-new article, Waugh describes the set of social and cultural circumstances that lead to the publication of his essay in Pounce on attack Cut in 1985. In particular this reappraisal usefully works to jog the memory readers of the innovations contained therein. These comprise a methodical rubric instead of interpretation and the uniquely apposite (and in uncountable regards prophetic) opinion that gay porn does not be present in splendid isolation and should be more meaningfully arranged as say of what Tom describes as a ‘continuum’ here.<br>

Paramètres de l'action

VariableValeur
Si la modification est marquée comme mineure ou non (minor_edit)
Nom du compte d’utilisateur (user_name)
KeithHudd225
Groupes (y compris implicites) dont l'utilisateur est membre (user_groups)
* user autoconfirmed
Si un utilisateur est ou non en cours de modification via l’interface mobile (user_mobile)
Numéro de la page (article_articleid)
3294
Espace de noms de la page (article_namespace)
0
Titre de la page (sans l'espace de noms) (article_text)
Introduction: Gay Porn Right Away
Titre complet de la page (article_prefixedtext)
Introduction: Gay Porn Right Away
Action (action)
edit
Résumé/motif de la modification (summary)
Ancien modèle de contenu (old_content_model)
wikitext
Nouveau modèle de contenu (new_content_model)
wikitext
Ancien texte de la page, avant la modification (old_wikitext)
Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture.
Nouveau texte de la page, après la modification (new_wikitext)
<br>A rumination of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn have continually been objects of pernickety fascination and possess provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or [http://Thecampersdesk.com/__media__/js/netsoltrademark.php?d=rachel-Betts.co.uk%2F2016%2F05%2Fmake-it-clean-and-simple%2F Gay0Day] Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly expedient individual through despite the examination of gender identities and is a figure who calls into a suspicions about a set of issues less the models of masculinities that gay porn deploys and exploits.<br><br>The object of this noteworthy issuing of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and ended 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the scholarly assay of gay porn has arrived at and where it is heading. The hyperbolic title of this special pay-off is deliberate. I wanted to arrest the have of freneticness and vibrancy that there is in this specific subfield of porn studies and sooner a be wearing aimed to illustrate the distinctiveness of approaches, methods, ticklish and conceptual frameworks and objects of cram that scholars preoccupy with.<br><br>There are still lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ identify a longstanding area that is that to be fully explored. Probe in porn films (similar to a lesser extent to engagement) remains under-researched and Mowlabocus and Medhurst offer some orientations to tolerate that avenue to be opened up, noting – with a regular good raillery that British readers will-power notably rate – that gay porn ‘relies on the pants we heed as much as the pants we bring’.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Shagging Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues adjacent piracy and the illegal uploading of copyrighted satisfied are of headway forceful concerns after the porn labour; in any case, Tsika identifies a rather more well-defined object of study in regularity to pressure observations to the ways in which ‘message’ is contingent on context. Tsika’s clarification be pertinent here is the device through which variously erotic or in some cases sexually outspoken materials can be extracted from their master framework within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to suggest that the prepare of appropriation and repackaging that takes place here reduces the political and cultural power of the queer origin texts that are repurposed.<br><br>The year 2017 marks a date that without hyperbole can be described as a pivotal appropriate for gay men in the Amalgamated Kingdom. It is now 50 years since the introduction of the Progenitive Offences Operation of 1967, legislation that initially only applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year for the benefit of gay men too. In Canada, the Legitimacy Envoy Pierre Trudeau introduced legislation that was to development in the decriminalization of homosexuality a year later. In the USA, the now naughty tv documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, sooner than this apex a vital Hollywood big shot, was to against a repressed faggot in John Huston’s (1967) Reflections in a Glowing Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Among Males: A Cross-Cultural and Cross-Species Quest was first published in 1967, a engage that argued sooner than hint to authentic and cultural paradigm after the acceptance of homosexuality. In September 1967, tersely formerly he was to suit sole of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Physique Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>The starting unimportant looking for this route is necessarily a revisiting of the days, and I am happy that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational try because of scholars of gay porn and his own reflections on the status of the field. As eternally, his humour and acuity is superior (his feather of Gail Dines as this review’s ‘demogogue nemesis’ has made me hoot a deride every schedule I have announce it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Right: a Familiar Revisit’ that his bash at was past no means the initial on the subject. ‘Men’s Smut: Gay vs Straightforward’ is nonetheless in my view (and this is a aspect shared during innumerable others) an specially substantial intervention. In this brand-new article, Waugh describes the set of social and cultural circumstances that lead to the publication of his essay in Pounce on attack Cut in 1985. In particular this reappraisal usefully works to jog the memory readers of the innovations contained therein. These comprise a methodical rubric instead of interpretation and the uniquely apposite (and in uncountable regards prophetic) opinion that gay porn does not be present in splendid isolation and should be more meaningfully arranged as say of what Tom describes as a ‘continuum’ here.<br>
Diff unifié des changements faits lors de la modification (edit_diff)
@@ -1,1 +1,1 @@ -Stephen Maddison’s article ‘Comradeship of Cock? Gay Porn and gay0day the Entrepreneurial Voyeur’ takes up divers of the account themes that Waugh has identified, and his intervention can be accepted both as a feedback to Waugh’s earlier essay as proficiently as his own quick appraisal of 30 years of inspect into gay porn. Maddison has in days written entirely astutely give the grinding of a characteristic gay culture and the attendant factious implications of gay assimilation. In this article he positively again draws our attention to David Halperin’s (2014) recently made significance between a gay individuality associated with capitalism, commodification and assimilation and a gay subjectivity that offers the odds of dissidence. Maddison engages critically with the suggestion that innumerable others accept мейд about the centrality of porn to gay mores and interrogates this representation into done with the lens of neoliberalism. In his article he looks at microblogging Tumblr sites that feature obscene load which he sees as acting as a purlieus of a distinctively ‘gay’ and thereby consciously insurrectionary gay culture. +<br>A rumination of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn have continually been objects of pernickety fascination and possess provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or [http://Thecampersdesk.com/__media__/js/netsoltrademark.php?d=rachel-Betts.co.uk%2F2016%2F05%2Fmake-it-clean-and-simple%2F Gay0Day] Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly expedient individual through despite the examination of gender identities and is a figure who calls into a suspicions about a set of issues less the models of masculinities that gay porn deploys and exploits.<br><br>The object of this noteworthy issuing of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and ended 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the scholarly assay of gay porn has arrived at and where it is heading. The hyperbolic title of this special pay-off is deliberate. I wanted to arrest the have of freneticness and vibrancy that there is in this specific subfield of porn studies and sooner a be wearing aimed to illustrate the distinctiveness of approaches, methods, ticklish and conceptual frameworks and objects of cram that scholars preoccupy with.<br><br>There are still lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ identify a longstanding area that is that to be fully explored. Probe in porn films (similar to a lesser extent to engagement) remains under-researched and Mowlabocus and Medhurst offer some orientations to tolerate that avenue to be opened up, noting – with a regular good raillery that British readers will-power notably rate – that gay porn ‘relies on the pants we heed as much as the pants we bring’.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Shagging Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues adjacent piracy and the illegal uploading of copyrighted satisfied are of headway forceful concerns after the porn labour; in any case, Tsika identifies a rather more well-defined object of study in regularity to pressure observations to the ways in which ‘message’ is contingent on context. Tsika’s clarification be pertinent here is the device through which variously erotic or in some cases sexually outspoken materials can be extracted from their master framework within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to suggest that the prepare of appropriation and repackaging that takes place here reduces the political and cultural power of the queer origin texts that are repurposed.<br><br>The year 2017 marks a date that without hyperbole can be described as a pivotal appropriate for gay men in the Amalgamated Kingdom. It is now 50 years since the introduction of the Progenitive Offences Operation of 1967, legislation that initially only applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year for the benefit of gay men too. In Canada, the Legitimacy Envoy Pierre Trudeau introduced legislation that was to development in the decriminalization of homosexuality a year later. In the USA, the now naughty tv documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, sooner than this apex a vital Hollywood big shot, was to against a repressed faggot in John Huston’s (1967) Reflections in a Glowing Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Among Males: A Cross-Cultural and Cross-Species Quest was first published in 1967, a engage that argued sooner than hint to authentic and cultural paradigm after the acceptance of homosexuality. In September 1967, tersely formerly he was to suit sole of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Physique Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>The starting unimportant looking for this route is necessarily a revisiting of the days, and I am happy that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational try because of scholars of gay porn and his own reflections on the status of the field. As eternally, his humour and acuity is superior (his feather of Gail Dines as this review’s ‘demogogue nemesis’ has made me hoot a deride every schedule I have announce it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Right: a Familiar Revisit’ that his bash at was past no means the initial on the subject. ‘Men’s Smut: Gay vs Straightforward’ is nonetheless in my view (and this is a aspect shared during innumerable others) an specially substantial intervention. In this brand-new article, Waugh describes the set of social and cultural circumstances that lead to the publication of his essay in Pounce on attack Cut in 1985. In particular this reappraisal usefully works to jog the memory readers of the innovations contained therein. These comprise a methodical rubric instead of interpretation and the uniquely apposite (and in uncountable regards prophetic) opinion that gay porn does not be present in splendid isolation and should be more meaningfully arranged as say of what Tom describes as a ‘continuum’ here.<br>
Lignes ajoutées lors de la modification (added_lines)
<br>A rumination of the performative is at the pump of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Star’. The stars of gay porn have continually been objects of pernickety fascination and possess provoked lore including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or [http://Thecampersdesk.com/__media__/js/netsoltrademark.php?d=rachel-Betts.co.uk%2F2016%2F05%2Fmake-it-clean-and-simple%2F Gay0Day] Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Celebrity (Mercer 2006). In his article Arroyo analyzes the YouTube ‘stardom’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly expedient individual through despite the examination of gender identities and is a figure who calls into a suspicions about a set of issues less the models of masculinities that gay porn deploys and exploits.<br><br>The object of this noteworthy issuing of Porn Studies is to assess, 50 years after homosexuality was no longer criminal and ended 30 years since Waugh provided a crucial framework to deliberate over gay porn, where the scholarly assay of gay porn has arrived at and where it is heading. The hyperbolic title of this special pay-off is deliberate. I wanted to arrest the have of freneticness and vibrancy that there is in this specific subfield of porn studies and sooner a be wearing aimed to illustrate the distinctiveness of approaches, methods, ticklish and conceptual frameworks and objects of cram that scholars preoccupy with.<br><br>There are still lacunae in porn inspection, and Sharif Mowlabocus and Andy Medhurst in ‘Six Propositions of the Sonics of Gay Porn’ identify a longstanding area that is that to be fully explored. Probe in porn films (similar to a lesser extent to engagement) remains under-researched and Mowlabocus and Medhurst offer some orientations to tolerate that avenue to be opened up, noting – with a regular good raillery that British readers will-power notably rate – that gay porn ‘relies on the pants we heed as much as the pants we bring’.<br><br>Noah Tsika in ‘Lewd Transfusions: Porn Aggregators and the Pirating of Queer Cinema’s Unsimulated Shagging Scenes’ discusses the distinct streaming platforms through which gay porn is increasingly circulated. Issues adjacent piracy and the illegal uploading of copyrighted satisfied are of headway forceful concerns after the porn labour; in any case, Tsika identifies a rather more well-defined object of study in regularity to pressure observations to the ways in which ‘message’ is contingent on context. Tsika’s clarification be pertinent here is the device through which variously erotic or in some cases sexually outspoken materials can be extracted from their master framework within sunken and cracked cinema and repackaged as ‘porn’ clips. The article considers these online piracy practices in apt to suggest that the prepare of appropriation and repackaging that takes place here reduces the political and cultural power of the queer origin texts that are repurposed.<br><br>The year 2017 marks a date that without hyperbole can be described as a pivotal appropriate for gay men in the Amalgamated Kingdom. It is now 50 years since the introduction of the Progenitive Offences Operation of 1967, legislation that initially only applied in England and Wales, which led to the decriminalization of homosexuality in the Opinion Kingdom. Internationally, 1967 was an influential year for the benefit of gay men too. In Canada, the Legitimacy Envoy Pierre Trudeau introduced legislation that was to development in the decriminalization of homosexuality a year later. In the USA, the now naughty tv documentary The Homosexuals (1967) was sow on CBS and Marlon Brando, sooner than this apex a vital Hollywood big shot, was to against a repressed faggot in John Huston’s (1967) Reflections in a Glowing Eye. Also, Wainwright Churchill’s (1967) Homosexual Behavior Among Males: A Cross-Cultural and Cross-Species Quest was first published in 1967, a engage that argued sooner than hint to authentic and cultural paradigm after the acceptance of homosexuality. In September 1967, tersely formerly he was to suit sole of Andy Warhol’s superstars, a 19-year-old Joe Dallesandro appeared in the September issue of Physique Picturesque, marking his entree into the area of show-business via gay porn’s backdoor.<br><br>The starting unimportant looking for this route is necessarily a revisiting of the days, and I am happy that Thomas Waugh has been persuaded to provide his own reassessment of what has become a foundational try because of scholars of gay porn and his own reflections on the status of the field. As eternally, his humour and acuity is superior (his feather of Gail Dines as this review’s ‘demogogue nemesis’ has made me hoot a deride every schedule I have announce it), as is his modesty, acknowledging, as he does in ‘Men’s Erotica, Gay vs. Right: a Familiar Revisit’ that his bash at was past no means the initial on the subject. ‘Men’s Smut: Gay vs Straightforward’ is nonetheless in my view (and this is a aspect shared during innumerable others) an specially substantial intervention. In this brand-new article, Waugh describes the set of social and cultural circumstances that lead to the publication of his essay in Pounce on attack Cut in 1985. In particular this reappraisal usefully works to jog the memory readers of the innovations contained therein. These comprise a methodical rubric instead of interpretation and the uniquely apposite (and in uncountable regards prophetic) opinion that gay porn does not be present in splendid isolation and should be more meaningfully arranged as say of what Tom describes as a ‘continuum’ here.<br>
Horodatage Unix de la modification (timestamp)
1663287216